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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA5BD2 it is the complementary color #25A42D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA5BD2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA5BD2 shade: #DF5BCD, #F06DE0, #FF7FF3, #FF91FF and #FFA3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA5BD2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA5BD2 shade: #DA5BD2, #C949BF, #B837AC, #A72599 and #961386

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA5BD2 shade: #DA5CD2, #DA5CB0, #DA5C8E, #DA5C6C and #DA5C5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA5BD2 shade: #DA5CD2, #C05CDA, #9E5CDA, #7C5CDA and #5C5CDA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA5BD2 shade matches the following richer shades: #DA5CD2, #EA4CE0 and #FA3CEE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA5BD2 shade: #DA5CD2, #CA6CC4, #BA7DB6, #A98DA8 and #999D9A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA5BD2 shade: #9D5CDA, #BF5CDA, #DA5CD3, #DA5CB2 and #DA5C91

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA5BD2 shade: #BA2AB1, #D23BC9, #DA5CD2, #E17EDB and #E9A0E4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA5BD2 shade: #DA5BD2, #DA7C5C and #5CDAAE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA5BD2 shade: #DA5BD2, #D3DA5C and #5CD3DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA5BD2 shade: #DA5BD2, #DA7C5C, #5CDA63 and #5CBADA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA5BD2 shade: #DA5BD2, #DAA15C, #5CDA63 and #5C95DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 4 / 15

HEX #DA5BD2

RGB 218 91 210

HSL 303.78, 0.63%, 0.61%

LAB 59.01, 64.3, -38.08

 

Complementary color

CMYK 77 / 0 / 73 / 36

HEX #25A42D

RGB 37 164 45

HSL 123.78, 0.63%, 0.39%

LAB 59.1, -56.46, 49.53

 

CMYK 0 / 59 / 8 / 13

HEX #DF5BCD

RGB 223 91 205

HSL 308.18, 0.67%, 0.62%

LAB 59.51, 64.8, -34.42

 

CMYK 0 / 55 / 7 / 6

HEX #F06DE0

RGB 240 109 224

HSL 307.33, 0.81%, 0.68%

LAB 65.63, 64.46, -35.39

 

CMYK 0 / 50 / 5 / 0

HEX #FF7FF3

RGB 255 127 243

HSL 305.63, 1%, 0.75%

LAB 71.49, 63.4, -36.6

 

CMYK 0 / 43 / 0 / 0

HEX #FF91FF

RGB 255 145 255

HSL 300, 1%, 0.78%

LAB 75.28, 56.81, -37.25

 

CMYK 0 / 36 / 0 / 0

HEX #FFA3FF

RGB 255 163 255

HSL 300, 1%, 0.82%

LAB 78.85, 47.76, -31.73

 

CMYK 0 / 58 / 4 / 15

HEX #DA5BD2

RGB 218 91 210

HSL 303.78, 0.63%, 0.61%

LAB 59.01, 64.3, -38.08

 

CMYK 0 / 64 / 5 / 21

HEX #C949BF

RGB 201 73 191

HSL 304.69, 0.54%, 0.54%

LAB 52.89, 64.41, -37

 

CMYK 0 / 70 / 7 / 28

HEX #B837AC

RGB 184 55 172

HSL 305.58, 0.54%, 0.47%

LAB 46.84, 64.09, -35.59

 

CMYK 0 / 78 / 8 / 35

HEX #A72599

RGB 167 37 153

HSL 306.46, 0.64%, 0.4%

LAB 40.96, 63.09, -33.71

 

CMYK 0 / 87 / 11 / 41

HEX #961386

RGB 150 19 134

HSL 307.33, 0.78%, 0.33%

LAB 35.34, 61.03, -31.15

 

CMYK 0 / 58 / 4 / 15

HEX #DA5CD2

RGB 218 92 210

HSL 303.81, 0.63%, 0.61%

LAB 59.17, 63.87, -37.83

 

CMYK 0 / 58 / 19 / 15

HEX #DA5CB0

RGB 218 92 176

HSL 320, 0.63%, 0.61%

LAB 57.75, 58.62, -20.6

 

CMYK 0 / 58 / 35 / 15

HEX #DA5C8E

RGB 218 92 142

HSL 336.19, 0.63%, 0.61%

LAB 56.6, 54.2, -2.53

 

CMYK 0 / 58 / 50 / 15

HEX #DA5C6C

RGB 218 92 108

HSL 352.38, 0.63%, 0.61%

LAB 55.73, 50.73, 16.22

 

CMYK 0 / 58 / 58 / 15

HEX #DA5C5C

RGB 218 92 92

HSL 0, 0.63%, 0.61%

LAB 55.41, 49.45, 25.15

 

CMYK 0 / 58 / 4 / 15

HEX #DA5CD2

RGB 218 92 210

HSL 303.81, 0.63%, 0.61%

LAB 59.17, 63.87, -37.83

 

CMYK 12 / 58 / 0 / 15

HEX #C05CDA

RGB 192 92 218

HSL 287.62, 0.63%, 0.61%

LAB 56.01, 58.66, -47.58

 

CMYK 28 / 58 / 0 / 15

HEX #9E5CDA

RGB 158 92 218

HSL 271.43, 0.63%, 0.61%

LAB 51.82, 50.29, -54.5

 

CMYK 43 / 58 / 0 / 15

HEX #7C5CDA

RGB 124 92 218

HSL 255.24, 0.63%, 0.61%

LAB 48.26, 42.49, -60.41

 

CMYK 58 / 58 / 0 / 15

HEX #5C5CDA

RGB 92 92 218

HSL 240, 0.63%, 0.61%

LAB 45.62, 36.16, -64.81

 

CMYK 0 / 58 / 4 / 15

HEX #DA5CD2

RGB 218 92 210

HSL 303.81, 0.63%, 0.61%

LAB 59.17, 63.87, -37.83

 

CMYK 0 / 68 / 4 / 8

HEX #EA4CE0

RGB 234 76 224

HSL 303.8, 0.79%, 0.61%

LAB 59.93, 76.27, -44.38

 

CMYK 0 / 76 / 5 / 2

HEX #FA3CEE

RGB 250 60 238

HSL 303.79, 0.95%, 0.61%

LAB 61.42, 86.64, -49.69

 

CMYK 0 / 58 / 4 / 15

HEX #DA5CD2

RGB 218 92 210

HSL 303.81, 0.63%, 0.61%

LAB 59.17, 63.87, -37.83

 

CMYK 0 / 47 / 3 / 21

HEX #CA6CC4

RGB 202 108 196

HSL 303.83, 0.47%, 0.61%

LAB 59.22, 49.48, -29.97

 

CMYK 0 / 33 / 2 / 27

HEX #BA7DB6

RGB 186 125 182

HSL 303.93, 0.31%, 0.61%

LAB 60.32, 32.87, -20.47

 

CMYK 0 / 17 / 1 / 34

HEX #A98DA8

RGB 169 141 168

HSL 302.14, 0.14%, 0.61%

LAB 61.92, 15.39, -10.26

 

CMYK 3 / 0 / 2 / 38

HEX #999D9A

RGB 153 157 154

HSL 135, 0.02%, 0.61%

LAB 64.34, -2.01, 1.06

 

CMYK 28 / 58 / 0 / 15

HEX #9D5CDA

RGB 157 92 218

HSL 270.95, 0.63%, 0.61%

LAB 51.71, 50.05, -54.69

 

CMYK 12 / 58 / 0 / 15

HEX #BF5CDA

RGB 191 92 218

HSL 287.14, 0.63%, 0.61%

LAB 55.88, 58.41, -47.79

 

CMYK 0 / 58 / 3 / 15

HEX #DA5CD3

RGB 218 92 211

HSL 303.33, 0.63%, 0.61%

LAB 59.22, 64.03, -38.32

 

CMYK 0 / 58 / 18 / 15

HEX #DA5CB2

RGB 218 92 178

HSL 319.05, 0.63%, 0.61%

LAB 57.82, 58.91, -21.64

 

CMYK 0 / 58 / 33 / 15

HEX #DA5C91

RGB 218 92 145

HSL 334.76, 0.63%, 0.61%

LAB 56.69, 54.55, -4.15

 

CMYK 0 / 77 / 5 / 27

HEX #BA2AB1

RGB 186 42 177

HSL 303.75, 0.63%, 0.45%

LAB 46, 69.41, -39.85

 

CMYK 0 / 72 / 4 / 18

HEX #D23BC9

RGB 210 59 201

HSL 303.58, 0.63%, 0.53%

LAB 53, 73.13, -42.49

 

CMYK 0 / 58 / 4 / 15

HEX #DA5CD2

RGB 218 92 210

HSL 303.81, 0.63%, 0.61%

LAB 59.17, 63.87, -37.83

 

CMYK 0 / 44 / 3 / 12

HEX #E17EDB

RGB 225 126 219

HSL 303.64, 0.62%, 0.69%

LAB 66.55, 51.26, -31.32

 

CMYK 0 / 31 / 2 / 9

HEX #E9A0E4

RGB 233 160 228

HSL 304.11, 0.62%, 0.77%

LAB 74.87, 37.68, -23.43

 

CMYK 0 / 58 / 4 / 15

HEX #DA5BD2

RGB 218 91 210

HSL 303.78, 0.63%, 0.61%

LAB 59.01, 64.3, -38.08

 

CMYK 0 / 43 / 58 / 15

HEX #DA7C5C

RGB 218 124 92

HSL 15.24, 0.63%, 0.61%

LAB 61.73, 33.45, 33.25

 

CMYK 58 / 0 / 20 / 15

HEX #5CDAAE

RGB 92 218 174

HSL 159.05, 0.63%, 0.61%

LAB 79.31, -45.34, 11.28

 

CMYK 0 / 58 / 4 / 15

HEX #DA5BD2

RGB 218 91 210

HSL 303.78, 0.63%, 0.61%

LAB 59.01, 64.3, -38.08

 

CMYK 3 / 0 / 58 / 15

HEX #D3DA5C

RGB 211 218 92

HSL 63.33, 0.63%, 0.61%

LAB 84.36, -18.82, 59.75

 

CMYK 58 / 3 / 0 / 15

HEX #5CD3DA

RGB 92 211 218

HSL 183.33, 0.63%, 0.61%

LAB 78.42, -31.15, -13.53

 

CMYK 0 / 58 / 4 / 15

HEX #DA5BD2

RGB 218 91 210

HSL 303.78, 0.63%, 0.61%

LAB 59.01, 64.3, -38.08

 

CMYK 0 / 43 / 58 / 15

HEX #DA7C5C

RGB 218 124 92

HSL 15.24, 0.63%, 0.61%

LAB 61.73, 33.45, 33.25

 

CMYK 58 / 0 / 55 / 15

HEX #5CDA63

RGB 92 218 99

HSL 123.33, 0.63%, 0.61%

LAB 78.06, -58.56, 47.69

 

CMYK 58 / 15 / 0 / 15

HEX #5CBADA

RGB 92 186 218

HSL 195.24, 0.63%, 0.61%

LAB 71.18, -18.69, -24.49

 

CMYK 0 / 58 / 4 / 15

HEX #DA5BD2

RGB 218 91 210

HSL 303.78, 0.63%, 0.61%

LAB 59.01, 64.3, -38.08

 

CMYK 0 / 26 / 58 / 15

HEX #DAA15C

RGB 218 161 92

HSL 32.86, 0.63%, 0.61%

LAB 70.29, 13.63, 43.74

 

CMYK 58 / 0 / 55 / 15

HEX #5CDA63

RGB 92 218 99

HSL 123.33, 0.63%, 0.61%

LAB 78.06, -58.56, 47.69

 

CMYK 58 / 32 / 0 / 15

HEX #5C95DA

RGB 92 149 218

HSL 212.86, 0.63%, 0.61%

LAB 60.63, 1.65, -40.84

 

Description

Color code: HEX #DA5BD2 | qconv.com Color code: HEX #DA5BD2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 91 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 91 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 4 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 4% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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