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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA7C43 it is the complementary color #2583BC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA7C43. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA7C43 shade: #DF7C3E, #F08E51, #FFA064, #FFB277 and #FFC48A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA7C43. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA7C43 shade: #DA7C43, #C96A30, #B8581D, #A7460A and #963400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA7C43 shade: #D97C43, #D95343 and #D94343

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA7C43 shade: #D97C43, #D9A443, #D9CD43, #BDD943 and #95D943

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA7C43 shade matches the following richer shades: #D97C43, #EC7731 and #FE731F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA7C43 shade: #D97C43, #C78055, #B58567, #A3897A and #918E8C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA7C43 shade: #D9435C, #D95243, #D97A43, #D9A243 and #D9CA43

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA7C43 shade: #A95421, #CC6628, #D97C43, #E09466 and #E7AC88

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA7C43 shade: #DA7C43, #84D943 and #4348D9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA7C43 shade: #DA7C43, #43D97A and #7A43D9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA7C43 shade: #DA7C43, #84D943, #43A2D9 and #9843D9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA7C43 shade: #DA7C43, #57D943, #43A2D9 and #C543D9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 69 / 15

HEX #DA7C43

RGB 218 124 67

HSL 22.65, 0.67%, 0.56%

LAB 61.42, 31.83, 46.06

 

Complementary color

CMYK 80 / 30 / 0 / 26

HEX #2583BC

RGB 37 131 188

HSL 202.65, 0.67%, 0.44%

LAB 52.13, -6.75, -37.4

 

CMYK 0 / 44 / 72 / 13

HEX #DF7C3E

RGB 223 124 62

HSL 23.11, 0.72%, 0.56%

LAB 62.04, 33.59, 49.4

 

CMYK 0 / 41 / 66 / 6

HEX #F08E51

RGB 240 142 81

HSL 23.02, 0.84%, 0.63%

LAB 68.36, 32.02, 47.66

 

CMYK 0 / 37 / 61 / 0

HEX #FFA064

RGB 255 160 100

HSL 23.23, 1%, 0.7%

LAB 74.4, 29.81, 45.62

 

CMYK 0 / 30 / 53 / 0

HEX #FFB277

RGB 255 178 119

HSL 26.03, 1%, 0.73%

LAB 78.71, 21.84, 41.21

 

CMYK 0 / 23 / 46 / 0

HEX #FFC48A

RGB 255 196 138

HSL 29.74, 1%, 0.77%

LAB 83.22, 14.13, 37.18

 

CMYK 0 / 43 / 69 / 15

HEX #DA7C43

RGB 218 124 67

HSL 22.65, 0.67%, 0.56%

LAB 61.42, 31.83, 46.06

 

CMYK 0 / 47 / 76 / 21

HEX #C96A30

RGB 201 106 48

HSL 22.75, 0.61%, 0.49%

LAB 55.01, 33.5, 47.81

 

CMYK 0 / 52 / 84 / 28

HEX #B8581D

RGB 184 88 29

HSL 22.84, 0.73%, 0.42%

LAB 48.58, 35.34, 49.27

 

CMYK 0 / 58 / 94 / 35

HEX #A7460A

RGB 167 70 10

HSL 22.93, 0.89%, 0.35%

LAB 42.18, 37.31, 49.7

 

CMYK 0 / 65 / 100 / 41

HEX #963400

RGB 150 52 0

HSL 20.8, 1%, 0.29%

LAB 35.87, 39.26, 47.57

 

CMYK 0 / 43 / 69 / 15

HEX #D97C43

RGB 217 124 67

HSL 22.8, 0.66%, 0.56%

LAB 61.28, 31.42, 45.88

 

CMYK 0 / 62 / 69 / 15

HEX #D95343

RGB 217 83 67

HSL 6.4, 0.66%, 0.56%

LAB 53.32, 51.62, 36.8

 

CMYK 0 / 69 / 69 / 15

HEX #D94343

RGB 217 67 67

HSL 0, 0.66%, 0.56%

LAB 50.89, 58.2, 33.91

 

CMYK 0 / 43 / 69 / 15

HEX #D97C43

RGB 217 124 67

HSL 22.8, 0.66%, 0.56%

LAB 61.28, 31.42, 45.88

 

CMYK 0 / 24 / 69 / 15

HEX #D9A443

RGB 217 164 67

HSL 38.8, 0.66%, 0.56%

LAB 70.67, 9.98, 56

 

CMYK 0 / 6 / 69 / 15

HEX #D9CD43

RGB 217 205 67

HSL 55.2, 0.66%, 0.56%

LAB 81.19, -11.41, 66.74

 

CMYK 13 / 0 / 69 / 15

HEX #BDD943

RGB 189 217 67

HSL 71.2, 0.66%, 0.56%

LAB 82.3, -28.84, 67.14

 

CMYK 31 / 0 / 69 / 15

HEX #95D943

RGB 149 217 67

HSL 87.2, 0.66%, 0.56%

LAB 79.85, -44.1, 63.87

 

CMYK 0 / 43 / 69 / 15

HEX #D97C43

RGB 217 124 67

HSL 22.8, 0.66%, 0.56%

LAB 61.28, 31.42, 45.88

 

CMYK 0 / 50 / 79 / 7

HEX #EC7731

RGB 236 119 49

HSL 22.46, 0.83%, 0.56%

LAB 62.72, 40.76, 56.61

 

CMYK 0 / 55 / 88 / 0

HEX #FE731F

RGB 254 115 31

HSL 22.6, 0.99%, 0.56%

LAB 64.51, 49.07, 65.97

 

CMYK 0 / 43 / 69 / 15

HEX #D97C43

RGB 217 124 67

HSL 22.8, 0.66%, 0.56%

LAB 61.28, 31.42, 45.88

 

CMYK 0 / 36 / 57 / 22

HEX #C78055

RGB 199 128 85

HSL 22.63, 0.5%, 0.56%

LAB 60.1, 23.08, 34.5

 

CMYK 0 / 27 / 43 / 29

HEX #B58567

RGB 181 133 103

HSL 23.08, 0.35%, 0.56%

LAB 59.51, 14.57, 23.38

 

CMYK 0 / 16 / 25 / 36

HEX #A3897A

RGB 163 137 122

HSL 21.95, 0.18%, 0.56%

LAB 59.05, 7.46, 11.71

 

CMYK 0 / 2 / 3 / 43

HEX #918E8C

RGB 145 142 140

HSL 24, 0.02%, 0.56%

LAB 59.21, 0.73, 1.45

 

CMYK 0 / 69 / 58 / 15

HEX #D9435C

RGB 217 67 92

HSL 350, 0.66%, 0.56%

LAB 51.31, 59.7, 19.69

 

CMYK 0 / 62 / 69 / 15

HEX #D95243

RGB 217 82 67

HSL 6, 0.66%, 0.56%

LAB 53.16, 52.06, 36.6

 

CMYK 0 / 44 / 69 / 15

HEX #D97A43

RGB 217 122 67

HSL 22, 0.66%, 0.56%

LAB 60.85, 32.48, 45.4

 

CMYK 0 / 25 / 69 / 15

HEX #D9A243

RGB 217 162 67

HSL 38, 0.66%, 0.56%

LAB 70.17, 11.05, 55.48

 

CMYK 0 / 7 / 69 / 15

HEX #D9CA43

RGB 217 202 67

HSL 54, 0.66%, 0.56%

LAB 80.4, -9.9, 65.96

 

CMYK 0 / 50 / 80 / 34

HEX #A95421

RGB 169 84 33

HSL 22.5, 0.67%, 0.4%

LAB 45.48, 31.45, 43.84

 

CMYK 0 / 50 / 80 / 20

HEX #CC6628

RGB 204 102 40

HSL 22.68, 0.67%, 0.48%

LAB 54.55, 36.49, 51.15

 

CMYK 0 / 43 / 69 / 15

HEX #D97C43

RGB 217 124 67

HSL 22.8, 0.66%, 0.56%

LAB 61.28, 31.42, 45.88

 

CMYK 0 / 34 / 54 / 12

HEX #E09466

RGB 224 148 102

HSL 22.62, 0.66%, 0.64%

LAB 68.01, 23.88, 35.9

 

CMYK 0 / 26 / 41 / 9

HEX #E7AC88

RGB 231 172 136

HSL 22.74, 0.66%, 0.72%

LAB 75, 17.11, 26.95

 

CMYK 0 / 43 / 69 / 15

HEX #DA7C43

RGB 218 124 67

HSL 22.65, 0.67%, 0.56%

LAB 61.42, 31.83, 46.06

 

CMYK 39 / 0 / 69 / 15

HEX #84D943

RGB 132 217 67

HSL 94, 0.66%, 0.56%

LAB 79, -49.96, 62.73

 

CMYK 69 / 67 / 0 / 15

HEX #4348D9

RGB 67 72 217

HSL 238, 0.66%, 0.56%

LAB 39.31, 44.19, -74.62

 

CMYK 0 / 43 / 69 / 15

HEX #DA7C43

RGB 218 124 67

HSL 22.65, 0.67%, 0.56%

LAB 61.42, 31.83, 46.06

 

CMYK 69 / 0 / 44 / 15

HEX #43D97A

RGB 67 217 122

HSL 142, 0.66%, 0.56%

LAB 77.41, -59.81, 35.6

 

CMYK 44 / 69 / 0 / 15

HEX #7A43D9

RGB 122 67 217

HSL 262, 0.66%, 0.56%

LAB 43.01, 55.23, -68.38

 

CMYK 0 / 43 / 69 / 15

HEX #DA7C43

RGB 218 124 67

HSL 22.65, 0.67%, 0.56%

LAB 61.42, 31.83, 46.06

 

CMYK 39 / 0 / 69 / 15

HEX #84D943

RGB 132 217 67

HSL 94, 0.66%, 0.56%

LAB 79, -49.96, 62.73

 

CMYK 69 / 25 / 0 / 15

HEX #43A2D9

RGB 67 162 217

HSL 202, 0.66%, 0.56%

LAB 63.38, -10.41, -36.06

 

CMYK 30 / 69 / 0 / 15

HEX #9843D9

RGB 152 67 217

HSL 274, 0.66%, 0.56%

LAB 46.58, 60.89, -62.41

 

CMYK 0 / 43 / 69 / 15

HEX #DA7C43

RGB 218 124 67

HSL 22.65, 0.67%, 0.56%

LAB 61.42, 31.83, 46.06

 

CMYK 60 / 0 / 69 / 15

HEX #57D943

RGB 87 217 67

HSL 112, 0.66%, 0.56%

LAB 77.32, -62.71, 60.45

 

CMYK 69 / 25 / 0 / 15

HEX #43A2D9

RGB 67 162 217

HSL 202, 0.66%, 0.56%

LAB 63.38, -10.41, -36.06

 

CMYK 9 / 69 / 0 / 15

HEX #C543D9

RGB 197 67 217

HSL 292, 0.66%, 0.56%

LAB 52.83, 70.21, -52.02

 

Description

Color code: HEX #DA7C43 | qconv.com Color code: HEX #DA7C43 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 124 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 124 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 69 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 69% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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