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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DABA06 it is the complementary color #2545F9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DABA06. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DABA06 shade: #DFBA01, #F0CC14, #FFDE27, #FFF03A and #FFFF4D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DABA06. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DABA06 shade: #DABA06, #C9A800, #B89600, #A78400 and #967200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DABA06 shade: #DABA05, #DA8105, #DA4705, #DA0E05 and #DA0505

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DABA06 shade: #DABA05, #C1DA05, #88DA05, #4EDA05 and #15DA05

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DABA06 shade matches the following richer shades: #DABA05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DABA06 shade: #DABA05, #C8AD17, #B6A129, #A4943C and #92874E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DABA06 shade: #DA4505, #DA7E05, #DAB705, #C5DA05 and #8CDA05

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DABA06 shade: #8A7503, #B29804, #DABA05, #F8D510 and #F9DC38

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DABA06 shade: #DABA06, #05DA0C and #6105DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DABA06 shade: #DABA06, #05DAB7 and #B705DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DABA06 shade: #DABA06, #05DA0C, #0529DA and #DA05D3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DABA06 shade: #DABA06, #05DA4C, #0529DA and #DA0593

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 97 / 15

HEX #DABA06

RGB 218 186 6

HSL 50.94, 0.95%, 0.44%

LAB 76.09, -2.95, 77.24

 

Complementary color

CMYK 85 / 72 / 0 / 2

HEX #2545F9

RGB 37 69 249

HSL 230.94, 0.95%, 0.56%

LAB 40.39, 54.27, -91.01

 

CMYK 0 / 17 / 100 / 13

HEX #DFBA01

RGB 223 186 1

HSL 50, 0.99%, 0.44%

LAB 76.56, -0.82, 78.32

 

CMYK 0 / 15 / 92 / 6

HEX #F0CC14

RGB 240 204 20

HSL 50.18, 0.88%, 0.51%

LAB 82.79, -2.55, 81.48

 

CMYK 0 / 13 / 85 / 0

HEX #FFDE27

RGB 255 222 39

HSL 50.83, 1%, 0.58%

LAB 88.76, -4.94, 83.24

 

CMYK 0 / 6 / 77 / 0

HEX #FFF03A

RGB 255 240 58

HSL 55.43, 1%, 0.61%

LAB 93.4, -13.32, 82.34

 

CMYK 0 / 0 / 70 / 0

HEX #FFFF4D

RGB 255 255 77

HSL 60, 1%, 0.65%

LAB 97.36, -19.81, 80.06

 

CMYK 0 / 15 / 97 / 15

HEX #DABA06

RGB 218 186 6

HSL 50.94, 0.95%, 0.44%

LAB 76.09, -2.95, 77.24

 

CMYK 0 / 16 / 100 / 21

HEX #C9A800

RGB 201 168 0

HSL 50.15, 1%, 0.39%

LAB 69.77, -1.06, 72.65

 

CMYK 0 / 18 / 100 / 28

HEX #B89600

RGB 184 150 0

HSL 48.91, 1%, 0.36%

LAB 63.35, 0.96, 67.35

 

CMYK 0 / 21 / 100 / 35

HEX #A78400

RGB 167 132 0

HSL 47.43, 1%, 0.33%

LAB 56.8, 3.06, 61.95

 

CMYK 0 / 24 / 100 / 41

HEX #967200

RGB 150 114 0

HSL 45.6, 1%, 0.29%

LAB 50.12, 5.26, 56.45

 

CMYK 0 / 15 / 98 / 15

HEX #DABA05

RGB 218 186 5

HSL 50.99, 0.96%, 0.44%

LAB 76.09, -2.96, 77.34

 

CMYK 0 / 41 / 98 / 15

HEX #DA8105

RGB 218 129 5

HSL 34.93, 0.96%, 0.44%

LAB 62.18, 27.4, 67.69

 

CMYK 0 / 67 / 98 / 15

HEX #DA4705

RGB 218 71 5

HSL 18.59, 0.96%, 0.44%

LAB 51.18, 55.33, 60.95

 

CMYK 0 / 94 / 98 / 15

HEX #DA0E05

RGB 218 14 5

HSL 2.54, 0.96%, 0.44%

LAB 45.95, 69.97, 58.34

 

CMYK 0 / 98 / 98 / 15

HEX #DA0505

RGB 218 5 5

HSL 0, 0.96%, 0.44%

LAB 45.67, 70.78, 58.22

 

CMYK 0 / 15 / 98 / 15

HEX #DABA05

RGB 218 186 5

HSL 50.99, 0.96%, 0.44%

LAB 76.09, -2.96, 77.34

 

CMYK 11 / 0 / 98 / 15

HEX #C1DA05

RGB 193 218 5

HSL 67.04, 0.96%, 0.44%

LAB 82.64, -29.54, 81.27

 

CMYK 38 / 0 / 98 / 15

HEX #88DA05

RGB 136 218 5

HSL 83.1, 0.96%, 0.44%

LAB 79.26, -51.38, 77.2

 

CMYK 64 / 0 / 98 / 15

HEX #4EDA05

RGB 78 218 5

HSL 99.44, 0.96%, 0.44%

LAB 77.15, -67.84, 74.62

 

CMYK 90 / 0 / 98 / 15

HEX #15DA05

RGB 21 218 5

HSL 115.49, 0.96%, 0.44%

LAB 76.26, -75.58, 73.54

 

CMYK 0 / 15 / 98 / 15

HEX #DABA05

RGB 218 186 5

HSL 50.99, 0.96%, 0.44%

LAB 76.09, -2.96, 77.34

 

CMYK 0 / 15 / 98 / 15

HEX #DABA05

RGB 218 186 5

HSL 50.99, 0.96%, 0.44%

LAB 76.09, -2.96, 77.34

 

CMYK 0 / 14 / 89 / 22

HEX #C8AD17

RGB 200 173 23

HSL 50.85, 0.79%, 0.44%

LAB 71.03, -3.84, 70.27

 

CMYK 0 / 12 / 77 / 29

HEX #B6A129

RGB 182 161 41

HSL 51.06, 0.63%, 0.44%

LAB 66.21, -4.94, 60.64

 

CMYK 0 / 10 / 63 / 36

HEX #A4943C

RGB 164 148 60

HSL 50.77, 0.46%, 0.44%

LAB 61.13, -4.94, 47.37

 

CMYK 0 / 8 / 47 / 43

HEX #92874E

RGB 146 135 78

HSL 50.29, 0.3%, 0.44%

LAB 56.08, -4.18, 32.02

 

CMYK 0 / 68 / 98 / 15

HEX #DA4505

RGB 218 69 5

HSL 18.03, 0.96%, 0.44%

LAB 50.89, 56.12, 60.8

 

CMYK 0 / 42 / 98 / 15

HEX #DA7E05

RGB 218 126 5

HSL 34.08, 0.96%, 0.44%

LAB 61.51, 28.99, 67.25

 

CMYK 0 / 16 / 98 / 15

HEX #DAB705

RGB 218 183 5

HSL 50.14, 0.96%, 0.44%

LAB 75.32, -1.4, 76.78

 

CMYK 10 / 0 / 98 / 15

HEX #C5DA05

RGB 197 218 5

HSL 65.92, 0.96%, 0.44%

LAB 82.93, -27.89, 81.61

 

CMYK 36 / 0 / 98 / 15

HEX #8CDA05

RGB 140 218 5

HSL 81.97, 0.96%, 0.44%

LAB 79.46, -49.99, 77.44

 

CMYK 0 / 15 / 98 / 46

HEX #8A7503

RGB 138 117 3

HSL 50.67, 0.96%, 0.28%

LAB 49.66, -2.07, 54.9

 

CMYK 0 / 15 / 98 / 30

HEX #B29804

RGB 178 152 4

HSL 51.03, 0.96%, 0.36%

LAB 63.29, -2.79, 66.45

 

CMYK 0 / 15 / 98 / 15

HEX #DABA05

RGB 218 186 5

HSL 50.99, 0.96%, 0.44%

LAB 76.09, -2.96, 77.34

 

CMYK 0 / 14 / 94 / 3

HEX #F8D510

RGB 248 213 16

HSL 50.95, 0.94%, 0.52%

LAB 85.8, -3.76, 84.57

 

CMYK 0 / 12 / 78 / 2

HEX #F9DC38

RGB 249 220 56

HSL 50.98, 0.94%, 0.6%

LAB 87.78, -5.97, 77.7

 

CMYK 0 / 15 / 97 / 15

HEX #DABA06

RGB 218 186 6

HSL 50.94, 0.95%, 0.44%

LAB 76.09, -2.95, 77.24

 

CMYK 98 / 0 / 94 / 15

HEX #05DA0C

RGB 5 218 12

HSL 121.97, 0.96%, 0.44%

LAB 76.19, -76.17, 72.78

 

CMYK 56 / 98 / 0 / 15

HEX #6105DA

RGB 97 5 218

HSL 265.92, 0.96%, 0.44%

LAB 33.38, 72.37, -84.89

 

CMYK 0 / 15 / 97 / 15

HEX #DABA06

RGB 218 186 6

HSL 50.94, 0.95%, 0.44%

LAB 76.09, -2.95, 77.24

 

CMYK 98 / 0 / 16 / 15

HEX #05DAB7

RGB 5 218 183

HSL 170.14, 0.96%, 0.44%

LAB 78.22, -52.32, 4.76

 

CMYK 16 / 98 / 0 / 15

HEX #B705DA

RGB 183 5 218

HSL 290.14, 0.96%, 0.44%

LAB 45.96, 81.63, -63.77

 

CMYK 0 / 15 / 97 / 15

HEX #DABA06

RGB 218 186 6

HSL 50.94, 0.95%, 0.44%

LAB 76.09, -2.95, 77.24

 

CMYK 98 / 0 / 94 / 15

HEX #05DA0C

RGB 5 218 12

HSL 121.97, 0.96%, 0.44%

LAB 76.19, -76.17, 72.78

 

CMYK 98 / 81 / 0 / 15

HEX #0529DA

RGB 5 41 218

HSL 229.86, 0.96%, 0.44%

LAB 31.07, 58.07, -88.88

 

CMYK 0 / 98 / 3 / 15

HEX #DA05D3

RGB 218 5 211

HSL 301.97, 0.96%, 0.44%

LAB 51.52, 85.93, -50.5

 

CMYK 0 / 15 / 97 / 15

HEX #DABA06

RGB 218 186 6

HSL 50.94, 0.95%, 0.44%

LAB 76.09, -2.95, 77.24

 

CMYK 98 / 0 / 65 / 15

HEX #05DA4C

RGB 5 218 76

HSL 140, 0.96%, 0.44%

LAB 76.5, -72.3, 55.66

 

CMYK 98 / 81 / 0 / 15

HEX #0529DA

RGB 5 41 218

HSL 229.86, 0.96%, 0.44%

LAB 31.07, 58.07, -88.88

 

CMYK 0 / 98 / 33 / 15

HEX #DA0593

RGB 218 5 147

HSL 320, 0.96%, 0.44%

LAB 48.41, 78.11, -17.78

 

Description

Color code: HEX #DABA06 | qconv.com Color code: HEX #DABA06 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 186 green and 6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 186 6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 97 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 97% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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