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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA2759 it is the complementary color #25D8A6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA2759. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA2759 shade: #DF2754, #F03967, #FF4B7A, #FF5D8D and #FF6FA0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA2759. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA2759 shade: #DA2759, #C91546, #B80333, #A70020 and #96000D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA2759 shade: #DA2457, #DA2426 and #DA2424

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA2759 shade: #DA2457, #DA2488, #DA24B9, #CA24DA and #9924DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA2759 shade matches the following richer shades: #DA2457 and #EE104E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA2759 shade: #DA2457, #C53960, #B04E69, #9C6272 and #87777B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA2759 shade: #DA24B8, #DA2488, #DA2458, #DA2427 and #DA5224

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA2759 shade: #93193B, #B61E49, #DA2457, #E04872 and #E56B8D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA2759 shade: #DA2759, #DACA24 and #24A0DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA2759 shade: #DA2759, #58DA24 and #2458DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA2759 shade: #DA2759, #DACA24, #24DAA6 and #2434DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA2759 shade: #DA2759, #B2DA24, #24DAA6 and #4C24DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 59 / 15

HEX #DA2759

RGB 218 39 89

HSL 343.24, 0.71%, 0.5%

LAB 48.36, 68.4, 17.56

 

Complementary color

CMYK 83 / 0 / 23 / 15

HEX #25D8A6

RGB 37 216 166

HSL 163.24, 0.71%, 0.5%

LAB 77.43, -54.17, 12.71

 

CMYK 0 / 83 / 62 / 13

HEX #DF2754

RGB 223 39 84

HSL 345.33, 0.74%, 0.51%

LAB 49.23, 69.41, 21.95

 

CMYK 0 / 76 / 57 / 6

HEX #F03967

RGB 240 57 103

HSL 344.92, 0.86%, 0.58%

LAB 54.48, 70.42, 18.08

 

CMYK 0 / 71 / 52 / 0

HEX #FF4B7A

RGB 255 75 122

HSL 344.33, 1%, 0.65%

LAB 59.61, 70.22, 14.33

 

CMYK 0 / 64 / 45 / 0

HEX #FF5D8D

RGB 255 93 141

HSL 342.22, 1%, 0.68%

LAB 62.52, 65.09, 7.36

 

CMYK 0 / 56 / 37 / 0

HEX #FF6FA0

RGB 255 111 160

HSL 339.58, 1%, 0.72%

LAB 65.88, 59.32, 1.31

 

CMYK 0 / 82 / 59 / 15

HEX #DA2759

RGB 218 39 89

HSL 343.24, 0.71%, 0.5%

LAB 48.36, 68.4, 17.56

 

CMYK 0 / 90 / 65 / 21

HEX #C91546

RGB 201 21 70

HSL 343.67, 0.81%, 0.44%

LAB 43.35, 66.48, 22.07

 

CMYK 0 / 98 / 72 / 28

HEX #B80333

RGB 184 3 51

HSL 344.09, 0.97%, 0.37%

LAB 38.72, 63.51, 27.4

 

CMYK 0 / 100 / 81 / 35

HEX #A70020

RGB 167 0 32

HSL 348.5, 1%, 0.33%

LAB 34.64, 58.93, 33.52

 

CMYK 0 / 100 / 91 / 41

HEX #96000D

RGB 150 0 13

HSL 354.8, 1%, 0.29%

LAB 30.67, 54.11, 38.99

 

CMYK 0 / 83 / 60 / 15

HEX #DA2457

RGB 218 36 87

HSL 343.19, 0.72%, 0.5%

LAB 48.08, 68.96, 18.41

 

CMYK 0 / 83 / 83 / 15

HEX #DA2426

RGB 218 36 38

HSL 359.34, 0.72%, 0.5%

LAB 47.37, 66.86, 46.25

 

CMYK 0 / 83 / 83 / 15

HEX #DA2424

RGB 218 36 36

HSL 0, 0.72%, 0.5%

LAB 47.36, 66.82, 47.26

 

CMYK 0 / 83 / 60 / 15

HEX #DA2457

RGB 218 36 87

HSL 343.19, 0.72%, 0.5%

LAB 48.08, 68.96, 18.41

 

CMYK 0 / 83 / 38 / 15

HEX #DA2488

RGB 218 36 136

HSL 327.03, 0.72%, 0.5%

LAB 49.43, 72.87, -9.6

 

CMYK 0 / 83 / 15 / 15

HEX #DA24B9

RGB 218 36 185

HSL 310.88, 0.72%, 0.5%

LAB 51.46, 78.53, -35.56

 

CMYK 7 / 83 / 0 / 15

HEX #CA24DA

RGB 202 36 218

HSL 294.73, 0.72%, 0.5%

LAB 50.55, 80.35, -56.21

 

CMYK 30 / 83 / 0 / 15

HEX #9924DA

RGB 153 36 218

HSL 278.57, 0.72%, 0.5%

LAB 42.91, 72.41, -68.94

 

CMYK 0 / 83 / 60 / 15

HEX #DA2457

RGB 218 36 87

HSL 343.19, 0.72%, 0.5%

LAB 48.08, 68.96, 18.41

 

CMYK 0 / 93 / 67 / 7

HEX #EE104E

RGB 238 16 78

HSL 343.24, 0.87%, 0.5%

LAB 50.8, 76.55, 28.2

 

CMYK 0 / 83 / 60 / 15

HEX #DA2457

RGB 218 36 87

HSL 343.19, 0.72%, 0.5%

LAB 48.08, 68.96, 18.41

 

CMYK 0 / 71 / 51 / 23

HEX #C53960

RGB 197 57 96

HSL 343.29, 0.55%, 0.5%

LAB 46.5, 57.66, 10.08

 

CMYK 0 / 56 / 40 / 31

HEX #B04E69

RGB 176 78 105

HSL 343.47, 0.39%, 0.5%

LAB 46.58, 42.65, 4.2

 

CMYK 0 / 37 / 27 / 39

HEX #9C6272

RGB 156 98 114

HSL 343.45, 0.23%, 0.5%

LAB 48.28, 25.74, 0.88

 

CMYK 0 / 12 / 9 / 47

HEX #87777B

RGB 135 119 123

HSL 345, 0.06%, 0.5%

LAB 51.58, 6.9, 0.07

 

CMYK 0 / 83 / 16 / 15

HEX #DA24B8

RGB 218 36 184

HSL 311.21, 0.72%, 0.5%

LAB 51.41, 78.4, -35.05

 

CMYK 0 / 83 / 38 / 15

HEX #DA2488

RGB 218 36 136

HSL 327.03, 0.72%, 0.5%

LAB 49.43, 72.87, -9.6

 

CMYK 0 / 83 / 60 / 15

HEX #DA2458

RGB 218 36 88

HSL 342.86, 0.72%, 0.5%

LAB 48.1, 69.02, 17.82

 

CMYK 0 / 83 / 82 / 15

HEX #DA2427

RGB 218 36 39

HSL 359.01, 0.72%, 0.5%

LAB 47.38, 66.89, 45.74

 

CMYK 0 / 62 / 83 / 15

HEX #DA5224

RGB 218 82 36

HSL 15.16, 0.72%, 0.5%

LAB 53.02, 51.22, 52.32

 

CMYK 0 / 83 / 60 / 42

HEX #93193B

RGB 147 25 59

HSL 343.28, 0.71%, 0.34%

LAB 32.29, 50.59, 12.43

 

CMYK 0 / 84 / 60 / 29

HEX #B61E49

RGB 182 30 73

HSL 343.03, 0.72%, 0.42%

LAB 40.17, 59.95, 15.26

 

CMYK 0 / 83 / 60 / 15

HEX #DA2457

RGB 218 36 87

HSL 343.19, 0.72%, 0.5%

LAB 48.08, 68.96, 18.41

 

CMYK 0 / 68 / 49 / 12

HEX #E04872

RGB 224 72 114

HSL 343.42, 0.71%, 0.58%

LAB 53.7, 61.63, 10

 

CMYK 0 / 53 / 38 / 10

HEX #E56B8D

RGB 229 107 141

HSL 343.28, 0.7%, 0.66%

LAB 60.87, 50.66, 4.47

 

CMYK 0 / 82 / 59 / 15

HEX #DA2759

RGB 218 39 89

HSL 343.24, 0.71%, 0.5%

LAB 48.36, 68.4, 17.56

 

CMYK 0 / 7 / 83 / 15

HEX #DACA24

RGB 218 202 36

HSL 54.73, 0.72%, 0.5%

LAB 80.33, -10.66, 75.65

 

CMYK 83 / 27 / 0 / 15

HEX #24A0DA

RGB 36 160 218

HSL 199.12, 0.72%, 0.5%

LAB 62.15, -12.47, -38.58

 

CMYK 0 / 82 / 59 / 15

HEX #DA2759

RGB 218 39 89

HSL 343.24, 0.71%, 0.5%

LAB 48.36, 68.4, 17.56

 

CMYK 60 / 0 / 83 / 15

HEX #58DA24

RGB 88 218 36

HSL 102.86, 0.72%, 0.5%

LAB 77.49, -64.76, 70.28

 

CMYK 83 / 60 / 0 / 15

HEX #2458DA

RGB 36 88 218

HSL 222.86, 0.72%, 0.5%

LAB 41.87, 31.56, -71.04

 

CMYK 0 / 82 / 59 / 15

HEX #DA2759

RGB 218 39 89

HSL 343.24, 0.71%, 0.5%

LAB 48.36, 68.4, 17.56

 

CMYK 0 / 7 / 83 / 15

HEX #DACA24

RGB 218 202 36

HSL 54.73, 0.72%, 0.5%

LAB 80.33, -10.66, 75.65

 

CMYK 83 / 0 / 24 / 15

HEX #24DAA6

RGB 36 218 166

HSL 162.86, 0.72%, 0.5%

LAB 78.03, -55.03, 13.56

 

CMYK 83 / 76 / 0 / 15

HEX #2434DA

RGB 36 52 218

HSL 234.73, 0.72%, 0.5%

LAB 33.76, 53.36, -84.39

 

CMYK 0 / 82 / 59 / 15

HEX #DA2759

RGB 218 39 89

HSL 343.24, 0.71%, 0.5%

LAB 48.36, 68.4, 17.56

 

CMYK 18 / 0 / 83 / 15

HEX #B2DA24

RGB 178 218 36

HSL 73.19, 0.72%, 0.5%

LAB 81.69, -35.04, 75.59

 

CMYK 83 / 0 / 24 / 15

HEX #24DAA6

RGB 36 218 166

HSL 162.86, 0.72%, 0.5%

LAB 78.03, -55.03, 13.56

 

CMYK 65 / 83 / 0 / 15

HEX #4C24DA

RGB 76 36 218

HSL 253.19, 0.72%, 0.5%

LAB 33.69, 63.42, -84.43

 

Description

Color code: HEX #DA2759 | qconv.com Color code: HEX #DA2759 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 39 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 39 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 59 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 59% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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