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Color name
HEX #DAD247

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DAD247 it is the complementary color #252DB8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DAD247. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DAD247 shade: #DFD242, #F0E455, #FFF668, #FFFF7B and #FFFF8E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DAD247. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DAD247 shade: #DAD247, #C9C034, #B8AE21, #A79C0E and #968A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DAD247 shade: #DAD247, #DAAB47, #DA8347, #DA5B47 and #DA4747

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DAD247 shade: #DAD247, #BBDA47, #93DA47, #6BDA47 and #47DA4B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DAD247 shade matches the following richer shades: #DAD247, #ECE236 and #FEF224

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DAD247 shade: #DAD247, #C9C359, #B7B36B, #A5A37D and #93938E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DAD247 shade: #DA8247, #DAA947, #DAD147, #BDDA47 and #96DA47

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DAD247 shade: #ADA622, #D0C729, #DAD247, #E1DB6A and #E8E38C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DAD247 shade: #DAD247, #47DA5B and #9647DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DAD247 shade: #DAD247, #47DAD1 and #D147DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DAD247 shade: #DAD247, #47DA5B, #4751DA and #DA47C7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DAD247 shade: #DAD247, #47DA87, #4751DA and #DA479B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 67 / 15

HEX #DAD247

RGB 218 210 71

HSL 56.73, 0.67%, 0.57%

LAB 82.62, -13.3, 66.69

 

Complementary color

CMYK 80 / 76 / 0 / 28

HEX #252DB8

RGB 37 45 184

HSL 236.73, 0.67%, 0.43%

LAB 28.72, 46.02, -72.86

 

CMYK 0 / 6 / 70 / 13

HEX #DFD242

RGB 223 210 66

HSL 55.03, 0.71%, 0.57%

LAB 83.01, -11.46, 69.08

 

CMYK 0 / 5 / 65 / 6

HEX #F0E455

RGB 240 228 85

HSL 55.35, 0.84%, 0.64%

LAB 89.24, -12.37, 68.59

 

CMYK 0 / 4 / 59 / 0

HEX #FFF668

RGB 255 246 104

HSL 56.42, 1%, 0.7%

LAB 95.23, -13.96, 67.58

 

CMYK 0 / 0 / 52 / 0

HEX #FFFF7B

RGB 255 255 123

HSL 60, 1%, 0.74%

LAB 97.72, -16.94, 62.16

 

CMYK 0 / 0 / 44 / 0

HEX #FFFF8E

RGB 255 255 142

HSL 60, 1%, 0.78%

LAB 97.93, -15.3, 53.71

 

CMYK 0 / 4 / 67 / 15

HEX #DAD247

RGB 218 210 71

HSL 56.73, 0.67%, 0.57%

LAB 82.62, -13.3, 66.69

 

CMYK 0 / 4 / 74 / 21

HEX #C9C034

RGB 201 192 52

HSL 56.38, 0.59%, 0.5%

LAB 76.29, -12.33, 66.91

 

CMYK 0 / 5 / 82 / 28

HEX #B8AE21

RGB 184 174 33

HSL 56.03, 0.7%, 0.43%

LAB 69.88, -11.16, 66.38

 

CMYK 0 / 7 / 92 / 35

HEX #A79C0E

RGB 167 156 14

HSL 55.69, 0.85%, 0.35%

LAB 63.36, -9.77, 64.62

 

CMYK 0 / 8 / 100 / 41

HEX #968A00

RGB 150 138 0

HSL 55.2, 1%, 0.29%

LAB 56.74, -8.12, 61.12

 

CMYK 0 / 4 / 67 / 15

HEX #DAD247

RGB 218 210 71

HSL 56.73, 0.67%, 0.57%

LAB 82.62, -13.3, 66.69

 

CMYK 0 / 22 / 67 / 15

HEX #DAAB47

RGB 218 171 71

HSL 40.82, 0.67%, 0.57%

LAB 72.55, 6.89, 56.27

 

CMYK 0 / 40 / 67 / 15

HEX #DA8347

RGB 218 131 71

HSL 24.49, 0.67%, 0.57%

LAB 63.01, 28.34, 45.84

 

CMYK 0 / 58 / 67 / 15

HEX #DA5B47

RGB 218 91 71

HSL 8.16, 0.67%, 0.57%

LAB 54.91, 48.56, 36.48

 

CMYK 0 / 67 / 67 / 15

HEX #DA4747

RGB 218 71 71

HSL 0, 0.67%, 0.57%

LAB 51.69, 57.18, 32.61

 

CMYK 0 / 4 / 67 / 15

HEX #DAD247

RGB 218 210 71

HSL 56.73, 0.67%, 0.57%

LAB 82.62, -13.3, 66.69

 

CMYK 14 / 0 / 67 / 15

HEX #BBDA47

RGB 187 218 71

HSL 72.65, 0.67%, 0.57%

LAB 82.47, -29.87, 65.78

 

CMYK 33 / 0 / 67 / 15

HEX #93DA47

RGB 147 218 71

HSL 88.98, 0.67%, 0.57%

LAB 80.07, -44.96, 62.55

 

CMYK 51 / 0 / 67 / 15

HEX #6BDA47

RGB 107 218 71

HSL 105.31, 0.67%, 0.57%

LAB 78.3, -57.65, 60.15

 

CMYK 67 / 0 / 66 / 15

HEX #47DA4B

RGB 71 218 75

HSL 121.63, 0.67%, 0.57%

LAB 77.28, -65.67, 57.14

 

CMYK 0 / 4 / 67 / 15

HEX #DAD247

RGB 218 210 71

HSL 56.73, 0.67%, 0.57%

LAB 82.62, -13.3, 66.69

 

CMYK 0 / 4 / 77 / 7

HEX #ECE236

RGB 236 226 54

HSL 56.7, 0.83%, 0.57%

LAB 88.2, -14.47, 78.26

 

CMYK 0 / 5 / 86 / 0

HEX #FEF224

RGB 254 242 36

HSL 56.7, 0.99%, 0.57%

LAB 93.75, -15.3, 87.87

 

CMYK 0 / 4 / 67 / 15

HEX #DAD247

RGB 218 210 71

HSL 56.73, 0.67%, 0.57%

LAB 82.62, -13.3, 66.69

 

CMYK 0 / 3 / 56 / 21

HEX #C9C359

RGB 201 195 89

HSL 56.79, 0.51%, 0.57%

LAB 77.38, -11.64, 53.04

 

CMYK 0 / 2 / 42 / 28

HEX #B7B36B

RGB 183 179 107

HSL 56.84, 0.35%, 0.57%

LAB 71.8, -9.15, 37.2

 

CMYK 0 / 1 / 24 / 35

HEX #A5A37D

RGB 165 163 125

HSL 57, 0.18%, 0.57%

LAB 66.27, -5.64, 20.06

 

CMYK 0 / 0 / 3 / 42

HEX #93938E

RGB 147 147 142

HSL 60, 0.02%, 0.57%

LAB 60.8, -0.95, 2.64

 

CMYK 0 / 40 / 67 / 15

HEX #DA8247

RGB 218 130 71

HSL 24.08, 0.67%, 0.57%

LAB 62.78, 28.87, 45.59

 

CMYK 0 / 22 / 67 / 15

HEX #DAA947

RGB 218 169 71

HSL 40, 0.67%, 0.57%

LAB 72.05, 7.95, 55.73

 

CMYK 0 / 4 / 67 / 15

HEX #DAD147

RGB 218 209 71

HSL 56.33, 0.67%, 0.57%

LAB 82.36, -12.8, 66.42

 

CMYK 13 / 0 / 67 / 15

HEX #BDDA47

RGB 189 218 71

HSL 71.84, 0.67%, 0.57%

LAB 82.6, -29.08, 65.96

 

CMYK 31 / 0 / 67 / 15

HEX #96DA47

RGB 150 218 71

HSL 87.76, 0.67%, 0.57%

LAB 80.23, -43.9, 62.76

 

CMYK 0 / 4 / 80 / 32

HEX #ADA622

RGB 173 166 34

HSL 56.98, 0.67%, 0.41%

LAB 66.73, -11.82, 63

 

CMYK 0 / 4 / 80 / 18

HEX #D0C729

RGB 208 199 41

HSL 56.77, 0.67%, 0.49%

LAB 78.7, -13.28, 72.65

 

CMYK 0 / 4 / 67 / 15

HEX #DAD247

RGB 218 210 71

HSL 56.73, 0.67%, 0.57%

LAB 82.62, -13.3, 66.69

 

CMYK 0 / 3 / 53 / 12

HEX #E1DB6A

RGB 225 219 106

HSL 56.97, 0.66%, 0.65%

LAB 85.86, -12.58, 55.49

 

CMYK 0 / 2 / 40 / 9

HEX #E8E38C

RGB 232 227 140

HSL 56.74, 0.67%, 0.73%

LAB 88.92, -10.63, 43.06

 

CMYK 0 / 4 / 67 / 15

HEX #DAD247

RGB 218 210 71

HSL 56.73, 0.67%, 0.57%

LAB 82.62, -13.3, 66.69

 

CMYK 67 / 0 / 58 / 15

HEX #47DA5B

RGB 71 218 91

HSL 128.16, 0.67%, 0.57%

LAB 77.42, -63.93, 50.46

 

CMYK 31 / 67 / 0 / 15

HEX #9647DA

RGB 150 71 218

HSL 272.24, 0.67%, 0.57%

LAB 47.04, 58.91, -62.24

 

CMYK 0 / 4 / 67 / 15

HEX #DAD247

RGB 218 210 71

HSL 56.73, 0.67%, 0.57%

LAB 82.62, -13.3, 66.69

 

CMYK 67 / 0 / 4 / 15

HEX #47DAD1

RGB 71 218 209

HSL 176.33, 0.67%, 0.57%

LAB 79.66, -40.23, -6.92

 

CMYK 4 / 67 / 0 / 15

HEX #D147DA

RGB 209 71 218

HSL 296.33, 0.67%, 0.57%

LAB 55.2, 71.52, -48.72

 

CMYK 0 / 4 / 67 / 15

HEX #DAD247

RGB 218 210 71

HSL 56.73, 0.67%, 0.57%

LAB 82.62, -13.3, 66.69

 

CMYK 67 / 0 / 58 / 15

HEX #47DA5B

RGB 71 218 91

HSL 128.16, 0.67%, 0.57%

LAB 77.42, -63.93, 50.46

 

CMYK 67 / 63 / 0 / 15

HEX #4751DA

RGB 71 81 218

HSL 235.92, 0.67%, 0.57%

LAB 41.67, 39.6, -71.31

 

CMYK 0 / 67 / 9 / 15

HEX #DA47C7

RGB 218 71 199

HSL 307.76, 0.67%, 0.57%

LAB 55.62, 70.54, -37.13

 

CMYK 0 / 4 / 67 / 15

HEX #DAD247

RGB 218 210 71

HSL 56.73, 0.67%, 0.57%

LAB 82.62, -13.3, 66.69

 

CMYK 67 / 0 / 38 / 15

HEX #47DA87

RGB 71 218 135

HSL 146.12, 0.67%, 0.57%

LAB 78.01, -57.23, 29.8

 

CMYK 67 / 63 / 0 / 15

HEX #4751DA

RGB 71 81 218

HSL 235.92, 0.67%, 0.57%

LAB 41.67, 39.6, -71.31

 

CMYK 0 / 67 / 29 / 15

HEX #DA479B

RGB 218 71 155

HSL 325.71, 0.67%, 0.57%

LAB 53.79, 64.53, -14.36

 

Description

Color code: HEX #DAD247 | qconv.com Color code: HEX #DAD247 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 210 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 210 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 67 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 67% 15% C M Y K

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Provide designers and agencies with accurate color values.

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