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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DAB1A5 it is the complementary color #254E5A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DAB1A5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DAB1A5 shade: #DFB1A0, #F0C3B3, #FFD5C6, #FFE7D9 and #FFF9EC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DAB1A5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DAB1A5 shade: #DAB1A5, #C99F92, #B88D7F, #A77B6C and #966959

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DAB1A5 shade: #DAB0A4 and #DAA4A4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DAB1A5 shade: #DAB0A4, #DABFA4, #DACDA4, #D8DAA4 and #C9DAA4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DAB1A5 shade matches the following richer shades: #DAB0A4, #E4AA9A, #EEA58F and #F89F85

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DAB1A5 shade: #DAB0A4, #CFB6AE, #C5BBB9, #BBC1C3 and #B0C7CD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DAB1A5 shade: #DAA4B5, #DAA4A7, #DAB0A4, #DABEA4 and #DACCA4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DAB1A5 shade: #C27D69, #CE9787, #DAB0A4, #E5C9C1 and #F1E3DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DAB1A5 shade: #DAB1A5, #C3DAA4 and #A4AEDA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DAB1A5 shade: #DAB1A5, #A4DAB0 and #B0A4DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DAB1A5 shade: #DAB1A5, #C3DAA4, #A4CEDA and #BAA4DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DAB1A5 shade: #DAB1A5, #B3DAA4, #A4CEDA and #CAA4DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 24 / 15

HEX #DAB1A5

RGB 218 177 165

HSL 13.58, 0.42%, 0.75%

LAB 75.49, 13.07, 11.75

 

Complementary color

CMYK 59 / 13 / 0 / 65

HEX #254E5A

RGB 37 78 90

HSL 193.58, 0.42%, 0.25%

LAB 30.83, -10.45, -11.44

 

CMYK 0 / 21 / 28 / 13

HEX #DFB1A0

RGB 223 177 160

HSL 16.19, 0.5%, 0.75%

LAB 75.87, 14.27, 15.06

 

CMYK 0 / 19 / 25 / 6

HEX #F0C3B3

RGB 240 195 179

HSL 15.74, 0.67%, 0.82%

LAB 82.28, 13.69, 14.09

 

CMYK 0 / 16 / 22 / 0

HEX #FFD5C6

RGB 255 213 198

HSL 15.79, 1%, 0.89%

LAB 88.41, 12.45, 12.89

 

CMYK 0 / 9 / 15 / 0

HEX #FFE7D9

RGB 255 231 217

HSL 22.11, 1%, 0.93%

LAB 93.2, 5.96, 9.77

 

CMYK 0 / 2 / 7 / 0

HEX #FFF9EC

RGB 255 249 236

HSL 41.05, 1%, 0.96%

LAB 98.06, -0.19, 6.93

 

CMYK 0 / 19 / 24 / 15

HEX #DAB1A5

RGB 218 177 165

HSL 13.58, 0.42%, 0.75%

LAB 75.49, 13.07, 11.75

 

CMYK 0 / 21 / 27 / 21

HEX #C99F92

RGB 201 159 146

HSL 14.18, 0.34%, 0.68%

LAB 68.96, 13.64, 12.71

 

CMYK 0 / 23 / 31 / 28

HEX #B88D7F

RGB 184 141 127

HSL 14.74, 0.29%, 0.61%

LAB 62.32, 14.29, 13.76

 

CMYK 0 / 26 / 35 / 35

HEX #A77B6C

RGB 167 123 108

HSL 15.25, 0.25%, 0.54%

LAB 55.55, 15.04, 14.91

 

CMYK 0 / 30 / 41 / 41

HEX #966959

RGB 150 105 89

HSL 15.74, 0.26%, 0.47%

LAB 48.65, 15.91, 16.19

 

CMYK 0 / 19 / 25 / 15

HEX #DAB0A4

RGB 218 176 164

HSL 13.33, 0.42%, 0.75%

LAB 75.22, 13.46, 11.91

 

CMYK 0 / 25 / 25 / 15

HEX #DAA4A4

RGB 218 164 164

HSL 0, 0.42%, 0.75%

LAB 72.32, 19.93, 7.78

 

CMYK 0 / 19 / 25 / 15

HEX #DAB0A4

RGB 218 176 164

HSL 13.33, 0.42%, 0.75%

LAB 75.22, 13.46, 11.91

 

CMYK 0 / 12 / 25 / 15

HEX #DABFA4

RGB 218 191 164

HSL 30, 0.42%, 0.75%

LAB 78.95, 5.46, 17.15

 

CMYK 0 / 6 / 25 / 15

HEX #DACDA4

RGB 218 205 164

HSL 45.56, 0.42%, 0.75%

LAB 82.51, -1.88, 22.08

 

CMYK 1 / 0 / 25 / 15

HEX #D8DAA4

RGB 216 218 164

HSL 62.22, 0.42%, 0.75%

LAB 85.72, -9.3, 26.43

 

CMYK 8 / 0 / 25 / 15

HEX #C9DAA4

RGB 201 218 164

HSL 78.89, 0.42%, 0.75%

LAB 84.61, -14.84, 24.74

 

CMYK 0 / 19 / 25 / 15

HEX #DAB0A4

RGB 218 176 164

HSL 13.33, 0.42%, 0.75%

LAB 75.22, 13.46, 11.91

 

CMYK 0 / 25 / 32 / 11

HEX #E4AA9A

RGB 228 170 154

HSL 12.97, 0.58%, 0.75%

LAB 74.56, 19.14, 16.56

 

CMYK 0 / 31 / 40 / 7

HEX #EEA58F

RGB 238 165 143

HSL 13.89, 0.74%, 0.75%

LAB 74.23, 24.33, 22.27

 

CMYK 0 / 36 / 46 / 3

HEX #F89F85

RGB 248 159 133

HSL 13.57, 0.89%, 0.75%

LAB 73.83, 30.31, 27.34

 

CMYK 0 / 19 / 25 / 15

HEX #DAB0A4

RGB 218 176 164

HSL 13.33, 0.42%, 0.75%

LAB 75.22, 13.46, 11.91

 

CMYK 0 / 12 / 16 / 19

HEX #CFB6AE

RGB 207 182 174

HSL 14.55, 0.26%, 0.75%

LAB 75.93, 7.64, 7.34

 

CMYK 0 / 5 / 6 / 23

HEX #C5BBB9

RGB 197 187 185

HSL 10, 0.09%, 0.75%

LAB 76.63, 3.17, 2.26

 

CMYK 4 / 1 / 0 / 24

HEX #BBC1C3

RGB 187 193 195

HSL 195, 0.06%, 0.75%

LAB 77.66, -1.68, -1.73

 

CMYK 14 / 3 / 0 / 20

HEX #B0C7CD

RGB 176 199 205

HSL 192.41, 0.22%, 0.75%

LAB 78.74, -6.51, -5.63

 

CMYK 0 / 25 / 17 / 15

HEX #DAA4B5

RGB 218 164 181

HSL 341.11, 0.42%, 0.75%

LAB 72.76, 22.48, -0.96

 

CMYK 0 / 25 / 23 / 15

HEX #DAA4A7

RGB 218 164 167

HSL 356.67, 0.42%, 0.75%

LAB 72.39, 20.36, 6.23

 

CMYK 0 / 19 / 25 / 15

HEX #DAB0A4

RGB 218 176 164

HSL 13.33, 0.42%, 0.75%

LAB 75.22, 13.46, 11.91

 

CMYK 0 / 13 / 25 / 15

HEX #DABEA4

RGB 218 190 164

HSL 28.89, 0.42%, 0.75%

LAB 78.7, 5.99, 16.8

 

CMYK 0 / 6 / 25 / 15

HEX #DACCA4

RGB 218 204 164

HSL 44.44, 0.42%, 0.75%

LAB 82.26, -1.36, 21.73

 

CMYK 0 / 36 / 46 / 24

HEX #C27D69

RGB 194 125 105

HSL 13.48, 0.42%, 0.59%

LAB 59.12, 24.52, 22.01

 

CMYK 0 / 27 / 34 / 19

HEX #CE9787

RGB 206 151 135

HSL 13.52, 0.42%, 0.67%

LAB 67.28, 18.5, 16.54

 

CMYK 0 / 19 / 25 / 15

HEX #DAB0A4

RGB 218 176 164

HSL 13.33, 0.42%, 0.75%

LAB 75.22, 13.46, 11.91

 

CMYK 0 / 12 / 16 / 10

HEX #E5C9C1

RGB 229 201 193

HSL 13.33, 0.41%, 0.83%

LAB 83.06, 8.55, 7.6

 

CMYK 0 / 6 / 7 / 5

HEX #F1E3DF

RGB 241 227 223

HSL 13.33, 0.39%, 0.91%

LAB 91.22, 4.09, 3.65

 

CMYK 0 / 19 / 24 / 15

HEX #DAB1A5

RGB 218 177 165

HSL 13.58, 0.42%, 0.75%

LAB 75.49, 13.07, 11.75

 

CMYK 11 / 0 / 25 / 15

HEX #C3DAA4

RGB 195 218 164

HSL 85.56, 0.42%, 0.75%

LAB 84.19, -17.01, 24.1

 

CMYK 25 / 20 / 0 / 15

HEX #A4AEDA

RGB 164 174 218

HSL 228.89, 0.42%, 0.75%

LAB 71.71, 6.08, -23.34

 

CMYK 0 / 19 / 24 / 15

HEX #DAB1A5

RGB 218 177 165

HSL 13.58, 0.42%, 0.75%

LAB 75.49, 13.07, 11.75

 

CMYK 25 / 0 / 19 / 15

HEX #A4DAB0

RGB 164 218 176

HSL 133.33, 0.42%, 0.75%

LAB 82.47, -25.67, 15.13

 

CMYK 19 / 25 / 0 / 15

HEX #B0A4DA

RGB 176 164 218

HSL 253.33, 0.42%, 0.75%

LAB 70.07, 15.33, -25.77

 

CMYK 0 / 19 / 24 / 15

HEX #DAB1A5

RGB 218 177 165

HSL 13.58, 0.42%, 0.75%

LAB 75.49, 13.07, 11.75

 

CMYK 11 / 0 / 25 / 15

HEX #C3DAA4

RGB 195 218 164

HSL 85.56, 0.42%, 0.75%

LAB 84.19, -17.01, 24.1

 

CMYK 25 / 6 / 0 / 15

HEX #A4CEDA

RGB 164 206 218

HSL 193.33, 0.42%, 0.75%

LAB 80.23, -11.08, -10.48

 

CMYK 15 / 25 / 0 / 15

HEX #BAA4DA

RGB 186 164 218

HSL 264.44, 0.42%, 0.75%

LAB 70.91, 18.48, -24.41

 

CMYK 0 / 19 / 24 / 15

HEX #DAB1A5

RGB 218 177 165

HSL 13.58, 0.42%, 0.75%

LAB 75.49, 13.07, 11.75

 

CMYK 18 / 0 / 25 / 15

HEX #B3DAA4

RGB 179 218 164

HSL 103.33, 0.42%, 0.75%

LAB 83.13, -22.68, 22.48

 

CMYK 25 / 6 / 0 / 15

HEX #A4CEDA

RGB 164 206 218

HSL 193.33, 0.42%, 0.75%

LAB 80.23, -11.08, -10.48

 

CMYK 7 / 25 / 0 / 15

HEX #CAA4DA

RGB 202 164 218

HSL 282.22, 0.42%, 0.75%

LAB 72.34, 23.62, -22.09

 

Description

Color code: HEX #DAB1A5 | qconv.com Color code: HEX #DAB1A5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 177 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 177 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 24 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 24% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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