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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DABCDB it is the complementary color #254324. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DABCDB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DABCDB shade: #DFBCD6, #F0CEE9, #FFE0FC and #FFF2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DABCDB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DABCDB shade: #DABCDB, #C9AAC8, #B898B5, #A786A2 and #96748F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DABCDB shade: #DABCDB, #DBBCD4, #DBBCCB, #DBBCC3 and #DBBCBC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DABCDB shade: #DABCDB, #D2BCDB, #C9BCDB, #C1BCDB and #BCBCDB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DABCDB shade matches the following richer shades: #DABCDB, #E2B4E3, #E9ACEB, #F1A3F4 and #F99BFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DABCDB shade: #DABCDB, #D2C4D3, #CACDCA, #C3D5C2 and #BBDDBA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DABCDB shade: #C9BCDB, #D2BCDB, #DABCDB, #DBBCD4 and #DBBCCC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DABCDB shade: #BC87BE, #CBA1CC, #DABCDB, #E9D7E9 and #F7F2F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DABCDB shade: #DABCDB, #DBC1BC and #BCDBCE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DABCDB shade: #DABCDB, #DBDABC and #BCDBDA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DABCDB shade: #DABCDB, #DBC1BC, #BDDBBC and #BCD6DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DABCDB shade: #DABCDB, #DBCABC, #BDDBBC and #BCCDDB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 0 / 14

HEX #DABCDB

RGB 218 188 219

HSL 298.06, 0.3%, 0.8%

LAB 79.61, 16.07, -11.54

 

Complementary color

CMYK 45 / 0 / 46 / 74

HEX #254324

RGB 37 67 36

HSL 118.06, 0.3%, 0.2%

LAB 25.37, -18.75, 15.39

 

CMYK 0 / 16 / 4 / 13

HEX #DFBCD6

RGB 223 188 214

HSL 315.43, 0.35%, 0.81%

LAB 79.9, 16.86, -8.35

 

CMYK 0 / 14 / 3 / 6

HEX #F0CEE9

RGB 240 206 233

HSL 312.35, 0.53%, 0.87%

LAB 86.28, 16.43, -8.88

 

CMYK 0 / 12 / 1 / 0

HEX #FFE0FC

RGB 255 224 252

HSL 305.81, 1%, 0.94%

LAB 92.4, 15.37, -9.65

 

CMYK 0 / 5 / 0 / 0

HEX #FFF2FF

RGB 255 242 255

HSL 300, 1%, 0.97%

LAB 96.81, 6.61, -4.68

 

CMYK 0 / 14 / 0 / 14

HEX #DABCDB

RGB 218 188 219

HSL 298.06, 0.3%, 0.8%

LAB 79.61, 16.07, -11.54

 

CMYK 0 / 15 / 0 / 21

HEX #C9AAC8

RGB 201 170 200

HSL 301.94, 0.22%, 0.73%

LAB 73.11, 16.5, -11.07

 

CMYK 0 / 17 / 2 / 28

HEX #B898B5

RGB 184 152 181

HSL 305.63, 0.18%, 0.66%

LAB 66.51, 16.98, -10.58

 

CMYK 0 / 20 / 3 / 35

HEX #A786A2

RGB 167 134 162

HSL 309.09, 0.16%, 0.59%

LAB 59.78, 17.49, -10.08

 

CMYK 0 / 23 / 5 / 41

HEX #96748F

RGB 150 116 143

HSL 312.35, 0.14%, 0.52%

LAB 52.9, 18.07, -9.55

 

CMYK 0 / 14 / 0 / 14

HEX #DABCDB

RGB 218 188 219

HSL 298.06, 0.3%, 0.8%

LAB 79.61, 16.07, -11.54

 

CMYK 0 / 14 / 3 / 14

HEX #DBBCD4

RGB 219 188 212

HSL 313.55, 0.3%, 0.8%

LAB 79.49, 15.13, -7.93

 

CMYK 0 / 14 / 7 / 14

HEX #DBBCCB

RGB 219 188 203

HSL 330.97, 0.3%, 0.8%

LAB 79.24, 13.54, -3.44

 

CMYK 0 / 14 / 11 / 14

HEX #DBBCC3

RGB 219 188 195

HSL 346.45, 0.3%, 0.8%

LAB 79.02, 12.18, 0.56

 

CMYK 0 / 14 / 14 / 14

HEX #DBBCBC

RGB 219 188 188

HSL 0, 0.3%, 0.8%

LAB 78.84, 11.04, 4.09

 

CMYK 0 / 14 / 0 / 14

HEX #DABCDB

RGB 218 188 219

HSL 298.06, 0.3%, 0.8%

LAB 79.61, 16.07, -11.54

 

CMYK 4 / 14 / 0 / 14

HEX #D2BCDB

RGB 210 188 219

HSL 282.58, 0.3%, 0.8%

LAB 78.92, 13.38, -12.64

 

CMYK 8 / 14 / 0 / 14

HEX #C9BCDB

RGB 201 188 219

HSL 265.16, 0.3%, 0.8%

LAB 78.17, 10.4, -13.84

 

CMYK 12 / 14 / 0 / 14

HEX #C1BCDB

RGB 193 188 219

HSL 249.68, 0.3%, 0.8%

LAB 77.53, 7.78, -14.86

 

CMYK 14 / 14 / 0 / 14

HEX #BCBCDB

RGB 188 188 219

HSL 240, 0.3%, 0.8%

LAB 77.14, 6.16, -15.48

 

CMYK 0 / 14 / 0 / 14

HEX #DABCDB

RGB 218 188 219

HSL 298.06, 0.3%, 0.8%

LAB 79.61, 16.07, -11.54

 

CMYK 0 / 21 / 0 / 11

HEX #E2B4E3

RGB 226 180 227

HSL 298.72, 0.46%, 0.8%

LAB 78.67, 24.52, -17.19

 

CMYK 1 / 27 / 0 / 8

HEX #E9ACEB

RGB 233 172 235

HSL 298.1, 0.61%, 0.8%

LAB 77.77, 32.57, -22.81

 

CMYK 1 / 33 / 0 / 4

HEX #F1A3F4

RGB 241 163 244

HSL 297.78, 0.79%, 0.8%

LAB 76.94, 41.51, -28.88

 

CMYK 1 / 38 / 0 / 1

HEX #F99BFC

RGB 249 155 252

HSL 298.14, 0.94%, 0.8%

LAB 76.44, 49.52, -33.89

 

CMYK 0 / 14 / 0 / 14

HEX #DABCDB

RGB 218 188 219

HSL 298.06, 0.3%, 0.8%

LAB 79.61, 16.07, -11.54

 

CMYK 0 / 7 / 0 / 17

HEX #D2C4D3

RGB 210 196 211

HSL 296, 0.15%, 0.8%

LAB 80.67, 7.58, -5.72

 

CMYK 1 / 0 / 1 / 20

HEX #CACDCA

RGB 202 205 202

HSL 120, 0.03%, 0.8%

LAB 82.1, -1.57, 1.12

 

CMYK 8 / 0 / 9 / 16

HEX #C3D5C2

RGB 195 213 194

HSL 116.84, 0.18%, 0.8%

LAB 83.49, -9.56, 7.32

 

CMYK 15 / 0 / 16 / 13

HEX #BBDDBA

RGB 187 221 186

HSL 118.29, 0.34%, 0.8%

LAB 84.91, -17.75, 13.5

 

CMYK 8 / 14 / 0 / 14

HEX #C9BCDB

RGB 201 188 219

HSL 265.16, 0.3%, 0.8%

LAB 78.17, 10.4, -13.84

 

CMYK 4 / 14 / 0 / 14

HEX #D2BCDB

RGB 210 188 219

HSL 282.58, 0.3%, 0.8%

LAB 78.92, 13.38, -12.64

 

CMYK 0 / 14 / 0 / 14

HEX #DABCDB

RGB 218 188 219

HSL 298.06, 0.3%, 0.8%

LAB 79.61, 16.07, -11.54

 

CMYK 0 / 14 / 3 / 14

HEX #DBBCD4

RGB 219 188 212

HSL 313.55, 0.3%, 0.8%

LAB 79.49, 15.13, -7.93

 

CMYK 0 / 14 / 7 / 14

HEX #DBBCCC

RGB 219 188 204

HSL 329.03, 0.3%, 0.8%

LAB 79.26, 13.71, -3.94

 

CMYK 1 / 29 / 0 / 25

HEX #BC87BE

RGB 188 135 190

HSL 297.82, 0.3%, 0.64%

LAB 63.12, 29.53, -20.71

 

CMYK 0 / 21 / 0 / 20

HEX #CBA1CC

RGB 203 161 204

HSL 298.6, 0.3%, 0.72%

LAB 71.25, 22.87, -16.05

 

CMYK 0 / 14 / 0 / 14

HEX #DABCDB

RGB 218 188 219

HSL 298.06, 0.3%, 0.8%

LAB 79.61, 16.07, -11.54

 

CMYK 0 / 8 / 0 / 9

HEX #E9D7E9

RGB 233 215 233

HSL 300, 0.29%, 0.88%

LAB 87.88, 9.34, -6.58

 

CMYK 0 / 2 / 0 / 3

HEX #F7F2F8

RGB 247 242 248

HSL 290, 0.3%, 0.96%

LAB 96.02, 2.73, -2.3

 

CMYK 0 / 14 / 0 / 14

HEX #DABCDB

RGB 218 188 219

HSL 298.06, 0.3%, 0.8%

LAB 79.61, 16.07, -11.54

 

CMYK 0 / 12 / 14 / 14

HEX #DBC1BC

RGB 219 193 188

HSL 9.68, 0.3%, 0.8%

LAB 80.08, 8.38, 5.88

 

CMYK 14 / 0 / 6 / 14

HEX #BCDBCE

RGB 188 219 206

HSL 154.84, 0.3%, 0.8%

LAB 84.9, -12.75, 2.94

 

CMYK 0 / 14 / 0 / 14

HEX #DABCDB

RGB 218 188 219

HSL 298.06, 0.3%, 0.8%

LAB 79.61, 16.07, -11.54

 

CMYK 0 / 0 / 14 / 14

HEX #DBDABC

RGB 219 218 188

HSL 58.06, 0.3%, 0.8%

LAB 86.42, -4.69, 14.91

 

CMYK 14 / 0 / 0 / 14

HEX #BCDBDA

RGB 188 219 218

HSL 178.06, 0.3%, 0.8%

LAB 85.21, -10.38, -2.96

 

CMYK 0 / 14 / 0 / 14

HEX #DABCDB

RGB 218 188 219

HSL 298.06, 0.3%, 0.8%

LAB 79.61, 16.07, -11.54

 

CMYK 0 / 12 / 14 / 14

HEX #DBC1BC

RGB 219 193 188

HSL 9.68, 0.3%, 0.8%

LAB 80.08, 8.38, 5.88

 

CMYK 14 / 0 / 14 / 14

HEX #BDDBBC

RGB 189 219 188

HSL 118.06, 0.3%, 0.8%

LAB 84.54, -15.72, 11.95

 

CMYK 14 / 2 / 0 / 14

HEX #BCD6DB

RGB 188 214 219

HSL 189.68, 0.3%, 0.8%

LAB 83.91, -7.61, -5.39

 

CMYK 0 / 14 / 0 / 14

HEX #DABCDB

RGB 218 188 219

HSL 298.06, 0.3%, 0.8%

LAB 79.61, 16.07, -11.54

 

CMYK 0 / 8 / 14 / 14

HEX #DBCABC

RGB 219 202 188

HSL 27.1, 0.3%, 0.8%

LAB 82.34, 3.62, 9.12

 

CMYK 14 / 0 / 14 / 14

HEX #BDDBBC

RGB 189 219 188

HSL 118.06, 0.3%, 0.8%

LAB 84.54, -15.72, 11.95

 

CMYK 14 / 6 / 0 / 14

HEX #BCCDDB

RGB 188 205 219

HSL 207.1, 0.3%, 0.8%

LAB 81.55, -2.91, -8.9

 

Description

Color code: HEX #DABCDB | qconv.com Color code: HEX #DABCDB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 188 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 188 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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