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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA5CA9 it is the complementary color #25A356. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA5CA9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA5CA9 shade: #DF5CA4, #F06EB7, #FF80CA, #FF92DD and #FFA4F0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA5CA9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA5CA9 shade: #DA5CA9, #C94A96, #B83883, #A72670 and #96145D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA5CA9 shade: #DA5CA9, #DA5C87, #DA5C65 and #DA5C5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA5CA9 shade: #DA5CA9, #DA5CCB, #C75CDA, #A55CDA and #835CDA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA5CA9 shade matches the following richer shades: #DA5CA9, #EA4CAD and #FA3CB0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA5CA9 shade: #DA5CA9, #CA6CA5, #BA7DA2, #A98D9E and #999D9B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA5CA9 shade: #C75CDA, #DA5CCB, #DA5CAA, #DA5C88 and #DA5C67

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA5CA9 shade: #BA2A82, #D23B97, #DA5CA9, #E17EBB and #E9A0CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA5CA9 shade: #DA5CA9, #DAA55C and #5CDAD8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA5CA9 shade: #DA5CA9, #AADA5C and #5CAADA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA5CA9 shade: #DA5CA9, #DAA55C, #5CDA8C and #5C91DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA5CA9 shade: #DA5CA9, #DACB5C, #5CDA8C and #5C6BDA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 22 / 15

HEX #DA5CA9

RGB 218 92 169

HSL 323.33, 0.63%, 0.61%

LAB 57.49, 57.64, -16.94

 

Complementary color

CMYK 77 / 0 / 47 / 36

HEX #25A356

RGB 37 163 86

HSL 143.33, 0.63%, 0.39%

LAB 59.21, -50.79, 30.58

 

CMYK 0 / 59 / 26 / 13

HEX #DF5CA4

RGB 223 92 164

HSL 327.02, 0.67%, 0.62%

LAB 58.06, 58.45, -13.11

 

CMYK 0 / 54 / 24 / 6

HEX #F06EB7

RGB 240 110 183

HSL 326.31, 0.81%, 0.69%

LAB 64.24, 57.93, -14.45

 

CMYK 0 / 50 / 21 / 0

HEX #FF80CA

RGB 255 128 202

HSL 325.04, 1%, 0.75%

LAB 70.15, 56.68, -16.02

 

CMYK 0 / 43 / 13 / 0

HEX #FF92DD

RGB 255 146 221

HSL 318.72, 1%, 0.79%

LAB 74.21, 50.69, -20.36

 

CMYK 0 / 36 / 6 / 0

HEX #FFA4F0

RGB 255 164 240

HSL 309.89, 1%, 0.82%

LAB 78.52, 44.64, -24.16

 

CMYK 0 / 58 / 22 / 15

HEX #DA5CA9

RGB 218 92 169

HSL 323.33, 0.63%, 0.61%

LAB 57.49, 57.64, -16.94

 

CMYK 0 / 63 / 25 / 21

HEX #C94A96

RGB 201 74 150

HSL 324.09, 0.54%, 0.54%

LAB 51.29, 57.96, -15.47

 

CMYK 0 / 70 / 29 / 28

HEX #B83883

RGB 184 56 131

HSL 324.84, 0.53%, 0.47%

LAB 45.16, 57.92, -13.61

 

CMYK 0 / 77 / 33 / 35

HEX #A72670

RGB 167 38 112

HSL 325.58, 0.63%, 0.4%

LAB 39.19, 57.27, -11.2

 

CMYK 0 / 87 / 38 / 41

HEX #96145D

RGB 150 20 93

HSL 326.31, 0.76%, 0.33%

LAB 33.51, 55.62, -8

 

CMYK 0 / 58 / 22 / 15

HEX #DA5CA9

RGB 218 92 169

HSL 323.33, 0.63%, 0.61%

LAB 57.49, 57.64, -16.94

 

CMYK 0 / 58 / 38 / 15

HEX #DA5C87

RGB 218 92 135

HSL 339.52, 0.63%, 0.61%

LAB 56.4, 53.41, 1.29

 

CMYK 0 / 58 / 54 / 15

HEX #DA5C65

RGB 218 92 101

HSL 355.71, 0.63%, 0.61%

LAB 55.58, 50.14, 20.13

 

CMYK 0 / 58 / 58 / 15

HEX #DA5C5C

RGB 218 92 92

HSL 0, 0.63%, 0.61%

LAB 55.41, 49.45, 25.15

 

CMYK 0 / 58 / 22 / 15

HEX #DA5CA9

RGB 218 92 169

HSL 323.33, 0.63%, 0.61%

LAB 57.49, 57.64, -16.94

 

CMYK 0 / 58 / 7 / 15

HEX #DA5CCB

RGB 218 92 203

HSL 307.14, 0.63%, 0.61%

LAB 58.86, 62.73, -34.35

 

CMYK 9 / 58 / 0 / 15

HEX #C75CDA

RGB 199 92 218

HSL 290.95, 0.63%, 0.61%

LAB 56.94, 60.42, -46.05

 

CMYK 24 / 58 / 0 / 15

HEX #A55CDA

RGB 165 92 218

HSL 274.76, 0.63%, 0.61%

LAB 52.64, 51.98, -53.15

 

CMYK 40 / 58 / 0 / 15

HEX #835CDA

RGB 131 92 218

HSL 258.57, 0.63%, 0.61%

LAB 48.94, 44.02, -59.29

 

CMYK 0 / 58 / 22 / 15

HEX #DA5CA9

RGB 218 92 169

HSL 323.33, 0.63%, 0.61%

LAB 57.49, 57.64, -16.94

 

CMYK 0 / 68 / 26 / 8

HEX #EA4CAD

RGB 234 76 173

HSL 323.16, 0.79%, 0.61%

LAB 57.73, 69.16, -18.66

 

CMYK 0 / 76 / 30 / 2

HEX #FA3CB0

RGB 250 60 176

HSL 323.37, 0.95%, 0.61%

LAB 58.69, 78.66, -18.7

 

CMYK 0 / 58 / 22 / 15

HEX #DA5CA9

RGB 218 92 169

HSL 323.33, 0.63%, 0.61%

LAB 57.49, 57.64, -16.94

 

CMYK 0 / 47 / 18 / 21

HEX #CA6CA5

RGB 202 108 165

HSL 323.62, 0.47%, 0.61%

LAB 58.04, 44.35, -14.01

 

CMYK 0 / 33 / 13 / 27

HEX #BA7DA2

RGB 186 125 162

HSL 323.61, 0.31%, 0.61%

LAB 59.63, 29.31, -10.09

 

CMYK 0 / 17 / 7 / 34

HEX #A98D9E

RGB 169 141 158

HSL 323.57, 0.14%, 0.61%

LAB 61.61, 13.5, -5.04

 

CMYK 3 / 0 / 1 / 38

HEX #999D9B

RGB 153 157 155

HSL 150, 0.02%, 0.61%

LAB 64.37, -1.82, 0.53

 

CMYK 9 / 58 / 0 / 15

HEX #C75CDA

RGB 199 92 218

HSL 290.95, 0.63%, 0.61%

LAB 56.94, 60.42, -46.05

 

CMYK 0 / 58 / 7 / 15

HEX #DA5CCB

RGB 218 92 203

HSL 307.14, 0.63%, 0.61%

LAB 58.86, 62.73, -34.35

 

CMYK 0 / 58 / 22 / 15

HEX #DA5CAA

RGB 218 92 170

HSL 322.86, 0.63%, 0.61%

LAB 57.52, 57.77, -17.47

 

CMYK 0 / 58 / 38 / 15

HEX #DA5C88

RGB 218 92 136

HSL 339.05, 0.63%, 0.61%

LAB 56.42, 53.52, 0.74

 

CMYK 0 / 58 / 53 / 15

HEX #DA5C67

RGB 218 92 103

HSL 354.76, 0.63%, 0.61%

LAB 55.62, 50.3, 19.01

 

CMYK 0 / 77 / 30 / 27

HEX #BA2A82

RGB 186 42 130

HSL 323.33, 0.63%, 0.45%

LAB 43.81, 63.02, -15.02

 

CMYK 0 / 72 / 28 / 18

HEX #D23B97

RGB 210 59 151

HSL 323.44, 0.63%, 0.53%

LAB 50.76, 66.22, -16.72

 

CMYK 0 / 58 / 22 / 15

HEX #DA5CA9

RGB 218 92 169

HSL 323.33, 0.63%, 0.61%

LAB 57.49, 57.64, -16.94

 

CMYK 0 / 44 / 17 / 12

HEX #E17EBB

RGB 225 126 187

HSL 323.03, 0.62%, 0.69%

LAB 65.37, 46, -15.2

 

CMYK 0 / 31 / 12 / 9

HEX #E9A0CC

RGB 233 160 204

HSL 323.84, 0.62%, 0.77%

LAB 74.08, 33.56, -11.49

 

CMYK 0 / 58 / 22 / 15

HEX #DA5CA9

RGB 218 92 169

HSL 323.33, 0.63%, 0.61%

LAB 57.49, 57.64, -16.94

 

CMYK 0 / 24 / 58 / 15

HEX #DAA55C

RGB 218 165 92

HSL 34.76, 0.63%, 0.61%

LAB 71.27, 11.48, 44.91

 

CMYK 58 / 0 / 1 / 15

HEX #5CDAD8

RGB 92 218 216

HSL 179.05, 0.63%, 0.61%

LAB 80.39, -35, -9.52

 

CMYK 0 / 58 / 22 / 15

HEX #DA5CA9

RGB 218 92 169

HSL 323.33, 0.63%, 0.61%

LAB 57.49, 57.64, -16.94

 

CMYK 22 / 0 / 58 / 15

HEX #AADA5C

RGB 170 218 92

HSL 82.86, 0.63%, 0.61%

LAB 81.54, -34.89, 55.82

 

CMYK 58 / 22 / 0 / 15

HEX #5CAADA

RGB 92 170 218

HSL 202.86, 0.63%, 0.61%

LAB 66.59, -10.17, -31.56

 

CMYK 0 / 58 / 22 / 15

HEX #DA5CA9

RGB 218 92 169

HSL 323.33, 0.63%, 0.61%

LAB 57.49, 57.64, -16.94

 

CMYK 0 / 24 / 58 / 15

HEX #DAA55C

RGB 218 165 92

HSL 34.76, 0.63%, 0.61%

LAB 71.27, 11.48, 44.91

 

CMYK 58 / 0 / 36 / 15

HEX #5CDA8C

RGB 92 218 140

HSL 142.86, 0.63%, 0.61%

LAB 78.64, -52.25, 28.17

 

CMYK 58 / 33 / 0 / 15

HEX #5C91DA

RGB 92 145 218

HSL 214.76, 0.63%, 0.61%

LAB 59.51, 3.97, -42.6

 

CMYK 0 / 58 / 22 / 15

HEX #DA5CA9

RGB 218 92 169

HSL 323.33, 0.63%, 0.61%

LAB 57.49, 57.64, -16.94

 

CMYK 0 / 7 / 58 / 15

HEX #DACB5C

RGB 218 203 92

HSL 52.86, 0.63%, 0.61%

LAB 80.96, -8.44, 56.1

 

CMYK 58 / 0 / 36 / 15

HEX #5CDA8C

RGB 92 218 140

HSL 142.86, 0.63%, 0.61%

LAB 78.64, -52.25, 28.17

 

CMYK 58 / 51 / 0 / 15

HEX #5C6BDA

RGB 92 107 218

HSL 232.86, 0.63%, 0.61%

LAB 49.32, 26.97, -58.84

 

Description

Color code: HEX #DA5CA9 | qconv.com Color code: HEX #DA5CA9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 92 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 92 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 22 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 22% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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