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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DADB92 it is the complementary color #25246D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DADB92. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DADB92 shade: #DFDB8D, #F0EDA0, #FFFFB3, #FFFFC6 and #FFFFD9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DADB92. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DADB92 shade: #DADB92, #C9C97F, #B8B76C, #A7A559 and #969346

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DADB92 shade: #DADB93, #DBC993, #DBB593, #DBA293 and #DB9393

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DADB92 shade: #DADB93, #C7DB93, #B3DB93, #A0DB93 and #93DB9A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DADB92 shade matches the following richer shades: #DADB93, #E5E688, #F0F27C and #FCFD71

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DADB92 shade: #DADB93, #CFCF9F, #C3C4AB, #B8B8B6 and #ADADC2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DADB92 shade: #DBB593, #DBC893, #DBDB93, #C8DB93 and #B5DB93

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DADB92 shade: #C5C656, #CFD074, #DADB93, #E4E5B2 and #EFEFD1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DADB92 shade: #DADB92, #93DBA2 and #BE93DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DADB92 shade: #DADB92, #93DBDB and #DB93DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DADB92 shade: #DADB92, #93DBA2, #9393DB and #DB93CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DADB92 shade: #DADB92, #93DBB7, #9393DB and #DB93B7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 33 / 14

HEX #DADB92

RGB 218 219 146

HSL 60.82, 0.5%, 0.72%

LAB 85.83, -11.35, 35.85

 

Complementary color

CMYK 66 / 67 / 0 / 57

HEX #25246D

RGB 37 36 109

HSL 240.82, 0.5%, 0.28%

LAB 19.05, 25.04, -42.35

 

CMYK 0 / 2 / 37 / 13

HEX #DFDB8D

RGB 223 219 141

HSL 57.07, 0.56%, 0.71%

LAB 86.14, -10, 38.86

 

CMYK 0 / 1 / 33 / 6

HEX #F0EDA0

RGB 240 237 160

HSL 57.75, 0.73%, 0.78%

LAB 92.41, -10.31, 37.73

 

CMYK 0 / 0 / 30 / 0

HEX #FFFFB3

RGB 255 255 179

HSL 60, 1%, 0.85%

LAB 98.45, -11.32, 36.42

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC6

RGB 255 255 198

HSL 60, 1%, 0.89%

LAB 98.77, -8.88, 27.33

 

CMYK 0 / 0 / 15 / 0

HEX #FFFFD9

RGB 255 255 217

HSL 60, 1%, 0.93%

LAB 99.14, -6.17, 18.19

 

CMYK 0 / 0 / 33 / 14

HEX #DADB92

RGB 218 219 146

HSL 60.82, 0.5%, 0.72%

LAB 85.83, -11.35, 35.85

 

CMYK 0 / 0 / 37 / 21

HEX #C9C97F

RGB 201 201 127

HSL 60, 0.41%, 0.64%

LAB 79.46, -11.06, 37

 

CMYK 0 / 1 / 41 / 28

HEX #B8B76C

RGB 184 183 108

HSL 59.21, 0.35%, 0.57%

LAB 72.98, -10.72, 38.19

 

CMYK 0 / 1 / 47 / 35

HEX #A7A559

RGB 167 165 89

HSL 58.46, 0.31%, 0.5%

LAB 66.4, -10.29, 39.41

 

CMYK 0 / 2 / 53 / 41

HEX #969346

RGB 150 147 70

HSL 57.75, 0.36%, 0.43%

LAB 59.7, -9.76, 40.62

 

CMYK 0 / 0 / 33 / 14

HEX #DADB93

RGB 218 219 147

HSL 60.83, 0.5%, 0.72%

LAB 85.84, -11.23, 35.36

 

CMYK 0 / 8 / 33 / 14

HEX #DBC993

RGB 219 201 147

HSL 45, 0.5%, 0.72%

LAB 81.26, -1.64, 29.31

 

CMYK 0 / 17 / 33 / 14

HEX #DBB593

RGB 219 181 147

HSL 28.33, 0.5%, 0.72%

LAB 76.2, 8.89, 22.48

 

CMYK 0 / 26 / 33 / 14

HEX #DBA293

RGB 219 162 147

HSL 12.5, 0.5%, 0.72%

LAB 71.56, 19.09, 16.07

 

CMYK 0 / 33 / 33 / 14

HEX #DB9393

RGB 219 147 147

HSL 0, 0.5%, 0.72%

LAB 68.05, 27.18, 11.14

 

CMYK 0 / 0 / 33 / 14

HEX #DADB93

RGB 218 219 147

HSL 60.83, 0.5%, 0.72%

LAB 85.84, -11.23, 35.36

 

CMYK 9 / 0 / 33 / 14

HEX #C7DB93

RGB 199 219 147

HSL 76.67, 0.5%, 0.72%

LAB 84.44, -18.42, 33.25

 

CMYK 18 / 0 / 33 / 14

HEX #B3DB93

RGB 179 219 147

HSL 93.33, 0.5%, 0.72%

LAB 83.1, -25.73, 31.24

 

CMYK 27 / 0 / 33 / 14

HEX #A0DB93

RGB 160 219 147

HSL 109.17, 0.5%, 0.72%

LAB 81.97, -32.31, 29.53

 

CMYK 33 / 0 / 30 / 14

HEX #93DB9A

RGB 147 219 154

HSL 125.83, 0.5%, 0.72%

LAB 81.4, -35.41, 25.03

 

CMYK 0 / 0 / 33 / 14

HEX #DADB93

RGB 218 219 147

HSL 60.83, 0.5%, 0.72%

LAB 85.84, -11.23, 35.36

 

CMYK 0 / 0 / 41 / 10

HEX #E5E688

RGB 229 230 136

HSL 60.64, 0.65%, 0.72%

LAB 89.41, -13.7, 45.59

 

CMYK 1 / 0 / 49 / 5

HEX #F0F27C

RGB 240 242 124

HSL 61.02, 0.82%, 0.72%

LAB 93.23, -16.44, 56.15

 

CMYK 0 / 0 / 55 / 1

HEX #FCFD71

RGB 252 253 113

HSL 60.43, 0.97%, 0.72%

LAB 96.88, -17.92, 65.52

 

CMYK 0 / 0 / 33 / 14

HEX #DADB93

RGB 218 219 147

HSL 60.83, 0.5%, 0.72%

LAB 85.84, -11.23, 35.36

 

CMYK 0 / 0 / 23 / 19

HEX #CFCF9F

RGB 207 207 159

HSL 60, 0.33%, 0.72%

LAB 82.05, -7.75, 23.94

 

CMYK 1 / 0 / 13 / 23

HEX #C3C4AB

RGB 195 196 171

HSL 62.4, 0.17%, 0.72%

LAB 78.47, -4.68, 12.45

 

CMYK 0 / 0 / 1 / 28

HEX #B8B8B6

RGB 184 184 182

HSL 60, 0.01%, 0.72%

LAB 74.73, -0.37, 1

HEX #B8B8B6

CMYK 11 / 11 / 0 / 24

HEX #ADADC2

RGB 173 173 194

HSL 240, 0.15%, 0.72%

LAB 71.33, 4.17, -10.68

HEX #ADADC2

CMYK 0 / 17 / 33 / 14

HEX #DBB593

RGB 219 181 147

HSL 28.33, 0.5%, 0.72%

LAB 76.2, 8.89, 22.48

 

CMYK 0 / 9 / 33 / 14

HEX #DBC893

RGB 219 200 147

HSL 44.17, 0.5%, 0.72%

LAB 81, -1.12, 28.97

 

CMYK 0 / 0 / 33 / 14

HEX #DBDB93

RGB 219 219 147

HSL 60, 0.5%, 0.72%

LAB 85.92, -10.85, 35.48

 

CMYK 9 / 0 / 33 / 14

HEX #C8DB93

RGB 200 219 147

HSL 75.83, 0.5%, 0.72%

LAB 84.51, -18.05, 33.36

 

CMYK 17 / 0 / 33 / 14

HEX #B5DB93

RGB 181 219 147

HSL 91.67, 0.5%, 0.72%

LAB 83.23, -25.01, 31.43

 

CMYK 1 / 0 / 57 / 22

HEX #C5C656

RGB 197 198 86

HSL 60.54, 0.5%, 0.56%

LAB 77.83, -15.05, 54.82

 

CMYK 0 / 0 / 44 / 18

HEX #CFD074

RGB 207 208 116

HSL 60.65, 0.49%, 0.64%

LAB 81.64, -13.4, 45.35

 

CMYK 0 / 0 / 33 / 14

HEX #DADB93

RGB 218 219 147

HSL 60.83, 0.5%, 0.72%

LAB 85.84, -11.23, 35.36

 

CMYK 0 / 0 / 22 / 10

HEX #E4E5B2

RGB 228 229 178

HSL 61.18, 0.5%, 0.8%

LAB 89.74, -8.48, 24.84

 

CMYK 0 / 0 / 13 / 6

HEX #EFEFD1

RGB 239 239 209

HSL 60, 0.48%, 0.88%

LAB 93.75, -4.99, 14.53

 

CMYK 0 / 0 / 33 / 14

HEX #DADB92

RGB 218 219 146

HSL 60.82, 0.5%, 0.72%

LAB 85.83, -11.35, 35.85

 

CMYK 33 / 0 / 26 / 14

HEX #93DBA2

RGB 147 219 162

HSL 132.5, 0.5%, 0.72%

LAB 81.55, -34.03, 21.06

 

CMYK 13 / 33 / 0 / 14

HEX #BE93DB

RGB 190 147 219

HSL 275.83, 0.5%, 0.72%

LAB 67.22, 29.4, -30.59

 

CMYK 0 / 0 / 33 / 14

HEX #DADB92

RGB 218 219 146

HSL 60.82, 0.5%, 0.72%

LAB 85.83, -11.35, 35.85

 

CMYK 33 / 0 / 0 / 14

HEX #93DBDB

RGB 147 219 219

HSL 180, 0.5%, 0.72%

LAB 82.9, -22.27, -7.15

 

CMYK 0 / 33 / 0 / 14

HEX #DB93DB

RGB 219 147 219

HSL 300, 0.5%, 0.72%

LAB 70.21, 38.5, -25.75

 

CMYK 0 / 0 / 33 / 14

HEX #DADB92

RGB 218 219 146

HSL 60.82, 0.5%, 0.72%

LAB 85.83, -11.35, 35.85

 

CMYK 33 / 0 / 26 / 14

HEX #93DBA2

RGB 147 219 162

HSL 132.5, 0.5%, 0.72%

LAB 81.55, -34.03, 21.06

 

CMYK 33 / 33 / 0 / 14

HEX #9393DB

RGB 147 147 219

HSL 240, 0.5%, 0.72%

LAB 63.5, 16.59, -36.67

 

CMYK 0 / 33 / 6 / 14

HEX #DB93CD

RGB 219 147 205

HSL 311.67, 0.5%, 0.72%

LAB 69.71, 35.98, -18.77

 

CMYK 0 / 0 / 33 / 14

HEX #DADB92

RGB 218 219 146

HSL 60.82, 0.5%, 0.72%

LAB 85.83, -11.35, 35.85

 

CMYK 33 / 0 / 16 / 14

HEX #93DBB7

RGB 147 219 183

HSL 150, 0.5%, 0.72%

LAB 81.99, -30.07, 10.63

 

CMYK 33 / 33 / 0 / 14

HEX #9393DB

RGB 147 147 219

HSL 240, 0.5%, 0.72%

LAB 63.5, 16.59, -36.67

 

CMYK 0 / 33 / 16 / 14

HEX #DB93B7

RGB 219 147 183

HSL 330, 0.5%, 0.72%

LAB 69, 32.32, -7.6

 

Description

Color code: HEX #DADB92 | qconv.com Color code: HEX #DADB92 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 219 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 219 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, 33 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 33% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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