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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA9ADE it is the complementary color #256521. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA9ADE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA9ADE shade: #DF9AD9, #F0ACEC, #FFBEFF, #FFD0FF and #FFE2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA9ADE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA9ADE shade: #DA9ADE, #C988CB, #B876B8, #A764A5 and #965292

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA9ADE shade: #DA9ADE, #DE9AD0, #DE9ABE, #DE9AAB and #DE9A9A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA9ADE shade: #DA9ADE, #C89ADE, #B69ADE, #A39ADE and #9A9ADE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA9ADE shade matches the following richer shades: #DA9ADE, #E390E9, #ED85F3 and #F67AFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA9ADE shade: #DA9ADE, #D1A5D3, #C7B0C9, #BEBBBE and #B4C5B3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA9ADE shade: #B59ADE, #C79ADE, #DA9ADE, #DE9AD0 and #DE9ABE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA9ADE shade: #C35CCA, #CF7BD4, #DA9ADE, #E5BAE8 and #F1D9F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA9ADE shade: #DA9ADE, #DEA39A and #9ADEBE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA9ADE shade: #DA9ADE, #DEDA9A and #9ADEDA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA9ADE shade: #DA9ADE, #DEA39A, #9FDE9A and #9AD5DE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA9ADE shade: #DA9ADE, #DEB89A, #9FDE9A and #9AC1DE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 31 / 0 / 13

HEX #DA9ADE

RGB 218 154 222

HSL 296.47, 0.51%, 0.74%

LAB 71.75, 34.99, -25.05

 

Complementary color

CMYK 63 / 0 / 67 / 60

HEX #256521

RGB 37 101 33

HSL 116.47, 0.51%, 0.26%

LAB 37.5, -34.99, 31.62

 

CMYK 0 / 31 / 3 / 13

HEX #DF9AD9

RGB 223 154 217

HSL 305.22, 0.52%, 0.74%

LAB 72.1, 35.68, -21.72

 

CMYK 0 / 28 / 2 / 6

HEX #F0ACEC

RGB 240 172 236

HSL 303.53, 0.69%, 0.81%

LAB 78.51, 35, -22.16

 

CMYK 0 / 25 / 0 / 0

HEX #FFBEFF

RGB 255 190 255

HSL 300, 1%, 0.87%

LAB 84.64, 33.72, -22.89

 

CMYK 0 / 18 / 0 / 0

HEX #FFD0FF

RGB 255 208 255

HSL 300, 1%, 0.91%

LAB 88.73, 24.27, -16.71

 

CMYK 0 / 11 / 0 / 0

HEX #FFE2FF

RGB 255 226 255

HSL 300, 1%, 0.94%

LAB 92.96, 14.86, -10.39

 

CMYK 2 / 31 / 0 / 13

HEX #DA9ADE

RGB 218 154 222

HSL 296.47, 0.51%, 0.74%

LAB 71.75, 34.99, -25.05

 

CMYK 1 / 33 / 0 / 20

HEX #C988CB

RGB 201 136 203

HSL 298.21, 0.39%, 0.66%

LAB 65.23, 35.7, -24.67

 

CMYK 0 / 36 / 0 / 28

HEX #B876B8

RGB 184 118 184

HSL 300, 0.32%, 0.59%

LAB 58.61, 36.44, -24.26

 

CMYK 0 / 40 / 1 / 35

HEX #A764A5

RGB 167 100 165

HSL 301.79, 0.28%, 0.52%

LAB 51.89, 37.21, -23.8

 

CMYK 0 / 45 / 3 / 41

HEX #965292

RGB 150 82 146

HSL 303.53, 0.29%, 0.45%

LAB 45.07, 37.98, -23.26

 

CMYK 2 / 31 / 0 / 13

HEX #DA9ADE

RGB 218 154 222

HSL 296.47, 0.51%, 0.74%

LAB 71.75, 34.99, -25.05

 

CMYK 0 / 31 / 6 / 13

HEX #DE9AD0

RGB 222 154 208

HSL 312.35, 0.51%, 0.74%

LAB 71.69, 33.75, -17.4

 

CMYK 0 / 31 / 14 / 13

HEX #DE9ABE

RGB 222 154 190

HSL 328.24, 0.51%, 0.74%

LAB 71.12, 30.73, -8.31

 

CMYK 0 / 31 / 23 / 13

HEX #DE9AAB

RGB 222 154 171

HSL 345, 0.51%, 0.74%

LAB 70.58, 27.81, 1.45

 

CMYK 0 / 31 / 31 / 13

HEX #DE9A9A

RGB 222 154 154

HSL 0, 0.51%, 0.74%

LAB 70.16, 25.45, 10.28

 

CMYK 2 / 31 / 0 / 13

HEX #DA9ADE

RGB 218 154 222

HSL 296.47, 0.51%, 0.74%

LAB 71.75, 34.99, -25.05

 

CMYK 10 / 31 / 0 / 13

HEX #C89ADE

RGB 200 154 222

HSL 280.59, 0.51%, 0.74%

LAB 69.94, 29.28, -27.98

 

CMYK 18 / 31 / 0 / 13

HEX #B69ADE

RGB 182 154 222

HSL 264.71, 0.51%, 0.74%

LAB 68.26, 23.68, -30.71

 

CMYK 27 / 31 / 0 / 13

HEX #A39ADE

RGB 163 154 222

HSL 247.94, 0.51%, 0.74%

LAB 66.65, 17.95, -33.33

 

CMYK 31 / 31 / 0 / 13

HEX #9A9ADE

RGB 154 154 222

HSL 240, 0.51%, 0.74%

LAB 65.95, 15.34, -34.48

 

CMYK 2 / 31 / 0 / 13

HEX #DA9ADE

RGB 218 154 222

HSL 296.47, 0.51%, 0.74%

LAB 71.75, 34.99, -25.05

 

CMYK 3 / 38 / 0 / 9

HEX #E390E9

RGB 227 144 233

HSL 295.96, 0.67%, 0.74%

LAB 70.98, 45.14, -32.18

 

CMYK 2 / 45 / 0 / 5

HEX #ED85F3

RGB 237 133 243

HSL 296.73, 0.82%, 0.74%

LAB 70.35, 55.5, -38.55

 

CMYK 3 / 52 / 0 / 0

HEX #F67AFE

RGB 246 122 254

HSL 296.36, 0.99%, 0.74%

LAB 69.94, 65.17, -45.12

 

CMYK 2 / 31 / 0 / 13

HEX #DA9ADE

RGB 218 154 222

HSL 296.47, 0.51%, 0.74%

LAB 71.75, 34.99, -25.05

 

CMYK 1 / 22 / 0 / 17

HEX #D1A5D3

RGB 209 165 211

HSL 297.39, 0.34%, 0.74%

LAB 73, 24.01, -17.19

 

CMYK 1 / 12 / 0 / 21

HEX #C7B0C9

RGB 199 176 201

HSL 295.2, 0.19%, 0.74%

LAB 74.45, 12.73, -9.64

 

CMYK 0 / 2 / 0 / 25

HEX #BEBBBE

RGB 190 187 190

HSL 300, 0.02%, 0.74%

LAB 76.2, 1.61, -1.15

 

CMYK 9 / 0 / 9 / 23

HEX #B4C5B3

RGB 180 197 179

HSL 116.67, 0.13%, 0.74%

LAB 77.81, -9.18, 7.05

 

CMYK 18 / 31 / 0 / 13

HEX #B59ADE

RGB 181 154 222

HSL 263.82, 0.51%, 0.74%

LAB 68.17, 23.37, -30.85

 

CMYK 10 / 31 / 0 / 13

HEX #C79ADE

RGB 199 154 222

HSL 279.71, 0.51%, 0.74%

LAB 69.84, 28.97, -28.14

 

CMYK 2 / 31 / 0 / 13

HEX #DA9ADE

RGB 218 154 222

HSL 296.47, 0.51%, 0.74%

LAB 71.75, 34.99, -25.05

 

CMYK 0 / 31 / 6 / 13

HEX #DE9AD0

RGB 222 154 208

HSL 312.35, 0.51%, 0.74%

LAB 71.69, 33.75, -17.4

 

CMYK 0 / 31 / 14 / 13

HEX #DE9ABE

RGB 222 154 190

HSL 328.24, 0.51%, 0.74%

LAB 71.12, 30.73, -8.31

 

CMYK 3 / 54 / 0 / 21

HEX #C35CCA

RGB 195 92 202

HSL 296.18, 0.51%, 0.58%

LAB 55.6, 56.42, -39.1

 

CMYK 2 / 42 / 0 / 17

HEX #CF7BD4

RGB 207 123 212

HSL 296.63, 0.51%, 0.66%

LAB 63.5, 46.17, -32.32

 

CMYK 2 / 31 / 0 / 13

HEX #DA9ADE

RGB 218 154 222

HSL 296.47, 0.51%, 0.74%

LAB 71.75, 34.99, -25.05

 

CMYK 1 / 20 / 0 / 9

HEX #E5BAE8

RGB 229 186 232

HSL 296.09, 0.5%, 0.82%

LAB 80.52, 23.22, -17.07

 

CMYK 0 / 10 / 0 / 5

HEX #F1D9F2

RGB 241 217 242

HSL 297.6, 0.49%, 0.9%

LAB 89.27, 12.59, -9.18

 

CMYK 2 / 31 / 0 / 13

HEX #DA9ADE

RGB 218 154 222

HSL 296.47, 0.51%, 0.74%

LAB 71.75, 34.99, -25.05

 

CMYK 0 / 27 / 31 / 13

HEX #DEA39A

RGB 222 163 154

HSL 7.94, 0.51%, 0.74%

LAB 72.27, 20.61, 13.26

 

CMYK 31 / 0 / 14 / 13

HEX #9ADEBE

RGB 154 222 190

HSL 151.76, 0.51%, 0.74%

LAB 83.35, -28.03, 8.92

 

CMYK 2 / 31 / 0 / 13

HEX #DA9ADE

RGB 218 154 222

HSL 296.47, 0.51%, 0.74%

LAB 71.75, 34.99, -25.05

 

CMYK 0 / 2 / 31 / 13

HEX #DEDA9A

RGB 222 218 154

HSL 56.47, 0.51%, 0.74%

LAB 86.01, -8.34, 32.07

 

CMYK 31 / 0 / 2 / 13

HEX #9ADEDA

RGB 154 222 218

HSL 176.47, 0.51%, 0.74%

LAB 84.06, -22.07, -4.88

 

CMYK 2 / 31 / 0 / 13

HEX #DA9ADE

RGB 218 154 222

HSL 296.47, 0.51%, 0.74%

LAB 71.75, 34.99, -25.05

 

CMYK 0 / 27 / 31 / 13

HEX #DEA39A

RGB 222 163 154

HSL 7.94, 0.51%, 0.74%

LAB 72.27, 20.61, 13.26

 

CMYK 28 / 0 / 31 / 13

HEX #9FDE9A

RGB 159 222 154

HSL 115.59, 0.51%, 0.74%

LAB 82.89, -32.95, 27.14

 

CMYK 31 / 4 / 0 / 13

HEX #9AD5DE

RGB 154 213 222

HSL 187.94, 0.51%, 0.74%

LAB 81.69, -16.64, -10.51

 

CMYK 2 / 31 / 0 / 13

HEX #DA9ADE

RGB 218 154 222

HSL 296.47, 0.51%, 0.74%

LAB 71.75, 34.99, -25.05

 

CMYK 0 / 17 / 31 / 13

HEX #DEB89A

RGB 222 184 154

HSL 26.47, 0.51%, 0.74%

LAB 77.37, 9.35, 20.37

 

CMYK 28 / 0 / 31 / 13

HEX #9FDE9A

RGB 159 222 154

HSL 115.59, 0.51%, 0.74%

LAB 82.89, -32.95, 27.14

 

CMYK 31 / 13 / 0 / 13

HEX #9AC1DE

RGB 154 193 222

HSL 205.59, 0.51%, 0.74%

LAB 76.24, -6.23, -18.69

 

Description

Color code: HEX #DA9ADE | qconv.com Color code: HEX #DA9ADE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 154 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 154 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 31 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 31% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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