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Color name
HEX #DA9F2E

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA9F2E it is the complementary color #2560D1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA9F2E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA9F2E shade: #DF9F29, #F0B13C, #FFC34F, #FFD562 and #FFE775

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA9F2E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA9F2E shade: #DA9F2E, #C98D1B, #B87B08, #A76900 and #965700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA9F2E shade: #DA9F2E, #DA712E, #DA432E and #DA2E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA9F2E shade: #DA9F2E, #DACD2E, #B8DA2E, #8ADA2E and #5CDA2E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA9F2E shade matches the following richer shades: #DA9F2E and #EEA51B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA9F2E shade: #DA9F2E, #C69942, #B29356, #9E8C6A and #8B867E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA9F2E shade: #DA422E, #DA702E, #DA9E2E, #DACB2E and #BADA2E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA9F2E shade: #9B6F1B, #BE8821, #DA9F2E, #E0AF51 and #E6BF75

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA9F2E shade: #DA9F2E, #48DA2E and #592EDA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA9F2E shade: #DA9F2E, #2EDA9E and #9E2EDA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA9F2E shade: #DA9F2E, #48DA2E, #2E6ADA and #C02EDA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA9F2E shade: #DA9F2E, #2EDA48, #2E6ADA and #DA2EC0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 79 / 15

HEX #DA9F2E

RGB 218 159 46

HSL 39.42, 0.7%, 0.52%

LAB 69.4, 12.15, 63.18

 

Complementary color

CMYK 82 / 54 / 0 / 18

HEX #2560D1

RGB 37 96 209

HSL 219.42, 0.7%, 0.48%

LAB 43.3, 23.04, -63.55

 

CMYK 0 / 29 / 82 / 13

HEX #DF9F29

RGB 223 159 41

HSL 38.9, 0.74%, 0.52%

LAB 69.93, 14.15, 65.57

 

CMYK 0 / 26 / 75 / 6

HEX #F0B13C

RGB 240 177 60

HSL 39, 0.86%, 0.59%

LAB 76.25, 12.54, 65.29

 

CMYK 0 / 24 / 69 / 0

HEX #FFC34F

RGB 255 195 79

HSL 39.55, 1%, 0.65%

LAB 82.3, 10.31, 64.24

 

CMYK 0 / 16 / 62 / 0

HEX #FFD562

RGB 255 213 98

HSL 43.95, 1%, 0.69%

LAB 86.86, 2.14, 60.94

HEX #FFD562

CMYK 0 / 9 / 54 / 0

HEX #FFE775

RGB 255 231 117

HSL 49.57, 1%, 0.73%

LAB 91.55, -5.62, 57.7

HEX #FFE775

CMYK 0 / 27 / 79 / 15

HEX #DA9F2E

RGB 218 159 46

HSL 39.42, 0.7%, 0.52%

LAB 69.4, 12.15, 63.18

 

CMYK 0 / 30 / 87 / 21

HEX #C98D1B

RGB 201 141 27

HSL 39.31, 0.76%, 0.45%

LAB 62.97, 13.9, 62.92

 

CMYK 0 / 33 / 96 / 28

HEX #B87B08

RGB 184 123 8

HSL 39.2, 0.92%, 0.38%

LAB 56.46, 15.92, 61.24

 

CMYK 0 / 37 / 100 / 35

HEX #A76900

RGB 167 105 0

HSL 37.72, 1%, 0.33%

LAB 49.88, 18.25, 57.28

 

CMYK 0 / 42 / 100 / 41

HEX #965700

RGB 150 87 0

HSL 34.8, 1%, 0.29%

LAB 43.21, 20.77, 51.86

 

CMYK 0 / 27 / 79 / 15

HEX #DA9F2E

RGB 218 159 46

HSL 39.42, 0.7%, 0.52%

LAB 69.4, 12.15, 63.18

 

CMYK 0 / 48 / 79 / 15

HEX #DA712E

RGB 218 113 46

HSL 23.37, 0.7%, 0.52%

LAB 58.89, 36.63, 53.37

 

CMYK 0 / 69 / 79 / 15

HEX #DA432E

RGB 218 67 46

HSL 7.33, 0.7%, 0.52%

LAB 50.82, 57.66, 45.46

 

CMYK 0 / 79 / 79 / 15

HEX #DA2E2E

RGB 218 46 46

HSL 0, 0.7%, 0.52%

LAB 48.33, 64.59, 42.94

 

CMYK 0 / 27 / 79 / 15

HEX #DA9F2E

RGB 218 159 46

HSL 39.42, 0.7%, 0.52%

LAB 69.4, 12.15, 63.18

 

CMYK 0 / 6 / 79 / 15

HEX #DACD2E

RGB 218 205 46

HSL 55.47, 0.7%, 0.52%

LAB 81.16, -11.87, 73.74

 

CMYK 16 / 0 / 79 / 15

HEX #B8DA2E

RGB 184 218 46

HSL 71.86, 0.7%, 0.52%

LAB 82.13, -32.3, 73.62

 

CMYK 37 / 0 / 79 / 15

HEX #8ADA2E

RGB 138 218 46

HSL 87.91, 0.7%, 0.52%

LAB 79.47, -49.58, 70.21

 

CMYK 58 / 0 / 79 / 15

HEX #5CDA2E

RGB 92 218 46

HSL 103.95, 0.7%, 0.52%

LAB 77.65, -63.3, 67.86

 

CMYK 0 / 27 / 79 / 15

HEX #DA9F2E

RGB 218 159 46

HSL 39.42, 0.7%, 0.52%

LAB 69.4, 12.15, 63.18

 

CMYK 0 / 31 / 89 / 7

HEX #EEA51B

RGB 238 165 27

HSL 39.24, 0.86%, 0.52%

LAB 73, 17.05, 72.66

 

CMYK 0 / 27 / 79 / 15

HEX #DA9F2E

RGB 218 159 46

HSL 39.42, 0.7%, 0.52%

LAB 69.4, 12.15, 63.18

 

CMYK 0 / 23 / 67 / 22

HEX #C69942

RGB 198 153 66

HSL 39.55, 0.54%, 0.52%

LAB 65.89, 7.66, 50.76

 

CMYK 0 / 17 / 52 / 30

HEX #B29356

RGB 178 147 86

HSL 39.78, 0.37%, 0.52%

LAB 62.51, 3.8, 36.42

 

CMYK 0 / 11 / 33 / 38

HEX #9E8C6A

RGB 158 140 106

HSL 39.23, 0.21%, 0.52%

LAB 59.04, 1.48, 20.66

 

CMYK 0 / 4 / 9 / 45

HEX #8B867E

RGB 139 134 126

HSL 36.92, 0.05%, 0.52%

LAB 56.13, 0.38, 4.96

 

CMYK 0 / 70 / 79 / 15

HEX #DA422E

RGB 218 66 46

HSL 6.98, 0.7%, 0.52%

LAB 50.69, 58.04, 45.32

 

CMYK 0 / 49 / 79 / 15

HEX #DA702E

RGB 218 112 46

HSL 23.02, 0.7%, 0.52%

LAB 58.69, 37.14, 53.17

 

CMYK 0 / 28 / 79 / 15

HEX #DA9E2E

RGB 218 158 46

HSL 39.07, 0.7%, 0.52%

LAB 69.15, 12.69, 62.96

 

CMYK 0 / 7 / 79 / 15

HEX #DACB2E

RGB 218 203 46

HSL 54.77, 0.7%, 0.52%

LAB 80.64, -10.86, 73.27

 

CMYK 15 / 0 / 79 / 15

HEX #BADA2E

RGB 186 218 46

HSL 71.16, 0.7%, 0.52%

LAB 82.26, -31.5, 73.79

 

CMYK 0 / 28 / 83 / 39

HEX #9B6F1B

RGB 155 111 27

HSL 39.38, 0.7%, 0.36%

LAB 50, 9.92, 49.78

 

CMYK 0 / 28 / 83 / 25

HEX #BE8821

RGB 190 136 33

HSL 39.36, 0.7%, 0.44%

LAB 60.49, 11.94, 58.51

 

CMYK 0 / 27 / 79 / 15

HEX #DA9F2E

RGB 218 159 46

HSL 39.42, 0.7%, 0.52%

LAB 69.4, 12.15, 63.18

 

CMYK 0 / 22 / 64 / 12

HEX #E0AF51

RGB 224 175 81

HSL 39.44, 0.7%, 0.6%

LAB 74.25, 7.91, 53.79

 

CMYK 0 / 17 / 49 / 10

HEX #E6BF75

RGB 230 191 117

HSL 39.29, 0.69%, 0.68%

LAB 79.25, 4.75, 42.34

 

CMYK 0 / 27 / 79 / 15

HEX #DA9F2E

RGB 218 159 46

HSL 39.42, 0.7%, 0.52%

LAB 69.4, 12.15, 63.18

 

CMYK 67 / 0 / 79 / 15

HEX #48DA2E

RGB 72 218 46

HSL 110.93, 0.7%, 0.52%

LAB 77.11, -67.72, 67.17

 

CMYK 59 / 79 / 0 / 15

HEX #592EDA

RGB 89 46 218

HSL 255, 0.7%, 0.52%

LAB 36.25, 60.58, -80.16

 

CMYK 0 / 27 / 79 / 15

HEX #DA9F2E

RGB 218 159 46

HSL 39.42, 0.7%, 0.52%

LAB 69.4, 12.15, 63.18

 

CMYK 79 / 0 / 28 / 15

HEX #2EDA9E

RGB 46 218 158

HSL 159.07, 0.7%, 0.52%

LAB 77.99, -55.95, 17.73

 

CMYK 28 / 79 / 0 / 15

HEX #9E2EDA

RGB 158 46 218

HSL 279.07, 0.7%, 0.52%

LAB 44.64, 70.25, -66.09

 

CMYK 0 / 27 / 79 / 15

HEX #DA9F2E

RGB 218 159 46

HSL 39.42, 0.7%, 0.52%

LAB 69.4, 12.15, 63.18

 

CMYK 67 / 0 / 79 / 15

HEX #48DA2E

RGB 72 218 46

HSL 110.93, 0.7%, 0.52%

LAB 77.11, -67.72, 67.17

 

CMYK 79 / 51 / 0 / 15

HEX #2E6ADA

RGB 46 106 218

HSL 219.07, 0.7%, 0.52%

LAB 46.91, 20.86, -62.83

 

CMYK 12 / 79 / 0 / 15

HEX #C02EDA

RGB 192 46 218

HSL 290.93, 0.7%, 0.52%

LAB 49.76, 76.17, -57.55

 

CMYK 0 / 27 / 79 / 15

HEX #DA9F2E

RGB 218 159 46

HSL 39.42, 0.7%, 0.52%

LAB 69.4, 12.15, 63.18

 

CMYK 79 / 0 / 67 / 15

HEX #2EDA48

RGB 46 218 72

HSL 129.07, 0.7%, 0.52%

LAB 76.79, -69.81, 57.7

 

CMYK 79 / 51 / 0 / 15

HEX #2E6ADA

RGB 46 106 218

HSL 219.07, 0.7%, 0.52%

LAB 46.91, 20.86, -62.83

 

CMYK 0 / 79 / 12 / 15

HEX #DA2EC0

RGB 218 46 192

HSL 309.07, 0.7%, 0.52%

LAB 52.58, 77.22, -37.87

 

Description

Color code: HEX #DA9F2E | qconv.com Color code: HEX #DA9F2E | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 159 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 159 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 79 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 79% 15% C M Y K

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