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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA2DAD it is the complementary color #25D252. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA2DAD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA2DAD shade: #DF2DA8, #F03FBB, #FF51CE, #FF63E1 and #FF75F4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA2DAD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA2DAD shade: #DA2DAD, #C91B9A, #B80987, #A70074 and #960061

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA2DAD shade: #DA2EAD, #DA2E7F, #DA2E51 and #DA2E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA2DAD shade: #DA2EAD, #D82EDA, #AA2EDA, #7C2EDA and #4E2EDA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA2DAD shade matches the following richer shades: #DA2EAD and #EE1BB7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA2DAD shade: #DA2EAD, #C642A4, #B2569A, #9E6A91 and #8B7E87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA2DAD shade: #A92EDA, #D72EDA, #DA2EAF, #DA2E81 and #DA2E54

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA2DAD shade: #9B1B7A, #BE2195, #DA2EAD, #E051BB and #E675C9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA2DAD shade: #DA2DAD, #DA7C2E and #2EDAC0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA2DAD shade: #DA2DAD, #AFDA2E and #2EAFDA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA2DAD shade: #DA2DAD, #DA7C2E, #2EDA59 and #2E8DDA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA2DAD shade: #DA2DAD, #DAAF2E, #2EDA59 and #2E59DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 21 / 15

HEX #DA2DAD

RGB 218 45 173

HSL 315.61, 0.7%, 0.52%

LAB 51.61, 74.96, -28.31

 

Complementary color

CMYK 82 / 0 / 61 / 18

HEX #25D252

RGB 37 210 82

HSL 135.61, 0.7%, 0.48%

LAB 74.25, -67.24, 50.64

 

CMYK 0 / 80 / 25 / 13

HEX #DF2DA8

RGB 223 45 168

HSL 318.54, 0.74%, 0.53%

LAB 52.28, 75.45, -24.26

 

CMYK 0 / 74 / 22 / 6

HEX #F03FBB

RGB 240 63 187

HSL 317.97, 0.86%, 0.59%

LAB 57.72, 76.73, -26.69

 

CMYK 0 / 68 / 19 / 0

HEX #FF51CE

RGB 255 81 206

HSL 316.9, 1%, 0.66%

LAB 63.01, 76.9, -29.16

 

CMYK 0 / 61 / 12 / 0

HEX #FF63E1

RGB 255 99 225

HSL 311.54, 1%, 0.69%

LAB 66.23, 72.79, -34.84

 

CMYK 0 / 54 / 4 / 0

HEX #FF75F4

RGB 255 117 244

HSL 304.78, 1%, 0.73%

LAB 69.83, 68.11, -39.73

 

CMYK 0 / 79 / 21 / 15

HEX #DA2DAD

RGB 218 45 173

HSL 315.61, 0.7%, 0.52%

LAB 51.61, 74.96, -28.31

 

CMYK 0 / 87 / 23 / 21

HEX #C91B9A

RGB 201 27 154

HSL 316.21, 0.76%, 0.45%

LAB 46.36, 72.83, -25.42

 

CMYK 0 / 95 / 27 / 28

HEX #B80987

RGB 184 9 135

HSL 316.8, 0.91%, 0.38%

LAB 41.43, 69.53, -21.77

 

CMYK 0 / 100 / 31 / 35

HEX #A70074

RGB 167 0 116

HSL 318.32, 1%, 0.33%

LAB 36.89, 64.85, -17.24

 

CMYK 0 / 100 / 35 / 41

HEX #960061

RGB 150 0 97

HSL 321.2, 1%, 0.29%

LAB 32.58, 59.19, -11.99

 

CMYK 0 / 79 / 21 / 15

HEX #DA2EAD

RGB 218 46 173

HSL 315.7, 0.7%, 0.52%

LAB 51.7, 74.7, -28.17

 

CMYK 0 / 79 / 42 / 15

HEX #DA2E7F

RGB 218 46 127

HSL 331.74, 0.7%, 0.52%

LAB 49.97, 69.62, -3.36

 

CMYK 0 / 79 / 63 / 15

HEX #DA2E51

RGB 218 46 81

HSL 347.79, 0.7%, 0.52%

LAB 48.83, 66.13, 23.06

 

CMYK 0 / 79 / 79 / 15

HEX #DA2E2E

RGB 218 46 46

HSL 0, 0.7%, 0.52%

LAB 48.33, 64.59, 42.94

 

CMYK 0 / 79 / 21 / 15

HEX #DA2EAD

RGB 218 46 173

HSL 315.7, 0.7%, 0.52%

LAB 51.7, 74.7, -28.17

 

CMYK 1 / 79 / 0 / 15

HEX #D82EDA

RGB 216 46 218

HSL 299.3, 0.7%, 0.52%

LAB 53.62, 80.62, -51.17

 

CMYK 22 / 79 / 0 / 15

HEX #AA2EDA

RGB 170 46 218

HSL 283.26, 0.7%, 0.52%

LAB 46.39, 72.28, -63.16

 

CMYK 43 / 79 / 0 / 15

HEX #7C2EDA

RGB 124 46 218

HSL 267.21, 0.7%, 0.52%

LAB 40.08, 65, -73.72

 

CMYK 64 / 79 / 0 / 15

HEX #4E2EDA

RGB 78 46 218

HSL 251.16, 0.7%, 0.52%

LAB 35.27, 59.45, -81.81

 

CMYK 0 / 79 / 21 / 15

HEX #DA2EAD

RGB 218 46 173

HSL 315.7, 0.7%, 0.52%

LAB 51.7, 74.7, -28.17

 

CMYK 0 / 89 / 23 / 7

HEX #EE1BB7

RGB 238 27 183

HSL 315.64, 0.86%, 0.52%

LAB 54.43, 83.8, -29.5

 

CMYK 0 / 79 / 21 / 15

HEX #DA2EAD

RGB 218 46 173

HSL 315.7, 0.7%, 0.52%

LAB 51.7, 74.7, -28.17

 

CMYK 0 / 67 / 17 / 22

HEX #C642A4

RGB 198 66 164

HSL 315.45, 0.54%, 0.52%

LAB 50.2, 62.29, -25.47

 

CMYK 0 / 52 / 13 / 30

HEX #B2569A

RGB 178 86 154

HSL 315.65, 0.37%, 0.52%

LAB 50.04, 46.12, -20.05

 

CMYK 0 / 33 / 8 / 38

HEX #9E6A91

RGB 158 106 145

HSL 315, 0.21%, 0.52%

LAB 51.41, 27.08, -12.89

 

CMYK 0 / 9 / 3 / 45

HEX #8B7E87

RGB 139 126 135

HSL 318.46, 0.05%, 0.52%

LAB 54.2, 6.65, -3.07

 

CMYK 22 / 79 / 0 / 15

HEX #A92EDA

RGB 169 46 218

HSL 282.91, 0.7%, 0.52%

LAB 46.25, 72.11, -63.41

 

CMYK 1 / 79 / 0 / 15

HEX #D72EDA

RGB 215 46 218

HSL 298.95, 0.7%, 0.52%

LAB 53.45, 80.43, -51.44

 

CMYK 0 / 79 / 20 / 15

HEX #DA2EAF

RGB 218 46 175

HSL 315, 0.7%, 0.52%

LAB 51.79, 74.96, -29.21

 

CMYK 0 / 79 / 41 / 15

HEX #DA2E81

RGB 218 46 129

HSL 331.05, 0.7%, 0.52%

LAB 50.03, 69.81, -4.47

 

CMYK 0 / 79 / 61 / 15

HEX #DA2E54

RGB 218 46 84

HSL 346.74, 0.7%, 0.52%

LAB 48.88, 66.31, 21.32

 

CMYK 0 / 83 / 21 / 39

HEX #9B1B7A

RGB 155 27 122

HSL 315.47, 0.7%, 0.36%

LAB 36.29, 58.66, -22.12

 

CMYK 0 / 83 / 22 / 25

HEX #BE2195

RGB 190 33 149

HSL 315.67, 0.7%, 0.44%

LAB 44.53, 68.62, -25.41

 

CMYK 0 / 79 / 21 / 15

HEX #DA2EAD

RGB 218 46 173

HSL 315.7, 0.7%, 0.52%

LAB 51.7, 74.7, -28.17

 

CMYK 0 / 64 / 17 / 12

HEX #E051BB

RGB 224 81 187

HSL 315.52, 0.7%, 0.6%

LAB 57.39, 66.48, -27.41

 

CMYK 0 / 49 / 13 / 10

HEX #E675C9

RGB 230 117 201

HSL 315.4, 0.69%, 0.68%

LAB 64.77, 54.22, -23.94

 

CMYK 0 / 79 / 21 / 15

HEX #DA2DAD

RGB 218 45 173

HSL 315.61, 0.7%, 0.52%

LAB 51.61, 74.96, -28.31

 

CMYK 0 / 43 / 79 / 15

HEX #DA7C2E

RGB 218 124 46

HSL 27.21, 0.7%, 0.52%

LAB 61.24, 30.9, 55.6

 

CMYK 79 / 0 / 12 / 15

HEX #2EDAC0

RGB 46 218 192

HSL 170.93, 0.7%, 0.52%

LAB 78.77, -47.69, 0.79

 

CMYK 0 / 79 / 21 / 15

HEX #DA2DAD

RGB 218 45 173

HSL 315.61, 0.7%, 0.52%

LAB 51.61, 74.96, -28.31

 

CMYK 20 / 0 / 79 / 15

HEX #AFDA2E

RGB 175 218 46

HSL 75, 0.7%, 0.52%

LAB 81.54, -35.87, 72.87

 

CMYK 79 / 20 / 0 / 15

HEX #2EAFDA

RGB 46 175 218

HSL 195, 0.7%, 0.52%

LAB 66.75, -19.65, -31.41

 

CMYK 0 / 79 / 21 / 15

HEX #DA2DAD

RGB 218 45 173

HSL 315.61, 0.7%, 0.52%

LAB 51.61, 74.96, -28.31

 

CMYK 0 / 43 / 79 / 15

HEX #DA7C2E

RGB 218 124 46

HSL 27.21, 0.7%, 0.52%

LAB 61.24, 30.9, 55.6

 

CMYK 79 / 0 / 59 / 15

HEX #2EDA59

RGB 46 218 89

HSL 135, 0.7%, 0.52%

LAB 76.95, -67.94, 50.68

 

CMYK 79 / 35 / 0 / 15

HEX #2E8DDA

RGB 46 141 218

HSL 206.86, 0.7%, 0.52%

LAB 56.77, -0.73, -47.03

 

CMYK 0 / 79 / 21 / 15

HEX #DA2DAD

RGB 218 45 173

HSL 315.61, 0.7%, 0.52%

LAB 51.61, 74.96, -28.31

 

CMYK 0 / 20 / 79 / 15

HEX #DAAF2E

RGB 218 175 46

HSL 45, 0.7%, 0.52%

LAB 73.39, 3.63, 66.81

 

CMYK 79 / 0 / 59 / 15

HEX #2EDA59

RGB 46 218 89

HSL 135, 0.7%, 0.52%

LAB 76.95, -67.94, 50.68

 

CMYK 79 / 59 / 0 / 15

HEX #2E59DA

RGB 46 89 218

HSL 225, 0.7%, 0.52%

LAB 42.44, 31.75, -70.1

 

Description

Color code: HEX #DA2DAD | qconv.com Color code: HEX #DA2DAD | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 45 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 45 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 21 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 21% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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