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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA7467 it is the complementary color #258B98. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA7467. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA7467 shade: #DF7462, #F08675, #FF9888, #FFAA9B and #FFBCAE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA7467. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA7467 shade: #DA7467, #C96254, #B85041, #A73E2E and #962C1B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA7467 shade: #DA7467 and #DA6767

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA7467 shade: #DA7467, #DA9367, #DAB267, #DAD167 and #C4DA67

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA7467 shade matches the following richer shades: #DA7467, #E96857 and #F85C48

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA7467 shade: #DA7467, #CA7F76, #BB8B85, #AC9794 and #9DA3A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA7467 shade: #DA6798, #DA677A, #DA7267, #DA9167 and #DAAF67

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA7467 shade: #C03F2E, #D25545, #DA7467, #E29288 and #EAB0A9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA7467 shade: #DA7467, #B7DA67 and #6789DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA7467 shade: #DA7467, #67DA72 and #7267DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA7467 shade: #DA7467, #B7DA67, #67CEDA and #8967DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA7467 shade: #DA7467, #95DA67, #67CEDA and #AC67DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 53 / 15

HEX #DA7467

RGB 218 116 103

HSL 6.78, 0.61%, 0.63%

LAB 60.23, 38.51, 25.17

 

Complementary color

CMYK 76 / 9 / 0 / 40

HEX #258B98

RGB 37 139 152

HSL 186.78, 0.61%, 0.37%

LAB 53.09, -23.66, -15.17

 

CMYK 0 / 48 / 56 / 13

HEX #DF7462

RGB 223 116 98

HSL 8.64, 0.66%, 0.63%

LAB 60.84, 39.98, 28.92

 

CMYK 0 / 44 / 51 / 6

HEX #F08675

RGB 240 134 117

HSL 8.29, 0.8%, 0.7%

LAB 67.17, 38.76, 27.06

 

CMYK 0 / 40 / 47 / 0

HEX #FF9888

RGB 255 152 136

HSL 8.07, 1%, 0.77%

LAB 73.22, 36.88, 25.03

 

CMYK 0 / 33 / 39 / 0

HEX #FFAA9B

RGB 255 170 155

HSL 9, 1%, 0.8%

LAB 77.51, 29.5, 20.56

 

CMYK 0 / 26 / 32 / 0

HEX #FFBCAE

RGB 255 188 174

HSL 10.37, 1%, 0.84%

LAB 81.99, 22.31, 16.57

 

CMYK 0 / 47 / 53 / 15

HEX #DA7467

RGB 218 116 103

HSL 6.78, 0.61%, 0.63%

LAB 60.23, 38.51, 25.17

 

CMYK 0 / 51 / 58 / 21

HEX #C96254

RGB 201 98 84

HSL 7.18, 0.52%, 0.56%

LAB 53.81, 39.75, 27.18

 

CMYK 0 / 57 / 65 / 28

HEX #B85041

RGB 184 80 65

HSL 7.56, 0.48%, 0.49%

LAB 47.38, 41.04, 29.51

 

CMYK 0 / 63 / 72 / 35

HEX #A73E2E

RGB 167 62 46

HSL 7.93, 0.57%, 0.42%

LAB 40.99, 42.29, 32.24

 

CMYK 0 / 71 / 82 / 41

HEX #962C1B

RGB 150 44 27

HSL 8.29, 0.69%, 0.35%

LAB 34.73, 43.34, 35.31

 

CMYK 0 / 47 / 53 / 15

HEX #DA7467

RGB 218 116 103

HSL 6.78, 0.61%, 0.63%

LAB 60.23, 38.51, 25.17

 

CMYK 0 / 53 / 53 / 15

HEX #DA6767

RGB 218 103 103

HSL 0, 0.61%, 0.63%

LAB 57.64, 45.05, 21.73

 

CMYK 0 / 47 / 53 / 15

HEX #DA7467

RGB 218 116 103

HSL 6.78, 0.61%, 0.63%

LAB 60.23, 38.51, 25.17

 

CMYK 0 / 33 / 53 / 15

HEX #DA9367

RGB 218 147 103

HSL 22.96, 0.61%, 0.63%

LAB 67.09, 22.07, 34.06

 

CMYK 0 / 18 / 53 / 15

HEX #DAB267

RGB 218 178 103

HSL 39.13, 0.61%, 0.63%

LAB 74.65, 5.44, 43.46

 

CMYK 0 / 4 / 53 / 15

HEX #DAD167

RGB 218 209 103

HSL 55.3, 0.61%, 0.63%

LAB 82.64, -10.64, 52.98

 

CMYK 10 / 0 / 53 / 15

HEX #C4DA67

RGB 196 218 103

HSL 71.48, 0.61%, 0.63%

LAB 83.37, -23.92, 53.41

 

CMYK 0 / 47 / 53 / 15

HEX #DA7467

RGB 218 116 103

HSL 6.78, 0.61%, 0.63%

LAB 60.23, 38.51, 25.17

 

CMYK 0 / 55 / 63 / 9

HEX #E96857

RGB 233 104 87

HSL 6.99, 0.77%, 0.63%

LAB 59.81, 48.79, 34.07

 

CMYK 0 / 63 / 71 / 3

HEX #F85C48

RGB 248 92 72

HSL 6.82, 0.93%, 0.63%

LAB 59.96, 58.52, 43.05

 

CMYK 0 / 47 / 53 / 15

HEX #DA7467

RGB 218 116 103

HSL 6.78, 0.61%, 0.63%

LAB 60.23, 38.51, 25.17

 

CMYK 0 / 37 / 42 / 21

HEX #CA7F76

RGB 202 127 118

HSL 6.43, 0.44%, 0.63%

LAB 60.82, 28, 17.1

 

CMYK 0 / 26 / 29 / 27

HEX #BB8B85

RGB 187 139 133

HSL 6.67, 0.28%, 0.63%

LAB 62.27, 17.41, 10.35

 

CMYK 0 / 12 / 14 / 33

HEX #AC9794

RGB 172 151 148

HSL 7.5, 0.13%, 0.63%

LAB 64.19, 7.26, 4.42

 

CMYK 4 / 1 / 0 / 36

HEX #9DA3A4

RGB 157 163 164

HSL 188.57, 0.04%, 0.63%

LAB 66.55, -1.93, -1.27

 

CMYK 0 / 53 / 30 / 15

HEX #DA6798

RGB 218 103 152

HSL 334.43, 0.61%, 0.63%

LAB 58.86, 50.25, -5.03

 

CMYK 0 / 53 / 44 / 15

HEX #DA677A

RGB 218 103 122

HSL 350.09, 0.61%, 0.63%

LAB 58.05, 46.82, 11.26

 

CMYK 0 / 48 / 53 / 15

HEX #DA7267

RGB 218 114 103

HSL 5.74, 0.61%, 0.63%

LAB 59.82, 39.53, 24.63

 

CMYK 0 / 33 / 53 / 15

HEX #DA9167

RGB 218 145 103

HSL 21.91, 0.61%, 0.63%

LAB 66.62, 23.15, 33.47

 

CMYK 0 / 20 / 53 / 15

HEX #DAAF67

RGB 218 175 103

HSL 37.57, 0.61%, 0.63%

LAB 73.9, 7.03, 42.54

 

CMYK 0 / 67 / 76 / 25

HEX #C03F2E

RGB 192 63 46

HSL 6.99, 0.61%, 0.47%

LAB 45.58, 50.65, 38.56

 

CMYK 0 / 60 / 67 / 18

HEX #D25545

RGB 210 85 69

HSL 6.81, 0.61%, 0.55%

LAB 52.54, 48.37, 34.46

 

CMYK 0 / 47 / 53 / 15

HEX #DA7467

RGB 218 116 103

HSL 6.78, 0.61%, 0.63%

LAB 60.23, 38.51, 25.17

 

CMYK 0 / 35 / 40 / 11

HEX #E29288

RGB 226 146 136

HSL 6.67, 0.61%, 0.71%

LAB 68.39, 29.06, 17.87

 

CMYK 0 / 25 / 28 / 8

HEX #EAB0A9

RGB 234 176 169

HSL 6.46, 0.61%, 0.79%

LAB 76.93, 20.16, 11.82

 

CMYK 0 / 47 / 53 / 15

HEX #DA7467

RGB 218 116 103

HSL 6.78, 0.61%, 0.63%

LAB 60.23, 38.51, 25.17

 

CMYK 16 / 0 / 53 / 15

HEX #B7DA67

RGB 183 218 103

HSL 78.26, 0.61%, 0.63%

LAB 82.48, -28.96, 52.15

 

CMYK 53 / 37 / 0 / 15

HEX #6789DA

RGB 103 137 218

HSL 222.26, 0.61%, 0.63%

LAB 57.88, 11.01, -45.14

 

CMYK 0 / 47 / 53 / 15

HEX #DA7467

RGB 218 116 103

HSL 6.78, 0.61%, 0.63%

LAB 60.23, 38.51, 25.17

 

CMYK 53 / 0 / 48 / 15

HEX #67DA72

RGB 103 218 114

HSL 125.74, 0.61%, 0.63%

LAB 78.6, -53.87, 41.27

 

CMYK 48 / 53 / 0 / 15

HEX #7267DA

RGB 114 103 218

HSL 245.74, 0.61%, 0.63%

LAB 49.91, 33.89, -57.81

 

CMYK 0 / 47 / 53 / 15

HEX #DA7467

RGB 218 116 103

HSL 6.78, 0.61%, 0.63%

LAB 60.23, 38.51, 25.17

 

CMYK 16 / 0 / 53 / 15

HEX #B7DA67

RGB 183 218 103

HSL 78.26, 0.61%, 0.63%

LAB 82.48, -28.96, 52.15

 

CMYK 53 / 6 / 0 / 15

HEX #67CEDA

RGB 103 206 218

HSL 186.26, 0.61%, 0.63%

LAB 77.33, -26.61, -15.13

 

CMYK 37 / 53 / 0 / 15

HEX #8967DA

RGB 137 103 218

HSL 257.74, 0.61%, 0.63%

LAB 51.93, 39.19, -54.45

 

CMYK 0 / 47 / 53 / 15

HEX #DA7467

RGB 218 116 103

HSL 6.78, 0.61%, 0.63%

LAB 60.23, 38.51, 25.17

 

CMYK 32 / 0 / 53 / 15

HEX #95DA67

RGB 149 218 103

HSL 96, 0.61%, 0.63%

LAB 80.47, -41.38, 49.27

 

CMYK 53 / 6 / 0 / 15

HEX #67CEDA

RGB 103 206 218

HSL 186.26, 0.61%, 0.63%

LAB 77.33, -26.61, -15.13

 

CMYK 21 / 53 / 0 / 15

HEX #AC67DA

RGB 172 103 218

HSL 276, 0.61%, 0.63%

LAB 55.62, 48.04, -48.35

 

Description

Color code: HEX #DA7467 | qconv.com Color code: HEX #DA7467 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 116 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 116 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 53 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 53% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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