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Color name
HEX #DA7E15

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA7E15 it is the complementary color #2581EA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA7E15. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA7E15 shade: #DF7E10, #F09023, #FFA236, #FFB449 and #FFC65C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA7E15. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA7E15 shade: #DA7E15, #C96C02, #B85A00, #A74800 and #963600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA7E15 shade: #DA7E15, #DA4915 and #DA1515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA7E15 shade: #DA7E15, #DAB315, #CBDA15, #96DA15 and #61DA15

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA7E15 shade matches the following richer shades: #DA7E15 and #ED7F02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA7E15 shade: #DA7E15, #C67D28, #B37B3C, #9F7A4F and #8C7963

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA7E15 shade: #DA1518, #DA4615, #DA7B15, #DAAF15 and #D0DA15

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA7E15 shade: #8F520E, #B46811, #DA7E15, #EA922E and #EEA654

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA7E15 shade: #DA7E15, #4DDA15 and #2C15DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA7E15 shade: #DA7E15, #15DA7B and #7B15DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA7E15 shade: #DA7E15, #4DDA15, #1574DA and #A215DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA7E15 shade: #DA7E15, #15DA18, #1574DA and #DA15D6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 90 / 15

HEX #DA7E15

RGB 218 126 21

HSL 31.98, 0.82%, 0.47%

LAB 61.55, 29.19, 64.29

 

Complementary color

CMYK 84 / 45 / 0 / 8

HEX #2581EA

RGB 37 129 234

HSL 211.98, 0.82%, 0.53%

LAB 54.06, 11.66, -60.31

 

CMYK 0 / 43 / 93 / 13

HEX #DF7E10

RGB 223 126 16

HSL 31.88, 0.87%, 0.47%

LAB 62.21, 31.19, 66.19

 

CMYK 0 / 40 / 85 / 6

HEX #F09023

RGB 240 144 35

HSL 31.9, 0.87%, 0.54%

LAB 68.46, 29.13, 67.03

 

CMYK 0 / 36 / 79 / 0

HEX #FFA236

RGB 255 162 54

HSL 32.24, 1%, 0.61%

LAB 74.42, 26.46, 66.45

 

CMYK 0 / 29 / 71 / 0

HEX #FFB449

RGB 255 180 73

HSL 35.27, 1%, 0.64%

LAB 78.68, 17.83, 63.02

 

CMYK 0 / 22 / 64 / 0

HEX #FFC65C

RGB 255 198 92

HSL 39.02, 1%, 0.68%

LAB 83.14, 9.48, 59.49

 

CMYK 0 / 42 / 90 / 15

HEX #DA7E15

RGB 218 126 21

HSL 31.98, 0.82%, 0.47%

LAB 61.55, 29.19, 64.29

 

CMYK 0 / 46 / 99 / 21

HEX #C96C02

RGB 201 108 2

HSL 31.96, 0.98%, 0.4%

LAB 55.22, 31.38, 62.58

 

CMYK 0 / 51 / 100 / 28

HEX #B85A00

RGB 184 90 0

HSL 29.35, 1%, 0.36%

LAB 48.89, 33.79, 57.87

 

CMYK 0 / 57 / 100 / 35

HEX #A74800

RGB 167 72 0

HSL 25.87, 1%, 0.33%

LAB 42.54, 36.16, 52.79

 

CMYK 0 / 64 / 100 / 41

HEX #963600

RGB 150 54 0

HSL 21.6, 1%, 0.29%

LAB 36.22, 38.33, 47.76

 

CMYK 0 / 42 / 90 / 15

HEX #DA7E15

RGB 218 126 21

HSL 31.98, 0.82%, 0.47%

LAB 61.55, 29.19, 64.29

 

CMYK 0 / 67 / 90 / 15

HEX #DA4915

RGB 218 73 21

HSL 15.84, 0.82%, 0.47%

LAB 51.52, 54.71, 56.97

 

CMYK 0 / 90 / 90 / 15

HEX #DA1515

RGB 218 21 21

HSL 0, 0.82%, 0.47%

LAB 46.31, 69.27, 53.32

 

CMYK 0 / 42 / 90 / 15

HEX #DA7E15

RGB 218 126 21

HSL 31.98, 0.82%, 0.47%

LAB 61.55, 29.19, 64.29

 

CMYK 0 / 18 / 90 / 15

HEX #DAB315

RGB 218 179 21

HSL 48.12, 0.82%, 0.47%

LAB 74.32, 0.89, 73.96

 

CMYK 7 / 0 / 90 / 15

HEX #CBDA15

RGB 203 218 21

HSL 64.57, 0.82%, 0.47%

LAB 83.39, -25.21, 80.46

 

CMYK 31 / 0 / 90 / 15

HEX #96DA15

RGB 150 218 21

HSL 80.71, 0.82%, 0.47%

LAB 80, -46.15, 76.32

 

CMYK 56 / 0 / 90 / 15

HEX #61DA15

RGB 97 218 21

HSL 96.85, 0.82%, 0.47%

LAB 77.72, -63.02, 73.51

 

CMYK 0 / 42 / 90 / 15

HEX #DA7E15

RGB 218 126 21

HSL 31.98, 0.82%, 0.47%

LAB 61.55, 29.19, 64.29

 

CMYK 0 / 46 / 99 / 7

HEX #ED7F02

RGB 237 127 2

HSL 31.91, 0.98%, 0.47%

LAB 64.31, 36.24, 70.78

 

CMYK 0 / 42 / 90 / 15

HEX #DA7E15

RGB 218 126 21

HSL 31.98, 0.82%, 0.47%

LAB 61.55, 29.19, 64.29

 

CMYK 0 / 37 / 80 / 22

HEX #C67D28

RGB 198 125 40

HSL 32.28, 0.66%, 0.47%

LAB 58.81, 21.72, 54.83

 

CMYK 0 / 31 / 66 / 30

HEX #B37B3C

RGB 179 123 60

HSL 31.76, 0.5%, 0.47%

LAB 56.16, 15.55, 42.34

 

CMYK 0 / 23 / 50 / 38

HEX #9F7A4F

RGB 159 122 79

HSL 32.25, 0.34%, 0.47%

LAB 53.87, 8.9, 28.99

 

CMYK 0 / 14 / 29 / 45

HEX #8C7963

RGB 140 121 99

HSL 32.2, 0.17%, 0.47%

LAB 52.01, 3.79, 14.78

 

CMYK 0 / 90 / 89 / 15

HEX #DA1518

RGB 218 21 24

HSL 359.09, 0.82%, 0.47%

LAB 46.32, 69.31, 52.08

 

CMYK 0 / 68 / 90 / 15

HEX #DA4615

RGB 218 70 21

HSL 14.92, 0.82%, 0.47%

LAB 51.08, 55.91, 56.65

 

CMYK 0 / 44 / 90 / 15

HEX #DA7B15

RGB 218 123 21

HSL 31.07, 0.82%, 0.47%

LAB 60.89, 30.77, 63.8

 

CMYK 0 / 20 / 90 / 15

HEX #DAAF15

RGB 218 175 21

HSL 46.9, 0.82%, 0.47%

LAB 73.3, 2.99, 73.18

 

CMYK 5 / 0 / 90 / 15

HEX #D0DA15

RGB 208 218 21

HSL 63.05, 0.82%, 0.47%

LAB 83.76, -23.12, 80.91

 

CMYK 0 / 43 / 90 / 44

HEX #8F520E

RGB 143 82 14

HSL 31.63, 0.82%, 0.31%

LAB 41.07, 20.72, 46.03

 

CMYK 0 / 42 / 91 / 29

HEX #B46811

RGB 180 104 17

HSL 32.02, 0.83%, 0.39%

LAB 51.43, 24.82, 55.43

 

CMYK 0 / 42 / 90 / 15

HEX #DA7E15

RGB 218 126 21

HSL 31.98, 0.82%, 0.47%

LAB 61.55, 29.19, 64.29

 

CMYK 0 / 38 / 80 / 8

HEX #EA922E

RGB 234 146 46

HSL 31.91, 0.82%, 0.55%

LAB 68.2, 25.9, 62.79

 

CMYK 0 / 30 / 65 / 7

HEX #EEA654

RGB 238 166 84

HSL 31.95, 0.82%, 0.63%

LAB 73.6, 18.74, 52.07

 

CMYK 0 / 42 / 90 / 15

HEX #DA7E15

RGB 218 126 21

HSL 31.98, 0.82%, 0.47%

LAB 61.55, 29.19, 64.29

 

CMYK 65 / 0 / 90 / 15

HEX #4DDA15

RGB 77 218 21

HSL 102.94, 0.82%, 0.47%

LAB 77.15, -67.74, 72.79

 

CMYK 80 / 90 / 0 / 15

HEX #2C15DA

RGB 44 21 218

HSL 247.01, 0.82%, 0.47%

LAB 29.75, 66.63, -91.05

 

CMYK 0 / 42 / 90 / 15

HEX #DA7E15

RGB 218 126 21

HSL 31.98, 0.82%, 0.47%

LAB 61.55, 29.19, 64.29

 

CMYK 90 / 0 / 44 / 15

HEX #15DA7B

RGB 21 218 123

HSL 151.07, 0.82%, 0.47%

LAB 77.12, -64.95, 34.6

 

CMYK 44 / 90 / 0 / 15

HEX #7B15DA

RGB 123 21 218

HSL 271.07, 0.82%, 0.47%

LAB 37.5, 72.12, -77.97

 

CMYK 0 / 42 / 90 / 15

HEX #DA7E15

RGB 218 126 21

HSL 31.98, 0.82%, 0.47%

LAB 61.55, 29.19, 64.29

 

CMYK 65 / 0 / 90 / 15

HEX #4DDA15

RGB 77 218 21

HSL 102.94, 0.82%, 0.47%

LAB 77.15, -67.74, 72.79

 

CMYK 90 / 47 / 0 / 15

HEX #1574DA

RGB 21 116 218

HSL 211.07, 0.82%, 0.47%

LAB 49.15, 12.63, -59.25

 

CMYK 26 / 90 / 0 / 15

HEX #A215DA

RGB 162 21 218

HSL 282.94, 0.82%, 0.47%

LAB 43.18, 76.9, -68.43

 

CMYK 0 / 42 / 90 / 15

HEX #DA7E15

RGB 218 126 21

HSL 31.98, 0.82%, 0.47%

LAB 61.55, 29.19, 64.29

 

CMYK 90 / 0 / 89 / 15

HEX #15DA18

RGB 21 218 24

HSL 120.91, 0.82%, 0.47%

LAB 76.29, -75.15, 71.24

 

CMYK 90 / 47 / 0 / 15

HEX #1574DA

RGB 21 116 218

HSL 211.07, 0.82%, 0.47%

LAB 49.15, 12.63, -59.25

 

CMYK 0 / 90 / 2 / 15

HEX #DA15D6

RGB 218 21 214

HSL 301.22, 0.82%, 0.47%

LAB 52.17, 84.93, -51.17

 

Description

Color code: HEX #DA7E15 | qconv.com Color code: HEX #DA7E15 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 126 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 126 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 90 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 90% 15% C M Y K

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Provide designers and agencies with accurate color values.

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