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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DAA6CE it is the complementary color #255931. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DAA6CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DAA6CE shade: #DFA6C9, #F0B8DC, #FFCAEF, #FFDCFF and #FFEEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DAA6CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DAA6CE shade: #DAA6CE, #C994BB, #B882A8, #A77095 and #965E82

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DAA6CE shade: #D9A5CD, #D9A5BF, #D9A5B1 and #D9A5A5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DAA6CE shade: #D9A5CD, #D7A5D9, #C9A5D9, #BBA5D9 and #ADA5D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DAA6CE shade matches the following richer shades: #D9A5CD, #E39AD2, #EE90D8 and #F886DD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DAA6CE shade: #D9A5CD, #CFAFC7, #C4B9C2, #BAC4BC and #B0CEB7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DAA6CE shade: #C8A5D9, #D6A5D9, #D9A5CE, #D9A5C0 and #D9A5B2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DAA6CE shade: #C16AAD, #CD88BD, #D9A5CD, #E5C2DD and #F1DFED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DAA6CE shade: #DAA6CE, #D9BAA5 and #A5D9CF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DAA6CE shade: #DAA6CE, #CED9A5 and #A5CED9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DAA6CE shade: #DAA6CE, #D9BAA5, #A5D9B0 and #A5C3D9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DAA6CE shade: #DAA6CE, #D9CAA5, #A5D9B0 and #A5B3D9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 6 / 15

HEX #DAA6CE

RGB 218 166 206

HSL 313.85, 0.41%, 0.75%

LAB 73.96, 25.58, -12.93

 

Complementary color

CMYK 58 / 0 / 45 / 65

HEX #255931

RGB 37 89 49

HSL 133.85, 0.41%, 0.25%

LAB 33.48, -27.31, 18.02

 

CMYK 0 / 26 / 10 / 13

HEX #DFA6C9

RGB 223 166 201

HSL 323.16, 0.47%, 0.76%

LAB 74.3, 26.43, -9.62

 

CMYK 0 / 23 / 8 / 6

HEX #F0B8DC

RGB 240 184 220

HSL 321.43, 0.65%, 0.83%

LAB 80.72, 25.84, -10.19

 

CMYK 0 / 21 / 6 / 0

HEX #FFCAEF

RGB 255 202 239

HSL 318.11, 1%, 0.9%

LAB 86.87, 24.61, -11.04

 

CMYK 0 / 14 / 0 / 0

HEX #FFDCFF

RGB 255 220 255

HSL 300, 1%, 0.93%

LAB 91.53, 17.99, -12.51

 

CMYK 0 / 7 / 0 / 0

HEX #FFEEFF

RGB 255 238 255

HSL 300, 1%, 0.97%

LAB 95.84, 8.66, -6.11

 

CMYK 0 / 24 / 6 / 15

HEX #DAA6CE

RGB 218 166 206

HSL 313.85, 0.41%, 0.75%

LAB 73.96, 25.58, -12.93

 

CMYK 0 / 26 / 7 / 21

HEX #C994BB

RGB 201 148 187

HSL 315.85, 0.33%, 0.68%

LAB 67.42, 26.2, -12.4

 

CMYK 0 / 29 / 9 / 28

HEX #B882A8

RGB 184 130 168

HSL 317.78, 0.28%, 0.62%

LAB 60.77, 26.87, -11.84

 

CMYK 0 / 33 / 11 / 35

HEX #A77095

RGB 167 112 149

HSL 319.64, 0.24%, 0.55%

LAB 54, 27.59, -11.23

 

CMYK 0 / 37 / 13 / 41

HEX #965E82

RGB 150 94 130

HSL 321.43, 0.23%, 0.48%

LAB 47.11, 28.37, -10.55

 

CMYK 0 / 24 / 6 / 15

HEX #D9A5CD

RGB 217 165 205

HSL 313.85, 0.41%, 0.75%

LAB 73.59, 25.61, -12.94

 

CMYK 0 / 24 / 12 / 15

HEX #D9A5BF

RGB 217 165 191

HSL 330, 0.41%, 0.75%

LAB 73.17, 23.2, -5.87

 

CMYK 0 / 24 / 18 / 15

HEX #D9A5B1

RGB 217 165 177

HSL 346.15, 0.41%, 0.75%

LAB 72.78, 20.95, 1.27

 

CMYK 0 / 24 / 24 / 15

HEX #D9A5A5

RGB 217 165 165

HSL 0, 0.41%, 0.75%

LAB 72.48, 19.16, 7.44

 

CMYK 0 / 24 / 6 / 15

HEX #D9A5CD

RGB 217 165 205

HSL 313.85, 0.41%, 0.75%

LAB 73.59, 25.61, -12.94

 

CMYK 1 / 24 / 0 / 15

HEX #D7A5D9

RGB 215 165 217

HSL 297.69, 0.41%, 0.75%

LAB 73.78, 27.13, -19.24

 

CMYK 7 / 24 / 0 / 15

HEX #C9A5D9

RGB 201 165 217

HSL 281.54, 0.41%, 0.75%

LAB 72.45, 22.54, -21.38

 

CMYK 14 / 24 / 0 / 15

HEX #BBA5D9

RGB 187 165 217

HSL 265.38, 0.41%, 0.75%

LAB 71.2, 18.03, -23.4

 

CMYK 20 / 24 / 0 / 15

HEX #ADA5D9

RGB 173 165 217

HSL 249.23, 0.41%, 0.75%

LAB 70.04, 13.61, -25.29

 

CMYK 0 / 24 / 6 / 15

HEX #D9A5CD

RGB 217 165 205

HSL 313.85, 0.41%, 0.75%

LAB 73.59, 25.61, -12.94

 

CMYK 0 / 32 / 7 / 11

HEX #E39AD2

RGB 227 154 210

HSL 313.97, 0.57%, 0.75%

LAB 72.29, 35.75, -17.54

 

CMYK 0 / 39 / 9 / 7

HEX #EE90D8

RGB 238 144 216

HSL 314.04, 0.73%, 0.75%

LAB 71.61, 45.56, -21.76

 

CMYK 0 / 46 / 11 / 3

HEX #F886DD

RGB 248 134 221

HSL 314.21, 0.89%, 0.75%

LAB 71.03, 54.49, -25.3

 

CMYK 0 / 24 / 6 / 15

HEX #D9A5CD

RGB 217 165 205

HSL 313.85, 0.41%, 0.75%

LAB 73.59, 25.61, -12.94

 

CMYK 0 / 15 / 4 / 19

HEX #CFAFC7

RGB 207 175 199

HSL 315, 0.25%, 0.75%

LAB 74.86, 15.66, -7.87

 

CMYK 0 / 6 / 1 / 23

HEX #C4B9C2

RGB 196 185 194

HSL 310.91, 0.09%, 0.75%

LAB 76.27, 5.51, -3.16

 

CMYK 5 / 0 / 4 / 23

HEX #BAC4BC

RGB 186 196 188

HSL 132, 0.08%, 0.75%

LAB 78.2, -4.93, 2.82

 

CMYK 15 / 0 / 11 / 19

HEX #B0CEB7

RGB 176 206 183

HSL 134, 0.23%, 0.75%

LAB 80.06, -14.45, 8.1

 

CMYK 8 / 24 / 0 / 15

HEX #C8A5D9

RGB 200 165 217

HSL 280.38, 0.41%, 0.75%

LAB 72.36, 22.22, -21.53

 

CMYK 1 / 24 / 0 / 15

HEX #D6A5D9

RGB 214 165 217

HSL 296.54, 0.41%, 0.75%

LAB 73.69, 26.8, -19.4

 

CMYK 0 / 24 / 5 / 15

HEX #D9A5CE

RGB 217 165 206

HSL 312.69, 0.41%, 0.75%

LAB 73.62, 25.79, -13.44

 

CMYK 0 / 24 / 12 / 15

HEX #D9A5C0

RGB 217 165 192

HSL 328.85, 0.41%, 0.75%

LAB 73.2, 23.37, -6.38

 

CMYK 0 / 24 / 18 / 15

HEX #D9A5B2

RGB 217 165 178

HSL 345, 0.41%, 0.75%

LAB 72.81, 21.11, 0.76

 

CMYK 0 / 45 / 10 / 24

HEX #C16AAD

RGB 193 106 173

HSL 313.79, 0.41%, 0.59%

LAB 56.75, 43.76, -20.7

 

CMYK 0 / 34 / 8 / 20

HEX #CD88BD

RGB 205 136 189

HSL 313.91, 0.41%, 0.67%

LAB 65.17, 34.46, -16.86

 

CMYK 0 / 24 / 6 / 15

HEX #D9A5CD

RGB 217 165 205

HSL 313.85, 0.41%, 0.75%

LAB 73.59, 25.61, -12.94

 

CMYK 0 / 15 / 3 / 10

HEX #E5C2DD

RGB 229 194 221

HSL 313.71, 0.4%, 0.83%

LAB 82.09, 16.94, -8.81

 

CMYK 0 / 7 / 2 / 5

HEX #F1DFED

RGB 241 223 237

HSL 313.33, 0.39%, 0.91%

LAB 90.59, 8.57, -4.6

 

CMYK 0 / 24 / 6 / 15

HEX #DAA6CE

RGB 218 166 206

HSL 313.85, 0.41%, 0.75%

LAB 73.96, 25.58, -12.93

 

CMYK 0 / 14 / 24 / 15

HEX #D9BAA5

RGB 217 186 165

HSL 24.23, 0.41%, 0.75%

LAB 77.63, 7.88, 14.75

 

CMYK 24 / 0 / 5 / 15

HEX #A5D9CF

RGB 165 217 207

HSL 168.46, 0.41%, 0.75%

LAB 82.98, -18.78, -0.55

 

CMYK 0 / 24 / 6 / 15

HEX #DAA6CE

RGB 218 166 206

HSL 313.85, 0.41%, 0.75%

LAB 73.96, 25.58, -12.93

 

CMYK 5 / 0 / 24 / 15

HEX #CED9A5

RGB 206 217 165

HSL 72.69, 0.41%, 0.75%

LAB 84.72, -12.36, 24.44

 

CMYK 24 / 5 / 0 / 15

HEX #A5CED9

RGB 165 206 217

HSL 192.69, 0.41%, 0.75%

LAB 80.26, -11, -9.9

 

CMYK 0 / 24 / 6 / 15

HEX #DAA6CE

RGB 218 166 206

HSL 313.85, 0.41%, 0.75%

LAB 73.96, 25.58, -12.93

 

CMYK 0 / 14 / 24 / 15

HEX #D9BAA5

RGB 217 186 165

HSL 24.23, 0.41%, 0.75%

LAB 77.63, 7.88, 14.75

 

CMYK 24 / 0 / 19 / 15

HEX #A5D9B0

RGB 165 217 176

HSL 132.69, 0.41%, 0.75%

LAB 82.25, -24.86, 14.82

 

CMYK 24 / 10 / 0 / 15

HEX #A5C3D9

RGB 165 195 217

HSL 205.38, 0.41%, 0.75%

LAB 77.3, -5.23, -14.32

 

CMYK 0 / 24 / 6 / 15

HEX #DAA6CE

RGB 218 166 206

HSL 313.85, 0.41%, 0.75%

LAB 73.96, 25.58, -12.93

 

CMYK 0 / 7 / 24 / 15

HEX #D9CAA5

RGB 217 202 165

HSL 42.69, 0.41%, 0.75%

LAB 81.68, -0.56, 20.39

 

CMYK 24 / 0 / 19 / 15

HEX #A5D9B0

RGB 165 217 176

HSL 132.69, 0.41%, 0.75%

LAB 82.25, -24.86, 14.82

 

CMYK 24 / 18 / 0 / 15

HEX #A5B3D9

RGB 165 179 217

HSL 223.85, 0.41%, 0.75%

LAB 73.06, 3.4, -20.74

 

Description

Color code: HEX #DAA6CE | qconv.com Color code: HEX #DAA6CE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 166 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 166 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 6 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 6% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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