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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA66C1 it is the complementary color #25993E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA66C1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA66C1 shade: #DF66BC, #F078CF, #FF8AE2, #FF9CF5 and #FFAEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA66C1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA66C1 shade: #DA66C1, #C954AE, #B8429B, #A73088 and #961E75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA66C1 shade: #DA67C1, #DA67A2, #DA6783 and #DA6767

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA66C1 shade: #DA67C1, #D367DA, #B467DA, #9567DA and #7667DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA66C1 shade matches the following richer shades: #DA67C1, #E957CA and #F848D2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA66C1 shade: #DA67C1, #CA76B8, #BB85B0, #AC94A7 and #9DA49E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA66C1 shade: #B367DA, #D267DA, #DA67C3, #DA67A4 and #DA6785

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA66C1 shade: #C02EA0, #D245B3, #DA67C1, #E288CE and #EAA9DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA66C1 shade: #DA66C1, #DA9567 and #67DAC3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA66C1 shade: #DA66C1, #C3DA67 and #67C3DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA66C1 shade: #DA66C1, #DA9567, #67DA7E and #67ACDA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA66C1 shade: #DA66C1, #DAB767, #67DA7E and #6789DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 11 / 15

HEX #DA66C1

RGB 218 102 193

HSL 312.93, 0.61%, 0.63%

LAB 60.12, 56.59, -26.7

 

Complementary color

CMYK 76 / 0 / 59 / 40

HEX #25993E

RGB 37 153 62

HSL 132.93, 0.61%, 0.37%

LAB 55.61, -50.88, 38.28

 

CMYK 0 / 54 / 16 / 13

HEX #DF66BC

RGB 223 102 188

HSL 317.36, 0.65%, 0.64%

LAB 60.62, 57.27, -23.02

 

CMYK 0 / 50 / 14 / 6

HEX #F078CF

RGB 240 120 207

HSL 316.5, 0.8%, 0.71%

LAB 66.87, 56.69, -23.97

 

CMYK 0 / 46 / 11 / 0

HEX #FF8AE2

RGB 255 138 226

HSL 314.87, 1%, 0.77%

LAB 72.84, 55.42, -25.2

 

CMYK 0 / 39 / 4 / 0

HEX #FF9CF5

RGB 255 156 245

HSL 306.06, 1%, 0.81%

LAB 77.06, 49.58, -29.1

 

CMYK 0 / 32 / 0 / 0

HEX #FFAEFF

RGB 255 174 255

HSL 300, 1%, 0.84%

LAB 81.16, 42.08, -28.2

 

CMYK 0 / 53 / 11 / 15

HEX #DA66C1

RGB 218 102 193

HSL 312.93, 0.61%, 0.63%

LAB 60.12, 56.59, -26.7

 

CMYK 0 / 58 / 13 / 21

HEX #C954AE

RGB 201 84 174

HSL 313.85, 0.52%, 0.56%

LAB 53.83, 57.04, -25.67

 

CMYK 0 / 64 / 16 / 28

HEX #B8429B

RGB 184 66 155

HSL 314.75, 0.47%, 0.49%

LAB 47.56, 57.25, -24.38

 

CMYK 0 / 71 / 19 / 35

HEX #A73088

RGB 167 48 136

HSL 315.63, 0.55%, 0.42%

LAB 41.39, 57, -22.7

 

CMYK 0 / 80 / 22 / 41

HEX #961E75

RGB 150 30 117

HSL 316.5, 0.67%, 0.35%

LAB 35.39, 56, -20.44

 

CMYK 0 / 53 / 11 / 15

HEX #DA67C1

RGB 218 103 193

HSL 313.04, 0.61%, 0.63%

LAB 60.3, 56.12, -26.43

 

CMYK 0 / 53 / 26 / 15

HEX #DA67A2

RGB 218 103 162

HSL 329.22, 0.61%, 0.63%

LAB 59.17, 51.56, -10.35

 

CMYK 0 / 53 / 40 / 15

HEX #DA6783

RGB 218 103 131

HSL 345.39, 0.61%, 0.63%

LAB 58.27, 47.77, 6.33

 

CMYK 0 / 53 / 53 / 15

HEX #DA6767

RGB 218 103 103

HSL 0, 0.61%, 0.63%

LAB 57.64, 45.05, 21.73

 

CMYK 0 / 53 / 11 / 15

HEX #DA67C1

RGB 218 103 193

HSL 313.04, 0.61%, 0.63%

LAB 60.3, 56.12, -26.43

 

CMYK 3 / 53 / 0 / 15

HEX #D367DA

RGB 211 103 218

HSL 296.35, 0.61%, 0.63%

LAB 60.44, 58.4, -40.43

 

CMYK 17 / 53 / 0 / 15

HEX #B467DA

RGB 180 103 218

HSL 280.17, 0.61%, 0.63%

LAB 56.55, 50.14, -46.81

 

CMYK 32 / 53 / 0 / 15

HEX #9567DA

RGB 149 103 218

HSL 264, 0.61%, 0.63%

LAB 53.12, 42.14, -52.49

 

CMYK 46 / 53 / 0 / 15

HEX #7667DA

RGB 118 103 218

HSL 247.83, 0.61%, 0.63%

LAB 50.23, 34.77, -57.27

 

CMYK 0 / 53 / 11 / 15

HEX #DA67C1

RGB 218 103 193

HSL 313.04, 0.61%, 0.63%

LAB 60.3, 56.12, -26.43

 

CMYK 0 / 63 / 13 / 9

HEX #E957CA

RGB 233 87 202

HSL 312.74, 0.77%, 0.63%

LAB 60.25, 68.59, -31.44

 

CMYK 0 / 71 / 15 / 3

HEX #F848D2

RGB 248 72 210

HSL 312.95, 0.93%, 0.63%

LAB 61, 78.78, -34.64

 

CMYK 0 / 53 / 11 / 15

HEX #DA67C1

RGB 218 103 193

HSL 313.04, 0.61%, 0.63%

LAB 60.3, 56.12, -26.43

 

CMYK 0 / 42 / 9 / 21

HEX #CA76B8

RGB 202 118 184

HSL 312.86, 0.44%, 0.63%

LAB 60.76, 42.23, -20.77

 

CMYK 0 / 29 / 6 / 27

HEX #BB85B0

RGB 187 133 176

HSL 312.22, 0.28%, 0.63%

LAB 62.06, 27.68, -14.41

 

CMYK 0 / 14 / 3 / 33

HEX #AC94A7

RGB 172 148 167

HSL 312.5, 0.13%, 0.63%

LAB 63.95, 12.32, -6.64

 

CMYK 4 / 0 / 4 / 36

HEX #9DA49E

RGB 157 164 158

HSL 128.57, 0.04%, 0.63%

LAB 66.66, -3.64, 2.24

 

CMYK 18 / 53 / 0 / 15

HEX #B367DA

RGB 179 103 218

HSL 279.65, 0.61%, 0.63%

LAB 56.43, 49.87, -47.01

 

CMYK 4 / 53 / 0 / 15

HEX #D267DA

RGB 210 103 218

HSL 295.83, 0.61%, 0.63%

LAB 60.31, 58.13, -40.64

 

CMYK 0 / 53 / 11 / 15

HEX #DA67C3

RGB 218 103 195

HSL 312, 0.61%, 0.63%

LAB 60.38, 56.44, -27.44

 

CMYK 0 / 53 / 25 / 15

HEX #DA67A4

RGB 218 103 164

HSL 328.17, 0.61%, 0.63%

LAB 59.24, 51.84, -11.41

 

CMYK 0 / 53 / 39 / 15

HEX #DA6785

RGB 218 103 133

HSL 344.35, 0.61%, 0.63%

LAB 58.32, 47.99, 5.24

 

CMYK 0 / 76 / 17 / 25

HEX #C02EA0

RGB 192 46 160

HSL 313.15, 0.61%, 0.47%

LAB 46.58, 67.11, -28.79

 

CMYK 0 / 67 / 15 / 18

HEX #D245B3

RGB 210 69 179

HSL 313.19, 0.61%, 0.55%

LAB 53.18, 66.37, -29.48

 

CMYK 0 / 53 / 11 / 15

HEX #DA67C1

RGB 218 103 193

HSL 313.04, 0.61%, 0.63%

LAB 60.3, 56.12, -26.43

 

CMYK 0 / 40 / 9 / 11

HEX #E288CE

RGB 226 136 206

HSL 313.33, 0.61%, 0.71%

LAB 68.19, 44.22, -21.56

 

CMYK 0 / 28 / 6 / 8

HEX #EAA9DC

RGB 234 169 220

HSL 312.92, 0.61%, 0.79%

LAB 76.7, 31.81, -16.28

 

CMYK 0 / 53 / 11 / 15

HEX #DA66C1

RGB 218 102 193

HSL 312.93, 0.61%, 0.63%

LAB 60.12, 56.59, -26.7

 

CMYK 0 / 32 / 53 / 15

HEX #DA9567

RGB 218 149 103

HSL 24, 0.61%, 0.63%

LAB 67.56, 20.99, 34.66

 

CMYK 53 / 0 / 11 / 15

HEX #67DAC3

RGB 103 218 195

HSL 168, 0.61%, 0.63%

LAB 80.16, -38.19, 1.38

 

CMYK 0 / 53 / 11 / 15

HEX #DA66C1

RGB 218 102 193

HSL 312.93, 0.61%, 0.63%

LAB 60.12, 56.59, -26.7

 

CMYK 11 / 0 / 53 / 15

HEX #C3DA67

RGB 195 218 103

HSL 72, 0.61%, 0.63%

LAB 83.3, -24.31, 53.31

 

CMYK 53 / 11 / 0 / 15

HEX #67C3DA

RGB 103 195 218

HSL 192, 0.61%, 0.63%

LAB 74.17, -21.11, -19.9

 

CMYK 0 / 53 / 11 / 15

HEX #DA66C1

RGB 218 102 193

HSL 312.93, 0.61%, 0.63%

LAB 60.12, 56.59, -26.7

 

CMYK 0 / 32 / 53 / 15

HEX #DA9567

RGB 218 149 103

HSL 24, 0.61%, 0.63%

LAB 67.56, 20.99, 34.66

 

CMYK 53 / 0 / 42 / 15

HEX #67DA7E

RGB 103 218 126

HSL 132, 0.61%, 0.63%

LAB 78.77, -52.07, 35.54

 

CMYK 53 / 21 / 0 / 15

HEX #67ACDA

RGB 103 172 218

HSL 204, 0.61%, 0.63%

LAB 67.61, -8.98, -29.93

 

CMYK 0 / 53 / 11 / 15

HEX #DA66C1

RGB 218 102 193

HSL 312.93, 0.61%, 0.63%

LAB 60.12, 56.59, -26.7

 

CMYK 0 / 16 / 53 / 15

HEX #DAB767

RGB 218 183 103

HSL 41.74, 0.61%, 0.63%

LAB 75.92, 2.79, 45

 

CMYK 53 / 0 / 42 / 15

HEX #67DA7E

RGB 103 218 126

HSL 132, 0.61%, 0.63%

LAB 78.77, -52.07, 35.54

 

CMYK 53 / 37 / 0 / 15

HEX #6789DA

RGB 103 137 218

HSL 222.26, 0.61%, 0.63%

LAB 57.88, 11.01, -45.14

 

Description

Color code: HEX #DA66C1 | qconv.com Color code: HEX #DA66C1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 102 green and 193 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 102 193 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 11 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 11% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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