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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA86A0 it is the complementary color #25795F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA86A0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA86A0 shade: #DF869B, #F098AE, #FFAAC1, #FFBCD4 and #FFCEE7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA86A0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA86A0 shade: #DA86A0, #C9748D, #B8627A, #A75067 and #963E54

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA86A0 shade: #D9869F, #D98689 and #D98686

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA86A0 shade: #D9869F, #D986B6, #D986CD, #CF86D9 and #B986D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA86A0 shade matches the following richer shades: #D9869F, #E6799B and #F36C96

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA86A0 shade: #D9869F, #CD92A4, #C09FA9, #B3ACAE and #A6B9B3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA86A0 shade: #D986CD, #D986B6, #D986A0, #D9868A and #D99886

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA86A0 shade: #C6466E, #D06687, #D9869F, #E3A5B8 and #EDC5D1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA86A0 shade: #DA86A0, #D9D086 and #86C2D9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA86A0 shade: #DA86A0, #A0D986 and #86A0D9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA86A0 shade: #DA86A0, #D9D086, #86D9BF and #868FD9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA86A0 shade: #DA86A0, #CAD986, #86D9BF and #9586D9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 27 / 15

HEX #DA86A0

RGB 218 134 160

HSL 341.43, 0.53%, 0.69%

LAB 65.35, 35.5, -0.06

 

Complementary color

CMYK 69 / 0 / 21 / 53

HEX #25795F

RGB 37 121 95

HSL 161.43, 0.53%, 0.31%

LAB 45.49, -31.66, 7.05

 

CMYK 0 / 40 / 30 / 13

HEX #DF869B

RGB 223 134 155

HSL 345.84, 0.58%, 0.7%

LAB 65.83, 36.61, 3.54

 

CMYK 0 / 37 / 28 / 6

HEX #F098AE

RGB 240 152 174

HSL 345, 0.75%, 0.77%

LAB 72.25, 35.76, 2.47

 

CMYK 0 / 33 / 24 / 0

HEX #FFAAC1

RGB 255 170 193

HSL 343.76, 1%, 0.83%

LAB 78.38, 34.25, 1.15

 

CMYK 0 / 26 / 17 / 0

HEX #FFBCD4

RGB 255 188 212

HSL 338.51, 1%, 0.87%

LAB 82.9, 27.6, -2.5

 

CMYK 0 / 19 / 9 / 0

HEX #FFCEE7

RGB 255 206 231

HSL 329.39, 1%, 0.9%

LAB 87.57, 21.17, -5.76

 

CMYK 0 / 39 / 27 / 15

HEX #DA86A0

RGB 218 134 160

HSL 341.43, 0.53%, 0.69%

LAB 65.35, 35.5, -0.06

 

CMYK 0 / 42 / 30 / 21

HEX #C9748D

RGB 201 116 141

HSL 342.35, 0.44%, 0.62%

LAB 58.82, 36.37, 1.02

 

CMYK 0 / 47 / 34 / 28

HEX #B8627A

RGB 184 98 122

HSL 343.26, 0.38%, 0.55%

LAB 52.21, 37.29, 2.27

 

CMYK 0 / 52 / 38 / 35

HEX #A75067

RGB 167 80 103

HSL 344.14, 0.35%, 0.48%

LAB 45.54, 38.22, 3.75

 

CMYK 0 / 59 / 44 / 41

HEX #963E54

RGB 150 62 84

HSL 345, 0.42%, 0.42%

LAB 38.85, 39.1, 5.58

 

CMYK 0 / 38 / 27 / 15

HEX #D9869F

RGB 217 134 159

HSL 341.93, 0.52%, 0.69%

LAB 65.2, 35, 0.27

 

CMYK 0 / 38 / 37 / 15

HEX #D98689

RGB 217 134 137

HSL 357.83, 0.52%, 0.69%

LAB 64.65, 32.16, 11.93

 

CMYK 0 / 38 / 38 / 15

HEX #D98686

RGB 217 134 134

HSL 0, 0.52%, 0.69%

LAB 64.58, 31.81, 13.53

 

CMYK 0 / 38 / 27 / 15

HEX #D9869F

RGB 217 134 159

HSL 341.93, 0.52%, 0.69%

LAB 65.2, 35, 0.27

 

CMYK 0 / 38 / 16 / 15

HEX #D986B6

RGB 217 134 182

HSL 325.3, 0.52%, 0.69%

LAB 65.89, 38.41, -11.71

 

CMYK 0 / 38 / 6 / 15

HEX #D986CD

RGB 217 134 205

HSL 308.67, 0.52%, 0.69%

LAB 66.68, 42.24, -23.4

 

CMYK 5 / 38 / 0 / 15

HEX #CF86D9

RGB 207 134 217

HSL 292.77, 0.52%, 0.69%

LAB 66, 41.32, -31.23

 

CMYK 15 / 38 / 0 / 15

HEX #B986D9

RGB 185 134 217

HSL 276.87, 0.52%, 0.69%

LAB 63.65, 34.64, -35.06

 

CMYK 0 / 38 / 27 / 15

HEX #D9869F

RGB 217 134 159

HSL 341.93, 0.52%, 0.69%

LAB 65.2, 35, 0.27

 

CMYK 0 / 47 / 33 / 10

HEX #E6799B

RGB 230 121 155

HSL 341.28, 0.69%, 0.69%

LAB 64.05, 45.76, 1.07

 

CMYK 0 / 56 / 38 / 5

HEX #F36C96

RGB 243 108 150

HSL 341.33, 0.85%, 0.69%

LAB 63.33, 55.77, 3.1

 

CMYK 0 / 38 / 27 / 15

HEX #D9869F

RGB 217 134 159

HSL 341.93, 0.52%, 0.69%

LAB 65.2, 35, 0.27

 

CMYK 0 / 29 / 20 / 20

HEX #CD92A4

RGB 205 146 164

HSL 341.69, 0.37%, 0.69%

LAB 66.69, 24.91, -0.55

 

CMYK 0 / 17 / 12 / 25

HEX #C09FA9

RGB 192 159 169

HSL 341.82, 0.21%, 0.69%

LAB 68.66, 13.81, -0.62

 

CMYK 0 / 4 / 3 / 30

HEX #B3ACAE

RGB 179 172 174

HSL 342.86, 0.04%, 0.69%

LAB 70.97, 2.87, -0.14

 

CMYK 10 / 0 / 3 / 27

HEX #A6B9B3

RGB 166 185 179

HSL 161.05, 0.12%, 0.69%

LAB 73.58, -7.7, 0.81

 

CMYK 0 / 38 / 6 / 15

HEX #D986CD

RGB 217 134 205

HSL 308.67, 0.52%, 0.69%

LAB 66.68, 42.24, -23.4

 

CMYK 0 / 38 / 16 / 15

HEX #D986B6

RGB 217 134 182

HSL 325.3, 0.52%, 0.69%

LAB 65.89, 38.41, -11.71

 

CMYK 0 / 38 / 26 / 15

HEX #D986A0

RGB 217 134 160

HSL 341.2, 0.52%, 0.69%

LAB 65.23, 35.14, -0.25

 

CMYK 0 / 38 / 36 / 15

HEX #D9868A

RGB 217 134 138

HSL 357.11, 0.52%, 0.69%

LAB 64.67, 32.28, 11.4

 

CMYK 0 / 30 / 38 / 15

HEX #D99886

RGB 217 152 134

HSL 13.01, 0.52%, 0.69%

LAB 68.7, 22.13, 19.24

 

CMYK 0 / 65 / 44 / 22

HEX #C6466E

RGB 198 70 110

HSL 341.25, 0.53%, 0.53%

LAB 48.9, 54.11, 4.96

 

CMYK 0 / 51 / 35 / 18

HEX #D06687

RGB 208 102 135

HSL 341.32, 0.53%, 0.61%

LAB 56.74, 45.3, 1.61

 

CMYK 0 / 38 / 27 / 15

HEX #D9869F

RGB 217 134 159

HSL 341.93, 0.52%, 0.69%

LAB 65.2, 35, 0.27

 

CMYK 0 / 27 / 19 / 11

HEX #E3A5B8

RGB 227 165 184

HSL 341.61, 0.53%, 0.77%

LAB 74, 25.64, -0.69

 

CMYK 0 / 17 / 12 / 7

HEX #EDC5D1

RGB 237 197 209

HSL 342, 0.53%, 0.85%

LAB 83.2, 16.07, -0.67

 

CMYK 0 / 39 / 27 / 15

HEX #DA86A0

RGB 218 134 160

HSL 341.43, 0.53%, 0.69%

LAB 65.35, 35.5, -0.06

 

CMYK 0 / 4 / 38 / 15

HEX #D9D086

RGB 217 208 134

HSL 53.49, 0.52%, 0.69%

LAB 82.69, -7.55, 37.86

 

CMYK 38 / 11 / 0 / 15

HEX #86C2D9

RGB 134 194 217

HSL 196.63, 0.52%, 0.69%

LAB 75.24, -13.51, -17.61

 

CMYK 0 / 39 / 27 / 15

HEX #DA86A0

RGB 218 134 160

HSL 341.43, 0.53%, 0.69%

LAB 65.35, 35.5, -0.06

 

CMYK 26 / 0 / 38 / 15

HEX #A0D986

RGB 160 217 134

HSL 101.2, 0.52%, 0.69%

LAB 81.19, -33.28, 35.15

 

CMYK 38 / 26 / 0 / 15

HEX #86A0D9

RGB 134 160 217

HSL 221.2, 0.52%, 0.69%

LAB 65.92, 5.03, -31.87

 

CMYK 0 / 39 / 27 / 15

HEX #DA86A0

RGB 218 134 160

HSL 341.43, 0.53%, 0.69%

LAB 65.35, 35.5, -0.06

 

CMYK 0 / 4 / 38 / 15

HEX #D9D086

RGB 217 208 134

HSL 53.49, 0.52%, 0.69%

LAB 82.69, -7.55, 37.86

 

CMYK 38 / 0 / 12 / 15

HEX #86D9BF

RGB 134 217 191

HSL 161.2, 0.52%, 0.69%

LAB 80.99, -31.14, 4.87

 

CMYK 38 / 34 / 0 / 15

HEX #868FD9

RGB 134 143 217

HSL 233.49, 0.52%, 0.69%

LAB 61.41, 14.8, -38.88

 

CMYK 0 / 39 / 27 / 15

HEX #DA86A0

RGB 218 134 160

HSL 341.43, 0.53%, 0.69%

LAB 65.35, 35.5, -0.06

 

CMYK 7 / 0 / 38 / 15

HEX #CAD986

RGB 202 217 134

HSL 70.84, 0.52%, 0.69%

LAB 83.92, -17.91, 39.2

 

CMYK 38 / 0 / 12 / 15

HEX #86D9BF

RGB 134 217 191

HSL 161.2, 0.52%, 0.69%

LAB 80.99, -31.14, 4.87

 

CMYK 31 / 38 / 0 / 15

HEX #9586D9

RGB 149 134 217

HSL 250.84, 0.52%, 0.69%

LAB 60.29, 24.14, -40.56

 

Description

Color code: HEX #DA86A0 | qconv.com Color code: HEX #DA86A0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 134 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 134 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 27 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 27% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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