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Color name
HEX #DAB466

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DAB466 it is the complementary color #254B99. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DAB466. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DAB466 shade: #DFB461, #F0C674, #FFD887, #FFEA9A and #FFFCAD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DAB466. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DAB466 shade: #DAB466, #C9A253, #B89040, #A77E2D and #966C1A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DAB466 shade: #DAB467, #DA9567, #DA7667 and #DA6767

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DAB466 shade: #DAB467, #DAD367, #C1DA67, #A2DA67 and #83DA67

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DAB466 shade matches the following richer shades: #DAB467, #E9B957 and #F8BF48

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DAB466 shade: #DAB467, #CAAF76, #BBA985, #ACA494 and #9D9FA4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DAB466 shade: #DA7667, #DA9567, #DAB367, #DAD267 and #C3DA67

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DAB466 shade: #C0902E, #D2A445, #DAB467, #E2C488 and #EAD5A9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DAB466 shade: #DAB466, #76DA67 and #8567DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DAB466 shade: #DAB466, #67DAB3 and #B367DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DAB466 shade: #DAB466, #76DA67, #678DDA and #CA67DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DAB466 shade: #DAB466, #67DA7A, #678DDA and #DA67C7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 53 / 15

HEX #DAB466

RGB 218 180 102

HSL 40.34, 0.61%, 0.63%

LAB 75.14, 4.29, 44.56

 

Complementary color

CMYK 76 / 51 / 0 / 40

HEX #254B99

RGB 37 75 153

HSL 220.34, 0.61%, 0.37%

LAB 33.4, 15.19, -46.61

 

CMYK 0 / 19 / 57 / 13

HEX #DFB461

RGB 223 180 97

HSL 39.52, 0.66%, 0.63%

LAB 75.57, 5.97, 47.66

 

CMYK 0 / 18 / 52 / 6

HEX #F0C674

RGB 240 198 116

HSL 39.68, 0.81%, 0.7%

LAB 81.93, 5.07, 46.36

 

CMYK 0 / 15 / 47 / 0

HEX #FFD887

RGB 255 216 135

HSL 40.5, 1%, 0.76%

LAB 88.03, 3.51, 44.82

 

CMYK 0 / 8 / 40 / 0

HEX #FFEA9A

RGB 255 234 154

HSL 47.52, 1%, 0.8%

LAB 92.77, -3.74, 41.42

 

CMYK 0 / 1 / 32 / 0

HEX #FFFCAD

RGB 255 252 173

HSL 57.8, 1%, 0.84%

LAB 97.59, -10.57, 38.27

 

CMYK 0 / 17 / 53 / 15

HEX #DAB466

RGB 218 180 102

HSL 40.34, 0.61%, 0.63%

LAB 75.14, 4.29, 44.56

 

CMYK 0 / 19 / 59 / 21

HEX #C9A253

RGB 201 162 83

HSL 40.17, 0.52%, 0.56%

LAB 68.67, 5.23, 45.86

 

CMYK 0 / 22 / 65 / 28

HEX #B89040

RGB 184 144 64

HSL 40, 0.48%, 0.49%

LAB 62.09, 6.34, 47.12

 

CMYK 0 / 25 / 73 / 35

HEX #A77E2D

RGB 167 126 45

HSL 39.84, 0.58%, 0.42%

LAB 55.41, 7.67, 48.18

 

CMYK 0 / 28 / 83 / 41

HEX #966C1A

RGB 150 108 26

HSL 39.68, 0.7%, 0.35%

LAB 48.62, 9.29, 48.69

 

CMYK 0 / 17 / 53 / 15

HEX #DAB467

RGB 218 180 103

HSL 40.17, 0.61%, 0.63%

LAB 75.16, 4.38, 44.08

 

CMYK 0 / 32 / 53 / 15

HEX #DA9567

RGB 218 149 103

HSL 24, 0.61%, 0.63%

LAB 67.56, 20.99, 34.66

 

CMYK 0 / 46 / 53 / 15

HEX #DA7667

RGB 218 118 103

HSL 7.83, 0.61%, 0.63%

LAB 60.64, 37.47, 25.72

 

CMYK 0 / 53 / 53 / 15

HEX #DA6767

RGB 218 103 103

HSL 0, 0.61%, 0.63%

LAB 57.64, 45.05, 21.73

 

CMYK 0 / 17 / 53 / 15

HEX #DAB467

RGB 218 180 103

HSL 40.17, 0.61%, 0.63%

LAB 75.16, 4.38, 44.08

 

CMYK 0 / 3 / 53 / 15

HEX #DAD367

RGB 218 211 103

HSL 56.35, 0.61%, 0.63%

LAB 83.16, -11.65, 53.6

 

CMYK 11 / 0 / 53 / 15

HEX #C1DA67

RGB 193 218 103

HSL 73.04, 0.61%, 0.63%

LAB 83.16, -25.09, 53.11

 

CMYK 26 / 0 / 53 / 15

HEX #A2DA67

RGB 162 218 103

HSL 89.22, 0.61%, 0.63%

LAB 81.18, -36.79, 50.29

 

CMYK 40 / 0 / 53 / 15

HEX #83DA67

RGB 131 218 103

HSL 105.39, 0.61%, 0.63%

LAB 79.58, -47.31, 48

 

CMYK 0 / 17 / 53 / 15

HEX #DAB467

RGB 218 180 103

HSL 40.17, 0.61%, 0.63%

LAB 75.16, 4.38, 44.08

 

CMYK 0 / 21 / 63 / 9

HEX #E9B957

RGB 233 185 87

HSL 40.27, 0.77%, 0.63%

LAB 77.7, 6.8, 55.11

 

CMYK 0 / 23 / 71 / 3

HEX #F8BF48

RGB 248 191 72

HSL 40.57, 0.93%, 0.63%

LAB 80.56, 9.12, 65.11

 

CMYK 0 / 17 / 53 / 15

HEX #DAB467

RGB 218 180 103

HSL 40.17, 0.61%, 0.63%

LAB 75.16, 4.38, 44.08

 

CMYK 0 / 13 / 42 / 21

HEX #CAAF76

RGB 202 175 118

HSL 40.71, 0.44%, 0.63%

LAB 72.58, 1.91, 32.8

 

CMYK 0 / 10 / 29 / 27

HEX #BBA985

RGB 187 169 133

HSL 40, 0.28%, 0.63%

LAB 69.92, 0.94, 20.98

 

CMYK 0 / 5 / 14 / 33

HEX #ACA494

RGB 172 164 148

HSL 40, 0.13%, 0.63%

LAB 67.62, 0.1, 9.33

 

CMYK 4 / 3 / 0 / 36

HEX #9D9FA4

RGB 157 159 164

HSL 222.86, 0.04%, 0.63%

LAB 65.47, 0.27, -2.86

 

CMYK 0 / 46 / 53 / 15

HEX #DA7667

RGB 218 118 103

HSL 7.83, 0.61%, 0.63%

LAB 60.64, 37.47, 25.72

 

CMYK 0 / 32 / 53 / 15

HEX #DA9567

RGB 218 149 103

HSL 24, 0.61%, 0.63%

LAB 67.56, 20.99, 34.66

 

CMYK 0 / 18 / 53 / 15

HEX #DAB367

RGB 218 179 103

HSL 39.65, 0.61%, 0.63%

LAB 74.9, 4.91, 43.77

 

CMYK 0 / 4 / 53 / 15

HEX #DAD267

RGB 218 210 103

HSL 55.83, 0.61%, 0.63%

LAB 82.9, -11.14, 53.29

 

CMYK 11 / 0 / 53 / 15

HEX #C3DA67

RGB 195 218 103

HSL 72, 0.61%, 0.63%

LAB 83.3, -24.31, 53.31

 

CMYK 0 / 25 / 76 / 25

HEX #C0902E

RGB 192 144 46

HSL 40.27, 0.61%, 0.47%

LAB 62.8, 8.91, 55.98

 

CMYK 0 / 22 / 67 / 18

HEX #D2A445

RGB 210 164 69

HSL 40.43, 0.61%, 0.55%

LAB 69.95, 7.08, 54.14

 

CMYK 0 / 17 / 53 / 15

HEX #DAB467

RGB 218 180 103

HSL 40.17, 0.61%, 0.63%

LAB 75.16, 4.38, 44.08

 

CMYK 0 / 13 / 40 / 11

HEX #E2C488

RGB 226 196 136

HSL 40, 0.61%, 0.71%

LAB 80.42, 2.44, 34.03

 

CMYK 0 / 9 / 28 / 8

HEX #EAD5A9

RGB 234 213 169

HSL 40.62, 0.61%, 0.79%

LAB 85.98, 0.7, 24.43

 

CMYK 0 / 17 / 53 / 15

HEX #DAB466

RGB 218 180 102

HSL 40.34, 0.61%, 0.63%

LAB 75.14, 4.29, 44.56

 

CMYK 46 / 0 / 53 / 15

HEX #76DA67

RGB 118 218 103

HSL 112.17, 0.61%, 0.63%

LAB 79.03, -51.24, 47.2

 

CMYK 39 / 53 / 0 / 15

HEX #8567DA

RGB 133 103 218

HSL 255.65, 0.61%, 0.63%

LAB 51.55, 38.23, -55.08

 

CMYK 0 / 17 / 53 / 15

HEX #DAB466

RGB 218 180 102

HSL 40.34, 0.61%, 0.63%

LAB 75.14, 4.29, 44.56

 

CMYK 53 / 0 / 18 / 15

HEX #67DAB3

RGB 103 218 179

HSL 159.65, 0.61%, 0.63%

LAB 79.77, -41.9, 9.33

 

CMYK 18 / 53 / 0 / 15

HEX #B367DA

RGB 179 103 218

HSL 279.65, 0.61%, 0.63%

LAB 56.43, 49.87, -47.01

 

CMYK 0 / 17 / 53 / 15

HEX #DAB466

RGB 218 180 102

HSL 40.34, 0.61%, 0.63%

LAB 75.14, 4.29, 44.56

 

CMYK 46 / 0 / 53 / 15

HEX #76DA67

RGB 118 218 103

HSL 112.17, 0.61%, 0.63%

LAB 79.03, -51.24, 47.2

 

CMYK 53 / 35 / 0 / 15

HEX #678DDA

RGB 103 141 218

HSL 220.17, 0.61%, 0.63%

LAB 58.97, 8.65, -43.42

 

CMYK 7 / 53 / 0 / 15

HEX #CA67DA

RGB 202 103 218

HSL 291.65, 0.61%, 0.63%

LAB 59.27, 55.99, -42.34

 

CMYK 0 / 17 / 53 / 15

HEX #DAB466

RGB 218 180 102

HSL 40.34, 0.61%, 0.63%

LAB 75.14, 4.29, 44.56

 

CMYK 53 / 0 / 44 / 15

HEX #67DA7A

RGB 103 218 122

HSL 129.91, 0.61%, 0.63%

LAB 78.71, -52.69, 37.47

 

CMYK 53 / 35 / 0 / 15

HEX #678DDA

RGB 103 141 218

HSL 220.17, 0.61%, 0.63%

LAB 58.97, 8.65, -43.42

 

CMYK 0 / 53 / 9 / 15

HEX #DA67C7

RGB 218 103 199

HSL 309.91, 0.61%, 0.63%

LAB 60.54, 57.08, -29.46

 

Description

Color code: HEX #DAB466 | qconv.com Color code: HEX #DAB466 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 180 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 180 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 53 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 53% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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