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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DAC062 it is the complementary color #253F9D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DAC062. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DAC062 shade: #DFC05D, #F0D270, #FFE483, #FFF696 and #FFFFA9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DAC062. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DAC062 shade: #DAC062, #C9AE4F, #B89C3C, #A78A29 and #967816

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DAC062 shade: #DAC062, #DA9F62, #DA7F62 and #DA6262

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DAC062 shade: #DAC062, #D3DA62, #B3DA62, #93DA62 and #72DA62

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DAC062 shade matches the following richer shades: #DAC062, #E9C952 and #F9D142

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DAC062 shade: #DAC062, #CAB771, #BAAE81, #ABA591 and #9B9CA0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DAC062 shade: #DA8062, #DAA062, #DAC062, #D4DA62 and #B4DA62

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DAC062 shade: #BD9D2C, #D2B240, #DAC062, #E2CD83 and #E9DAA4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DAC062 shade: #DAC062, #64DA62 and #9062DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DAC062 shade: #DAC062, #62DAC0 and #C062DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DAC062 shade: #DAC062, #64DA62, #627CDA and #D862DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DAC062 shade: #DAC062, #62DA84, #627CDA and #DA62B8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 55 / 15

HEX #DAC062

RGB 218 192 98

HSL 47, 0.62%, 0.62%

LAB 78.16, -2.33, 50.11

 

Complementary color

CMYK 76 / 60 / 0 / 38

HEX #253F9D

RGB 37 63 157

HSL 227, 0.62%, 0.38%

LAB 30.36, 24.88, -53.97

 

CMYK 0 / 14 / 58 / 13

HEX #DFC05D

RGB 223 192 93

HSL 45.69, 0.67%, 0.62%

LAB 78.57, -0.63, 53.05

 

CMYK 0 / 13 / 53 / 6

HEX #F0D270

RGB 240 210 112

HSL 45.94, 0.81%, 0.69%

LAB 84.89, -1.45, 51.86

 

CMYK 0 / 11 / 49 / 0

HEX #FFE483

RGB 255 228 131

HSL 46.94, 1%, 0.76%

LAB 90.96, -2.95, 50.4

 

CMYK 0 / 4 / 41 / 0

HEX #FFF696

RGB 255 246 150

HSL 54.86, 1%, 0.79%

LAB 95.74, -10.13, 47.17

 

CMYK 0 / 0 / 34 / 0

HEX #FFFFA9

RGB 255 255 169

HSL 60, 1%, 0.83%

LAB 98.29, -12.5, 41.16

 

CMYK 0 / 12 / 55 / 15

HEX #DAC062

RGB 218 192 98

HSL 47, 0.62%, 0.62%

LAB 78.16, -2.33, 50.11

 

CMYK 0 / 13 / 61 / 21

HEX #C9AE4F

RGB 201 174 79

HSL 46.72, 0.53%, 0.55%

LAB 71.73, -1.47, 51.27

 

CMYK 0 / 15 / 67 / 28

HEX #B89C3C

RGB 184 156 60

HSL 46.45, 0.51%, 0.48%

LAB 65.19, -0.44, 52.28

 

CMYK 0 / 17 / 75 / 35

HEX #A78A29

RGB 167 138 41

HSL 46.19, 0.61%, 0.41%

LAB 58.56, 0.79, 52.94

 

CMYK 0 / 20 / 85 / 41

HEX #967816

RGB 150 120 22

HSL 45.94, 0.74%, 0.34%

LAB 51.81, 2.31, 52.78

 

CMYK 0 / 12 / 55 / 15

HEX #DAC062

RGB 218 192 98

HSL 47, 0.62%, 0.62%

LAB 78.16, -2.33, 50.11

 

CMYK 0 / 27 / 55 / 15

HEX #DA9F62

RGB 218 159 98

HSL 30.5, 0.62%, 0.62%

LAB 69.88, 15.18, 40.18

 

CMYK 0 / 42 / 55 / 15

HEX #DA7F62

RGB 218 127 98

HSL 14.5, 0.62%, 0.62%

LAB 62.48, 32.34, 30.9

 

CMYK 0 / 55 / 55 / 15

HEX #DA6262

RGB 218 98 98

HSL 0, 0.62%, 0.62%

LAB 56.61, 47.07, 23.24

 

CMYK 0 / 12 / 55 / 15

HEX #DAC062

RGB 218 192 98

HSL 47, 0.62%, 0.62%

LAB 78.16, -2.33, 50.11

 

CMYK 3 / 0 / 55 / 15

HEX #D3DA62

RGB 211 218 98

HSL 63.5, 0.62%, 0.62%

LAB 84.42, -18.37, 57.17

 

CMYK 18 / 0 / 55 / 15

HEX #B3DA62

RGB 179 218 98

HSL 79.5, 0.62%, 0.62%

LAB 82.17, -30.95, 54

 

CMYK 33 / 0 / 55 / 15

HEX #93DA62

RGB 147 218 98

HSL 95.5, 0.62%, 0.62%

LAB 80.31, -42.6, 51.36

 

CMYK 48 / 0 / 55 / 15

HEX #72DA62

RGB 114 218 98

HSL 112, 0.62%, 0.62%

LAB 78.81, -52.99, 49.23

 

CMYK 0 / 12 / 55 / 15

HEX #DAC062

RGB 218 192 98

HSL 47, 0.62%, 0.62%

LAB 78.16, -2.33, 50.11

 

CMYK 0 / 14 / 65 / 9

HEX #E9C952

RGB 233 201 82

HSL 47.28, 0.77%, 0.62%

LAB 81.68, -1.83, 61.66

 

CMYK 0 / 16 / 73 / 2

HEX #F9D142

RGB 249 209 66

HSL 46.89, 0.94%, 0.62%

LAB 85.06, -0.02, 71.87

 

CMYK 0 / 12 / 55 / 15

HEX #DAC062

RGB 218 192 98

HSL 47, 0.62%, 0.62%

LAB 78.16, -2.33, 50.11

 

CMYK 0 / 9 / 44 / 21

HEX #CAB771

RGB 202 183 113

HSL 47.19, 0.46%, 0.62%

LAB 74.58, -2.86, 37.97

 

CMYK 0 / 6 / 31 / 27

HEX #BAAE81

RGB 186 174 129

HSL 47.37, 0.29%, 0.62%

LAB 71.07, -2.67, 24.7

 

CMYK 0 / 4 / 15 / 33

HEX #ABA591

RGB 171 165 145

HSL 46.15, 0.13%, 0.62%

LAB 67.73, -1.31, 11.14

 

CMYK 3 / 2 / 0 / 37

HEX #9B9CA0

RGB 155 156 160

HSL 228, 0.03%, 0.62%

LAB 64.39, 0.42, -2.22

 

CMYK 0 / 41 / 55 / 15

HEX #DA8062

RGB 218 128 98

HSL 15, 0.62%, 0.62%

LAB 62.7, 31.81, 31.18

 

CMYK 0 / 27 / 55 / 15

HEX #DAA062

RGB 218 160 98

HSL 31, 0.62%, 0.62%

LAB 70.13, 14.64, 40.48

 

CMYK 0 / 12 / 55 / 15

HEX #DAC062

RGB 218 192 98

HSL 47, 0.62%, 0.62%

LAB 78.16, -2.33, 50.11

 

CMYK 3 / 0 / 55 / 15

HEX #D4DA62

RGB 212 218 98

HSL 63, 0.62%, 0.62%

LAB 84.49, -17.96, 57.28

 

CMYK 17 / 0 / 55 / 15

HEX #B4DA62

RGB 180 218 98

HSL 79, 0.62%, 0.62%

LAB 82.23, -30.57, 54.09

 

CMYK 0 / 17 / 77 / 26

HEX #BD9D2C

RGB 189 157 44

HSL 46.76, 0.62%, 0.46%

LAB 65.84, 0.43, 59.5

 

CMYK 0 / 15 / 70 / 18

HEX #D2B240

RGB 210 178 64

HSL 46.85, 0.62%, 0.54%

LAB 73.49, -0.63, 59.96

 

CMYK 0 / 12 / 55 / 15

HEX #DAC062

RGB 218 192 98

HSL 47, 0.62%, 0.62%

LAB 78.16, -2.33, 50.11

 

CMYK 0 / 9 / 42 / 11

HEX #E2CD83

RGB 226 205 131

HSL 46.74, 0.62%, 0.7%

LAB 82.63, -2.77, 39.45

 

CMYK 0 / 6 / 30 / 9

HEX #E9DAA4

RGB 233 218 164

HSL 46.96, 0.61%, 0.78%

LAB 87.07, -2.9, 28.49

 

CMYK 0 / 12 / 55 / 15

HEX #DAC062

RGB 218 192 98

HSL 47, 0.62%, 0.62%

LAB 78.16, -2.33, 50.11

 

CMYK 54 / 0 / 55 / 15

HEX #64DA62

RGB 100 218 98

HSL 119, 0.62%, 0.62%

LAB 78.31, -56.74, 48.51

 

CMYK 34 / 55 / 0 / 15

HEX #9062DA

RGB 144 98 218

HSL 263, 0.62%, 0.62%

LAB 51.53, 43.69, -55.06

 

CMYK 0 / 12 / 55 / 15

HEX #DAC062

RGB 218 192 98

HSL 47, 0.62%, 0.62%

LAB 78.16, -2.33, 50.11

 

CMYK 55 / 0 / 12 / 15

HEX #62DAC0

RGB 98 218 192

HSL 167, 0.62%, 0.62%

LAB 79.92, -39.95, 2.61

 

CMYK 12 / 55 / 0 / 15

HEX #C062DA

RGB 192 98 218

HSL 287, 0.62%, 0.62%

LAB 57.08, 55.79, -45.88

 

CMYK 0 / 12 / 55 / 15

HEX #DAC062

RGB 218 192 98

HSL 47, 0.62%, 0.62%

LAB 78.16, -2.33, 50.11

 

CMYK 54 / 0 / 55 / 15

HEX #64DA62

RGB 100 218 98

HSL 119, 0.62%, 0.62%

LAB 78.31, -56.74, 48.51

 

CMYK 55 / 43 / 0 / 15

HEX #627CDA

RGB 98 124 218

HSL 227, 0.62%, 0.62%

LAB 54.11, 17.75, -51.15

 

CMYK 1 / 55 / 0 / 15

HEX #D862DA

RGB 216 98 218

HSL 299, 0.62%, 0.62%

LAB 60.25, 62.04, -40.68

 

CMYK 0 / 12 / 55 / 15

HEX #DAC062

RGB 218 192 98

HSL 47, 0.62%, 0.62%

LAB 78.16, -2.33, 50.11

 

CMYK 55 / 0 / 39 / 15

HEX #62DA84

RGB 98 218 132

HSL 137, 0.62%, 0.62%

LAB 78.7, -52.29, 32.38

 

CMYK 55 / 43 / 0 / 15

HEX #627CDA

RGB 98 124 218

HSL 227, 0.62%, 0.62%

LAB 54.11, 17.75, -51.15

 

CMYK 0 / 55 / 16 / 15

HEX #DA62B8

RGB 218 98 184

HSL 317, 0.62%, 0.62%

LAB 59.07, 57.07, -23.18

 

Description

Color code: HEX #DAC062 | qconv.com Color code: HEX #DAC062 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 192 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 192 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 55 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 55% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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