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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA29B7 it is the complementary color #25D648. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA29B7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA29B7 shade: #DF29B2, #F03BC5, #FF4DD8, #FF5FEB and #FF71FE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA29B7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA29B7 shade: #DA29B7, #C917A4, #B80591, #A7007E and #96006B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA29B7 shade: #DA29B7, #DA2987, #DA2957 and #DA2929

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA29B7 shade: #DA29B7, #CD29DA, #9E29DA, #6E29DA and #3E29DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA29B7 shade matches the following richer shades: #DA29B7 and #EE15C3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA29B7 shade: #DA29B7, #C63DAB, #B2519F, #9E6593 and #897A86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA29B7 shade: #9C29DA, #CB29DA, #DA29BA, #DA298A and #DA295B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA29B7 shade: #97197E, #BB1F9C, #DA29B7, #E04CC3 and #E66FCF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA29B7 shade: #DA29B7, #DA6D29 and #29DAB4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA29B7 shade: #DA29B7, #BADA29 and #29BADA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA29B7 shade: #DA29B7, #DA6D29, #29DA49 and #2996DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA29B7 shade: #DA29B7, #DAA229, #29DA49 and #2961DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 16 / 15

HEX #DA29B7

RGB 218 41 183

HSL 311.86, 0.71%, 0.51%

LAB 51.74, 77.2, -33.96

 

Complementary color

CMYK 83 / 0 / 66 / 16

HEX #25D648

RGB 37 214 72

HSL 131.86, 0.71%, 0.49%

LAB 75.42, -69.58, 56.18

 

CMYK 0 / 82 / 20 / 13

HEX #DF29B2

RGB 223 41 178

HSL 314.84, 0.74%, 0.52%

LAB 52.38, 77.61, -29.96

 

CMYK 0 / 75 / 18 / 6

HEX #F03BC5

RGB 240 59 197

HSL 314.25, 0.86%, 0.59%

LAB 57.74, 79.17, -32.41

 

CMYK 0 / 70 / 15 / 0

HEX #FF4DD8

RGB 255 77 216

HSL 313.15, 1%, 0.65%

LAB 62.95, 79.59, -34.91

 

CMYK 0 / 63 / 8 / 0

HEX #FF5FEB

RGB 255 95 235

HSL 307.5, 1%, 0.69%

LAB 66.09, 75.85, -40.62

 

CMYK 0 / 56 / 0 / 0

HEX #FF71FE

RGB 255 113 254

HSL 300.42, 1%, 0.72%

LAB 69.63, 71.5, -45.53

 

CMYK 0 / 81 / 16 / 15

HEX #DA29B7

RGB 218 41 183

HSL 311.86, 0.71%, 0.51%

LAB 51.74, 77.2, -33.96

 

CMYK 0 / 89 / 18 / 21

HEX #C917A4

RGB 201 23 164

HSL 312.47, 0.79%, 0.44%

LAB 46.59, 74.73, -31.04

 

CMYK 0 / 97 / 21 / 28

HEX #B80591

RGB 184 5 145

HSL 313.07, 0.95%, 0.37%

LAB 41.76, 71.12, -27.39

 

CMYK 0 / 100 / 25 / 35

HEX #A7007E

RGB 167 0 126

HSL 314.73, 1%, 0.33%

LAB 37.34, 66, -22.81

 

CMYK 0 / 100 / 29 / 41

HEX #96006B

RGB 150 0 107

HSL 317.2, 1%, 0.29%

LAB 33.02, 60.3, -17.77

 

CMYK 0 / 81 / 16 / 15

HEX #DA29B7

RGB 218 41 183

HSL 311.86, 0.71%, 0.51%

LAB 51.74, 77.2, -33.96

 

CMYK 0 / 81 / 38 / 15

HEX #DA2987

RGB 218 41 135

HSL 328.14, 0.71%, 0.51%

LAB 49.79, 71.65, -8.46

 

CMYK 0 / 81 / 60 / 15

HEX #DA2957

RGB 218 41 87

HSL 344.41, 0.71%, 0.51%

LAB 48.49, 67.79, 18.96

 

CMYK 0 / 81 / 81 / 15

HEX #DA2929

RGB 218 41 41

HSL 0, 0.71%, 0.51%

LAB 47.82, 65.76, 45.1

 

CMYK 0 / 81 / 16 / 15

HEX #DA29B7

RGB 218 41 183

HSL 311.86, 0.71%, 0.51%

LAB 51.74, 77.2, -33.96

 

CMYK 6 / 81 / 0 / 15

HEX #CD29DA

RGB 205 41 218

HSL 295.59, 0.71%, 0.51%

LAB 51.41, 79.78, -54.79

 

CMYK 28 / 81 / 0 / 15

HEX #9E29DA

RGB 158 41 218

HSL 279.66, 0.71%, 0.51%

LAB 44.11, 71.78, -66.94

 

CMYK 50 / 81 / 0 / 15

HEX #6E29DA

RGB 110 41 218

HSL 263.39, 0.71%, 0.51%

LAB 37.78, 65, -77.57

 

CMYK 72 / 81 / 0 / 15

HEX #3E29DA

RGB 62 41 218

HSL 247.12, 0.71%, 0.51%

LAB 33.29, 60.33, -85.13

 

CMYK 0 / 81 / 16 / 15

HEX #DA29B7

RGB 218 41 183

HSL 311.86, 0.71%, 0.51%

LAB 51.74, 77.2, -33.96

 

CMYK 0 / 91 / 18 / 7

HEX #EE15C3

RGB 238 21 195

HSL 311.89, 0.86%, 0.51%

LAB 54.71, 85.99, -36.01

 

CMYK 0 / 81 / 16 / 15

HEX #DA29B7

RGB 218 41 183

HSL 311.86, 0.71%, 0.51%

LAB 51.74, 77.2, -33.96

 

CMYK 0 / 69 / 14 / 22

HEX #C63DAB

RGB 198 61 171

HSL 311.82, 0.55%, 0.51%

LAB 49.84, 65.16, -30.15

 

CMYK 0 / 54 / 11 / 30

HEX #B2519F

RGB 178 81 159

HSL 311.75, 0.39%, 0.51%

LAB 49.32, 49.4, -24.12

 

CMYK 0 / 36 / 7 / 38

HEX #9E6593

RGB 158 101 147

HSL 311.58, 0.23%, 0.51%

LAB 50.31, 30.28, -15.73

 

CMYK 0 / 11 / 2 / 46

HEX #897A86

RGB 137 122 134

HSL 312, 0.06%, 0.51%

LAB 52.9, 8.02, -4.42

 

CMYK 28 / 81 / 0 / 15

HEX #9C29DA

RGB 156 41 218

HSL 278.98, 0.71%, 0.51%

LAB 43.82, 71.47, -67.43

 

CMYK 7 / 81 / 0 / 15

HEX #CB29DA

RGB 203 41 218

HSL 294.92, 0.71%, 0.51%

LAB 51.09, 79.42, -55.33

 

CMYK 0 / 81 / 15 / 15

HEX #DA29BA

RGB 218 41 186

HSL 310.85, 0.71%, 0.51%

LAB 51.88, 77.59, -35.49

 

CMYK 0 / 81 / 37 / 15

HEX #DA298A

RGB 218 41 138

HSL 327.12, 0.71%, 0.51%

LAB 49.89, 71.95, -10.12

 

CMYK 0 / 81 / 58 / 15

HEX #DA295B

RGB 218 41 91

HSL 343.05, 0.71%, 0.51%

LAB 48.57, 68.04, 16.62

 

CMYK 0 / 83 / 17 / 41

HEX #97197E

RGB 151 25 126

HSL 311.9, 0.72%, 0.35%

LAB 35.56, 58.79, -25.82

 

CMYK 0 / 83 / 17 / 27

HEX #BB1F9C

RGB 187 31 156

HSL 311.92, 0.72%, 0.43%

LAB 44.15, 69.34, -30.25

 

CMYK 0 / 81 / 16 / 15

HEX #DA29B7

RGB 218 41 183

HSL 311.86, 0.71%, 0.51%

LAB 51.74, 77.2, -33.96

 

CMYK 0 / 66 / 13 / 12

HEX #E04CC3

RGB 224 76 195

HSL 311.76, 0.7%, 0.59%

LAB 57.03, 69.56, -32.56

 

CMYK 0 / 52 / 10 / 10

HEX #E66FCF

RGB 230 111 207

HSL 311.6, 0.7%, 0.67%

LAB 63.91, 58.03, -28.63

 

CMYK 0 / 81 / 16 / 15

HEX #DA29B7

RGB 218 41 183

HSL 311.86, 0.71%, 0.51%

LAB 51.74, 77.2, -33.96

 

CMYK 0 / 50 / 81 / 15

HEX #DA6D29

RGB 218 109 41

HSL 23.05, 0.71%, 0.51%

LAB 58.04, 38.5, 54.71

 

CMYK 81 / 0 / 17 / 15

HEX #29DAB4

RGB 41 218 180

HSL 167.12, 0.71%, 0.51%

LAB 78.41, -51.22, 6.66

 

CMYK 0 / 81 / 16 / 15

HEX #DA29B7

RGB 218 41 183

HSL 311.86, 0.71%, 0.51%

LAB 51.74, 77.2, -33.96

 

CMYK 15 / 0 / 81 / 15

HEX #BADA29

RGB 186 218 41

HSL 70.85, 0.71%, 0.51%

LAB 82.24, -31.68, 75.08

 

CMYK 81 / 15 / 0 / 15

HEX #29BADA

RGB 41 186 218

HSL 190.85, 0.71%, 0.51%

LAB 69.93, -25.74, -26.52

 

CMYK 0 / 81 / 16 / 15

HEX #DA29B7

RGB 218 41 183

HSL 311.86, 0.71%, 0.51%

LAB 51.74, 77.2, -33.96

 

CMYK 0 / 50 / 81 / 15

HEX #DA6D29

RGB 218 109 41

HSL 23.05, 0.71%, 0.51%

LAB 58.04, 38.5, 54.71

 

CMYK 81 / 0 / 67 / 15

HEX #29DA49

RGB 41 218 73

HSL 130.85, 0.71%, 0.51%

LAB 76.74, -70.28, 57.21

 

CMYK 81 / 31 / 0 / 15

HEX #2996DA

RGB 41 150 218

HSL 203.05, 0.71%, 0.51%

LAB 59.29, -6.44, -43.06

 

CMYK 0 / 81 / 16 / 15

HEX #DA29B7

RGB 218 41 183

HSL 311.86, 0.71%, 0.51%

LAB 51.74, 77.2, -33.96

 

CMYK 0 / 26 / 81 / 15

HEX #DAA229

RGB 218 162 41

HSL 41.02, 0.71%, 0.51%

LAB 70.11, 10.38, 65.52

 

CMYK 81 / 0 / 67 / 15

HEX #29DA49

RGB 41 218 73

HSL 130.85, 0.71%, 0.51%

LAB 76.74, -70.28, 57.21

 

CMYK 81 / 56 / 0 / 15

HEX #2961DA

RGB 41 97 218

HSL 221.02, 0.71%, 0.51%

LAB 44.35, 26.16, -66.99

 

Description

Color code: HEX #DA29B7 | qconv.com Color code: HEX #DA29B7 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 41 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 41 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 16 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 16% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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