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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA36D5 it is the complementary color #25C92A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA36D5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA36D5 shade: #DF36D0, #F048E3, #FF5AF6, #FF6CFF and #FF7EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA36D5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA36D5 shade: #DA36D5, #C924C2, #B812AF, #A7009C and #960089

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA36D5 shade: #D934D4, #D934A8, #D9347B, #D9344E and #D93434

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA36D5 shade: #D934D4, #B234D9, #8534D9, #5934D9 and #3434D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA36D5 shade matches the following richer shades: #D934D4 and #ED21E7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA36D5 shade: #D934D4, #C647C2, #B35BB0, #9F6E9E and #8C828B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA36D5 shade: #8434D9, #B034D9, #D934D7, #D934AA and #D9347E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA36D5 shade: #9E1D9A, #C123BC, #D934D4, #E057DC and #E67AE3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA36D5 shade: #DA36D5, #D95834 and #34D99A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA36D5 shade: #DA36D5, #D7D934 and #34D7D9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA36D5 shade: #DA36D5, #D95834, #34D937 and #34B6D9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA36D5 shade: #DA36D5, #D98934, #34D937 and #3484D9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 2 / 15

HEX #DA36D5

RGB 218 54 213

HSL 301.83, 0.69%, 0.53%

LAB 54.39, 78.15, -47.07

 

Complementary color

CMYK 82 / 0 / 79 / 21

HEX #25C92A

RGB 37 201 42

HSL 121.83, 0.69%, 0.47%

LAB 71.1, -68.12, 62.42

 

CMYK 0 / 76 / 7 / 13

HEX #DF36D0

RGB 223 54 208

HSL 305.33, 0.73%, 0.54%

LAB 54.95, 78.43, -43.28

 

CMYK 0 / 70 / 5 / 6

HEX #F048E3

RGB 240 72 227

HSL 304.64, 0.85%, 0.61%

LAB 60.52, 79.41, -45.06

 

CMYK 0 / 65 / 4 / 0

HEX #FF5AF6

RGB 255 90 246

HSL 303.27, 1%, 0.68%

LAB 65.92, 79.41, -46.96

 

CMYK 0 / 58 / 0 / 0

HEX #FF6CFF

RGB 255 108 255

HSL 300, 1%, 0.71%

LAB 68.9, 73.78, -47.23

 

CMYK 0 / 51 / 0 / 0

HEX #FF7EFF

RGB 255 126 255

HSL 300, 1%, 0.75%

LAB 71.83, 65.87, -42.63

 

CMYK 0 / 75 / 2 / 15

HEX #DA36D5

RGB 218 54 213

HSL 301.83, 0.69%, 0.53%

LAB 54.39, 78.15, -47.07

 

CMYK 0 / 82 / 3 / 21

HEX #C924C2

RGB 201 36 194

HSL 302.55, 0.7%, 0.46%

LAB 48.98, 76.45, -44.92

 

CMYK 0 / 90 / 5 / 28

HEX #B812AF

RGB 184 18 175

HSL 303.25, 0.82%, 0.4%

LAB 43.83, 73.71, -42.14

 

CMYK 0 / 100 / 7 / 35

HEX #A7009C

RGB 167 0 156

HSL 303.95, 1%, 0.33%

LAB 38.93, 69.95, -38.75

 

CMYK 0 / 100 / 9 / 41

HEX #960089

RGB 150 0 137

HSL 305.2, 1%, 0.29%

LAB 34.58, 64.21, -34.22

 

CMYK 0 / 76 / 2 / 15

HEX #D934D4

RGB 217 52 212

HSL 301.82, 0.68%, 0.53%

LAB 53.99, 78.35, -47.15

 

CMYK 0 / 76 / 23 / 15

HEX #D934A8

RGB 217 52 168

HSL 317.82, 0.68%, 0.53%

LAB 51.88, 72.22, -24.97

 

CMYK 0 / 76 / 43 / 15

HEX #D9347B

RGB 217 52 123

HSL 334.18, 0.68%, 0.53%

LAB 50.26, 67.29, -0.53

 

CMYK 0 / 76 / 64 / 15

HEX #D9344E

RGB 217 52 78

HSL 350.55, 0.68%, 0.53%

LAB 49.2, 63.94, 25.33

 

CMYK 0 / 76 / 76 / 15

HEX #D93434

RGB 217 52 52

HSL 0, 0.68%, 0.53%

LAB 48.83, 62.74, 40.09

 

CMYK 0 / 76 / 2 / 15

HEX #D934D4

RGB 217 52 212

HSL 301.82, 0.68%, 0.53%

LAB 53.99, 78.35, -47.15

 

CMYK 18 / 76 / 0 / 15

HEX #B234D9

RGB 178 52 217

HSL 285.82, 0.68%, 0.53%

LAB 48.17, 71.64, -59.66

 

CMYK 39 / 76 / 0 / 15

HEX #8534D9

RGB 133 52 217

HSL 269.45, 0.68%, 0.53%

LAB 41.93, 63.8, -70.08

 

CMYK 59 / 76 / 0 / 15

HEX #5934D9

RGB 89 52 217

HSL 253.45, 0.68%, 0.53%

LAB 37.1, 57.59, -78.19

 

CMYK 76 / 76 / 0 / 15

HEX #3434D9

RGB 52 52 217

HSL 240, 0.68%, 0.53%

LAB 34.39, 54.02, -82.75

 

CMYK 0 / 76 / 2 / 15

HEX #D934D4

RGB 217 52 212

HSL 301.82, 0.68%, 0.53%

LAB 53.99, 78.35, -47.15

 

CMYK 0 / 86 / 3 / 7

HEX #ED21E7

RGB 237 33 231

HSL 301.76, 0.85%, 0.53%

LAB 56.94, 88.94, -53.02

 

CMYK 0 / 76 / 2 / 15

HEX #D934D4

RGB 217 52 212

HSL 301.82, 0.68%, 0.53%

LAB 53.99, 78.35, -47.15

 

CMYK 0 / 64 / 2 / 22

HEX #C647C2

RGB 198 71 194

HSL 301.89, 0.53%, 0.53%

LAB 52.29, 64.96, -39.69

 

CMYK 0 / 49 / 2 / 30

HEX #B35BB0

RGB 179 91 176

HSL 302.05, 0.37%, 0.53%

LAB 52.06, 47.69, -29.82

 

CMYK 0 / 31 / 1 / 38

HEX #9F6E9E

RGB 159 110 158

HSL 301.22, 0.2%, 0.53%

LAB 52.94, 27.61, -18.18

 

CMYK 0 / 7 / 1 / 45

HEX #8C828B

RGB 140 130 139

HSL 306, 0.04%, 0.53%

LAB 55.49, 5.5, -3.49

 

CMYK 39 / 76 / 0 / 15

HEX #8434D9

RGB 132 52 217

HSL 269.09, 0.68%, 0.53%

LAB 41.8, 63.64, -70.29

 

CMYK 19 / 76 / 0 / 15

HEX #B034D9

RGB 176 52 217

HSL 285.09, 0.68%, 0.53%

LAB 47.87, 71.27, -60.15

 

CMYK 0 / 76 / 1 / 15

HEX #D934D7

RGB 217 52 215

HSL 300.73, 0.68%, 0.53%

LAB 54.15, 78.81, -48.61

 

CMYK 0 / 76 / 22 / 15

HEX #D934AA

RGB 217 52 170

HSL 317.09, 0.68%, 0.53%

LAB 51.96, 72.47, -26.01

 

CMYK 0 / 76 / 42 / 15

HEX #D9347E

RGB 217 52 126

HSL 333.09, 0.68%, 0.53%

LAB 50.35, 67.58, -2.21

 

CMYK 0 / 82 / 3 / 38

HEX #9E1D9A

RGB 158 29 154

HSL 301.86, 0.69%, 0.37%

LAB 38.69, 63.49, -38.01

 

CMYK 0 / 82 / 3 / 24

HEX #C123BC

RGB 193 35 188

HSL 301.9, 0.69%, 0.45%

LAB 47.2, 74.24, -44.33

 

CMYK 0 / 76 / 2 / 15

HEX #D934D4

RGB 217 52 212

HSL 301.82, 0.68%, 0.53%

LAB 53.99, 78.35, -47.15

 

CMYK 0 / 61 / 2 / 12

HEX #E057DC

RGB 224 87 220

HSL 301.75, 0.69%, 0.61%

LAB 59.74, 69.13, -42.53

 

CMYK 0 / 47 / 1 / 10

HEX #E67AE3

RGB 230 122 227

HSL 301.67, 0.68%, 0.69%

LAB 66.74, 56.09, -35.42

 

CMYK 0 / 75 / 2 / 15

HEX #DA36D5

RGB 218 54 213

HSL 301.83, 0.69%, 0.53%

LAB 54.39, 78.15, -47.07

 

CMYK 0 / 59 / 76 / 15

HEX #D95834

RGB 217 88 52

HSL 13.09, 0.68%, 0.53%

LAB 54, 48.7, 45.59

 

CMYK 76 / 0 / 29 / 15

HEX #34D99A

RGB 52 217 154

HSL 157.09, 0.68%, 0.53%

LAB 77.69, -55.78, 19.44

 

CMYK 0 / 75 / 2 / 15

HEX #DA36D5

RGB 218 54 213

HSL 301.83, 0.69%, 0.53%

LAB 54.39, 78.15, -47.07

 

CMYK 1 / 0 / 76 / 15

HEX #D7D934

RGB 215 217 52

HSL 60.73, 0.68%, 0.53%

LAB 84.13, -18.88, 74.55

 

CMYK 76 / 1 / 0 / 15

HEX #34D7D9

RGB 52 215 217

HSL 180.73, 0.68%, 0.53%

LAB 78.66, -38.9, -12.73

 

CMYK 0 / 75 / 2 / 15

HEX #DA36D5

RGB 218 54 213

HSL 301.83, 0.69%, 0.53%

LAB 54.39, 78.15, -47.07

 

CMYK 0 / 59 / 76 / 15

HEX #D95834

RGB 217 88 52

HSL 13.09, 0.68%, 0.53%

LAB 54, 48.7, 45.59

 

CMYK 76 / 0 / 75 / 15

HEX #34D937

RGB 52 217 55

HSL 121.09, 0.68%, 0.53%

LAB 76.46, -70.16, 63.6

 

CMYK 76 / 16 / 0 / 15

HEX #34B6D9

RGB 52 182 217

HSL 192.73, 0.68%, 0.53%

LAB 68.89, -22.97, -27.55

 

CMYK 0 / 75 / 2 / 15

HEX #DA36D5

RGB 218 54 213

HSL 301.83, 0.69%, 0.53%

LAB 54.39, 78.15, -47.07

 

CMYK 0 / 37 / 76 / 15

HEX #D98934

RGB 217 137 52

HSL 30.91, 0.68%, 0.53%

LAB 64.07, 23.79, 55.76

 

CMYK 76 / 0 / 75 / 15

HEX #34D937

RGB 52 217 55

HSL 121.09, 0.68%, 0.53%

LAB 76.46, -70.16, 63.6

 

CMYK 76 / 39 / 0 / 15

HEX #3484D9

RGB 52 132 217

HSL 210.91, 0.68%, 0.53%

LAB 54.28, 4.94, -50.42

 

Description

Color code: HEX #DA36D5 | qconv.com Color code: HEX #DA36D5 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 54 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 54 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 2 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 2% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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