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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA65F0 it is the complementary color #259A0F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA65F0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA65F0 shade: #DF65EB, #F077FE, #FF89FF, #FF9BFF and #FFADFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA65F0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA65F0 shade: #DA65F0, #C953DD, #B841CA, #A72FB7 and #961DA4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA65F0 shade: #DA65EF, #EF65E0, #EF65BB, #EF6596 and #EF6570

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA65F0 shade: #DA65EF, #B465EF, #8F65EF, #6A65EF and #6565EF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA65F0 shade matches the following richer shades: #DA65EF and #E358FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA65F0 shade: #DA65EF, #D073E2, #C781D4, #BE8EC7 and #B49CB9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA65F0 shade: #8F65EF, #B465EF, #D865EF, #EF65E2 and #EF65BD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA65F0 shade: #C71AE8, #D040EC, #DA65EF, #E38BF3 and #ECB0F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA65F0 shade: #DA65F0, #EF6A65 and #65EFA1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA65F0 shade: #DA65F0, #EFD865 and #65EFD8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA65F0 shade: #DA65F0, #EF6A65, #7CEF65 and #65EBEF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA65F0 shade: #DA65F0, #EF9365, #7CEF65 and #65C1EF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 58 / 0 / 6

HEX #DA65F0

RGB 218 101 240

HSL 290.5, 0.82%, 0.67%

LAB 62.09, 65.14, -50.05

 

Complementary color

CMYK 76 / 0 / 90 / 40

HEX #259A0F

RGB 37 154 15

HSL 110.5, 0.82%, 0.33%

LAB 55.62, -55.1, 55.16

 

CMYK 5 / 57 / 0 / 8

HEX #DF65EB

RGB 223 101 235

HSL 294.63, 0.77%, 0.66%

LAB 62.5, 65.47, -46.57

 

CMYK 6 / 53 / 0 / 0

HEX #F077FE

RGB 240 119 254

HSL 293.78, 0.99%, 0.73%

LAB 68.66, 65, -47.19

 

CMYK 0 / 46 / 0 / 0

HEX #FF89FF

RGB 255 137 255

HSL 300, 1%, 0.77%

LAB 73.79, 60.7, -39.58

 

CMYK 0 / 39 / 0 / 0

HEX #FF9BFF

RGB 255 155 255

HSL 300, 1%, 0.8%

LAB 77.23, 51.82, -34.23

 

CMYK 0 / 32 / 0 / 0

HEX #FFADFF

RGB 255 173 255

HSL 300, 1%, 0.84%

LAB 80.94, 42.6, -28.53

 

CMYK 9 / 58 / 0 / 6

HEX #DA65F0

RGB 218 101 240

HSL 290.5, 0.82%, 0.67%

LAB 62.09, 65.14, -50.05

 

CMYK 9 / 62 / 0 / 13

HEX #C953DD

RGB 201 83 221

HSL 291.3, 0.67%, 0.6%

LAB 55.91, 65.45, -49.35

 

CMYK 9 / 68 / 0 / 21

HEX #B841CA

RGB 184 65 202

HSL 292.12, 0.56%, 0.52%

LAB 49.78, 65.45, -48.43

 

CMYK 9 / 74 / 0 / 28

HEX #A72FB7

RGB 167 47 183

HSL 292.94, 0.59%, 0.45%

LAB 43.75, 64.93, -47.15

 

CMYK 9 / 82 / 0 / 36

HEX #961DA4

RGB 150 29 164

HSL 293.78, 0.7%, 0.38%

LAB 37.92, 63.58, -45.36

 

CMYK 9 / 58 / 0 / 6

HEX #DA65EF

RGB 218 101 239

HSL 290.87, 0.81%, 0.67%

LAB 62.04, 64.96, -49.57

 

CMYK 0 / 58 / 6 / 6

HEX #EF65E0

RGB 239 101 224

HSL 306.52, 0.81%, 0.67%

LAB 64.19, 67.7, -37.63

 

CMYK 0 / 58 / 22 / 6

HEX #EF65BB

RGB 239 101 187

HSL 322.61, 0.81%, 0.67%

LAB 62.71, 62.23, -19.05

 

CMYK 0 / 58 / 37 / 6

HEX #EF6596

RGB 239 101 150

HSL 338.7, 0.81%, 0.67%

LAB 61.53, 57.67, 0.42

 

CMYK 0 / 58 / 53 / 6

HEX #EF6570

RGB 239 101 112

HSL 355.22, 0.81%, 0.67%

LAB 60.63, 54.06, 21.11

 

CMYK 9 / 58 / 0 / 6

HEX #DA65EF

RGB 218 101 239

HSL 290.87, 0.81%, 0.67%

LAB 62.04, 64.96, -49.57

 

CMYK 25 / 58 / 0 / 6

HEX #B465EF

RGB 180 101 239

HSL 274.35, 0.81%, 0.67%

LAB 57.31, 55.73, -57.38

 

CMYK 40 / 58 / 0 / 6

HEX #8F65EF

RGB 143 101 239

HSL 258.26, 0.81%, 0.67%

LAB 53.36, 47.27, -63.93

 

CMYK 56 / 58 / 0 / 6

HEX #6A65EF

RGB 106 101 239

HSL 242.17, 0.81%, 0.67%

LAB 50.22, 39.88, -69.16

 

CMYK 58 / 58 / 0 / 6

HEX #6565EF

RGB 101 101 239

HSL 240, 0.81%, 0.67%

LAB 49.87, 39, -69.76

 

CMYK 9 / 58 / 0 / 6

HEX #DA65EF

RGB 218 101 239

HSL 290.87, 0.81%, 0.67%

LAB 62.04, 64.96, -49.57

 

CMYK 10 / 65 / 0 / 1

HEX #E358FD

RGB 227 88 253

HSL 290.55, 0.98%, 0.67%

LAB 62, 75.07, -57.3

 

CMYK 9 / 58 / 0 / 6

HEX #DA65EF

RGB 218 101 239

HSL 290.87, 0.81%, 0.67%

LAB 62.04, 64.96, -49.57

 

CMYK 8 / 49 / 0 / 11

HEX #D073E2

RGB 208 115 226

HSL 290.27, 0.66%, 0.67%

LAB 62.64, 53.21, -41.47

 

CMYK 6 / 39 / 0 / 17

HEX #C781D4

RGB 199 129 212

HSL 290.6, 0.49%, 0.67%

LAB 63.83, 40.58, -31.87

 

CMYK 5 / 29 / 0 / 22

HEX #BE8EC7

RGB 190 142 199

HSL 290.53, 0.34%, 0.67%

LAB 65.29, 28.06, -22.44

 

CMYK 3 / 16 / 0 / 27

HEX #B49CB9

RGB 180 156 185

HSL 289.66, 0.17%, 0.67%

LAB 67.26, 14.13, -11.72

 

CMYK 40 / 58 / 0 / 6

HEX #8F65EF

RGB 143 101 239

HSL 258.26, 0.81%, 0.67%

LAB 53.36, 47.27, -63.93

 

CMYK 25 / 58 / 0 / 6

HEX #B465EF

RGB 180 101 239

HSL 274.35, 0.81%, 0.67%

LAB 57.31, 55.73, -57.38

 

CMYK 10 / 58 / 0 / 6

HEX #D865EF

RGB 216 101 239

HSL 290, 0.81%, 0.67%

LAB 61.77, 64.46, -50

 

CMYK 0 / 58 / 5 / 6

HEX #EF65E2

RGB 239 101 226

HSL 305.65, 0.81%, 0.67%

LAB 64.28, 68.02, -38.61

 

CMYK 0 / 58 / 21 / 6

HEX #EF65BD

RGB 239 101 189

HSL 321.74, 0.81%, 0.67%

LAB 62.79, 62.5, -20.08

 

CMYK 14 / 89 / 0 / 9

HEX #C71AE8

RGB 199 26 232

HSL 290.39, 0.82%, 0.51%

LAB 50.34, 83.95, -64.51

 

CMYK 12 / 73 / 0 / 7

HEX #D040EC

RGB 208 64 236

HSL 290.23, 0.82%, 0.59%

LAB 55.21, 76.86, -58.86

 

CMYK 9 / 58 / 0 / 6

HEX #DA65EF

RGB 218 101 239

HSL 290.87, 0.81%, 0.67%

LAB 62.04, 64.96, -49.57

 

CMYK 7 / 43 / 0 / 5

HEX #E38BF3

RGB 227 139 243

HSL 290.77, 0.81%, 0.75%

LAB 70.36, 49.61, -38.62

 

CMYK 4 / 29 / 0 / 3

HEX #ECB0F7

RGB 236 176 247

HSL 290.7, 0.82%, 0.83%

LAB 79.39, 33.64, -26.79

 

CMYK 9 / 58 / 0 / 6

HEX #DA65F0

RGB 218 101 240

HSL 290.5, 0.82%, 0.67%

LAB 62.09, 65.14, -50.05

 

CMYK 0 / 56 / 58 / 6

HEX #EF6A65

RGB 239 106 101

HSL 2.17, 0.81%, 0.67%

LAB 61.31, 50.92, 28.29

 

CMYK 58 / 0 / 33 / 6

HEX #65EFA1

RGB 101 239 161

HSL 146.09, 0.81%, 0.67%

LAB 85.54, -54.83, 26.74

 

CMYK 9 / 58 / 0 / 6

HEX #DA65F0

RGB 218 101 240

HSL 290.5, 0.82%, 0.67%

LAB 62.09, 65.14, -50.05

 

CMYK 0 / 10 / 58 / 6

HEX #EFD865

RGB 239 216 101

HSL 50, 0.81%, 0.67%

LAB 86.21, -5.75, 58.47

 

CMYK 58 / 0 / 10 / 6

HEX #65EFD8

RGB 101 239 216

HSL 170, 0.81%, 0.67%

LAB 86.73, -42.9, -0.14

 

CMYK 9 / 58 / 0 / 6

HEX #DA65F0

RGB 218 101 240

HSL 290.5, 0.82%, 0.67%

LAB 62.09, 65.14, -50.05

 

CMYK 0 / 56 / 58 / 6

HEX #EF6A65

RGB 239 106 101

HSL 2.17, 0.81%, 0.67%

LAB 61.31, 50.92, 28.29

 

CMYK 48 / 0 / 58 / 6

HEX #7CEF65

RGB 124 239 101

HSL 110, 0.81%, 0.67%

LAB 85.48, -58.02, 55.78

 

CMYK 58 / 2 / 0 / 6

HEX #65EBEF

RGB 101 235 239

HSL 181.74, 0.81%, 0.67%

LAB 86.21, -35.19, -12.98

 

CMYK 9 / 58 / 0 / 6

HEX #DA65F0

RGB 218 101 240

HSL 290.5, 0.82%, 0.67%

LAB 62.09, 65.14, -50.05

 

CMYK 0 / 38 / 58 / 6

HEX #EF9365

RGB 239 147 101

HSL 20, 0.81%, 0.67%

LAB 69.58, 30.33, 38.79

 

CMYK 48 / 0 / 58 / 6

HEX #7CEF65

RGB 124 239 101

HSL 110, 0.81%, 0.67%

LAB 85.48, -58.02, 55.78

 

CMYK 58 / 19 / 0 / 6

HEX #65C1EF

RGB 101 193 239

HSL 200, 0.81%, 0.67%

LAB 74.28, -14.38, -31.1

 

Description

Color code: HEX #DA65F0 | qconv.com Color code: HEX #DA65F0 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 101 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 101 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 58 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 58% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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