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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DAA753 it is the complementary color #2558AC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DAA753. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DAA753 shade: #DFA74E, #F0B961, #FFCB74, #FFDD87 and #FFEF9A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DAA753. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DAA753 shade: #DAA753, #C99540, #B8832D, #A7711A and #965F07

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DAA753 shade: #DAA752, #DA8252, #DA5D52 and #DA5252

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DAA753 shade: #DAA752, #DACB52, #C4DA52, #9FDA52 and #7BDA52

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DAA753 shade matches the following richer shades: #DAA752, #EBAB41 and #FCAF30

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DAA753 shade: #DAA752, #C9A263, #B89E74, #A79A85 and #969696

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DAA753 shade: #DA5D52, #DA8252, #DAA652, #DACA52 and #C6DA52

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DAA753 shade: #B47E26, #D39530, #DAA752, #E1B874 and #E8C996

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DAA753 shade: #DAA753, #6BDA52 and #6F52DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DAA753 shade: #DAA753, #52DAA6 and #A652DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DAA753 shade: #DAA753, #6BDA52, #5286DA and #C152DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DAA753 shade: #DAA753, #52DA62, #5286DA and #DA52CA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 62 / 15

HEX #DAA753

RGB 218 167 83

HSL 37.33, 0.65%, 0.59%

LAB 71.67, 9.77, 49.77

 

Complementary color

CMYK 78 / 49 / 0 / 33

HEX #2558AC

RGB 37 88 172

HSL 217.33, 0.65%, 0.41%

LAB 38.47, 13.95, -49.82

 

CMYK 0 / 25 / 65 / 13

HEX #DFA74E

RGB 223 167 78

HSL 36.83, 0.69%, 0.59%

LAB 72.15, 11.56, 52.81

 

CMYK 0 / 23 / 60 / 6

HEX #F0B961

RGB 240 185 97

HSL 36.92, 0.83%, 0.66%

LAB 78.51, 10.39, 51.53

 

CMYK 0 / 20 / 55 / 0

HEX #FFCB74

RGB 255 203 116

HSL 37.55, 1%, 0.73%

LAB 84.6, 8.56, 49.94

 

CMYK 0 / 13 / 47 / 0

HEX #FFDD87

RGB 255 221 135

HSL 43, 1%, 0.76%

LAB 89.26, 0.95, 46.37

 

CMYK 0 / 6 / 40 / 0

HEX #FFEF9A

RGB 255 239 154

HSL 50.5, 1%, 0.8%

LAB 94.02, -6.24, 43.04

 

CMYK 0 / 23 / 62 / 15

HEX #DAA753

RGB 218 167 83

HSL 37.33, 0.65%, 0.59%

LAB 71.67, 9.77, 49.77

 

CMYK 0 / 26 / 68 / 21

HEX #C99540

RGB 201 149 64

HSL 37.23, 0.56%, 0.52%

LAB 65.19, 11.02, 51.01

 

CMYK 0 / 29 / 76 / 28

HEX #B8832D

RGB 184 131 45

HSL 37.12, 0.61%, 0.45%

LAB 58.61, 12.49, 52.01

 

CMYK 0 / 32 / 84 / 35

HEX #A7711A

RGB 167 113 26

HSL 37.02, 0.73%, 0.38%

LAB 51.95, 14.24, 52.4

 

CMYK 0 / 37 / 95 / 41

HEX #965F07

RGB 150 95 7

HSL 36.92, 0.91%, 0.31%

LAB 45.2, 16.31, 51.42

 

CMYK 0 / 23 / 62 / 15

HEX #DAA752

RGB 218 167 82

HSL 37.5, 0.65%, 0.59%

LAB 71.66, 9.7, 50.24

 

CMYK 0 / 40 / 62 / 15

HEX #DA8252

RGB 218 130 82

HSL 21.18, 0.65%, 0.59%

LAB 62.91, 29.56, 40.07

 

CMYK 0 / 57 / 62 / 15

HEX #DA5D52

RGB 218 93 82

HSL 4.85, 0.65%, 0.59%

LAB 55.42, 48.29, 30.92

 

CMYK 0 / 62 / 62 / 15

HEX #DA5252

RGB 218 82 82

HSL 0, 0.65%, 0.59%

LAB 53.55, 53.26, 28.55

 

CMYK 0 / 23 / 62 / 15

HEX #DAA752

RGB 218 167 82

HSL 37.5, 0.65%, 0.59%

LAB 71.66, 9.7, 50.24

 

CMYK 0 / 7 / 62 / 15

HEX #DACB52

RGB 218 203 82

HSL 53.38, 0.65%, 0.59%

LAB 80.86, -9.13, 60.4

 

CMYK 10 / 0 / 62 / 15

HEX #C4DA52

RGB 196 218 82

HSL 69.71, 0.65%, 0.59%

LAB 83.17, -25.57, 62.37

 

CMYK 27 / 0 / 62 / 15

HEX #9FDA52

RGB 159 218 82

HSL 86.03, 0.65%, 0.59%

LAB 80.81, -39.81, 59.12

 

CMYK 44 / 0 / 62 / 15

HEX #7BDA52

RGB 123 218 82

HSL 101.91, 0.65%, 0.59%

LAB 79.02, -52, 56.64

 

CMYK 0 / 23 / 62 / 15

HEX #DAA752

RGB 218 167 82

HSL 37.5, 0.65%, 0.59%

LAB 71.66, 9.7, 50.24

 

CMYK 0 / 27 / 72 / 8

HEX #EBAB41

RGB 235 171 65

HSL 37.41, 0.81%, 0.59%

LAB 74.3, 13.81, 61.2

 

CMYK 0 / 31 / 81 / 1

HEX #FCAF30

RGB 252 175 48

HSL 37.35, 0.97%, 0.59%

LAB 77.02, 18.23, 70.76

 

CMYK 0 / 23 / 62 / 15

HEX #DAA752

RGB 218 167 82

HSL 37.5, 0.65%, 0.59%

LAB 71.66, 9.7, 50.24

 

CMYK 0 / 19 / 51 / 21

HEX #C9A263

RGB 201 162 99

HSL 37.06, 0.49%, 0.59%

LAB 68.87, 6.57, 38.01

 

CMYK 0 / 14 / 37 / 28

HEX #B89E74

RGB 184 158 116

HSL 37.06, 0.32%, 0.59%

LAB 66.45, 3.51, 25.51

 

CMYK 0 / 8 / 20 / 35

HEX #A79A85

RGB 167 154 133

HSL 37.06, 0.16%, 0.59%

LAB 64.18, 1.25, 12.75

 

CMYK 0 / 0 / 0 / 41

HEX #969696

RGB 150 150 150

HSL 0, 0%, 0.59%

LAB 62.08, 0, -0.01

 

CMYK 0 / 57 / 62 / 15

HEX #DA5D52

RGB 218 93 82

HSL 4.85, 0.65%, 0.59%

LAB 55.42, 48.29, 30.92

 

CMYK 0 / 40 / 62 / 15

HEX #DA8252

RGB 218 130 82

HSL 21.18, 0.65%, 0.59%

LAB 62.91, 29.56, 40.07

 

CMYK 0 / 24 / 62 / 15

HEX #DAA652

RGB 218 166 82

HSL 37.06, 0.65%, 0.59%

LAB 71.41, 10.23, 49.96

 

CMYK 0 / 7 / 62 / 15

HEX #DACA52

RGB 218 202 82

HSL 52.94, 0.65%, 0.59%

LAB 80.6, -8.62, 60.12

 

CMYK 9 / 0 / 62 / 15

HEX #C6DA52

RGB 198 218 82

HSL 68.82, 0.65%, 0.59%

LAB 83.31, -24.77, 62.56

 

CMYK 0 / 30 / 79 / 29

HEX #B47E26

RGB 180 126 38

HSL 37.18, 0.65%, 0.43%

LAB 56.85, 13.2, 52.99

 

CMYK 0 / 29 / 77 / 17

HEX #D39530

RGB 211 149 48

HSL 37.18, 0.65%, 0.51%

LAB 66.18, 14.59, 59.17

 

CMYK 0 / 23 / 62 / 15

HEX #DAA752

RGB 218 167 82

HSL 37.5, 0.65%, 0.59%

LAB 71.66, 9.7, 50.24

 

CMYK 0 / 18 / 48 / 12

HEX #E1B874

RGB 225 184 116

HSL 37.43, 0.64%, 0.67%

LAB 77.01, 6.3, 39.94

 

CMYK 0 / 13 / 35 / 9

HEX #E8C996

RGB 232 201 150

HSL 37.32, 0.64%, 0.75%

LAB 82.45, 3.78, 29.54

 

CMYK 0 / 23 / 62 / 15

HEX #DAA753

RGB 218 167 83

HSL 37.33, 0.65%, 0.59%

LAB 71.67, 9.77, 49.77

 

CMYK 51 / 0 / 62 / 15

HEX #6BDA52

RGB 107 218 82

HSL 108.97, 0.65%, 0.59%

LAB 78.39, -56.65, 55.77

 

CMYK 49 / 62 / 0 / 15

HEX #6F52DA

RGB 111 82 218

HSL 252.79, 0.65%, 0.59%

LAB 44.91, 45.52, -65.9

 

CMYK 0 / 23 / 62 / 15

HEX #DAA753

RGB 218 167 83

HSL 37.33, 0.65%, 0.59%

LAB 71.67, 9.77, 49.77

 

CMYK 62 / 0 / 24 / 15

HEX #52DAA6

RGB 82 218 166

HSL 157.06, 0.65%, 0.59%

LAB 78.86, -49.03, 14.84

 

CMYK 24 / 62 / 0 / 15

HEX #A652DA

RGB 166 82 218

HSL 277.06, 0.65%, 0.59%

LAB 50.92, 57.17, -55.89

 

CMYK 0 / 23 / 62 / 15

HEX #DAA753

RGB 218 167 83

HSL 37.33, 0.65%, 0.59%

LAB 71.67, 9.77, 49.77

 

CMYK 51 / 0 / 62 / 15

HEX #6BDA52

RGB 107 218 82

HSL 108.97, 0.65%, 0.59%

LAB 78.39, -56.65, 55.77

 

CMYK 62 / 39 / 0 / 15

HEX #5286DA

RGB 82 134 218

HSL 217.06, 0.65%, 0.59%

LAB 55.99, 8.58, -48.19

 

CMYK 11 / 62 / 0 / 15

HEX #C152DA

RGB 193 82 218

HSL 288.97, 0.65%, 0.59%

LAB 54.48, 63.44, -49.99

 

CMYK 0 / 23 / 62 / 15

HEX #DAA753

RGB 218 167 83

HSL 37.33, 0.65%, 0.59%

LAB 71.67, 9.77, 49.77

 

CMYK 62 / 0 / 55 / 15

HEX #52DA62

RGB 82 218 98

HSL 127.06, 0.65%, 0.59%

LAB 77.77, -60.9, 47.73

 

CMYK 62 / 39 / 0 / 15

HEX #5286DA

RGB 82 134 218

HSL 217.06, 0.65%, 0.59%

LAB 55.99, 8.58, -48.19

 

CMYK 0 / 62 / 7 / 15

HEX #DA52CA

RGB 218 82 202

HSL 307.06, 0.65%, 0.59%

LAB 57.27, 66.78, -36.25

 

Description

Color code: HEX #DAA753 | qconv.com Color code: HEX #DAA753 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 167 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 167 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 62 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 62% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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