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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA796C it is the complementary color #258693. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA796C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA796C shade: #DF7967, #F08B7A, #FF9D8D, #FFAFA0 and #FFC1B3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA796C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA796C shade: #DA796C, #C96759, #B85546, #A74333 and #963120

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA796C shade: #DA796C and #DA6C6C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA796C shade: #DA796C, #DA966C, #DAB46C, #DAD26C and #C4DA6C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA796C shade matches the following richer shades: #DA796C, #E96D5D and #F7624E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA796C shade: #DA796C, #CB847A, #BC8F89, #AD9B98 and #9EA6A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA796C shade: #DA6C9A, #DA6C7C, #DA786C, #DA966C and #DAB36C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA796C shade: #C34230, #D25B4B, #DA796C, #E2978D and #EAB5AE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA796C shade: #DA796C, #B7DA6C and #6C8BDA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA796C shade: #DA796C, #6CDA78 and #786CDA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA796C shade: #DA796C, #B7DA6C, #6CCDDA and #8F6CDA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA796C shade: #DA796C, #96DA6C, #6CCDDA and #B06CDA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 50 / 15

HEX #DA796C

RGB 218 121 108

HSL 7.09, 0.6%, 0.64%

LAB 61.36, 36.36, 23.85

 

Complementary color

CMYK 75 / 9 / 0 / 42

HEX #258693

RGB 37 134 147

HSL 187.09, 0.6%, 0.36%

LAB 51.32, -22.69, -14.94

 

CMYK 0 / 46 / 54 / 13

HEX #DF7967

RGB 223 121 103

HSL 9, 0.65%, 0.64%

LAB 61.95, 37.83, 27.56

 

CMYK 0 / 42 / 49 / 6

HEX #F08B7A

RGB 240 139 122

HSL 8.64, 0.8%, 0.71%

LAB 68.31, 36.64, 25.81

 

CMYK 0 / 38 / 45 / 0

HEX #FF9D8D

RGB 255 157 141

HSL 8.42, 1%, 0.78%

LAB 74.38, 34.79, 23.88

 

CMYK 0 / 31 / 37 / 0

HEX #FFAFA0

RGB 255 175 160

HSL 9.47, 1%, 0.81%

LAB 78.73, 27.44, 19.55

 

CMYK 0 / 24 / 30 / 0

HEX #FFC1B3

RGB 255 193 179

HSL 11.05, 1%, 0.85%

LAB 83.26, 20.32, 15.68

 

CMYK 0 / 44 / 50 / 15

HEX #DA796C

RGB 218 121 108

HSL 7.09, 0.6%, 0.64%

LAB 61.36, 36.36, 23.85

 

CMYK 0 / 49 / 56 / 21

HEX #C96759

RGB 201 103 89

HSL 7.5, 0.51%, 0.57%

LAB 54.91, 37.58, 25.73

 

CMYK 0 / 54 / 62 / 28

HEX #B85546

RGB 184 85 70

HSL 7.89, 0.45%, 0.5%

LAB 48.42, 38.88, 27.91

 

CMYK 0 / 60 / 69 / 35

HEX #A74333

RGB 167 67 51

HSL 8.28, 0.53%, 0.43%

LAB 41.95, 40.19, 30.46

 

CMYK 0 / 67 / 79 / 41

HEX #963120

RGB 150 49 32

HSL 8.64, 0.65%, 0.36%

LAB 35.57, 41.39, 33.4

 

CMYK 0 / 44 / 50 / 15

HEX #DA796C

RGB 218 121 108

HSL 7.09, 0.6%, 0.64%

LAB 61.36, 36.36, 23.85

 

CMYK 0 / 50 / 50 / 15

HEX #DA6C6C

RGB 218 108 108

HSL 0, 0.6%, 0.64%

LAB 58.71, 43.01, 20.29

 

CMYK 0 / 44 / 50 / 15

HEX #DA796C

RGB 218 121 108

HSL 7.09, 0.6%, 0.64%

LAB 61.36, 36.36, 23.85

 

CMYK 0 / 31 / 50 / 15

HEX #DA966C

RGB 218 150 108

HSL 22.91, 0.6%, 0.64%

LAB 67.87, 20.9, 32.37

 

CMYK 0 / 17 / 50 / 15

HEX #DAB46C

RGB 218 180 108

HSL 39.27, 0.6%, 0.64%

LAB 75.22, 4.82, 41.64

 

CMYK 0 / 4 / 50 / 15

HEX #DAD26C

RGB 218 210 108

HSL 55.64, 0.6%, 0.64%

LAB 82.96, -10.72, 51.01

 

CMYK 10 / 0 / 50 / 15

HEX #C4DA6C

RGB 196 218 108

HSL 72, 0.6%, 0.64%

LAB 83.42, -23.46, 51.15

 

CMYK 0 / 44 / 50 / 15

HEX #DA796C

RGB 218 121 108

HSL 7.09, 0.6%, 0.64%

LAB 61.36, 36.36, 23.85

 

CMYK 0 / 53 / 60 / 9

HEX #E96D5D

RGB 233 109 93

HSL 6.86, 0.76%, 0.64%

LAB 60.83, 46.79, 32

 

CMYK 0 / 60 / 68 / 3

HEX #F7624E

RGB 247 98 78

HSL 7.1, 0.91%, 0.64%

LAB 60.83, 55.9, 40.78

 

CMYK 0 / 44 / 50 / 15

HEX #DA796C

RGB 218 121 108

HSL 7.09, 0.6%, 0.64%

LAB 61.36, 36.36, 23.85

 

CMYK 0 / 35 / 40 / 20

HEX #CB847A

RGB 203 132 122

HSL 7.41, 0.44%, 0.64%

LAB 62.17, 26.13, 16.71

 

CMYK 0 / 24 / 27 / 26

HEX #BC8F89

RGB 188 143 137

HSL 7.06, 0.28%, 0.64%

LAB 63.46, 16.14, 9.78

 

CMYK 0 / 10 / 12 / 32

HEX #AD9B98

RGB 173 155 152

HSL 8.57, 0.11%, 0.64%

LAB 65.43, 6.09, 3.97

 

CMYK 5 / 1 / 0 / 35

HEX #9EA6A7

RGB 158 166 167

HSL 186.67, 0.05%, 0.64%

LAB 67.53, -2.63, -1.5

 

CMYK 0 / 50 / 29 / 15

HEX #DA6C9A

RGB 218 108 154

HSL 334.91, 0.6%, 0.64%

LAB 59.86, 48.07, -4.71

 

CMYK 0 / 50 / 43 / 15

HEX #DA6C7C

RGB 218 108 124

HSL 351.27, 0.6%, 0.64%

LAB 59.05, 44.56, 11.52

 

CMYK 0 / 45 / 50 / 15

HEX #DA786C

RGB 218 120 108

HSL 6.55, 0.6%, 0.64%

LAB 61.15, 36.88, 23.57

 

CMYK 0 / 31 / 50 / 15

HEX #DA966C

RGB 218 150 108

HSL 22.91, 0.6%, 0.64%

LAB 67.87, 20.9, 32.37

 

CMYK 0 / 18 / 50 / 15

HEX #DAB36C

RGB 218 179 108

HSL 38.73, 0.6%, 0.64%

LAB 74.97, 5.35, 41.33

 

CMYK 0 / 66 / 75 / 24

HEX #C34230

RGB 195 66 48

HSL 7.35, 0.6%, 0.48%

LAB 46.59, 50.5, 38.71

 

CMYK 0 / 57 / 64 / 18

HEX #D25B4B

RGB 210 91 75

HSL 7.11, 0.6%, 0.56%

LAB 53.7, 45.92, 32.48

 

CMYK 0 / 44 / 50 / 15

HEX #DA796C

RGB 218 121 108

HSL 7.09, 0.6%, 0.64%

LAB 61.36, 36.36, 23.85

 

CMYK 0 / 33 / 38 / 11

HEX #E2978D

RGB 226 151 141

HSL 7.06, 0.59%, 0.72%

LAB 69.63, 26.96, 16.81

 

CMYK 0 / 23 / 26 / 8

HEX #EAB5AE

RGB 234 181 174

HSL 7, 0.59%, 0.8%

LAB 78.23, 18.19, 10.96

 

CMYK 0 / 44 / 50 / 15

HEX #DA796C

RGB 218 121 108

HSL 7.09, 0.6%, 0.64%

LAB 61.36, 36.36, 23.85

 

CMYK 16 / 0 / 50 / 15

HEX #B7DA6C

RGB 183 218 108

HSL 79.09, 0.6%, 0.64%

LAB 82.54, -28.48, 49.88

 

CMYK 50 / 36 / 0 / 15

HEX #6C8BDA

RGB 108 139 218

HSL 223.09, 0.6%, 0.64%

LAB 58.71, 10.95, -43.81

 

CMYK 0 / 44 / 50 / 15

HEX #DA796C

RGB 218 121 108

HSL 7.09, 0.6%, 0.64%

LAB 61.36, 36.36, 23.85

 

CMYK 50 / 0 / 45 / 15

HEX #6CDA78

RGB 108 218 120

HSL 126.55, 0.6%, 0.64%

LAB 78.86, -51.71, 38.68

 

CMYK 45 / 50 / 0 / 15

HEX #786CDA

RGB 120 108 218

HSL 246.55, 0.6%, 0.64%

LAB 51.59, 32.26, -55.08

 

CMYK 0 / 44 / 50 / 15

HEX #DA796C

RGB 218 121 108

HSL 7.09, 0.6%, 0.64%

LAB 61.36, 36.36, 23.85

 

CMYK 16 / 0 / 50 / 15

HEX #B7DA6C

RGB 183 218 108

HSL 79.09, 0.6%, 0.64%

LAB 82.54, -28.48, 49.88

 

CMYK 50 / 6 / 0 / 15

HEX #6CCDDA

RGB 108 205 218

HSL 187.09, 0.6%, 0.64%

LAB 77.23, -25.07, -15.27

 

CMYK 34 / 50 / 0 / 15

HEX #8F6CDA

RGB 143 108 218

HSL 259.09, 0.6%, 0.64%

LAB 53.63, 37.81, -51.7

 

CMYK 0 / 44 / 50 / 15

HEX #DA796C

RGB 218 121 108

HSL 7.09, 0.6%, 0.64%

LAB 61.36, 36.36, 23.85

 

CMYK 31 / 0 / 50 / 15

HEX #96DA6C

RGB 150 218 108

HSL 97.09, 0.6%, 0.64%

LAB 80.58, -40.48, 47.06

 

CMYK 50 / 6 / 0 / 15

HEX #6CCDDA

RGB 108 205 218

HSL 187.09, 0.6%, 0.64%

LAB 77.23, -25.07, -15.27

 

CMYK 19 / 50 / 0 / 15

HEX #B06CDA

RGB 176 108 218

HSL 277.09, 0.6%, 0.64%

LAB 57.09, 46.45, -45.99

 

Description

Color code: HEX #DA796C | qconv.com Color code: HEX #DA796C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 121 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 121 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 50 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 50% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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