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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DAB070 it is the complementary color #254F8F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DAB070. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DAB070 shade: #DFB06B, #F0C27E, #FFD491, #FFE6A4 and #FFF8B7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DAB070. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DAB070 shade: #DAB070, #C99E5D, #B88C4A, #A77A37 and #966824

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DAB070 shade: #DAB071, #DA9471, #DA7771 and #DA7171

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DAB070 shade: #DAB071, #DACD71, #CBDA71, #AEDA71 and #92DA71

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DAB070 shade matches the following richer shades: #DAB071, #E8B362 and #F7B654

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DAB070 shade: #DAB071, #CBAD7F, #BDAA8D, #AFA79C and #A0A4AA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DAB070 shade: #DA7871, #DA9471, #DAB071, #DACC71 and #CCDA71

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DAB070 shade: #C58B33, #D19E50, #DAB071, #E2C291 and #EBD4B2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DAB070 shade: #DAB070, #86DA71 and #8671DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DAB070 shade: #DAB070, #71DAB0 and #B071DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DAB070 shade: #DAB070, #86DA71, #719BDA and #C571DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DAB070 shade: #DAB070, #71DA7B, #719BDA and #DA71CF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 49 / 15

HEX #DAB070

RGB 218 176 112

HSL 36.23, 0.59%, 0.65%

LAB 74.27, 7.31, 38.41

 

Complementary color

CMYK 74 / 45 / 0 / 44

HEX #254F8F

RGB 37 79 143

HSL 216.23, 0.59%, 0.35%

LAB 33.92, 8.58, -39.7

 

CMYK 0 / 21 / 52 / 13

HEX #DFB06B

RGB 223 176 107

HSL 35.69, 0.64%, 0.65%

LAB 74.7, 8.91, 41.61

 

CMYK 0 / 19 / 48 / 6

HEX #F0C27E

RGB 240 194 126

HSL 35.79, 0.79%, 0.72%

LAB 81.08, 8.06, 40.28

 

CMYK 0 / 17 / 43 / 0

HEX #FFD491

RGB 255 212 145

HSL 36.55, 1%, 0.78%

LAB 87.19, 6.53, 38.74

 

CMYK 0 / 10 / 36 / 0

HEX #FFE6A4

RGB 255 230 164

HSL 43.52, 1%, 0.82%

LAB 91.92, -0.62, 35.3

 

CMYK 0 / 3 / 28 / 0

HEX #FFF8B7

RGB 255 248 183

HSL 54.17, 1%, 0.86%

LAB 96.74, -7.37, 32.14

 

CMYK 0 / 19 / 49 / 15

HEX #DAB070

RGB 218 176 112

HSL 36.23, 0.59%, 0.65%

LAB 74.27, 7.31, 38.41

 

CMYK 0 / 21 / 54 / 21

HEX #C99E5D

RGB 201 158 93

HSL 36.11, 0.5%, 0.58%

LAB 67.77, 8.2, 39.76

 

CMYK 0 / 24 / 60 / 28

HEX #B88C4A

RGB 184 140 74

HSL 36, 0.44%, 0.51%

LAB 61.17, 9.24, 41.16

 

CMYK 0 / 27 / 67 / 35

HEX #A77A37

RGB 167 122 55

HSL 35.89, 0.5%, 0.44%

LAB 54.46, 10.49, 42.54

 

CMYK 0 / 31 / 76 / 41

HEX #966824

RGB 150 104 36

HSL 35.79, 0.61%, 0.36%

LAB 47.64, 12.01, 43.71

 

CMYK 0 / 19 / 48 / 15

HEX #DAB071

RGB 218 176 113

HSL 36, 0.59%, 0.65%

LAB 74.28, 7.4, 37.91

 

CMYK 0 / 32 / 48 / 15

HEX #DA9471

RGB 218 148 113

HSL 20, 0.59%, 0.65%

LAB 67.48, 22.45, 29.16

 

CMYK 0 / 45 / 48 / 15

HEX #DA7771

RGB 218 119 113

HSL 3.43, 0.59%, 0.65%

LAB 61.04, 37.86, 20.58

 

CMYK 0 / 48 / 48 / 15

HEX #DA7171

RGB 218 113 113

HSL 0, 0.59%, 0.65%

LAB 59.81, 40.94, 18.9

 

CMYK 0 / 19 / 48 / 15

HEX #DAB071

RGB 218 176 113

HSL 36, 0.59%, 0.65%

LAB 74.28, 7.4, 37.91

 

CMYK 0 / 6 / 48 / 15

HEX #DACD71

RGB 218 205 113

HSL 52.57, 0.59%, 0.65%

LAB 81.71, -7.74, 47.1

 

CMYK 7 / 0 / 48 / 15

HEX #CBDA71

RGB 203 218 113

HSL 68.57, 0.59%, 0.65%

LAB 83.98, -20.24, 49.58

 

CMYK 20 / 0 / 48 / 15

HEX #AEDA71

RGB 174 218 113

HSL 85.14, 0.59%, 0.65%

LAB 82.02, -31.34, 46.74

 

CMYK 33 / 0 / 48 / 15

HEX #92DA71

RGB 146 218 113

HSL 101.14, 0.59%, 0.65%

LAB 80.43, -41.24, 44.43

 

CMYK 0 / 19 / 48 / 15

HEX #DAB071

RGB 218 176 113

HSL 36, 0.59%, 0.65%

LAB 74.28, 7.4, 37.91

 

CMYK 0 / 23 / 58 / 9

HEX #E8B362

RGB 232 179 98

HSL 36.27, 0.74%, 0.65%

LAB 76.24, 10.31, 48.18

 

CMYK 0 / 26 / 66 / 3

HEX #F7B654

RGB 247 182 84

HSL 36.07, 0.91%, 0.65%

LAB 78.39, 14.04, 57.64

 

CMYK 0 / 19 / 48 / 15

HEX #DAB071

RGB 218 176 113

HSL 36, 0.59%, 0.65%

LAB 74.28, 7.4, 37.91

 

CMYK 0 / 15 / 37 / 20

HEX #CBAD7F

RGB 203 173 127

HSL 36.32, 0.42%, 0.65%

LAB 72.31, 4.4, 27.69

 

CMYK 0 / 10 / 25 / 26

HEX #BDAA8D

RGB 189 170 141

HSL 36.25, 0.27%, 0.65%

LAB 70.52, 2.29, 17.47

 

CMYK 0 / 5 / 11 / 31

HEX #AFA79C

RGB 175 167 156

HSL 34.74, 0.11%, 0.65%

LAB 68.86, 0.94, 6.71

 

CMYK 6 / 4 / 0 / 33

HEX #A0A4AA

RGB 160 164 170

HSL 216, 0.06%, 0.65%

LAB 67.22, -0.24, -3.6

 

CMYK 0 / 45 / 48 / 15

HEX #DA7871

RGB 218 120 113

HSL 4, 0.59%, 0.65%

LAB 61.25, 37.34, 20.86

 

CMYK 0 / 32 / 48 / 15

HEX #DA9471

RGB 218 148 113

HSL 20, 0.59%, 0.65%

LAB 67.48, 22.45, 29.16

 

CMYK 0 / 19 / 48 / 15

HEX #DAB071

RGB 218 176 113

HSL 36, 0.59%, 0.65%

LAB 74.28, 7.4, 37.91

 

CMYK 0 / 6 / 48 / 15

HEX #DACC71

RGB 218 204 113

HSL 52, 0.59%, 0.65%

LAB 81.45, -7.23, 46.79

 

CMYK 6 / 0 / 48 / 15

HEX #CCDA71

RGB 204 218 113

HSL 68, 0.59%, 0.65%

LAB 84.06, -19.85, 49.69

 

CMYK 0 / 29 / 74 / 23

HEX #C58B33

RGB 197 139 51

HSL 36.16, 0.59%, 0.49%

LAB 62.15, 14.07, 53.48

 

CMYK 0 / 24 / 62 / 18

HEX #D19E50

RGB 209 158 80

HSL 36.28, 0.58%, 0.57%

LAB 68.45, 10.58, 47.3

 

CMYK 0 / 19 / 48 / 15

HEX #DAB071

RGB 218 176 113

HSL 36, 0.59%, 0.65%

LAB 74.28, 7.4, 37.91

 

CMYK 0 / 14 / 36 / 11

HEX #E2C291

RGB 226 194 145

HSL 36.3, 0.58%, 0.73%

LAB 80.07, 4.51, 28.87

 

CMYK 0 / 10 / 24 / 8

HEX #EBD4B2

RGB 235 212 178

HSL 35.79, 0.59%, 0.81%

LAB 85.99, 2.8, 19.74

 

CMYK 0 / 19 / 49 / 15

HEX #DAB070

RGB 218 176 112

HSL 36.23, 0.59%, 0.65%

LAB 74.27, 7.31, 38.41

 

CMYK 39 / 0 / 48 / 15

HEX #86DA71

RGB 134 218 113

HSL 108, 0.59%, 0.65%

LAB 79.84, -45.15, 43.58

 

CMYK 39 / 48 / 0 / 15

HEX #8671DA

RGB 134 113 218

HSL 252, 0.59%, 0.65%

LAB 53.96, 32.67, -51.22

 

CMYK 0 / 19 / 49 / 15

HEX #DAB070

RGB 218 176 112

HSL 36.23, 0.59%, 0.65%

LAB 74.27, 7.31, 38.41

 

CMYK 48 / 0 / 19 / 15

HEX #71DAB0

RGB 113 218 176

HSL 156, 0.59%, 0.65%

LAB 80.06, -40.24, 11.38

 

CMYK 19 / 48 / 0 / 15

HEX #B071DA

RGB 176 113 218

HSL 276, 0.59%, 0.65%

LAB 58.13, 43.77, -44.34

 

CMYK 0 / 19 / 49 / 15

HEX #DAB070

RGB 218 176 112

HSL 36.23, 0.59%, 0.65%

LAB 74.27, 7.31, 38.41

 

CMYK 39 / 0 / 48 / 15

HEX #86DA71

RGB 134 218 113

HSL 108, 0.59%, 0.65%

LAB 79.84, -45.15, 43.58

 

CMYK 48 / 29 / 0 / 15

HEX #719BDA

RGB 113 155 218

HSL 216, 0.59%, 0.65%

LAB 63.36, 2.81, -36.5

 

CMYK 10 / 48 / 0 / 15

HEX #C571DA

RGB 197 113 218

HSL 288, 0.59%, 0.65%

LAB 60.55, 49.61, -40.37

 

CMYK 0 / 19 / 49 / 15

HEX #DAB070

RGB 218 176 112

HSL 36.23, 0.59%, 0.65%

LAB 74.27, 7.31, 38.41

 

CMYK 48 / 0 / 44 / 15

HEX #71DA7B

RGB 113 218 123

HSL 125.71, 0.59%, 0.65%

LAB 79.09, -49.93, 37.52

 

CMYK 48 / 29 / 0 / 15

HEX #719BDA

RGB 113 155 218

HSL 216, 0.59%, 0.65%

LAB 63.36, 2.81, -36.5

 

CMYK 0 / 48 / 5 / 15

HEX #DA71CF

RGB 218 113 207

HSL 306.29, 0.59%, 0.65%

LAB 62.69, 53.6, -30.65

 

Description

Color code: HEX #DAB070 | qconv.com Color code: HEX #DAB070 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 176 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 176 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 49 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 49% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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