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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA5BCF it is the complementary color #25A430. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA5BCF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA5BCF shade: #DF5BCA, #F06DDD, #FF7FF0, #FF91FF and #FFA3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA5BCF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA5BCF shade: #DA5BCF, #C949BC, #B837A9, #A72596 and #961383

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA5BCF shade: #DA5CCF, #DA5CAD, #DA5C8B, #DA5C69 and #DA5C5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA5BCF shade: #DA5CCF, #C35CDA, #A15CDA, #7F5CDA and #5D5CDA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA5BCF shade matches the following richer shades: #DA5CCF, #EA4CDC and #FA3CE9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA5BCF shade: #DA5CCF, #CA6CC2, #BA7DB4, #A98DA7 and #999D9A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA5BCF shade: #A15CDA, #C35CDA, #DA5CCF, #DA5CAE and #DA5C8C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA5BCF shade: #BA2AAD, #D23BC5, #DA5CCF, #E17ED9 and #E9A0E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA5BCF shade: #DA5BCF, #DA805C and #5CDAB2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA5BCF shade: #DA5BCF, #CFDA5C and #5CCFDA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA5BCF shade: #DA5BCF, #DA805C, #5CDA67 and #5CB6DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA5BCF shade: #DA5BCF, #DAA55C, #5CDA67 and #5C91DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 5 / 15

HEX #DA5BCF

RGB 218 91 207

HSL 305.2, 0.63%, 0.61%

LAB 58.87, 63.81, -36.59

 

Complementary color

CMYK 77 / 0 / 71 / 36

HEX #25A430

RGB 37 164 48

HSL 125.2, 0.63%, 0.39%

LAB 59.12, -56.19, 48.38

 

CMYK 0 / 59 / 9 / 13

HEX #DF5BCA

RGB 223 91 202

HSL 309.55, 0.67%, 0.62%

LAB 59.37, 64.33, -32.92

 

CMYK 0 / 55 / 8 / 6

HEX #F06DDD

RGB 240 109 221

HSL 308.7, 0.81%, 0.68%

LAB 65.5, 63.98, -33.91

 

CMYK 0 / 50 / 6 / 0

HEX #FF7FF0

RGB 255 127 240

HSL 307.03, 1%, 0.75%

LAB 71.37, 62.91, -35.15

 

CMYK 0 / 43 / 0 / 0

HEX #FF91FF

RGB 255 145 255

HSL 300, 1%, 0.78%

LAB 75.28, 56.81, -37.25

 

CMYK 0 / 36 / 0 / 0

HEX #FFA3FF

RGB 255 163 255

HSL 300, 1%, 0.82%

LAB 78.85, 47.76, -31.73

 

CMYK 0 / 58 / 5 / 15

HEX #DA5BCF

RGB 218 91 207

HSL 305.2, 0.63%, 0.61%

LAB 58.87, 63.81, -36.59

 

CMYK 0 / 64 / 6 / 21

HEX #C949BC

RGB 201 73 188

HSL 306.09, 0.54%, 0.54%

LAB 52.74, 63.93, -35.49

 

CMYK 0 / 70 / 8 / 28

HEX #B837A9

RGB 184 55 169

HSL 306.98, 0.54%, 0.47%

LAB 46.69, 63.62, -34.05

 

CMYK 0 / 78 / 10 / 35

HEX #A72596

RGB 167 37 150

HSL 307.85, 0.64%, 0.4%

LAB 40.8, 62.64, -32.14

 

CMYK 0 / 87 / 13 / 41

HEX #961383

RGB 150 19 131

HSL 308.7, 0.78%, 0.33%

LAB 35.18, 60.6, -29.54

 

CMYK 0 / 58 / 5 / 15

HEX #DA5CCF

RGB 218 92 207

HSL 305.24, 0.63%, 0.61%

LAB 59.03, 63.38, -36.34

 

CMYK 0 / 58 / 21 / 15

HEX #DA5CAD

RGB 218 92 173

HSL 321.43, 0.63%, 0.61%

LAB 57.63, 58.19, -19.04

 

CMYK 0 / 58 / 36 / 15

HEX #DA5C8B

RGB 218 92 139

HSL 337.62, 0.63%, 0.61%

LAB 56.51, 53.85, -0.9

 

CMYK 0 / 58 / 52 / 15

HEX #DA5C69

RGB 218 92 105

HSL 353.81, 0.63%, 0.61%

LAB 55.66, 50.47, 17.9

 

CMYK 0 / 58 / 58 / 15

HEX #DA5C5C

RGB 218 92 92

HSL 0, 0.63%, 0.61%

LAB 55.41, 49.45, 25.15

 

CMYK 0 / 58 / 5 / 15

HEX #DA5CCF

RGB 218 92 207

HSL 305.24, 0.63%, 0.61%

LAB 59.03, 63.38, -36.34

 

CMYK 11 / 58 / 0 / 15

HEX #C35CDA

RGB 195 92 218

HSL 289.05, 0.63%, 0.61%

LAB 56.41, 59.42, -46.93

 

CMYK 26 / 58 / 0 / 15

HEX #A15CDA

RGB 161 92 218

HSL 272.86, 0.63%, 0.61%

LAB 52.17, 51.01, -53.93

 

CMYK 42 / 58 / 0 / 15

HEX #7F5CDA

RGB 127 92 218

HSL 256.67, 0.63%, 0.61%

LAB 48.55, 43.14, -59.94

 

CMYK 57 / 58 / 0 / 15

HEX #5D5CDA

RGB 93 92 218

HSL 240.48, 0.63%, 0.61%

LAB 45.69, 36.33, -64.69

 

CMYK 0 / 58 / 5 / 15

HEX #DA5CCF

RGB 218 92 207

HSL 305.24, 0.63%, 0.61%

LAB 59.03, 63.38, -36.34

 

CMYK 0 / 68 / 6 / 8

HEX #EA4CDC

RGB 234 76 220

HSL 305.32, 0.79%, 0.61%

LAB 59.73, 75.66, -42.43

 

CMYK 0 / 76 / 7 / 2

HEX #FA3CE9

RGB 250 60 233

HSL 305.37, 0.95%, 0.61%

LAB 61.17, 85.92, -47.3

 

CMYK 0 / 58 / 5 / 15

HEX #DA5CCF

RGB 218 92 207

HSL 305.24, 0.63%, 0.61%

LAB 59.03, 63.38, -36.34

 

CMYK 0 / 47 / 4 / 21

HEX #CA6CC2

RGB 202 108 194

HSL 305.11, 0.47%, 0.61%

LAB 59.14, 49.12, -28.96

 

CMYK 0 / 33 / 3 / 27

HEX #BA7DB4

RGB 186 125 180

HSL 305.9, 0.31%, 0.61%

LAB 60.25, 32.5, -19.44

 

CMYK 0 / 17 / 1 / 34

HEX #A98DA7

RGB 169 141 167

HSL 304.29, 0.14%, 0.61%

LAB 61.89, 15.2, -9.74

 

CMYK 3 / 0 / 2 / 38

HEX #999D9A

RGB 153 157 154

HSL 135, 0.02%, 0.61%

LAB 64.34, -2.01, 1.06

 

CMYK 26 / 58 / 0 / 15

HEX #A15CDA

RGB 161 92 218

HSL 272.86, 0.63%, 0.61%

LAB 52.17, 51.01, -53.93

 

CMYK 11 / 58 / 0 / 15

HEX #C35CDA

RGB 195 92 218

HSL 289.05, 0.63%, 0.61%

LAB 56.41, 59.42, -46.93

 

CMYK 0 / 58 / 5 / 15

HEX #DA5CCF

RGB 218 92 207

HSL 305.24, 0.63%, 0.61%

LAB 59.03, 63.38, -36.34

 

CMYK 0 / 58 / 20 / 15

HEX #DA5CAE

RGB 218 92 174

HSL 320.95, 0.63%, 0.61%

LAB 57.67, 58.33, -19.56

 

CMYK 0 / 58 / 36 / 15

HEX #DA5C8C

RGB 218 92 140

HSL 337.14, 0.63%, 0.61%

LAB 56.54, 53.97, -1.44

 

CMYK 0 / 77 / 7 / 27

HEX #BA2AAD

RGB 186 42 173

HSL 305.42, 0.63%, 0.45%

LAB 45.79, 68.81, -37.83

 

CMYK 0 / 72 / 6 / 18

HEX #D23BC5

RGB 210 59 197

HSL 305.17, 0.63%, 0.53%

LAB 52.8, 72.52, -40.51

 

CMYK 0 / 58 / 5 / 15

HEX #DA5CCF

RGB 218 92 207

HSL 305.24, 0.63%, 0.61%

LAB 59.03, 63.38, -36.34

 

CMYK 0 / 44 / 4 / 12

HEX #E17ED9

RGB 225 126 217

HSL 304.85, 0.62%, 0.69%

LAB 66.47, 50.91, -30.33

 

CMYK 0 / 31 / 3 / 9

HEX #E9A0E3

RGB 233 160 227

HSL 304.93, 0.62%, 0.77%

LAB 74.83, 37.5, -22.94

 

CMYK 0 / 58 / 5 / 15

HEX #DA5BCF

RGB 218 91 207

HSL 305.2, 0.63%, 0.61%

LAB 58.87, 63.81, -36.59

 

CMYK 0 / 41 / 58 / 15

HEX #DA805C

RGB 218 128 92

HSL 17.14, 0.63%, 0.61%

LAB 62.61, 31.34, 34.35

 

CMYK 58 / 0 / 18 / 15

HEX #5CDAB2

RGB 92 218 178

HSL 160.95, 0.63%, 0.61%

LAB 79.4, -44.44, 9.29

 

CMYK 0 / 58 / 5 / 15

HEX #DA5BCF

RGB 218 91 207

HSL 305.2, 0.63%, 0.61%

LAB 58.87, 63.81, -36.59

 

CMYK 5 / 0 / 58 / 15

HEX #CFDA5C

RGB 207 218 92

HSL 65.24, 0.63%, 0.61%

LAB 84.06, -20.44, 59.33

 

CMYK 58 / 5 / 0 / 15

HEX #5CCFDA

RGB 92 207 218

HSL 185.24, 0.63%, 0.61%

LAB 77.26, -29.22, -15.27

 

CMYK 0 / 58 / 5 / 15

HEX #DA5BCF

RGB 218 91 207

HSL 305.2, 0.63%, 0.61%

LAB 58.87, 63.81, -36.59

 

CMYK 0 / 41 / 58 / 15

HEX #DA805C

RGB 218 128 92

HSL 17.14, 0.63%, 0.61%

LAB 62.61, 31.34, 34.35

 

CMYK 58 / 0 / 53 / 15

HEX #5CDA67

RGB 92 218 103

HSL 125.24, 0.63%, 0.61%

LAB 78.11, -58.05, 45.87

 

CMYK 58 / 17 / 0 / 15

HEX #5CB6DA

RGB 92 182 218

HSL 197.14, 0.63%, 0.61%

LAB 70.03, -16.6, -26.25

 

CMYK 0 / 58 / 5 / 15

HEX #DA5BCF

RGB 218 91 207

HSL 305.2, 0.63%, 0.61%

LAB 58.87, 63.81, -36.59

 

CMYK 0 / 24 / 58 / 15

HEX #DAA55C

RGB 218 165 92

HSL 34.76, 0.63%, 0.61%

LAB 71.27, 11.48, 44.91

 

CMYK 58 / 0 / 53 / 15

HEX #5CDA67

RGB 92 218 103

HSL 125.24, 0.63%, 0.61%

LAB 78.11, -58.05, 45.87

 

CMYK 58 / 33 / 0 / 15

HEX #5C91DA

RGB 92 145 218

HSL 214.76, 0.63%, 0.61%

LAB 59.51, 3.97, -42.6

 

Description

Color code: HEX #DA5BCF | qconv.com Color code: HEX #DA5BCF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 91 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 91 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 5 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 5% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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