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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DAC2C4 it is the complementary color #253D3B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DAC2C4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DAC2C4 shade: #DFC2BF, #F0D4D2, #FFE6E5 and #FFF8F8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DAC2C4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DAC2C4 shade: #DAC2C4, #C9B0B1, #B89E9E, #A78C8B and #967A78

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DAC2C4 shade: #DAC2C4 and #DAC2C2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DAC2C4 shade: #DAC2C4, #DAC2CB, #DAC2D1, #DAC2D7 and #D6C2DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DAC2C4 shade matches the following richer shades: #DAC2C4, #E2BBBE, #E9B3B7, #F1ABB1 and #F9A3AA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DAC2C4 shade: #DAC2C4, #D2CACB, #CAD2D1, #C2DAD8 and #BAE2DE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DAC2C4 shade: #DAC2D1, #DAC2CB, #DAC2C4, #DAC7C2 and #DACDC2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DAC2C4 shade: #BA8F93, #CAA9AC, #DAC2C4, #E9DCDD and #F9F6F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DAC2C4 shade: #DAC2C4, #D7DAC2 and #C2CEDA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DAC2C4 shade: #DAC2C4, #C4DAC2 and #C2C4DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DAC2C4 shade: #DAC2C4, #D7DAC2, #C2DAD8 and #C5C2DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DAC2C4 shade: #DAC2C4, #D0DAC2, #C2DAD8 and #CCC2DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 10 / 15

HEX #DAC2C4

RGB 218 194 196

HSL 355, 0.24%, 0.81%

LAB 80.45, 8.8, 2.09

 

Complementary color

CMYK 39 / 0 / 3 / 76

HEX #253D3B

RGB 37 61 59

HSL 175, 0.24%, 0.19%

LAB 23.82, -9.85, -1.74

 

CMYK 0 / 13 / 14 / 13

HEX #DFC2BF

RGB 223 194 191

HSL 5.62, 0.33%, 0.81%

LAB 80.76, 9.77, 5.28

 

CMYK 0 / 12 / 13 / 6

HEX #F0D4D2

RGB 240 212 210

HSL 4, 0.5%, 0.88%

LAB 87.13, 9.4, 4.55

 

CMYK 0 / 10 / 10 / 0

HEX #FFE6E5

RGB 255 230 229

HSL 2.31, 1%, 0.95%

LAB 93.24, 8.36, 3.58

 

CMYK 0 / 3 / 3 / 0

HEX #FFF8F8

RGB 255 248 248

HSL 0, 1%, 0.99%

LAB 98.1, 2.33, 0.82

 

CMYK 0 / 11 / 10 / 15

HEX #DAC2C4

RGB 218 194 196

HSL 355, 0.24%, 0.81%

LAB 80.45, 8.8, 2.09

 

CMYK 0 / 12 / 12 / 21

HEX #C9B0B1

RGB 201 176 177

HSL 357.6, 0.19%, 0.74%

LAB 73.96, 9.16, 2.79

 

CMYK 0 / 14 / 14 / 28

HEX #B89E9E

RGB 184 158 158

HSL 0, 0.15%, 0.67%

LAB 67.36, 9.56, 3.54

 

CMYK 0 / 16 / 17 / 35

HEX #A78C8B

RGB 167 140 139

HSL 2.14, 0.14%, 0.6%

LAB 60.64, 10.01, 4.33

 

CMYK 0 / 19 / 20 / 41

HEX #967A78

RGB 150 122 120

HSL 4, 0.13%, 0.53%

LAB 53.77, 10.51, 5.18

 

CMYK 0 / 11 / 10 / 15

HEX #DAC2C4

RGB 218 194 196

HSL 355, 0.24%, 0.81%

LAB 80.45, 8.8, 2.09

 

CMYK 0 / 11 / 11 / 15

HEX #DAC2C2

RGB 218 194 194

HSL 0, 0.24%, 0.81%

LAB 80.4, 8.46, 3.09

 

CMYK 0 / 11 / 10 / 15

HEX #DAC2C4

RGB 218 194 196

HSL 355, 0.24%, 0.81%

LAB 80.45, 8.8, 2.09

 

CMYK 0 / 11 / 7 / 15

HEX #DAC2CB

RGB 218 194 203

HSL 337.5, 0.24%, 0.81%

LAB 80.63, 9.99, -1.41

 

CMYK 0 / 11 / 4 / 15

HEX #DAC2D1

RGB 218 194 209

HSL 322.5, 0.24%, 0.81%

LAB 80.79, 11.04, -4.4

 

CMYK 0 / 11 / 1 / 15

HEX #DAC2D7

RGB 218 194 215

HSL 307.5, 0.24%, 0.81%

LAB 80.96, 12.11, -7.37

 

CMYK 2 / 11 / 0 / 15

HEX #D6C2DA

RGB 214 194 218

HSL 290, 0.24%, 0.81%

LAB 80.71, 11.31, -9.4

 

CMYK 0 / 11 / 10 / 15

HEX #DAC2C4

RGB 218 194 196

HSL 355, 0.24%, 0.81%

LAB 80.45, 8.8, 2.09

 

CMYK 0 / 17 / 16 / 11

HEX #E2BBBE

RGB 226 187 190

HSL 355.38, 0.4%, 0.81%

LAB 79.29, 14.42, 3.73

 

CMYK 0 / 23 / 21 / 9

HEX #E9B3B7

RGB 233 179 183

HSL 355.56, 0.55%, 0.81%

LAB 77.86, 20.17, 5.55

 

CMYK 0 / 29 / 27 / 5

HEX #F1ABB1

RGB 241 171 177

HSL 354.86, 0.71%, 0.81%

LAB 76.68, 26.5, 7.22

 

CMYK 0 / 35 / 32 / 2

HEX #F9A3AA

RGB 249 163 170

HSL 355.12, 0.88%, 0.81%

LAB 75.6, 32.71, 9.62

 

CMYK 0 / 11 / 10 / 15

HEX #DAC2C4

RGB 218 194 196

HSL 355, 0.24%, 0.81%

LAB 80.45, 8.8, 2.09

 

CMYK 0 / 4 / 3 / 18

HEX #D2CACB

RGB 210 202 203

HSL 352.5, 0.08%, 0.81%

LAB 81.98, 2.95, 0.48

 

CMYK 4 / 0 / 0 / 18

HEX #CAD2D1

RGB 202 210 209

HSL 172.5, 0.08%, 0.81%

LAB 83.58, -2.89, -0.46

 

CMYK 11 / 0 / 1 / 15

HEX #C2DAD8

RGB 194 218 216

HSL 175, 0.24%, 0.81%

LAB 85.29, -8.34, -1.74

 

CMYK 18 / 0 / 2 / 11

HEX #BAE2DE

RGB 186 226 222

HSL 174, 0.41%, 0.81%

LAB 87.05, -13.76, -2.38

 

CMYK 0 / 11 / 4 / 15

HEX #DAC2D1

RGB 218 194 209

HSL 322.5, 0.24%, 0.81%

LAB 80.79, 11.04, -4.4

 

CMYK 0 / 11 / 7 / 15

HEX #DAC2CB

RGB 218 194 203

HSL 337.5, 0.24%, 0.81%

LAB 80.63, 9.99, -1.41

 

CMYK 0 / 11 / 10 / 15

HEX #DAC2C4

RGB 218 194 196

HSL 355, 0.24%, 0.81%

LAB 80.45, 8.8, 2.09

 

CMYK 0 / 9 / 11 / 15

HEX #DAC7C2

RGB 218 199 194

HSL 12.5, 0.24%, 0.81%

LAB 81.65, 5.81, 4.9

 

CMYK 0 / 6 / 11 / 15

HEX #DACDC2

RGB 218 205 194

HSL 27.5, 0.24%, 0.81%

LAB 83.16, 2.65, 7.08

 

CMYK 0 / 23 / 21 / 27

HEX #BA8F93

RGB 186 143 147

HSL 354.42, 0.24%, 0.65%

LAB 63.5, 16.86, 4.16

 

CMYK 0 / 16 / 15 / 21

HEX #CAA9AC

RGB 202 169 172

HSL 354.55, 0.24%, 0.73%

LAB 72.17, 12.5, 2.95

 

CMYK 0 / 11 / 10 / 15

HEX #DAC2C4

RGB 218 194 196

HSL 355, 0.24%, 0.81%

LAB 80.45, 8.8, 2.09

 

CMYK 0 / 6 / 5 / 9

HEX #E9DCDD

RGB 233 220 221

HSL 355.38, 0.23%, 0.89%

LAB 88.79, 4.62, 1.09

 

CMYK 0 / 1 / 1 / 2

HEX #F9F6F6

RGB 249 246 246

HSL 0, 0.2%, 0.97%

LAB 97.11, 1, 0.34

 

CMYK 0 / 11 / 10 / 15

HEX #DAC2C4

RGB 218 194 196

HSL 355, 0.24%, 0.81%

LAB 80.45, 8.8, 2.09

 

CMYK 1 / 0 / 11 / 15

HEX #D7DAC2

RGB 215 218 194

HSL 67.5, 0.24%, 0.81%

LAB 86.25, -5.16, 11.46

 

CMYK 11 / 6 / 0 / 15

HEX #C2CEDA

RGB 194 206 218

HSL 210, 0.24%, 0.81%

LAB 82.2, -1.71, -7.34

 

CMYK 0 / 11 / 10 / 15

HEX #DAC2C4

RGB 218 194 196

HSL 355, 0.24%, 0.81%

LAB 80.45, 8.8, 2.09

 

CMYK 10 / 0 / 11 / 15

HEX #C4DAC2

RGB 196 218 194

HSL 115, 0.24%, 0.81%

LAB 84.88, -11.77, 9.33

 

CMYK 11 / 10 / 0 / 15

HEX #C2C4DA

RGB 194 196 218

HSL 235, 0.24%, 0.81%

LAB 79.62, 3.6, -11.19

 

CMYK 0 / 11 / 10 / 15

HEX #DAC2C4

RGB 218 194 196

HSL 355, 0.24%, 0.81%

LAB 80.45, 8.8, 2.09

 

CMYK 1 / 0 / 11 / 15

HEX #D7DAC2

RGB 215 218 194

HSL 67.5, 0.24%, 0.81%

LAB 86.25, -5.16, 11.46

 

CMYK 11 / 0 / 1 / 15

HEX #C2DAD8

RGB 194 218 216

HSL 175, 0.24%, 0.81%

LAB 85.29, -8.34, -1.74

 

CMYK 10 / 11 / 0 / 15

HEX #C5C2DA

RGB 197 194 218

HSL 247.5, 0.24%, 0.81%

LAB 79.34, 5.65, -11.58

 

CMYK 0 / 11 / 10 / 15

HEX #DAC2C4

RGB 218 194 196

HSL 355, 0.24%, 0.81%

LAB 80.45, 8.8, 2.09

 

CMYK 5 / 0 / 11 / 15

HEX #D0DAC2

RGB 208 218 194

HSL 85, 0.24%, 0.81%

LAB 85.73, -7.62, 10.65

 

CMYK 11 / 0 / 1 / 15

HEX #C2DAD8

RGB 194 218 216

HSL 175, 0.24%, 0.81%

LAB 85.29, -8.34, -1.74

 

CMYK 6 / 11 / 0 / 15

HEX #CCC2DA

RGB 204 194 218

HSL 265, 0.24%, 0.81%

LAB 79.89, 7.96, -10.7

 

Description

Color code: HEX #DAC2C4 | qconv.com Color code: HEX #DAC2C4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 194 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 194 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 10 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 10% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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