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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA2D8D it is the complementary color #25D272. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA2D8D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA2D8D shade: #DF2D88, #F03F9B, #FF51AE, #FF63C1 and #FF75D4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA2D8D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA2D8D shade: #DA2D8D, #C91B7A, #B80967, #A70054 and #960041

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA2D8D shade: #DA2E8D, #DA2E5F, #DA2E31 and #DA2E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA2D8D shade: #DA2E8D, #DA2EBC, #CA2EDA, #9B2EDA and #6D2EDA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA2D8D shade matches the following richer shades: #DA2E8D and #EE1B90

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA2D8D shade: #DA2E8D, #C6428B, #B25689, #9E6A87 and #8B7E85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA2D8D shade: #C92EDA, #DA2EBD, #DA2E90, #DA2E62 and #DA2E34

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA2D8D shade: #9B1B62, #BE2178, #DA2E8D, #E051A1 and #E675B4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA2D8D shade: #DA2D8D, #DA9B2E and #2ED4DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA2D8D shade: #DA2D8D, #90DA2E and #2E90DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA2D8D shade: #DA2D8D, #DA9B2E, #2EDA79 and #2E6DDA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA2D8D shade: #DA2D8D, #DACE2E, #2EDA79 and #2E3ADA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 35 / 15

HEX #DA2D8D

RGB 218 45 141

HSL 326.71, 0.7%, 0.52%

LAB 50.34, 71.27, -11.24

 

Complementary color

CMYK 82 / 0 / 46 / 18

HEX #25D272

RGB 37 210 114

HSL 146.71, 0.7%, 0.48%

LAB 74.64, -62.61, 35.94

 

CMYK 0 / 80 / 39 / 13

HEX #DF2D88

RGB 223 45 136

HSL 329.33, 0.74%, 0.53%

LAB 51.09, 71.98, -7.03

 

CMYK 0 / 74 / 35 / 6

HEX #F03F9B

RGB 240 63 155

HSL 328.81, 0.86%, 0.59%

LAB 56.53, 73.06, -9.87

 

CMYK 0 / 68 / 32 / 0

HEX #FF51AE

RGB 255 81 174

HSL 327.93, 1%, 0.66%

LAB 61.83, 73.01, -12.71

 

CMYK 0 / 61 / 24 / 0

HEX #FF63C1

RGB 255 99 193

HSL 323.85, 1%, 0.69%

LAB 64.99, 68.39, -18.78

 

CMYK 0 / 54 / 17 / 0

HEX #FF75D4

RGB 255 117 212

HSL 318.7, 1%, 0.73%

LAB 68.56, 63.21, -24

 

CMYK 0 / 79 / 35 / 15

HEX #DA2D8D

RGB 218 45 141

HSL 326.71, 0.7%, 0.52%

LAB 50.34, 71.27, -11.24

 

CMYK 0 / 87 / 39 / 21

HEX #C91B7A

RGB 201 27 122

HSL 327.24, 0.76%, 0.45%

LAB 45.09, 69.34, -7.9

 

CMYK 0 / 95 / 44 / 28

HEX #B80967

RGB 184 9 103

HSL 327.77, 0.91%, 0.38%

LAB 40.19, 66.25, -3.71

 

CMYK 0 / 100 / 50 / 35

HEX #A70054

RGB 167 0 84

HSL 329.82, 1%, 0.33%

LAB 35.7, 61.78, 1.47

 

CMYK 0 / 100 / 57 / 41

HEX #960041

RGB 150 0 65

HSL 334, 1%, 0.29%

LAB 31.5, 56.34, 7.46

 

CMYK 0 / 79 / 35 / 15

HEX #DA2E8D

RGB 218 46 141

HSL 326.86, 0.7%, 0.52%

LAB 50.43, 71.01, -11.11

 

CMYK 0 / 79 / 56 / 15

HEX #DA2E5F

RGB 218 46 95

HSL 342.91, 0.7%, 0.52%

LAB 49.11, 67.02, 14.92

 

CMYK 0 / 79 / 78 / 15

HEX #DA2E31

RGB 218 46 49

HSL 358.95, 0.7%, 0.52%

LAB 48.36, 64.68, 41.32

 

CMYK 0 / 79 / 79 / 15

HEX #DA2E2E

RGB 218 46 46

HSL 0, 0.7%, 0.52%

LAB 48.33, 64.59, 42.94

 

CMYK 0 / 79 / 35 / 15

HEX #DA2E8D

RGB 218 46 141

HSL 326.86, 0.7%, 0.52%

LAB 50.43, 71.01, -11.11

 

CMYK 0 / 79 / 14 / 15

HEX #DA2EBC

RGB 218 46 188

HSL 310.47, 0.7%, 0.52%

LAB 52.39, 76.67, -35.85

 

CMYK 7 / 79 / 0 / 15

HEX #CA2EDA

RGB 202 46 218

HSL 294.42, 0.7%, 0.52%

LAB 51.35, 78, -54.92

 

CMYK 29 / 79 / 0 / 15

HEX #9B2EDA

RGB 155 46 218

HSL 278.02, 0.7%, 0.52%

LAB 44.21, 69.76, -66.81

 

CMYK 50 / 79 / 0 / 15

HEX #6D2EDA

RGB 109 46 218

HSL 261.98, 0.7%, 0.52%

LAB 38.32, 62.96, -76.68

 

CMYK 0 / 79 / 35 / 15

HEX #DA2E8D

RGB 218 46 141

HSL 326.86, 0.7%, 0.52%

LAB 50.43, 71.01, -11.11

 

CMYK 0 / 89 / 39 / 7

HEX #EE1B90

RGB 238 27 144

HSL 326.73, 0.86%, 0.52%

LAB 52.92, 79.75, -8.79

 

CMYK 0 / 79 / 35 / 15

HEX #DA2E8D

RGB 218 46 141

HSL 326.86, 0.7%, 0.52%

LAB 50.43, 71.01, -11.11

 

CMYK 0 / 67 / 30 / 22

HEX #C6428B

RGB 198 66 139

HSL 326.82, 0.54%, 0.52%

LAB 49.21, 58.96, -12.09

 

CMYK 0 / 52 / 23 / 30

HEX #B25689

RGB 178 86 137

HSL 326.74, 0.37%, 0.52%

LAB 49.41, 43.49, -10.9

 

CMYK 0 / 33 / 15 / 38

HEX #9E6A87

RGB 158 106 135

HSL 326.54, 0.21%, 0.52%

LAB 51.07, 25.31, -7.5

 

CMYK 0 / 9 / 4 / 45

HEX #8B7E85

RGB 139 126 133

HSL 327.69, 0.05%, 0.52%

LAB 54.14, 6.26, -2

 

CMYK 8 / 79 / 0 / 15

HEX #C92EDA

RGB 201 46 218

HSL 294.07, 0.7%, 0.52%

LAB 51.19, 77.82, -55.19

 

CMYK 0 / 79 / 13 / 15

HEX #DA2EBD

RGB 218 46 189

HSL 310.12, 0.7%, 0.52%

LAB 52.44, 76.81, -36.36

 

CMYK 0 / 79 / 34 / 15

HEX #DA2E90

RGB 218 46 144

HSL 325.81, 0.7%, 0.52%

LAB 50.54, 71.32, -12.75

 

CMYK 0 / 79 / 55 / 15

HEX #DA2E62

RGB 218 46 98

HSL 341.86, 0.7%, 0.52%

LAB 49.18, 67.23, 13.18

 

CMYK 0 / 79 / 76 / 15

HEX #DA2E34

RGB 218 46 52

HSL 357.91, 0.7%, 0.52%

LAB 48.4, 64.79, 39.68

 

CMYK 0 / 83 / 37 / 39

HEX #9B1B62

RGB 155 27 98

HSL 326.72, 0.7%, 0.36%

LAB 35.27, 55.74, -8.47

 

CMYK 0 / 83 / 37 / 25

HEX #BE2178

RGB 190 33 120

HSL 326.75, 0.7%, 0.44%

LAB 43.35, 65.28, -9.49

 

CMYK 0 / 79 / 35 / 15

HEX #DA2E8D

RGB 218 46 141

HSL 326.86, 0.7%, 0.52%

LAB 50.43, 71.01, -11.11

 

CMYK 0 / 64 / 28 / 12

HEX #E051A1

RGB 224 81 161

HSL 326.43, 0.7%, 0.6%

LAB 56.39, 63.02, -13.86

 

CMYK 0 / 49 / 22 / 10

HEX #E675B4

RGB 230 117 180

HSL 326.55, 0.69%, 0.68%

LAB 64.03, 51.07, -13.2

 

CMYK 0 / 79 / 35 / 15

HEX #DA2D8D

RGB 218 45 141

HSL 326.71, 0.7%, 0.52%

LAB 50.34, 71.27, -11.24

 

CMYK 0 / 29 / 79 / 15

HEX #DA9B2E

RGB 218 155 46

HSL 38.02, 0.7%, 0.52%

LAB 68.42, 14.3, 62.29

 

CMYK 79 / 3 / 0 / 15

HEX #2ED4DA

RGB 46 212 218

HSL 182.09, 0.7%, 0.52%

LAB 77.72, -37.8, -14.69

 

CMYK 0 / 79 / 35 / 15

HEX #DA2D8D

RGB 218 45 141

HSL 326.71, 0.7%, 0.52%

LAB 50.34, 71.27, -11.24

 

CMYK 34 / 0 / 79 / 15

HEX #90DA2E

RGB 144 218 46

HSL 85.81, 0.7%, 0.52%

LAB 79.77, -47.49, 70.6

 

CMYK 79 / 34 / 0 / 15

HEX #2E90DA

RGB 46 144 218

HSL 205.81, 0.7%, 0.52%

LAB 57.65, -2.49, -45.65

 

CMYK 0 / 79 / 35 / 15

HEX #DA2D8D

RGB 218 45 141

HSL 326.71, 0.7%, 0.52%

LAB 50.34, 71.27, -11.24

 

CMYK 0 / 29 / 79 / 15

HEX #DA9B2E

RGB 218 155 46

HSL 38.02, 0.7%, 0.52%

LAB 68.42, 14.3, 62.29

 

CMYK 79 / 0 / 44 / 15

HEX #2EDA79

RGB 46 218 121

HSL 146.16, 0.7%, 0.52%

LAB 77.34, -63.24, 35.94

 

CMYK 79 / 50 / 0 / 15

HEX #2E6DDA

RGB 46 109 218

HSL 218.02, 0.7%, 0.52%

LAB 47.73, 18.95, -61.51

 

CMYK 0 / 79 / 35 / 15

HEX #DA2D8D

RGB 218 45 141

HSL 326.71, 0.7%, 0.52%

LAB 50.34, 71.27, -11.24

 

CMYK 0 / 6 / 79 / 15

HEX #DACE2E

RGB 218 206 46

HSL 55.81, 0.7%, 0.52%

LAB 81.43, -12.38, 73.97

 

CMYK 79 / 0 / 44 / 15

HEX #2EDA79

RGB 46 218 121

HSL 146.16, 0.7%, 0.52%

LAB 77.34, -63.24, 35.94

 

CMYK 79 / 73 / 0 / 15

HEX #2E3ADA

RGB 46 58 218

HSL 235.81, 0.7%, 0.52%

LAB 35.34, 50.67, -81.76

 

Description

Color code: HEX #DA2D8D | qconv.com Color code: HEX #DA2D8D | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 45 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 45 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 35 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 35% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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