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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DABD5C it is the complementary color #2542A3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DABD5C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DABD5C shade: #DFBD57, #F0CF6A, #FFE17D, #FFF390 and #FFFFA3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DABD5C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DABD5C shade: #DABD5C, #C9AB49, #B89936, #A78723 and #967510

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DABD5C shade: #DABD5C, #DA9B5C, #DA795C and #DA5C5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DABD5C shade: #DABD5C, #D5DA5C, #B3DA5C, #91DA5C and #6FDA5C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DABD5C shade matches the following richer shades: #DABD5C, #EAC64C and #FACE3C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DABD5C shade: #DABD5C, #CAB46C, #BAAB7D, #A9A38D and #999A9D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DABD5C shade: #DA7A5C, #DA9B5C, #DABC5C, #D6DA5C and #B4DA5C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DABD5C shade: #BA992A, #D2AF3B, #DABD5C, #E1CA7E and #E9D8A0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DABD5C shade: #DABD5C, #61DA5C and #8A5CDA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DABD5C shade: #DABD5C, #5CDABC and #BC5CDA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DABD5C shade: #DABD5C, #61DA5C, #5C7ADA and #D65CDA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DABD5C shade: #DABD5C, #5CDA7E, #5C7ADA and #DA5CB8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 58 / 15

HEX #DABD5C

RGB 218 189 92

HSL 46.19, 0.63%, 0.61%

LAB 77.32, -1.23, 51.98

 

Complementary color

CMYK 77 / 60 / 0 / 36

HEX #2542A3

RGB 37 66 163

HSL 226.19, 0.63%, 0.39%

LAB 31.66, 25.17, -55.48

 

CMYK 0 / 15 / 61 / 13

HEX #DFBD57

RGB 223 189 87

HSL 45, 0.68%, 0.61%

LAB 77.74, 0.51, 54.89

 

CMYK 0 / 14 / 56 / 6

HEX #F0CF6A

RGB 240 207 106

HSL 45.22, 0.82%, 0.68%

LAB 84.07, -0.38, 53.73

 

CMYK 0 / 12 / 51 / 0

HEX #FFE17D

RGB 255 225 125

HSL 46.15, 1%, 0.75%

LAB 90.13, -1.96, 52.27

 

CMYK 0 / 5 / 44 / 0

HEX #FFF390

RGB 255 243 144

HSL 53.51, 1%, 0.78%

LAB 94.9, -9.24, 49.02

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA3

RGB 255 255 163

HSL 60, 1%, 0.82%

LAB 98.2, -13.17, 43.99

 

CMYK 0 / 13 / 58 / 15

HEX #DABD5C

RGB 218 189 92

HSL 46.19, 0.63%, 0.61%

LAB 77.32, -1.23, 51.98

 

CMYK 0 / 15 / 64 / 21

HEX #C9AB49

RGB 201 171 73

HSL 45.94, 0.54%, 0.54%

LAB 70.89, -0.28, 53.09

 

CMYK 0 / 17 / 71 / 28

HEX #B89936

RGB 184 153 54

HSL 45.69, 0.55%, 0.47%

LAB 64.35, 0.84, 53.98

 

CMYK 0 / 19 / 79 / 35

HEX #A78723

RGB 167 135 35

HSL 45.45, 0.65%, 0.4%

LAB 57.72, 2.2, 54.39

 

CMYK 0 / 22 / 89 / 41

HEX #967510

RGB 150 117 16

HSL 45.22, 0.81%, 0.33%

LAB 50.97, 3.85, 53.74

 

CMYK 0 / 13 / 58 / 15

HEX #DABD5C

RGB 218 189 92

HSL 46.19, 0.63%, 0.61%

LAB 77.32, -1.23, 51.98

 

CMYK 0 / 29 / 58 / 15

HEX #DA9B5C

RGB 218 155 92

HSL 30, 0.63%, 0.61%

LAB 68.84, 16.86, 42

 

CMYK 0 / 44 / 58 / 15

HEX #DA795C

RGB 218 121 92

HSL 13.81, 0.63%, 0.61%

LAB 61.09, 35.02, 32.44

 

CMYK 0 / 58 / 58 / 15

HEX #DA5C5C

RGB 218 92 92

HSL 0, 0.63%, 0.61%

LAB 55.41, 49.45, 25.15

 

CMYK 0 / 13 / 58 / 15

HEX #DABD5C

RGB 218 189 92

HSL 46.19, 0.63%, 0.61%

LAB 77.32, -1.23, 51.98

 

CMYK 2 / 0 / 58 / 15

HEX #D5DA5C

RGB 213 218 92

HSL 62.38, 0.63%, 0.61%

LAB 84.52, -18.01, 59.97

 

CMYK 18 / 0 / 58 / 15

HEX #B3DA5C

RGB 179 218 92

HSL 78.57, 0.63%, 0.61%

LAB 82.11, -31.48, 56.61

 

CMYK 33 / 0 / 58 / 15

HEX #91DA5C

RGB 145 218 92

HSL 94.76, 0.63%, 0.61%

LAB 80.14, -43.88, 53.85

 

CMYK 49 / 0 / 58 / 15

HEX #6FDA5C

RGB 111 218 92

HSL 110.95, 0.63%, 0.61%

LAB 78.63, -54.51, 51.72

 

CMYK 0 / 13 / 58 / 15

HEX #DABD5C

RGB 218 189 92

HSL 46.19, 0.63%, 0.61%

LAB 77.32, -1.23, 51.98

 

CMYK 0 / 15 / 68 / 8

HEX #EAC64C

RGB 234 198 76

HSL 46.33, 0.79%, 0.61%

LAB 80.96, -0.2, 63.45

 

CMYK 0 / 18 / 76 / 2

HEX #FACE3C

RGB 250 206 60

HSL 46.11, 0.95%, 0.61%

LAB 84.38, 1.7, 73.34

 

CMYK 0 / 13 / 58 / 15

HEX #DABD5C

RGB 218 189 92

HSL 46.19, 0.63%, 0.61%

LAB 77.32, -1.23, 51.98

 

CMYK 0 / 11 / 47 / 21

HEX #CAB46C

RGB 202 180 108

HSL 45.96, 0.47%, 0.61%

LAB 73.73, -1.78, 39.46

 

CMYK 0 / 8 / 33 / 27

HEX #BAAB7D

RGB 186 171 125

HSL 45.25, 0.31%, 0.61%

LAB 70.21, -1.59, 25.69

 

CMYK 0 / 4 / 17 / 34

HEX #A9A38D

RGB 169 163 141

HSL 47.14, 0.14%, 0.61%

LAB 66.94, -1.64, 12.21

 

CMYK 3 / 2 / 0 / 38

HEX #999A9D

RGB 153 154 157

HSL 225, 0.02%, 0.61%

LAB 63.6, 0.23, -1.7

 

CMYK 0 / 44 / 58 / 15

HEX #DA7A5C

RGB 218 122 92

HSL 14.29, 0.63%, 0.61%

LAB 61.31, 34.5, 32.71

 

CMYK 0 / 29 / 58 / 15

HEX #DA9B5C

RGB 218 155 92

HSL 30, 0.63%, 0.61%

LAB 68.84, 16.86, 42

 

CMYK 0 / 14 / 58 / 15

HEX #DABC5C

RGB 218 188 92

HSL 45.71, 0.63%, 0.61%

LAB 77.07, -0.7, 51.68

 

CMYK 2 / 0 / 58 / 15

HEX #D6DA5C

RGB 214 218 92

HSL 61.9, 0.63%, 0.61%

LAB 84.59, -17.6, 60.07

 

CMYK 17 / 0 / 58 / 15

HEX #B4DA5C

RGB 180 218 92

HSL 78.1, 0.63%, 0.61%

LAB 82.17, -31.09, 56.7

 

CMYK 0 / 18 / 77 / 27

HEX #BA992A

RGB 186 153 42

HSL 46.25, 0.63%, 0.45%

LAB 64.47, 1.18, 58.84

 

CMYK 0 / 17 / 72 / 18

HEX #D2AF3B

RGB 210 175 59

HSL 46.09, 0.63%, 0.53%

LAB 72.68, 0.7, 61.15

 

CMYK 0 / 13 / 58 / 15

HEX #DABD5C

RGB 218 189 92

HSL 46.19, 0.63%, 0.61%

LAB 77.32, -1.23, 51.98

 

CMYK 0 / 10 / 44 / 12

HEX #E1CA7E

RGB 225 202 126

HSL 46.06, 0.62%, 0.69%

LAB 81.7, -2.13, 40.78

 

CMYK 0 / 7 / 31 / 9

HEX #E9D8A0

RGB 233 216 160

HSL 46.03, 0.62%, 0.77%

LAB 86.49, -2.38, 29.78

 

CMYK 0 / 13 / 58 / 15

HEX #DABD5C

RGB 218 189 92

HSL 46.19, 0.63%, 0.61%

LAB 77.32, -1.23, 51.98

 

CMYK 56 / 0 / 58 / 15

HEX #61DA5C

RGB 97 218 92

HSL 117.62, 0.63%, 0.61%

LAB 78.14, -58.2, 51.03

 

CMYK 37 / 58 / 0 / 15

HEX #8A5CDA

RGB 138 92 218

HSL 261.9, 0.63%, 0.61%

LAB 49.64, 45.6, -58.12

 

CMYK 0 / 13 / 58 / 15

HEX #DABD5C

RGB 218 189 92

HSL 46.19, 0.63%, 0.61%

LAB 77.32, -1.23, 51.98

 

CMYK 58 / 0 / 14 / 15

HEX #5CDABC

RGB 92 218 188

HSL 165.71, 0.63%, 0.61%

LAB 79.64, -42.1, 4.31

 

CMYK 14 / 58 / 0 / 15

HEX #BC5CDA

RGB 188 92 218

HSL 285.71, 0.63%, 0.61%

LAB 55.49, 57.66, -48.44

 

CMYK 0 / 13 / 58 / 15

HEX #DABD5C

RGB 218 189 92

HSL 46.19, 0.63%, 0.61%

LAB 77.32, -1.23, 51.98

 

CMYK 56 / 0 / 58 / 15

HEX #61DA5C

RGB 97 218 92

HSL 117.62, 0.63%, 0.61%

LAB 78.14, -58.2, 51.03

 

CMYK 58 / 44 / 0 / 15

HEX #5C7ADA

RGB 92 122 218

HSL 225.71, 0.63%, 0.61%

LAB 53.23, 17.75, -52.57

 

CMYK 2 / 58 / 0 / 15

HEX #D65CDA

RGB 214 92 218

HSL 298.1, 0.63%, 0.61%

LAB 58.99, 64.2, -42.68

 

CMYK 0 / 13 / 58 / 15

HEX #DABD5C

RGB 218 189 92

HSL 46.19, 0.63%, 0.61%

LAB 77.32, -1.23, 51.98

 

CMYK 58 / 0 / 42 / 15

HEX #5CDA7E

RGB 92 218 126

HSL 136.19, 0.63%, 0.61%

LAB 78.42, -54.66, 35.01

 

CMYK 58 / 44 / 0 / 15

HEX #5C7ADA

RGB 92 122 218

HSL 225.71, 0.63%, 0.61%

LAB 53.23, 17.75, -52.57

 

CMYK 0 / 58 / 16 / 15

HEX #DA5CB8

RGB 218 92 184

HSL 316.19, 0.63%, 0.61%

LAB 58.06, 59.78, -24.73

 

Description

Color code: HEX #DABD5C | qconv.com Color code: HEX #DABD5C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 189 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 189 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 58 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 58% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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