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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA9C61 it is the complementary color #25639E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA9C61. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA9C61 shade: #DF9C5C, #F0AE6F, #FFC082, #FFD295 and #FFE4A8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA9C61. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA9C61 shade: #DA9C61, #C98A4E, #B8783B, #A76628 and #965415

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA9C61 shade: #DA9C62, #DA7C62 and #DA6262

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA9C61 shade: #DA9C62, #DABD62, #D6DA62, #B6DA62 and #96DA62

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA9C61 shade matches the following richer shades: #DA9C62, #E99C52 and #F99B42

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA9C61 shade: #DA9C62, #CA9D71, #BA9D81, #AB9D91 and #9B9EA0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA9C61 shade: #DA6268, #DA7C62, #DA9C62, #DABC62 and #D8DA62

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA9C61 shade: #BD732C, #D28740, #DA9C62, #E2B183 and #E9C6A4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA9C61 shade: #DA9C61, #88DA62 and #6C62DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA9C61 shade: #DA9C61, #62DA9C and #9C62DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA9C61 shade: #DA9C61, #88DA62, #62A0DA and #B462DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA9C61 shade: #DA9C61, #64DA62, #62A0DA and #D862DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 56 / 15

HEX #DA9C61

RGB 218 156 97

HSL 29.26, 0.62%, 0.62%

LAB 69.14, 16.71, 39.79

 

Complementary color

CMYK 77 / 37 / 0 / 38

HEX #25639E

RGB 37 99 158

HSL 209.26, 0.62%, 0.38%

LAB 40.87, 1.41, -37.66

 

CMYK 0 / 30 / 59 / 13

HEX #DF9C5C

RGB 223 156 92

HSL 29.31, 0.67%, 0.62%

LAB 69.64, 18.39, 43.09

 

CMYK 0 / 28 / 54 / 6

HEX #F0AE6F

RGB 240 174 111

HSL 29.3, 0.81%, 0.69%

LAB 76.04, 17.26, 41.61

 

CMYK 0 / 25 / 49 / 0

HEX #FFC082

RGB 255 192 130

HSL 29.76, 1%, 0.75%

LAB 82.15, 15.47, 39.91

 

CMYK 0 / 18 / 42 / 0

HEX #FFD295

RGB 255 210 149

HSL 34.53, 1%, 0.79%

LAB 86.76, 7.97, 36.14

 

CMYK 0 / 11 / 34 / 0

HEX #FFE4A8

RGB 255 228 168

HSL 41.38, 1%, 0.83%

LAB 91.49, 0.85, 32.7

 

CMYK 0 / 28 / 56 / 15

HEX #DA9C61

RGB 218 156 97

HSL 29.26, 0.62%, 0.62%

LAB 69.14, 16.71, 39.79

 

CMYK 0 / 31 / 61 / 21

HEX #C98A4E

RGB 201 138 78

HSL 29.27, 0.53%, 0.55%

LAB 62.63, 17.92, 41.31

 

CMYK 0 / 35 / 68 / 28

HEX #B8783B

RGB 184 120 59

HSL 29.28, 0.51%, 0.48%

LAB 56.03, 19.33, 42.86

 

CMYK 0 / 39 / 76 / 35

HEX #A76628

RGB 167 102 40

HSL 29.29, 0.61%, 0.41%

LAB 49.34, 20.97, 44.3

 

CMYK 0 / 44 / 86 / 41

HEX #965415

RGB 150 84 21

HSL 29.3, 0.75%, 0.34%

LAB 42.58, 22.9, 45.25

 

CMYK 0 / 28 / 55 / 15

HEX #DA9C62

RGB 218 156 98

HSL 29, 0.62%, 0.62%

LAB 69.16, 16.8, 39.29

 

CMYK 0 / 43 / 55 / 15

HEX #DA7C62

RGB 218 124 98

HSL 13, 0.62%, 0.62%

LAB 61.83, 33.92, 30.06

 

CMYK 0 / 55 / 55 / 15

HEX #DA6262

RGB 218 98 98

HSL 0, 0.62%, 0.62%

LAB 56.61, 47.07, 23.24

 

CMYK 0 / 28 / 55 / 15

HEX #DA9C62

RGB 218 156 98

HSL 29, 0.62%, 0.62%

LAB 69.16, 16.8, 39.29

 

CMYK 0 / 13 / 55 / 15

HEX #DABD62

RGB 218 189 98

HSL 45.5, 0.62%, 0.62%

LAB 77.39, -0.76, 49.2

 

CMYK 2 / 0 / 55 / 15

HEX #D6DA62

RGB 214 218 98

HSL 62, 0.62%, 0.62%

LAB 84.65, -17.16, 57.5

 

CMYK 17 / 0 / 55 / 15

HEX #B6DA62

RGB 182 218 98

HSL 78, 0.62%, 0.62%

LAB 82.36, -29.81, 54.28

 

CMYK 31 / 0 / 55 / 15

HEX #96DA62

RGB 150 218 98

HSL 94, 0.62%, 0.62%

LAB 80.46, -41.56, 51.59

 

CMYK 0 / 28 / 55 / 15

HEX #DA9C62

RGB 218 156 98

HSL 29, 0.62%, 0.62%

LAB 69.16, 16.8, 39.29

 

CMYK 0 / 33 / 65 / 9

HEX #E99C52

RGB 233 156 82

HSL 29.4, 0.77%, 0.62%

LAB 70.67, 21.85, 49.57

 

CMYK 0 / 38 / 73 / 2

HEX #F99B42

RGB 249 155 66

HSL 29.18, 0.94%, 0.62%

LAB 72.21, 28.11, 59.19

 

CMYK 0 / 28 / 55 / 15

HEX #DA9C62

RGB 218 156 98

HSL 29, 0.62%, 0.62%

LAB 69.16, 16.8, 39.29

 

CMYK 0 / 22 / 44 / 21

HEX #CA9D71

RGB 202 157 113

HSL 29.66, 0.46%, 0.62%

LAB 67.92, 11.07, 29.4

 

CMYK 0 / 16 / 31 / 27

HEX #BA9D81

RGB 186 157 129

HSL 29.47, 0.29%, 0.62%

LAB 66.63, 6.52, 18.64

 

CMYK 0 / 8 / 15 / 33

HEX #AB9D91

RGB 171 157 145

HSL 27.69, 0.13%, 0.62%

LAB 65.61, 3.06, 8.12

 

CMYK 3 / 1 / 0 / 37

HEX #9B9EA0

RGB 155 158 160

HSL 204, 0.03%, 0.62%

LAB 64.93, -0.68, -1.42

 

CMYK 0 / 55 / 52 / 15

HEX #DA6268

RGB 218 98 104

HSL 357, 0.62%, 0.62%

LAB 56.72, 47.56, 19.92

 

CMYK 0 / 43 / 55 / 15

HEX #DA7C62

RGB 218 124 98

HSL 13, 0.62%, 0.62%

LAB 61.83, 33.92, 30.06

 

CMYK 0 / 28 / 55 / 15

HEX #DA9C62

RGB 218 156 98

HSL 29, 0.62%, 0.62%

LAB 69.16, 16.8, 39.29

 

CMYK 0 / 14 / 55 / 15

HEX #DABC62

RGB 218 188 98

HSL 45, 0.62%, 0.62%

LAB 77.13, -0.24, 48.9

 

CMYK 1 / 0 / 55 / 15

HEX #D8DA62

RGB 216 218 98

HSL 61, 0.62%, 0.62%

LAB 84.8, -16.35, 57.71

 

CMYK 0 / 39 / 77 / 26

HEX #BD732C

RGB 189 115 44

HSL 29.38, 0.62%, 0.46%

LAB 55.34, 23.48, 49.43

 

CMYK 0 / 36 / 70 / 18

HEX #D28740

RGB 210 135 64

HSL 29.18, 0.62%, 0.54%

LAB 62.84, 22.48, 48.8

 

CMYK 0 / 28 / 55 / 15

HEX #DA9C62

RGB 218 156 98

HSL 29, 0.62%, 0.62%

LAB 69.16, 16.8, 39.29

 

CMYK 0 / 22 / 42 / 11

HEX #E2B183

RGB 226 177 131

HSL 29.05, 0.62%, 0.7%

LAB 75.61, 11.92, 30.34

 

CMYK 0 / 15 / 30 / 9

HEX #E9C6A4

RGB 233 198 164

HSL 29.57, 0.61%, 0.78%

LAB 82.05, 7.47, 21.65

 

CMYK 0 / 28 / 56 / 15

HEX #DA9C61

RGB 218 156 97

HSL 29.26, 0.62%, 0.62%

LAB 69.14, 16.71, 39.79

 

CMYK 38 / 0 / 55 / 15

HEX #88DA62

RGB 136 218 98

HSL 101, 0.62%, 0.62%

LAB 79.76, -46.27, 50.59

 

CMYK 50 / 55 / 0 / 15

HEX #6C62DA

RGB 108 98 218

HSL 245, 0.62%, 0.62%

LAB 48.24, 35.61, -60.51

 

CMYK 0 / 28 / 56 / 15

HEX #DA9C61

RGB 218 156 97

HSL 29.26, 0.62%, 0.62%

LAB 69.14, 16.71, 39.79

 

CMYK 55 / 0 / 28 / 15

HEX #62DA9C

RGB 98 218 156

HSL 149, 0.62%, 0.62%

LAB 79.12, -47.88, 20.53

 

CMYK 28 / 55 / 0 / 15

HEX #9C62DA

RGB 156 98 218

HSL 269, 0.62%, 0.62%

LAB 52.8, 46.62, -52.95

 

CMYK 0 / 28 / 56 / 15

HEX #DA9C61

RGB 218 156 97

HSL 29.26, 0.62%, 0.62%

LAB 69.14, 16.71, 39.79

 

CMYK 38 / 0 / 55 / 15

HEX #88DA62

RGB 136 218 98

HSL 101, 0.62%, 0.62%

LAB 79.76, -46.27, 50.59

 

CMYK 55 / 27 / 0 / 15

HEX #62A0DA

RGB 98 160 218

HSL 209, 0.62%, 0.62%

LAB 64, -3.4, -35.56

 

CMYK 17 / 55 / 0 / 15

HEX #B462DA

RGB 180 98 218

HSL 281, 0.62%, 0.62%

LAB 55.58, 52.69, -48.35

 

CMYK 0 / 28 / 56 / 15

HEX #DA9C61

RGB 218 156 97

HSL 29.26, 0.62%, 0.62%

LAB 69.14, 16.71, 39.79

 

CMYK 54 / 0 / 55 / 15

HEX #64DA62

RGB 100 218 98

HSL 119, 0.62%, 0.62%

LAB 78.31, -56.74, 48.51

 

CMYK 55 / 27 / 0 / 15

HEX #62A0DA

RGB 98 160 218

HSL 209, 0.62%, 0.62%

LAB 64, -3.4, -35.56

 

CMYK 1 / 55 / 0 / 15

HEX #D862DA

RGB 216 98 218

HSL 299, 0.62%, 0.62%

LAB 60.25, 62.04, -40.68

 

Description

Color code: HEX #DA9C61 | qconv.com Color code: HEX #DA9C61 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 156 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 156 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 56 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 56% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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