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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DACD57 it is the complementary color #2532A8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DACD57. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DACD57 shade: #DFCD52, #F0DF65, #FFF178, #FFFF8B and #FFFF9E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DACD57. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DACD57 shade: #DACD57, #C9BB44, #B8A931, #A7971E and #96850B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DACD57 shade: #DACD57, #DAAA57, #DA8657, #DA6357 and #DA5757

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DACD57 shade: #DACD57, #C4DA57, #A0DA57, #7DDA57 and #5ADA57

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DACD57 shade matches the following richer shades: #DACD57, #EADA47 and #FBE736

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DACD57 shade: #DACD57, #C9C068, #B9B278, #A8A589 and #989899

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DACD57 shade: #DA8757, #DAAA57, #DACD57, #C4DA57 and #A1DA57

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DACD57 shade: #B7A928, #D2C335, #DACD57, #E1D779 and #E9E19B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DACD57 shade: #DACD57, #57DA64 and #9957DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DACD57 shade: #DACD57, #57DACD and #CD57DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DACD57 shade: #DACD57, #57DA64, #5764DA and #DA57CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DACD57 shade: #DACD57, #57DA8B, #5764DA and #DA57A6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 60 / 15

HEX #DACD57

RGB 218 205 87

HSL 54.05, 0.64%, 0.6%

LAB 81.43, -9.81, 58.86

 

Complementary color

CMYK 78 / 70 / 0 / 34

HEX #2532A8

RGB 37 50 168

HSL 234.05, 0.64%, 0.4%

LAB 28.12, 37.49, -64.29

 

CMYK 0 / 8 / 63 / 13

HEX #DFCD52

RGB 223 205 82

HSL 52.34, 0.69%, 0.6%

LAB 81.82, -8.05, 61.55

 

CMYK 0 / 7 / 58 / 6

HEX #F0DF65

RGB 240 223 101

HSL 52.66, 0.82%, 0.67%

LAB 88.08, -8.86, 60.61

 

CMYK 0 / 5 / 53 / 0

HEX #FFF178

RGB 255 241 120

HSL 53.78, 1%, 0.74%

LAB 94.11, -10.35, 59.32

 

CMYK 0 / 0 / 45 / 0

HEX #FFFF8B

RGB 255 255 139

HSL 60, 1%, 0.77%

LAB 97.89, -15.58, 55.07

 

CMYK 0 / 0 / 38 / 0

HEX #FFFF9E

RGB 255 255 158

HSL 60, 1%, 0.81%

LAB 98.13, -13.71, 46.33

 

CMYK 0 / 6 / 60 / 15

HEX #DACD57

RGB 218 205 87

HSL 54.05, 0.64%, 0.6%

LAB 81.43, -9.81, 58.86

 

CMYK 0 / 7 / 66 / 21

HEX #C9BB44

RGB 201 187 68

HSL 53.68, 0.55%, 0.53%

LAB 75.06, -8.96, 59.68

 

CMYK 0 / 8 / 73 / 28

HEX #B8A931

RGB 184 169 49

HSL 53.33, 0.58%, 0.46%

LAB 68.6, -7.94, 60.13

 

CMYK 0 / 10 / 82 / 35

HEX #A7971E

RGB 167 151 30

HSL 52.99, 0.7%, 0.39%

LAB 62.03, -6.71, 59.86

 

CMYK 0 / 11 / 93 / 41

HEX #96850B

RGB 150 133 11

HSL 52.66, 0.86%, 0.32%

LAB 55.36, -5.2, 58.24

 

CMYK 0 / 6 / 60 / 15

HEX #DACD57

RGB 218 205 87

HSL 54.05, 0.64%, 0.6%

LAB 81.43, -9.81, 58.86

 

CMYK 0 / 22 / 60 / 15

HEX #DAAA57

RGB 218 170 87

HSL 38.02, 0.64%, 0.6%

LAB 72.46, 8.44, 48.75

 

CMYK 0 / 39 / 60 / 15

HEX #DA8657

RGB 218 134 87

HSL 21.53, 0.64%, 0.6%

LAB 63.87, 27.78, 38.59

 

CMYK 0 / 55 / 60 / 15

HEX #DA6357

RGB 218 99 87

HSL 5.5, 0.64%, 0.6%

LAB 56.6, 45.77, 29.56

 

CMYK 0 / 60 / 60 / 15

HEX #DA5757

RGB 218 87 87

HSL 0, 0.64%, 0.6%

LAB 54.46, 51.38, 26.81

 

CMYK 0 / 6 / 60 / 15

HEX #DACD57

RGB 218 205 87

HSL 54.05, 0.64%, 0.6%

LAB 81.43, -9.81, 58.86

 

CMYK 10 / 0 / 60 / 15

HEX #C4DA57

RGB 196 218 87

HSL 70.08, 0.64%, 0.6%

LAB 83.21, -25.22, 60.32

 

CMYK 27 / 0 / 60 / 15

HEX #A0DA57

RGB 160 218 87

HSL 86.56, 0.64%, 0.6%

LAB 80.91, -39.03, 57.12

 

CMYK 43 / 0 / 60 / 15

HEX #7DDA57

RGB 125 218 87

HSL 102.6, 0.64%, 0.6%

LAB 79.15, -50.9, 54.67

 

CMYK 59 / 0 / 60 / 15

HEX #5ADA57

RGB 90 218 87

HSL 118.63, 0.64%, 0.6%

LAB 77.88, -60.44, 52.88

 

CMYK 0 / 6 / 60 / 15

HEX #DACD57

RGB 218 205 87

HSL 54.05, 0.64%, 0.6%

LAB 81.43, -9.81, 58.86

 

CMYK 0 / 7 / 70 / 8

HEX #EADA47

RGB 234 218 71

HSL 54.11, 0.8%, 0.6%

LAB 86.05, -10.62, 70.56

 

CMYK 0 / 8 / 78 / 2

HEX #FBE736

RGB 251 231 54

HSL 53.91, 0.96%, 0.6%

LAB 90.75, -10.69, 81

 

CMYK 0 / 6 / 60 / 15

HEX #DACD57

RGB 218 205 87

HSL 54.05, 0.64%, 0.6%

LAB 81.43, -9.81, 58.86

 

CMYK 0 / 4 / 48 / 21

HEX #C9C068

RGB 201 192 104

HSL 54.43, 0.47%, 0.6%

LAB 76.75, -8.83, 45.16

 

CMYK 0 / 4 / 35 / 27

HEX #B9B278

RGB 185 178 120

HSL 53.54, 0.32%, 0.6%

LAB 71.9, -6.33, 30.58

 

CMYK 0 / 2 / 18 / 34

HEX #A8A589

RGB 168 165 137

HSL 54.19, 0.15%, 0.6%

LAB 67.31, -3.74, 14.93

 

CMYK 1 / 1 / 0 / 40

HEX #989899

RGB 152 152 153

HSL 240, 0%, 0.6%

LAB 62.87, 0.2, -0.53

 

CMYK 0 / 38 / 60 / 15

HEX #DA8757

RGB 218 135 87

HSL 21.98, 0.64%, 0.6%

LAB 64.1, 27.24, 38.86

 

CMYK 0 / 22 / 60 / 15

HEX #DAAA57

RGB 218 170 87

HSL 38.02, 0.64%, 0.6%

LAB 72.46, 8.44, 48.75

 

CMYK 0 / 6 / 60 / 15

HEX #DACD57

RGB 218 205 87

HSL 54.05, 0.64%, 0.6%

LAB 81.43, -9.81, 58.86

 

CMYK 10 / 0 / 60 / 15

HEX #C4DA57

RGB 196 218 87

HSL 70.08, 0.64%, 0.6%

LAB 83.21, -25.22, 60.32

 

CMYK 26 / 0 / 60 / 15

HEX #A1DA57

RGB 161 218 87

HSL 86.11, 0.64%, 0.6%

LAB 80.97, -38.66, 57.2

 

CMYK 0 / 8 / 78 / 28

HEX #B7A928

RGB 183 169 40

HSL 54.13, 0.64%, 0.44%

LAB 68.46, -8.76, 63.05

 

CMYK 0 / 7 / 75 / 18

HEX #D2C335

RGB 210 195 53

HSL 54.27, 0.64%, 0.52%

LAB 77.87, -9.96, 68.32

 

CMYK 0 / 6 / 60 / 15

HEX #DACD57

RGB 218 205 87

HSL 54.05, 0.64%, 0.6%

LAB 81.43, -9.81, 58.86

 

CMYK 0 / 4 / 46 / 12

HEX #E1D779

RGB 225 215 121

HSL 54.23, 0.63%, 0.68%

LAB 84.99, -9.26, 47.35

 

CMYK 0 / 3 / 33 / 9

HEX #E9E19B

RGB 233 225 155

HSL 53.85, 0.64%, 0.76%

LAB 88.7, -7.56, 35.28

 

CMYK 0 / 6 / 60 / 15

HEX #DACD57

RGB 218 205 87

HSL 54.05, 0.64%, 0.6%

LAB 81.43, -9.81, 58.86

 

CMYK 60 / 0 / 54 / 15

HEX #57DA64

RGB 87 218 100

HSL 125.95, 0.64%, 0.6%

LAB 77.93, -59.57, 47.03

 

CMYK 30 / 60 / 0 / 15

HEX #9957DA

RGB 153 87 218

HSL 270.23, 0.64%, 0.6%

LAB 50.28, 51.71, -57.01

 

CMYK 0 / 6 / 60 / 15

HEX #DACD57

RGB 218 205 87

HSL 54.05, 0.64%, 0.6%

LAB 81.43, -9.81, 58.86

 

CMYK 60 / 0 / 6 / 15

HEX #57DACD

RGB 87 218 205

HSL 174.05, 0.64%, 0.6%

LAB 79.94, -38.78, -4.33

 

CMYK 6 / 60 / 0 / 15

HEX #CD57DA

RGB 205 87 218

HSL 294.05, 0.64%, 0.6%

LAB 56.94, 64.15, -46

 

CMYK 0 / 6 / 60 / 15

HEX #DACD57

RGB 218 205 87

HSL 54.05, 0.64%, 0.6%

LAB 81.43, -9.81, 58.86

 

CMYK 60 / 0 / 54 / 15

HEX #57DA64

RGB 87 218 100

HSL 125.95, 0.64%, 0.6%

LAB 77.93, -59.57, 47.03

 

CMYK 60 / 54 / 0 / 15

HEX #5764DA

RGB 87 100 218

HSL 234.05, 0.64%, 0.6%

LAB 47.24, 30.37, -62.21

 

CMYK 0 / 60 / 6 / 15

HEX #DA57CD

RGB 218 87 205

HSL 305.95, 0.64%, 0.6%

LAB 58.16, 65.19, -36.58

 

CMYK 0 / 6 / 60 / 15

HEX #DACD57

RGB 218 205 87

HSL 54.05, 0.64%, 0.6%

LAB 81.43, -9.81, 58.86

 

CMYK 60 / 0 / 36 / 15

HEX #57DA8B

RGB 87 218 139

HSL 143.82, 0.64%, 0.6%

LAB 78.48, -53.49, 28.45

 

CMYK 60 / 54 / 0 / 15

HEX #5764DA

RGB 87 100 218

HSL 234.05, 0.64%, 0.6%

LAB 47.24, 30.37, -62.21

 

CMYK 0 / 60 / 24 / 15

HEX #DA57A6

RGB 218 87 166

HSL 323.82, 0.64%, 0.6%

LAB 56.56, 59.43, -16.61

 

Description

Color code: HEX #DACD57 | qconv.com Color code: HEX #DACD57 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 205 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 205 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 60 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 60% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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