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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DAC69F it is the complementary color #253960. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DAC69F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DAC69F shade: #DFC69A, #F0D8AD, #FFEAC0, #FFFCD3 and #FFFFE6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DAC69F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DAC69F shade: #DAC69F, #C9B48C, #B8A279, #A79066 and #967E53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DAC69F shade: #D9C69F, #D9B69F, #D9A69F and #D99F9F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DAC69F shade: #D9C69F, #D9D59F, #CED99F, #BED99F and #AED99F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DAC69F shade matches the following richer shades: #D9C69F, #E4C994, #EFCD8A and #FAD07F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DAC69F shade: #D9C69F, #CFC2AA, #C4BFB4, #B9BBBF and #AEB8CA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DAC69F shade: #D9A69F, #D9B59F, #D9C59F, #D9D59F and #CFD99F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DAC69F shade: #C2A264, #CEB481, #D9C69F, #E5D7BD and #F0E9DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DAC69F shade: #DAC69F, #A8D99F and #AE9FD9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DAC69F shade: #DAC69F, #9FD9C5 and #C59FD9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DAC69F shade: #DAC69F, #A8D99F, #9FB3D9 and #D19FD9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DAC69F shade: #DAC69F, #9FD9A8, #9FB3D9 and #D99FD1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 27 / 15

HEX #DAC69F

RGB 218 198 159

HSL 39.66, 0.44%, 0.74%

LAB 80.63, 1.09, 22.13

 

Complementary color

CMYK 61 / 41 / 0 / 62

HEX #253960

RGB 37 57 96

HSL 219.66, 0.44%, 0.26%

LAB 24.21, 5.37, -25.6

 

CMYK 0 / 11 / 31 / 13

HEX #DFC69A

RGB 223 198 154

HSL 38.26, 0.52%, 0.74%

LAB 80.97, 2.35, 25.3

 

CMYK 0 / 10 / 28 / 6

HEX #F0D8AD

RGB 240 216 173

HSL 38.51, 0.69%, 0.81%

LAB 87.32, 1.94, 24.26

 

CMYK 0 / 8 / 25 / 0

HEX #FFEAC0

RGB 255 234 192

HSL 40, 1%, 0.88%

LAB 93.41, 0.83, 23.01

 

CMYK 0 / 1 / 17 / 0

HEX #FFFCD3

RGB 255 252 211

HSL 55.91, 1%, 0.91%

LAB 98.27, -5.56, 20.03

 

CMYK 0 / 0 / 10 / 0

HEX #FFFFE6

RGB 255 255 230

HSL 60, 1%, 0.95%

LAB 99.41, -4.17, 11.95

 

CMYK 0 / 9 / 27 / 15

HEX #DAC69F

RGB 218 198 159

HSL 39.66, 0.44%, 0.74%

LAB 80.63, 1.09, 22.13

 

CMYK 0 / 10 / 30 / 21

HEX #C9B48C

RGB 201 180 140

HSL 39.34, 0.36%, 0.67%

LAB 74.16, 1.49, 23.18

 

CMYK 0 / 12 / 34 / 28

HEX #B8A279

RGB 184 162 121

HSL 39.05, 0.31%, 0.6%

LAB 67.58, 1.95, 24.3

 

CMYK 0 / 14 / 39 / 35

HEX #A79066

RGB 167 144 102

HSL 38.77, 0.27%, 0.53%

LAB 60.89, 2.49, 25.51

 

CMYK 0 / 16 / 45 / 41

HEX #967E53

RGB 150 126 83

HSL 38.51, 0.29%, 0.46%

LAB 54.06, 3.14, 26.81

 

CMYK 0 / 9 / 27 / 15

HEX #D9C69F

RGB 217 198 159

HSL 40.34, 0.43%, 0.74%

LAB 80.54, 0.71, 22

 

CMYK 0 / 16 / 27 / 15

HEX #D9B69F

RGB 217 182 159

HSL 23.79, 0.43%, 0.74%

LAB 76.5, 9.17, 16.41

 

CMYK 0 / 24 / 27 / 15

HEX #D9A69F

RGB 217 166 159

HSL 7.24, 0.43%, 0.74%

LAB 72.58, 17.77, 10.88

 

CMYK 0 / 27 / 27 / 15

HEX #D99F9F

RGB 217 159 159

HSL 0, 0.43%, 0.74%

LAB 70.91, 21.55, 8.5

 

CMYK 0 / 9 / 27 / 15

HEX #D9C69F

RGB 217 198 159

HSL 40.34, 0.43%, 0.74%

LAB 80.54, 0.71, 22

 

CMYK 0 / 2 / 27 / 15

HEX #D9D59F

RGB 217 213 159

HSL 55.86, 0.43%, 0.74%

LAB 84.4, -7.05, 27.26

 

CMYK 5 / 0 / 27 / 15

HEX #CED99F

RGB 206 217 159

HSL 71.38, 0.43%, 0.74%

LAB 84.61, -13.2, 27.4

 

CMYK 12 / 0 / 27 / 15

HEX #BED99F

RGB 190 217 159

HSL 87.93, 0.43%, 0.74%

LAB 83.48, -19.06, 25.68

 

CMYK 20 / 0 / 27 / 15

HEX #AED99F

RGB 174 217 159

HSL 104.48, 0.43%, 0.74%

LAB 82.45, -24.72, 24.1

 

CMYK 0 / 9 / 27 / 15

HEX #D9C69F

RGB 217 198 159

HSL 40.34, 0.43%, 0.74%

LAB 80.54, 0.71, 22

 

CMYK 0 / 12 / 35 / 11

HEX #E4C994

RGB 228 201 148

HSL 39.75, 0.6%, 0.74%

LAB 82.06, 1.99, 30

 

CMYK 0 / 14 / 42 / 6

HEX #EFCD8A

RGB 239 205 138

HSL 39.8, 0.76%, 0.74%

LAB 83.89, 3.12, 37.74

 

CMYK 0 / 17 / 49 / 2

HEX #FAD07F

RGB 250 208 127

HSL 39.51, 0.92%, 0.74%

LAB 85.49, 4.89, 45.51

 

CMYK 0 / 9 / 27 / 15

HEX #D9C69F

RGB 217 198 159

HSL 40.34, 0.43%, 0.74%

LAB 80.54, 0.71, 22

 

CMYK 0 / 6 / 18 / 19

HEX #CFC2AA

RGB 207 194 170

HSL 38.92, 0.28%, 0.74%

LAB 78.9, 0.63, 13.72

 

CMYK 0 / 3 / 8 / 23

HEX #C4BFB4

RGB 196 191 180

HSL 41.25, 0.12%, 0.74%

LAB 77.46, -0.19, 6.16

 

CMYK 3 / 2 / 0 / 25

HEX #B9BBBF

RGB 185 187 191

HSL 220, 0.04%, 0.74%

LAB 75.83, 0.06, -2.27

 

CMYK 14 / 9 / 0 / 21

HEX #AEB8CA

RGB 174 184 202

HSL 218.57, 0.21%, 0.74%

LAB 74.54, 0.19, -10.27

 

CMYK 0 / 24 / 27 / 15

HEX #D9A69F

RGB 217 166 159

HSL 7.24, 0.43%, 0.74%

LAB 72.58, 17.77, 10.88

 

CMYK 0 / 17 / 27 / 15

HEX #D9B59F

RGB 217 181 159

HSL 22.76, 0.43%, 0.74%

LAB 76.25, 9.7, 16.06

 

CMYK 0 / 9 / 27 / 15

HEX #D9C59F

RGB 217 197 159

HSL 39.31, 0.43%, 0.74%

LAB 80.28, 1.23, 21.65

 

CMYK 0 / 2 / 27 / 15

HEX #D9D59F

RGB 217 213 159

HSL 55.86, 0.43%, 0.74%

LAB 84.4, -7.05, 27.26

 

CMYK 5 / 0 / 27 / 15

HEX #CFD99F

RGB 207 217 159

HSL 70.34, 0.43%, 0.74%

LAB 84.69, -12.83, 27.51

 

CMYK 0 / 16 / 48 / 24

HEX #C2A264

RGB 194 162 100

HSL 39.57, 0.44%, 0.58%

LAB 68.19, 3.73, 36.5

HEX #C2A264

CMYK 0 / 13 / 37 / 19

HEX #CEB481

RGB 206 180 129

HSL 39.74, 0.44%, 0.66%

LAB 74.41, 2.1, 29.47

HEX #CEB481

CMYK 0 / 9 / 27 / 15

HEX #D9C69F

RGB 217 198 159

HSL 40.34, 0.43%, 0.74%

LAB 80.54, 0.71, 22

HEX #D9C69F

CMYK 0 / 6 / 17 / 10

HEX #E5D7BD

RGB 229 215 189

HSL 39, 0.43%, 0.82%

LAB 86.47, 0.63, 14.57

HEX #E5D7BD

CMYK 0 / 3 / 9 / 6

HEX #F0E9DA

RGB 240 233 218

HSL 40.91, 0.42%, 0.9%

LAB 92.52, -0.16, 8.11

HEX #F0E9DA

CMYK 0 / 9 / 27 / 15

HEX #DAC69F

RGB 218 198 159

HSL 39.66, 0.44%, 0.74%

LAB 80.63, 1.09, 22.13

 

CMYK 23 / 0 / 27 / 15

HEX #A8D99F

RGB 168 217 159

HSL 110.69, 0.43%, 0.74%

LAB 82.08, -26.77, 23.54

 

CMYK 20 / 27 / 0 / 15

HEX #AE9FD9

RGB 174 159 217

HSL 255.52, 0.43%, 0.74%

LAB 68.61, 17.28, -27.47

 

CMYK 0 / 9 / 27 / 15

HEX #DAC69F

RGB 218 198 159

HSL 39.66, 0.44%, 0.74%

LAB 80.63, 1.09, 22.13

 

CMYK 27 / 0 / 9 / 15

HEX #9FD9C5

RGB 159 217 197

HSL 159.31, 0.43%, 0.74%

LAB 82.39, -22.68, 3.86

 

CMYK 9 / 27 / 0 / 15

HEX #C59FD9

RGB 197 159 217

HSL 279.31, 0.43%, 0.74%

LAB 70.65, 24.55, -24.17

 

CMYK 0 / 9 / 27 / 15

HEX #DAC69F

RGB 218 198 159

HSL 39.66, 0.44%, 0.74%

LAB 80.63, 1.09, 22.13

 

CMYK 23 / 0 / 27 / 15

HEX #A8D99F

RGB 168 217 159

HSL 110.69, 0.43%, 0.74%

LAB 82.08, -26.77, 23.54

 

CMYK 27 / 18 / 0 / 15

HEX #9FB3D9

RGB 159 179 217

HSL 219.31, 0.43%, 0.74%

LAB 72.64, 1.59, -21.41

 

CMYK 4 / 27 / 0 / 15

HEX #D19FD9

RGB 209 159 217

HSL 291.72, 0.43%, 0.74%

LAB 71.8, 28.43, -22.31

 

CMYK 0 / 9 / 27 / 15

HEX #DAC69F

RGB 218 198 159

HSL 39.66, 0.44%, 0.74%

LAB 80.63, 1.09, 22.13

 

CMYK 27 / 0 / 23 / 15

HEX #9FD9A8

RGB 159 217 168

HSL 129.31, 0.43%, 0.74%

LAB 81.74, -28.23, 18.28

 

CMYK 27 / 18 / 0 / 15

HEX #9FB3D9

RGB 159 179 217

HSL 219.31, 0.43%, 0.74%

LAB 72.64, 1.59, -21.41

 

CMYK 0 / 27 / 4 / 15

HEX #D99FD1

RGB 217 159 209

HSL 308.28, 0.43%, 0.74%

LAB 72.33, 29.57, -17.03

 

Description

Color code: HEX #DAC69F | qconv.com Color code: HEX #DAC69F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 198 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 198 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 27 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 27% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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