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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DAC3B5 it is the complementary color #253C4A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DAC3B5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DAC3B5 shade: #DFC3B0, #F0D5C3, #FFE7D6, #FFF9E9 and #FFFFFC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DAC3B5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DAC3B5 shade: #DAC3B5, #C9B1A2, #B89F8F, #A78D7C and #967B69

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DAC3B5 shade: #D9C2B4, #D9B8B4 and #D9B4B4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DAC3B5 shade: #D9C2B4, #D9CCB4, #D9D6B4, #D2D9B4 and #C8D9B4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DAC3B5 shade matches the following richer shades: #D9C2B4, #E2C0AB, #EBBDA2, #F4BB99 and #FDB990

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DAC3B5 shade: #D9C2B4, #D0C4BD, #C7C6C6, #BEC9CF and #B5CBD8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DAC3B5 shade: #D9B4BA, #D9B8B4, #D9C1B4, #D9CBB4 and #D9D5B4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DAC3B5 shade: #BD957D, #CBAC98, #D9C2B4, #E7D8CF and #F5EEEB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DAC3B5 shade: #DAC3B5, #C4D9B4 and #B4B5D9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DAC3B5 shade: #DAC3B5, #B4D9C1 and #C1B4D9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DAC3B5 shade: #DAC3B5, #C4D9B4, #B4CBD9 and #C9B4D9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DAC3B5 shade: #DAC3B5, #B9D9B4, #B4CBD9 and #D4B4D9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 17 / 15

HEX #DAC3B5

RGB 218 195 181

HSL 22.7, 0.33%, 0.78%

LAB 80.33, 5.85, 9.98

 

Complementary color

CMYK 50 / 19 / 0 / 71

HEX #253C4A

RGB 37 60 74

HSL 202.7, 0.33%, 0.22%

LAB 24.06, -4.54, -11.36

 

CMYK 0 / 13 / 21 / 13

HEX #DFC3B0

RGB 223 195 176

HSL 24.26, 0.42%, 0.78%

LAB 80.66, 6.94, 13.18

 

CMYK 0 / 11 / 19 / 6

HEX #F0D5C3

RGB 240 213 195

HSL 24, 0.6%, 0.85%

LAB 87.02, 6.56, 12.32

 

CMYK 0 / 9 / 16 / 0

HEX #FFE7D6

RGB 255 231 214

HSL 24.88, 1%, 0.92%

LAB 93.13, 5.5, 11.24

 

CMYK 0 / 2 / 9 / 0

HEX #FFF9E9

RGB 255 249 233

HSL 43.64, 1%, 0.96%

LAB 97.99, -0.67, 8.37

 

CMYK 0 / 0 / 1 / 0

HEX #FFFFFC

RGB 255 255 252

HSL 60, 1%, 0.99%

LAB 99.93, -0.52, 1.42

HEX #FFFFFC

CMYK 0 / 11 / 17 / 15

HEX #DAC3B5

RGB 218 195 181

HSL 22.7, 0.33%, 0.78%

LAB 80.33, 5.85, 9.98

 

CMYK 0 / 12 / 19 / 21

HEX #C9B1A2

RGB 201 177 162

HSL 23.08, 0.27%, 0.71%

LAB 73.85, 6.22, 10.83

 

CMYK 0 / 14 / 22 / 28

HEX #B89F8F

RGB 184 159 143

HSL 23.41, 0.22%, 0.64%

LAB 67.25, 6.63, 11.74

 

CMYK 0 / 16 / 26 / 35

HEX #A78D7C

RGB 167 141 124

HSL 23.72, 0.2%, 0.57%

LAB 60.53, 7.1, 12.71

 

CMYK 0 / 18 / 30 / 41

HEX #967B69

RGB 150 123 105

HSL 24, 0.18%, 0.5%

LAB 53.67, 7.65, 13.77

 

CMYK 0 / 11 / 17 / 15

HEX #D9C2B4

RGB 217 194 180

HSL 22.7, 0.33%, 0.78%

LAB 79.97, 5.86, 9.99

 

CMYK 0 / 15 / 17 / 15

HEX #D9B8B4

RGB 217 184 180

HSL 6.49, 0.33%, 0.78%

LAB 77.48, 11.18, 6.42

 

CMYK 0 / 17 / 17 / 15

HEX #D9B4B4

RGB 217 180 180

HSL 0, 0.33%, 0.78%

LAB 76.49, 13.33, 5

 

CMYK 0 / 11 / 17 / 15

HEX #D9C2B4

RGB 217 194 180

HSL 22.7, 0.33%, 0.78%

LAB 79.97, 5.86, 9.99

 

CMYK 0 / 6 / 17 / 15

HEX #D9CCB4

RGB 217 204 180

HSL 38.92, 0.33%, 0.78%

LAB 82.5, 0.6, 13.58

 

CMYK 0 / 1 / 17 / 15

HEX #D9D6B4

RGB 217 214 180

HSL 55.14, 0.33%, 0.78%

LAB 85.07, -4.59, 17.19

 

CMYK 3 / 0 / 17 / 15

HEX #D2D9B4

RGB 210 217 180

HSL 71.35, 0.33%, 0.78%

LAB 85.31, -8.66, 17.45

 

CMYK 8 / 0 / 17 / 15

HEX #C8D9B4

RGB 200 217 180

HSL 87.57, 0.33%, 0.78%

LAB 84.59, -12.24, 16.33

 

CMYK 0 / 11 / 17 / 15

HEX #D9C2B4

RGB 217 194 180

HSL 22.7, 0.33%, 0.78%

LAB 79.97, 5.86, 9.99

 

CMYK 0 / 15 / 24 / 11

HEX #E2C0AB

RGB 226 192 171

HSL 22.91, 0.49%, 0.78%

LAB 80.07, 8.93, 15.07

 

CMYK 0 / 20 / 31 / 8

HEX #EBBDA2

RGB 235 189 162

HSL 22.19, 0.65%, 0.78%

LAB 79.99, 12.72, 19.9

 

CMYK 0 / 23 / 37 / 4

HEX #F4BB99

RGB 244 187 153

HSL 22.42, 0.81%, 0.78%

LAB 80.22, 16.14, 25.15

 

CMYK 0 / 27 / 43 / 1

HEX #FDB990

RGB 253 185 144

HSL 22.57, 0.96%, 0.78%

LAB 80.51, 19.7, 30.47

 

CMYK 0 / 11 / 17 / 15

HEX #D9C2B4

RGB 217 194 180

HSL 22.7, 0.33%, 0.78%

LAB 79.97, 5.86, 9.99

 

CMYK 0 / 6 / 9 / 18

HEX #D0C4BD

RGB 208 196 189

HSL 22.11, 0.17%, 0.78%

LAB 79.93, 2.99, 5

 

CMYK 0 / 1 / 1 / 22

HEX #C7C6C6

RGB 199 198 198

HSL 0, 0.01%, 0.78%

LAB 79.96, 0.35, 0.11

 

CMYK 8 / 3 / 0 / 19

HEX #BEC9CF

RGB 190 201 207

HSL 201.18, 0.15%, 0.78%

LAB 80.31, -2.58, -4.29

 

CMYK 16 / 6 / 0 / 15

HEX #B5CBD8

RGB 181 203 216

HSL 202.29, 0.31%, 0.78%

LAB 80.46, -4.72, -8.96

 

CMYK 0 / 17 / 14 / 15

HEX #D9B4BA

RGB 217 180 186

HSL 350.27, 0.33%, 0.78%

LAB 76.64, 14.28, 1.96

 

CMYK 0 / 15 / 17 / 15

HEX #D9B8B4

RGB 217 184 180

HSL 6.49, 0.33%, 0.78%

LAB 77.48, 11.18, 6.42

 

CMYK 0 / 11 / 17 / 15

HEX #D9C1B4

RGB 217 193 180

HSL 21.08, 0.33%, 0.78%

LAB 79.72, 6.39, 9.63

 

CMYK 0 / 6 / 17 / 15

HEX #D9CBB4

RGB 217 203 180

HSL 37.3, 0.33%, 0.78%

LAB 82.25, 1.12, 13.22

 

CMYK 0 / 2 / 17 / 15

HEX #D9D5B4

RGB 217 213 180

HSL 53.51, 0.33%, 0.78%

LAB 84.81, -4.07, 16.83

 

CMYK 0 / 21 / 34 / 26

HEX #BD957D

RGB 189 149 125

HSL 22.5, 0.33%, 0.62%

LAB 64.8, 11.59, 18.4

 

CMYK 0 / 15 / 25 / 20

HEX #CBAC98

RGB 203 172 152

HSL 23.53, 0.33%, 0.7%

LAB 72.54, 8.2, 14.47

 

CMYK 0 / 11 / 17 / 15

HEX #D9C2B4

RGB 217 194 180

HSL 22.7, 0.33%, 0.78%

LAB 79.97, 5.86, 9.99

 

CMYK 0 / 6 / 10 / 9

HEX #E7D8CF

RGB 231 216 207

HSL 22.5, 0.33%, 0.86%

LAB 87.29, 3.65, 6.27

 

CMYK 0 / 3 / 4 / 4

HEX #F5EEEB

RGB 245 238 235

HSL 18, 0.33%, 0.94%

LAB 94.55, 1.83, 2.27

 

CMYK 0 / 11 / 17 / 15

HEX #DAC3B5

RGB 218 195 181

HSL 22.7, 0.33%, 0.78%

LAB 80.33, 5.85, 9.98

 

CMYK 10 / 0 / 17 / 15

HEX #C4D9B4

RGB 196 217 180

HSL 94.05, 0.33%, 0.78%

LAB 84.31, -13.65, 15.9

 

CMYK 17 / 17 / 0 / 15

HEX #B4B5D9

RGB 180 181 217

HSL 238.38, 0.33%, 0.78%

LAB 74.67, 6.98, -18.18

 

CMYK 0 / 11 / 17 / 15

HEX #DAC3B5

RGB 218 195 181

HSL 22.7, 0.33%, 0.78%

LAB 80.33, 5.85, 9.98

 

CMYK 17 / 0 / 11 / 15

HEX #B4D9C1

RGB 180 217 193

HSL 141.08, 0.33%, 0.78%

LAB 83.54, -16.82, 7.79

 

CMYK 11 / 17 / 0 / 15

HEX #C1B4D9

RGB 193 180 217

HSL 261.08, 0.33%, 0.78%

LAB 75.44, 11.71, -16.92

 

CMYK 0 / 11 / 17 / 15

HEX #DAC3B5

RGB 218 195 181

HSL 22.7, 0.33%, 0.78%

LAB 80.33, 5.85, 9.98

 

CMYK 10 / 0 / 17 / 15

HEX #C4D9B4

RGB 196 217 180

HSL 94.05, 0.33%, 0.78%

LAB 84.31, -13.65, 15.9

 

CMYK 17 / 6 / 0 / 15

HEX #B4CBD9

RGB 180 203 217

HSL 202.7, 0.33%, 0.78%

LAB 80.42, -4.82, -9.57

 

CMYK 7 / 17 / 0 / 15

HEX #C9B4D9

RGB 201 180 217

HSL 274.05, 0.33%, 0.78%

LAB 76.11, 14.34, -15.85

 

CMYK 0 / 11 / 17 / 15

HEX #DAC3B5

RGB 218 195 181

HSL 22.7, 0.33%, 0.78%

LAB 80.33, 5.85, 9.98

 

CMYK 15 / 0 / 17 / 15

HEX #B9D9B4

RGB 185 217 180

HSL 111.89, 0.33%, 0.78%

LAB 83.57, -17.47, 14.75

 

CMYK 17 / 6 / 0 / 15

HEX #B4CBD9

RGB 180 203 217

HSL 202.7, 0.33%, 0.78%

LAB 80.42, -4.82, -9.57

 

CMYK 2 / 17 / 0 / 15

HEX #D4B4D9

RGB 212 180 217

HSL 291.89, 0.33%, 0.78%

LAB 77.07, 17.99, -14.31

 

Description

Color code: HEX #DAC3B5 | qconv.com Color code: HEX #DAC3B5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 195 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 195 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 17 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 17% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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