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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DAC972 it is the complementary color #25368D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DAC972. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DAC972 shade: #DFC96D, #F0DB80, #FFED93, #FFFFA6 and #FFFFB9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DAC972. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DAC972 shade: #DAC972, #C9B75F, #B8A54C, #A79339 and #968126

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DAC972 shade: #D9C871, #D9AC71, #D99071, #D97471 and #D97171

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DAC972 shade: #D9C871, #CED971, #B2D971, #96D971 and #7AD971

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DAC972 shade matches the following richer shades: #D9C871, #E7D263 and #F6DC55

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DAC972 shade: #D9C871, #CBBE80, #BCB58E, #AEAB9D and #9FA1AB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DAC972 shade: #D99171, #D9AC71, #D9C871, #CFD971 and #B3D971

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DAC972 shade: #C4AD34, #D0BC51, #D9C871, #E2D592 and #EAE1B3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DAC972 shade: #DAC972, #71D975 and #9E71D9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DAC972 shade: #DAC972, #71D9C8 and #C871D9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DAC972 shade: #DAC972, #71D975, #7183D9 and #D971D6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DAC972 shade: #DAC972, #71D994, #7183D9 and #D971B7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 48 / 15

HEX #DAC972

RGB 218 201 114

HSL 50.19, 0.58%, 0.65%

LAB 80.68, -5.6, 45.36

 

Complementary color

CMYK 74 / 62 / 0 / 45

HEX #25368D

RGB 37 54 141

HSL 230.19, 0.58%, 0.35%

LAB 26.61, 24.83, -50.29

 

CMYK 0 / 10 / 51 / 13

HEX #DFC96D

RGB 223 201 109

HSL 48.42, 0.64%, 0.65%

LAB 81.05, -4.01, 48.35

 

CMYK 0 / 9 / 47 / 6

HEX #F0DB80

RGB 240 219 128

HSL 48.75, 0.79%, 0.72%

LAB 87.36, -4.64, 47.14

 

CMYK 0 / 7 / 42 / 0

HEX #FFED93

RGB 255 237 147

HSL 50, 1%, 0.79%

LAB 93.42, -5.96, 45.71

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA6

RGB 255 255 166

HSL 60, 1%, 0.83%

LAB 98.25, -12.84, 42.58

 

CMYK 0 / 0 / 27 / 0

HEX #FFFFB9

RGB 255 255 185

HSL 60, 1%, 0.86%

LAB 98.54, -10.58, 33.56

 

CMYK 0 / 8 / 48 / 15

HEX #DAC972

RGB 218 201 114

HSL 50.19, 0.58%, 0.65%

LAB 80.68, -5.6, 45.36

 

CMYK 0 / 9 / 53 / 21

HEX #C9B75F

RGB 201 183 95

HSL 49.81, 0.5%, 0.58%

LAB 74.26, -4.96, 46.57

 

CMYK 0 / 10 / 59 / 28

HEX #B8A54C

RGB 184 165 76

HSL 49.44, 0.43%, 0.51%

LAB 67.74, -4.19, 47.75

 

CMYK 0 / 12 / 66 / 35

HEX #A79339

RGB 167 147 57

HSL 49.09, 0.49%, 0.44%

LAB 61.11, -3.26, 48.8

 

CMYK 0 / 14 / 75 / 41

HEX #968126

RGB 150 129 38

HSL 48.75, 0.6%, 0.37%

LAB 54.37, -2.12, 49.48

 

CMYK 0 / 8 / 48 / 15

HEX #D9C871

RGB 217 200 113

HSL 50.19, 0.58%, 0.65%

LAB 80.32, -5.58, 45.39

 

CMYK 0 / 21 / 48 / 15

HEX #D9AC71

RGB 217 172 113

HSL 34.04, 0.58%, 0.65%

LAB 73.19, 9.13, 36.5

 

CMYK 0 / 34 / 48 / 15

HEX #D99071

RGB 217 144 113

HSL 17.88, 0.58%, 0.65%

LAB 66.44, 24.2, 27.76

 

CMYK 0 / 47 / 48 / 15

HEX #D97471

RGB 217 116 113

HSL 1.73, 0.58%, 0.65%

LAB 60.28, 39.04, 19.53

 

CMYK 0 / 48 / 48 / 15

HEX #D97171

RGB 217 113 113

HSL 0, 0.58%, 0.65%

LAB 59.67, 40.58, 18.69

 

CMYK 0 / 8 / 48 / 15

HEX #D9C871

RGB 217 200 113

HSL 50.19, 0.58%, 0.65%

LAB 80.32, -5.58, 45.39

 

CMYK 5 / 0 / 48 / 15

HEX #CED971

RGB 206 217 113

HSL 66.35, 0.58%, 0.65%

LAB 83.93, -18.57, 49.58

 

CMYK 18 / 0 / 48 / 15

HEX #B2D971

RGB 178 217 113

HSL 82.5, 0.58%, 0.65%

LAB 81.99, -29.38, 46.77

 

CMYK 31 / 0 / 48 / 15

HEX #96D971

RGB 150 217 113

HSL 98.65, 0.58%, 0.65%

LAB 80.35, -39.45, 44.38

 

CMYK 44 / 0 / 48 / 15

HEX #7AD971

RGB 122 217 113

HSL 114.81, 0.58%, 0.65%

LAB 79.02, -48.39, 42.44

 

CMYK 0 / 8 / 48 / 15

HEX #D9C871

RGB 217 200 113

HSL 50.19, 0.58%, 0.65%

LAB 80.32, -5.58, 45.39

 

CMYK 0 / 9 / 57 / 9

HEX #E7D263

RGB 231 210 99

HSL 50.45, 0.73%, 0.65%

LAB 83.96, -6.13, 56.63

 

CMYK 0 / 11 / 65 / 4

HEX #F6DC55

RGB 246 220 85

HSL 50.31, 0.9%, 0.65%

LAB 87.7, -5.91, 67.13

 

CMYK 0 / 8 / 48 / 15

HEX #D9C871

RGB 217 200 113

HSL 50.19, 0.58%, 0.65%

LAB 80.32, -5.58, 45.39

 

CMYK 0 / 6 / 37 / 20

HEX #CBBE80

RGB 203 190 128

HSL 49.6, 0.42%, 0.65%

LAB 76.73, -4.48, 32.99

 

CMYK 0 / 4 / 24 / 26

HEX #BCB58E

RGB 188 181 142

HSL 50.87, 0.26%, 0.65%

LAB 73.35, -3.83, 20.81

 

CMYK 0 / 2 / 10 / 32

HEX #AEAB9D

RGB 174 171 157

HSL 49.41, 0.09%, 0.65%

LAB 69.87, -1.43, 7.58

 

CMYK 7 / 6 / 0 / 33

HEX #9FA1AB

RGB 159 161 171

HSL 230, 0.07%, 0.65%

LAB 66.37, 1.27, -5.43

 

CMYK 0 / 33 / 48 / 15

HEX #D99171

RGB 217 145 113

HSL 18.46, 0.58%, 0.65%

LAB 66.67, 23.66, 28.07

 

CMYK 0 / 21 / 48 / 15

HEX #D9AC71

RGB 217 172 113

HSL 34.04, 0.58%, 0.65%

LAB 73.19, 9.13, 36.5

 

CMYK 0 / 8 / 48 / 15

HEX #D9C871

RGB 217 200 113

HSL 50.19, 0.58%, 0.65%

LAB 80.32, -5.58, 45.39

 

CMYK 5 / 0 / 48 / 15

HEX #CFD971

RGB 207 217 113

HSL 65.77, 0.58%, 0.65%

LAB 84.01, -18.17, 49.68

 

CMYK 18 / 0 / 48 / 15

HEX #B3D971

RGB 179 217 113

HSL 81.92, 0.58%, 0.65%

LAB 82.06, -29, 46.86

 

CMYK 0 / 12 / 73 / 23

HEX #C4AD34

RGB 196 173 52

HSL 50.42, 0.58%, 0.49%

LAB 70.78, -4.66, 61.51

 

CMYK 0 / 10 / 61 / 18

HEX #D0BC51

RGB 208 188 81

HSL 50.55, 0.57%, 0.57%

LAB 76.05, -5.69, 55.34

 

CMYK 0 / 8 / 48 / 15

HEX #D9C871

RGB 217 200 113

HSL 50.19, 0.58%, 0.65%

LAB 80.32, -5.58, 45.39

 

CMYK 0 / 6 / 35 / 11

HEX #E2D592

RGB 226 213 146

HSL 50.25, 0.58%, 0.73%

LAB 84.91, -5.22, 34.77

 

CMYK 0 / 4 / 24 / 8

HEX #EAE1B3

RGB 234 225 179

HSL 50.18, 0.57%, 0.81%

LAB 89.2, -4.11, 23.66

 

CMYK 0 / 8 / 48 / 15

HEX #DAC972

RGB 218 201 114

HSL 50.19, 0.58%, 0.65%

LAB 80.68, -5.6, 45.36

 

CMYK 48 / 0 / 46 / 15

HEX #71D975

RGB 113 217 117

HSL 122.31, 0.58%, 0.65%

LAB 78.71, -50.4, 40.01

 

CMYK 27 / 48 / 0 / 15

HEX #9E71D9

RGB 158 113 217

HSL 265.96, 0.58%, 0.65%

LAB 56.18, 38.64, -47

 

CMYK 0 / 8 / 48 / 15

HEX #DAC972

RGB 218 201 114

HSL 50.19, 0.58%, 0.65%

LAB 80.68, -5.6, 45.36

 

CMYK 48 / 0 / 8 / 15

HEX #71D9C8

RGB 113 217 200

HSL 170.19, 0.58%, 0.65%

LAB 80.35, -34.33, -0.96

 

CMYK 8 / 48 / 0 / 15

HEX #C871D9

RGB 200 113 217

HSL 290.19, 0.58%, 0.65%

LAB 60.87, 50.26, -39.28

 

CMYK 0 / 8 / 48 / 15

HEX #DAC972

RGB 218 201 114

HSL 50.19, 0.58%, 0.65%

LAB 80.68, -5.6, 45.36

 

CMYK 48 / 0 / 46 / 15

HEX #71D975

RGB 113 217 117

HSL 122.31, 0.58%, 0.65%

LAB 78.71, -50.4, 40.01

 

CMYK 48 / 40 / 0 / 15

HEX #7183D9

RGB 113 131 217

HSL 229.62, 0.58%, 0.65%

LAB 56.83, 16.56, -46.19

 

CMYK 0 / 48 / 1 / 15

HEX #D971D6

RGB 217 113 214

HSL 301.73, 0.58%, 0.65%

LAB 62.86, 54.52, -34.34

 

CMYK 0 / 8 / 48 / 15

HEX #DAC972

RGB 218 201 114

HSL 50.19, 0.58%, 0.65%

LAB 80.68, -5.6, 45.36

 

CMYK 48 / 0 / 32 / 15

HEX #71D994

RGB 113 217 148

HSL 140.19, 0.58%, 0.65%

LAB 79.2, -45.36, 24.9

 

CMYK 48 / 40 / 0 / 15

HEX #7183D9

RGB 113 131 217

HSL 229.62, 0.58%, 0.65%

LAB 56.83, 16.56, -46.19

 

CMYK 0 / 48 / 16 / 15

HEX #D971B7

RGB 217 113 183

HSL 319.62, 0.58%, 0.65%

LAB 61.64, 49.39, -18.69

 

Description

Color code: HEX #DAC972 | qconv.com Color code: HEX #DAC972 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 201 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 201 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 48 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 48% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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