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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA5C8F it is the complementary color #25A370. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA5C8F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA5C8F shade: #DF5C8A, #F06E9D, #FF80B0, #FF92C3 and #FFA4D6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA5C8F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA5C8F shade: #DA5C8F, #C94A7C, #B83869, #A72656 and #961443

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA5C8F shade: #DA5C8F, #DA5C6D and #DA5C5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA5C8F shade: #DA5C8F, #DA5CB1, #DA5CD3, #BF5CDA and #9D5CDA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA5C8F shade matches the following richer shades: #DA5C8F, #EA4C8C and #FA3C89

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA5C8F shade: #DA5C8F, #CA6C92, #BA7D95, #A98D98 and #999D9B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA5C8F shade: #DA5CD3, #DA5CB2, #DA5C91, #DA5C6F and #DA6B5C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA5C8F shade: #BA2A64, #D23B78, #DA5C8F, #E17EA6 and #E9A0BD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA5C8F shade: #DA5C8F, #DABF5C and #5CC3DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA5C8F shade: #DA5C8F, #91DA5C and #5C91DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA5C8F shade: #DA5C8F, #DABF5C, #5CDAA5 and #5C78DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA5C8F shade: #DA5C8F, #CFDA5C, #5CDAA5 and #675CDA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 34 / 15

HEX #DA5C8F

RGB 218 92 143

HSL 335.71, 0.63%, 0.61%

LAB 56.63, 54.32, -3.07

 

Complementary color

CMYK 77 / 0 / 31 / 36

HEX #25A370

RGB 37 163 112

HSL 155.71, 0.63%, 0.39%

LAB 59.67, -45.64, 17.15

 

CMYK 0 / 59 / 38 / 13

HEX #DF5C8A

RGB 223 92 138

HSL 338.93, 0.67%, 0.62%

LAB 57.25, 55.33, 0.86

 

CMYK 0 / 54 / 35 / 6

HEX #F06E9D

RGB 240 110 157

HSL 338.31, 0.81%, 0.69%

LAB 63.43, 54.66, -0.81

 

CMYK 0 / 50 / 31 / 0

HEX #FF80B0

RGB 255 128 176

HSL 337.32, 1%, 0.75%

LAB 69.35, 53.25, -2.66

 

CMYK 0 / 43 / 24 / 0

HEX #FF92C3

RGB 255 146 195

HSL 333.03, 1%, 0.79%

LAB 73.39, 46.86, -7.29

 

CMYK 0 / 36 / 16 / 0

HEX #FFA4D6

RGB 255 164 214

HSL 327.03, 1%, 0.82%

LAB 77.68, 40.44, -11.32

 

CMYK 0 / 58 / 34 / 15

HEX #DA5C8F

RGB 218 92 143

HSL 335.71, 0.63%, 0.61%

LAB 56.63, 54.32, -3.07

 

CMYK 0 / 63 / 38 / 21

HEX #C94A7C

RGB 201 74 124

HSL 336.38, 0.54%, 0.54%

LAB 50.42, 54.81, -1.23

 

CMYK 0 / 70 / 43 / 28

HEX #B83869

RGB 184 56 105

HSL 337.03, 0.53%, 0.47%

LAB 44.29, 54.98, 1.06

 

CMYK 0 / 77 / 49 / 35

HEX #A72656

RGB 167 38 86

HSL 337.67, 0.63%, 0.4%

LAB 38.33, 54.59, 3.97

 

CMYK 0 / 87 / 55 / 41

HEX #961443

RGB 150 20 67

HSL 338.31, 0.76%, 0.33%

LAB 32.68, 53.24, 7.79

 

CMYK 0 / 58 / 34 / 15

HEX #DA5C8F

RGB 218 92 143

HSL 335.71, 0.63%, 0.61%

LAB 56.63, 54.32, -3.07

 

CMYK 0 / 58 / 50 / 15

HEX #DA5C6D

RGB 218 92 109

HSL 351.9, 0.63%, 0.61%

LAB 55.75, 50.82, 15.67

 

CMYK 0 / 58 / 58 / 15

HEX #DA5C5C

RGB 218 92 92

HSL 0, 0.63%, 0.61%

LAB 55.41, 49.45, 25.15

 

CMYK 0 / 58 / 34 / 15

HEX #DA5C8F

RGB 218 92 143

HSL 335.71, 0.63%, 0.61%

LAB 56.63, 54.32, -3.07

 

CMYK 0 / 58 / 19 / 15

HEX #DA5CB1

RGB 218 92 177

HSL 319.52, 0.63%, 0.61%

LAB 57.78, 58.76, -21.12

 

CMYK 0 / 58 / 3 / 15

HEX #DA5CD3

RGB 218 92 211

HSL 303.33, 0.63%, 0.61%

LAB 59.22, 64.03, -38.32

 

CMYK 12 / 58 / 0 / 15

HEX #BF5CDA

RGB 191 92 218

HSL 287.14, 0.63%, 0.61%

LAB 55.88, 58.41, -47.79

 

CMYK 28 / 58 / 0 / 15

HEX #9D5CDA

RGB 157 92 218

HSL 270.95, 0.63%, 0.61%

LAB 51.71, 50.05, -54.69

 

CMYK 0 / 58 / 34 / 15

HEX #DA5C8F

RGB 218 92 143

HSL 335.71, 0.63%, 0.61%

LAB 56.63, 54.32, -3.07

 

CMYK 0 / 68 / 40 / 8

HEX #EA4C8C

RGB 234 76 140

HSL 335.7, 0.79%, 0.61%

LAB 56.64, 65.46, -0.99

 

CMYK 0 / 76 / 45 / 2

HEX #FA3C89

RGB 250 60 137

HSL 335.68, 0.95%, 0.61%

LAB 57.43, 74.8, 2.26

 

CMYK 0 / 58 / 34 / 15

HEX #DA5C8F

RGB 218 92 143

HSL 335.71, 0.63%, 0.61%

LAB 56.63, 54.32, -3.07

 

CMYK 0 / 47 / 28 / 21

HEX #CA6C92

RGB 202 108 146

HSL 335.74, 0.47%, 0.61%

LAB 57.42, 41.6, -3.91

 

CMYK 0 / 33 / 20 / 27

HEX #BA7D95

RGB 186 125 149

HSL 336.39, 0.31%, 0.61%

LAB 59.23, 27.19, -3.21

 

CMYK 0 / 17 / 10 / 34

HEX #A98D98

RGB 169 141 152

HSL 336.43, 0.14%, 0.61%

LAB 61.44, 12.42, -1.88

 

CMYK 3 / 0 / 1 / 38

HEX #999D9B

RGB 153 157 155

HSL 150, 0.02%, 0.61%

LAB 64.37, -1.82, 0.53

 

CMYK 0 / 58 / 3 / 15

HEX #DA5CD3

RGB 218 92 211

HSL 303.33, 0.63%, 0.61%

LAB 59.22, 64.03, -38.32

 

CMYK 0 / 58 / 18 / 15

HEX #DA5CB2

RGB 218 92 178

HSL 319.05, 0.63%, 0.61%

LAB 57.82, 58.91, -21.64

 

CMYK 0 / 58 / 33 / 15

HEX #DA5C91

RGB 218 92 145

HSL 334.76, 0.63%, 0.61%

LAB 56.69, 54.55, -4.15

 

CMYK 0 / 58 / 49 / 15

HEX #DA5C6F

RGB 218 92 111

HSL 350.95, 0.63%, 0.61%

LAB 55.79, 51, 14.55

 

CMYK 0 / 51 / 58 / 15

HEX #DA6B5C

RGB 218 107 92

HSL 7.14, 0.63%, 0.61%

LAB 58.22, 42.19, 28.79

 

CMYK 0 / 77 / 46 / 27

HEX #BA2A64

RGB 186 42 100

HSL 335.83, 0.63%, 0.45%

LAB 42.79, 59.89, 2.03

 

CMYK 0 / 72 / 43 / 18

HEX #D23B78

RGB 210 59 120

HSL 335.76, 0.63%, 0.53%

LAB 49.72, 62.86, 0.35

 

CMYK 0 / 58 / 34 / 15

HEX #DA5C8F

RGB 218 92 143

HSL 335.71, 0.63%, 0.61%

LAB 56.63, 54.32, -3.07

 

CMYK 0 / 44 / 26 / 12

HEX #E17EA6

RGB 225 126 166

HSL 335.76, 0.62%, 0.69%

LAB 64.71, 42.95, -4.31

 

CMYK 0 / 31 / 19 / 9

HEX #E9A0BD

RGB 233 160 189

HSL 336.16, 0.62%, 0.77%

LAB 73.64, 31.2, -3.89

 

CMYK 0 / 58 / 34 / 15

HEX #DA5C8F

RGB 218 92 143

HSL 335.71, 0.63%, 0.61%

LAB 56.63, 54.32, -3.07

 

CMYK 0 / 12 / 58 / 15

HEX #DABF5C

RGB 218 191 92

HSL 47.14, 0.63%, 0.61%

LAB 77.84, -2.27, 52.57

 

CMYK 58 / 11 / 0 / 15

HEX #5CC3DA

RGB 92 195 218

HSL 190.95, 0.63%, 0.61%

LAB 73.78, -23.29, -20.53

 

CMYK 0 / 58 / 34 / 15

HEX #DA5C8F

RGB 218 92 143

HSL 335.71, 0.63%, 0.61%

LAB 56.63, 54.32, -3.07

 

CMYK 33 / 0 / 58 / 15

HEX #91DA5C

RGB 145 218 92

HSL 94.76, 0.63%, 0.61%

LAB 80.14, -43.88, 53.85

 

CMYK 58 / 33 / 0 / 15

HEX #5C91DA

RGB 92 145 218

HSL 214.76, 0.63%, 0.61%

LAB 59.51, 3.97, -42.6

 

CMYK 0 / 58 / 34 / 15

HEX #DA5C8F

RGB 218 92 143

HSL 335.71, 0.63%, 0.61%

LAB 56.63, 54.32, -3.07

 

CMYK 0 / 12 / 58 / 15

HEX #DABF5C

RGB 218 191 92

HSL 47.14, 0.63%, 0.61%

LAB 77.84, -2.27, 52.57

 

CMYK 58 / 0 / 24 / 15

HEX #5CDAA5

RGB 92 218 165

HSL 154.76, 0.63%, 0.61%

LAB 79.12, -47.31, 15.77

 

CMYK 58 / 45 / 0 / 15

HEX #5C78DA

RGB 92 120 218

HSL 226.67, 0.63%, 0.61%

LAB 52.7, 18.97, -53.42

 

CMYK 0 / 58 / 34 / 15

HEX #DA5C8F

RGB 218 92 143

HSL 335.71, 0.63%, 0.61%

LAB 56.63, 54.32, -3.07

 

CMYK 5 / 0 / 58 / 15

HEX #CFDA5C

RGB 207 218 92

HSL 65.24, 0.63%, 0.61%

LAB 84.06, -20.44, 59.33

 

CMYK 58 / 0 / 24 / 15

HEX #5CDAA5

RGB 92 218 165

HSL 154.76, 0.63%, 0.61%

LAB 79.12, -47.31, 15.77

 

CMYK 53 / 58 / 0 / 15

HEX #675CDA

RGB 103 92 218

HSL 245.24, 0.63%, 0.61%

LAB 46.45, 38.19, -63.44

 

Description

Color code: HEX #DA5C8F | qconv.com Color code: HEX #DA5C8F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 92 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 92 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 34 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 34% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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