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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA26E6 it is the complementary color #25D919. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA26E6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA26E6 shade: #DF26E1, #F038F4, #FF4AFF, #FF5CFF and #FF6EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA26E6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA26E6 shade: #DA26E6, #C914D3, #B802C0, #A700AD and #96009A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA26E6 shade: #D928E5, #E528BE, #E5288B, #E52858 and #E52828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA26E6 shade: #D928E5, #A628E5, #7328E5, #4028E5 and #2828E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA26E6 shade matches the following richer shades: #D928E5 and #EA15F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA26E6 shade: #D928E5, #C93BD2, #B84FBF, #A762AB and #967698

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA26E6 shade: #7428E5, #A628E5, #D928E5, #E528BF and #E5288D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA26E6 shade: #9E13A8, #C118CC, #D928E5, #E04DEA and #E672EE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA26E6 shade: #DA26E6, #E54128 and #28E58D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA26E6 shade: #DA26E6, #E5D928 and #28E5D9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA26E6 shade: #DA26E6, #E54128, #35E528 and #28CCE5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA26E6 shade: #DA26E6, #E57A28, #35E528 and #2893E5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 83 / 0 / 10

HEX #DA26E6

RGB 218 38 230

HSL 296.25, 0.79%, 0.53%

LAB 54.03, 84.6, -57.28

 

Complementary color

CMYK 83 / 0 / 88 / 15

HEX #25D919

RGB 37 217 25

HSL 116.25, 0.79%, 0.47%

LAB 76.12, -73.55, 70.98

 

CMYK 1 / 83 / 0 / 12

HEX #DF26E1

RGB 223 38 225

HSL 299.36, 0.76%, 0.52%

LAB 54.56, 84.72, -53.56

 

CMYK 2 / 77 / 0 / 4

HEX #F038F4

RGB 240 56 244

HSL 298.72, 0.9%, 0.59%

LAB 59.78, 86.63, -55.73

 

CMYK 0 / 71 / 0 / 0

HEX #FF4AFF

RGB 255 74 255

HSL 300, 1%, 0.65%

LAB 64.47, 86.19, -54.23

 

CMYK 0 / 64 / 0 / 0

HEX #FF5CFF

RGB 255 92 255

HSL 300, 1%, 0.68%

LAB 66.62, 80.09, -50.82

 

CMYK 0 / 57 / 0 / 0

HEX #FF6EFF

RGB 255 110 255

HSL 300, 1%, 0.72%

LAB 69.21, 72.94, -46.74

 

CMYK 5 / 83 / 0 / 10

HEX #DA26E6

RGB 218 38 230

HSL 296.25, 0.79%, 0.53%

LAB 54.03, 84.6, -57.28

 

CMYK 5 / 91 / 0 / 17

HEX #C914D3

RGB 201 20 211

HSL 296.86, 0.83%, 0.45%

LAB 49.03, 81.77, -54.64

 

CMYK 4 / 99 / 0 / 25

HEX #B802C0

RGB 184 2 192

HSL 297.47, 0.98%, 0.38%

LAB 44.29, 77.91, -51.41

 

CMYK 3 / 100 / 0 / 32

HEX #A700AD

RGB 167 0 173

HSL 297.92, 1%, 0.34%

LAB 39.97, 72.48, -47.29

 

CMYK 3 / 100 / 0 / 40

HEX #96009A

RGB 150 0 154

HSL 298.44, 1%, 0.3%

LAB 35.63, 66.76, -42.98

 

CMYK 5 / 83 / 0 / 10

HEX #D928E5

RGB 217 40 229

HSL 296.19, 0.78%, 0.53%

LAB 53.95, 83.87, -56.86

 

CMYK 0 / 83 / 17 / 10

HEX #E528BE

RGB 229 40 190

HSL 312.38, 0.78%, 0.53%

LAB 53.91, 80.59, -34.48

 

CMYK 0 / 83 / 39 / 10

HEX #E5288B

RGB 229 40 139

HSL 328.57, 0.78%, 0.53%

LAB 51.88, 74.88, -7.53

 

CMYK 0 / 83 / 62 / 10

HEX #E52858

RGB 229 40 88

HSL 344.76, 0.78%, 0.53%

LAB 50.55, 70.97, 21.47

 

CMYK 0 / 83 / 83 / 10

HEX #E52828

RGB 229 40 40

HSL 0, 0.78%, 0.53%

LAB 49.89, 69.01, 48.35

 

CMYK 5 / 83 / 0 / 10

HEX #D928E5

RGB 217 40 229

HSL 296.19, 0.78%, 0.53%

LAB 53.95, 83.87, -56.86

 

CMYK 28 / 83 / 0 / 10

HEX #A628E5

RGB 166 40 229

HSL 280, 0.78%, 0.53%

LAB 46.02, 75.47, -70.07

 

CMYK 50 / 83 / 0 / 10

HEX #7328E5

RGB 115 40 229

HSL 263.81, 0.78%, 0.53%

LAB 39.27, 68.61, -81.37

 

CMYK 72 / 83 / 0 / 10

HEX #4028E5

RGB 64 40 229

HSL 247.62, 0.78%, 0.53%

LAB 34.53, 64.01, -89.38

 

CMYK 83 / 83 / 0 / 10

HEX #2828E5

RGB 40 40 229

HSL 240, 0.78%, 0.53%

LAB 33.19, 62.76, -91.64

 

CMYK 5 / 83 / 0 / 10

HEX #D928E5

RGB 217 40 229

HSL 296.19, 0.78%, 0.53%

LAB 53.95, 83.87, -56.86

 

CMYK 6 / 92 / 0 / 2

HEX #EA15F9

RGB 234 21 249

HSL 296.05, 0.95%, 0.53%

LAB 56.95, 92.67, -63.11

 

CMYK 5 / 83 / 0 / 10

HEX #D928E5

RGB 217 40 229

HSL 296.19, 0.78%, 0.53%

LAB 53.95, 83.87, -56.86

 

CMYK 4 / 72 / 0 / 18

HEX #C93BD2

RGB 201 59 210

HSL 296.42, 0.63%, 0.53%

LAB 52.06, 72.65, -49.23

 

CMYK 4 / 59 / 0 / 25

HEX #B84FBF

RGB 184 79 191

HSL 296.25, 0.47%, 0.53%

LAB 51.32, 57.55, -39.64

 

CMYK 2 / 43 / 0 / 33

HEX #A762AB

RGB 167 98 171

HSL 296.71, 0.3%, 0.53%

LAB 51.71, 39.45, -27.57

 

CMYK 1 / 22 / 0 / 40

HEX #967698

RGB 150 118 152

HSL 296.47, 0.14%, 0.53%

LAB 53.72, 18.68, -13.59

 

CMYK 49 / 83 / 0 / 10

HEX #7428E5

RGB 116 40 229

HSL 264.13, 0.78%, 0.53%

LAB 39.39, 68.73, -81.18

 

CMYK 28 / 83 / 0 / 10

HEX #A628E5

RGB 166 40 229

HSL 280, 0.78%, 0.53%

LAB 46.02, 75.47, -70.07

 

CMYK 5 / 83 / 0 / 10

HEX #D928E5

RGB 217 40 229

HSL 296.19, 0.78%, 0.53%

LAB 53.95, 83.87, -56.86

 

CMYK 0 / 83 / 17 / 10

HEX #E528BF

RGB 229 40 191

HSL 312.06, 0.78%, 0.53%

LAB 53.96, 80.72, -34.99

 

CMYK 0 / 83 / 38 / 10

HEX #E5288D

RGB 229 40 141

HSL 327.94, 0.78%, 0.53%

LAB 51.95, 75.07, -8.63

 

CMYK 6 / 89 / 0 / 34

HEX #9E13A8

RGB 158 19 168

HSL 295.97, 0.8%, 0.37%

LAB 38.83, 67.84, -46.22

 

CMYK 5 / 88 / 0 / 20

HEX #C118CC

RGB 193 24 204

HSL 296.33, 0.79%, 0.45%

LAB 47.43, 78.79, -53.26

 

CMYK 5 / 83 / 0 / 10

HEX #D928E5

RGB 217 40 229

HSL 296.19, 0.78%, 0.53%

LAB 53.95, 83.87, -56.86

 

CMYK 4 / 67 / 0 / 8

HEX #E04DEA

RGB 224 77 234

HSL 296.18, 0.79%, 0.61%

LAB 59.06, 75.3, -51.45

 

CMYK 3 / 52 / 0 / 7

HEX #E672EE

RGB 230 114 238

HSL 296.13, 0.78%, 0.69%

LAB 65.77, 61.86, -43.02

 

CMYK 5 / 83 / 0 / 10

HEX #DA26E6

RGB 218 38 230

HSL 296.25, 0.79%, 0.53%

LAB 54.03, 84.6, -57.28

 

CMYK 0 / 72 / 83 / 10

HEX #E54128

RGB 229 65 40

HSL 7.94, 0.78%, 0.53%

LAB 52.5, 61.71, 50.75

 

CMYK 83 / 0 / 38 / 10

HEX #28E58D

RGB 40 229 141

HSL 152.06, 0.78%, 0.53%

LAB 80.97, -64.07, 30.58

 

CMYK 5 / 83 / 0 / 10

HEX #DA26E6

RGB 218 38 230

HSL 296.25, 0.79%, 0.53%

LAB 54.03, 84.6, -57.28

 

CMYK 0 / 5 / 83 / 10

HEX #E5D928

RGB 229 217 40

HSL 56.19, 0.78%, 0.53%

LAB 85.22, -13.39, 79.16

 

CMYK 83 / 0 / 5 / 10

HEX #28E5D9

RGB 40 229 217

HSL 176.19, 0.78%, 0.53%

LAB 82.65, -46.13, -6.81

 

CMYK 5 / 83 / 0 / 10

HEX #DA26E6

RGB 218 38 230

HSL 296.25, 0.79%, 0.53%

LAB 54.03, 84.6, -57.28

 

CMYK 0 / 72 / 83 / 10

HEX #E54128

RGB 229 65 40

HSL 7.94, 0.78%, 0.53%

LAB 52.5, 61.71, 50.75

 

CMYK 77 / 0 / 83 / 10

HEX #35E528

RGB 53 229 40

HSL 115.87, 0.78%, 0.53%

LAB 80.15, -74.5, 71.44

 

CMYK 83 / 11 / 0 / 10

HEX #28CCE5

RGB 40 204 229

HSL 187.94, 0.78%, 0.53%

LAB 75.63, -31.18, -23.76

 

CMYK 5 / 83 / 0 / 10

HEX #DA26E6

RGB 218 38 230

HSL 296.25, 0.79%, 0.53%

LAB 54.03, 84.6, -57.28

 

CMYK 0 / 47 / 83 / 10

HEX #E57A28

RGB 229 122 40

HSL 26.03, 0.78%, 0.53%

LAB 62.28, 36.21, 59.5

 

CMYK 77 / 0 / 83 / 10

HEX #35E528

RGB 53 229 40

HSL 115.87, 0.78%, 0.53%

LAB 80.15, -74.5, 71.44

 

CMYK 83 / 36 / 0 / 10

HEX #2893E5

RGB 40 147 229

HSL 206.03, 0.78%, 0.53%

LAB 58.95, -0.79, -49.72

 

Description

Color code: HEX #DA26E6 | qconv.com Color code: HEX #DA26E6 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 38 green and 230 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 38 230 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 83 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 83% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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