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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DADC2E it is the complementary color #2523D1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DADC2E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DADC2E shade: #DFDC29, #F0EE3C, #FFFF4F, #FFFF62 and #FFFF75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DADC2E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DADC2E shade: #DADC2E, #C9CA1B, #B8B808, #A7A600 and #969400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DADC2E shade: #D9DB2D, #DBAE2D, #DB7F2D, #DB502D and #DB2D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DADC2E shade: #D9DB2D, #AADB2D, #7BDB2D, #4CDB2D and #2DDB3D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DADC2E shade matches the following richer shades: #D9DB2D and #ECEF19

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DADC2E shade: #D9DB2D, #C6C741, #B2B355, #9FA069 and #8C8C7C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DADC2E shade: #DB7E2D, #DBAD2D, #DBDB2D, #ADDB2D and #7EDB2D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DADC2E shade: #9A9C1A, #BDBF20, #D9DB2D, #DFE150 and #E6E774

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DADC2E shade: #DADC2E, #2DDB50 and #952DDB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DADC2E shade: #DADC2E, #2DDBDB and #DB2DDB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DADC2E shade: #DADC2E, #2DDB50, #2D2DDB and #DB2DB8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DADC2E shade: #DADC2E, #2DDB84, #2D2DDB and #DB2D84

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 79 / 14

HEX #DADC2E

RGB 218 220 46

HSL 60.69, 0.71%, 0.52%

LAB 85.14, -19.31, 77.23

 

Complementary color

CMYK 82 / 83 / 0 / 18

HEX #2523D1

RGB 37 35 209

HSL 240.69, 0.71%, 0.48%

LAB 29.91, 58.89, -85.58

 

CMYK 0 / 1 / 82 / 13

HEX #DFDC29

RGB 223 220 41

HSL 59.01, 0.74%, 0.52%

LAB 85.52, -17.37, 78.98

 

CMYK 0 / 1 / 75 / 6

HEX #F0EE3C

RGB 240 238 60

HSL 59.33, 0.86%, 0.59%

LAB 91.69, -18.45, 79.76

 

CMYK 0 / 0 / 69 / 0

HEX #FFFF4F

RGB 255 255 79

HSL 60, 1%, 0.65%

LAB 97.37, -19.71, 79.39

 

CMYK 0 / 0 / 62 / 0

HEX #FFFF62

RGB 255 255 98

HSL 60, 1%, 0.69%

LAB 97.5, -18.69, 72.47

 

CMYK 0 / 0 / 54 / 0

HEX #FFFF75

RGB 255 255 117

HSL 60, 1%, 0.73%

LAB 97.66, -17.4, 64.73

 

CMYK 1 / 0 / 79 / 14

HEX #DADC2E

RGB 218 220 46

HSL 60.69, 0.71%, 0.52%

LAB 85.14, -19.31, 77.23

 

CMYK 0 / 0 / 87 / 21

HEX #C9CA1B

RGB 201 202 27

HSL 60.34, 0.76%, 0.45%

LAB 78.89, -18.14, 75.81

 

CMYK 0 / 0 / 96 / 28

HEX #B8B808

RGB 184 184 8

HSL 60, 0.92%, 0.38%

LAB 72.55, -16.78, 73.06

 

CMYK 0 / 1 / 100 / 35

HEX #A7A600

RGB 167 166 0

HSL 59.64, 1%, 0.33%

LAB 66.13, -15.19, 68.61

 

CMYK 0 / 1 / 100 / 41

HEX #969400

RGB 150 148 0

HSL 59.2, 1%, 0.29%

LAB 59.58, -13.46, 63.18

 

CMYK 1 / 0 / 79 / 14

HEX #D9DB2D

RGB 217 219 45

HSL 60.69, 0.71%, 0.52%

LAB 84.79, -19.27, 77.16

 

CMYK 0 / 21 / 79 / 14

HEX #DBAE2D

RGB 219 174 45

HSL 44.48, 0.71%, 0.52%

LAB 73.23, 4.56, 67.03

 

CMYK 0 / 42 / 79 / 14

HEX #DB7F2D

RGB 219 127 45

HSL 28.28, 0.71%, 0.52%

LAB 62.02, 29.69, 56.79

 

CMYK 0 / 63 / 79 / 14

HEX #DB502D

RGB 219 80 45

HSL 12.07, 0.71%, 0.52%

LAB 52.94, 52.7, 48.12

 

CMYK 0 / 79 / 79 / 14

HEX #DB2D2D

RGB 219 45 45

HSL 0, 0.71%, 0.52%

LAB 48.42, 65.11, 43.63

 

CMYK 1 / 0 / 79 / 14

HEX #D9DB2D

RGB 217 219 45

HSL 60.69, 0.71%, 0.52%

LAB 84.79, -19.27, 77.16

 

CMYK 22 / 0 / 79 / 14

HEX #AADB2D

RGB 170 219 45

HSL 76.9, 0.71%, 0.52%

LAB 81.51, -38.31, 73

 

CMYK 44 / 0 / 79 / 14

HEX #7BDB2D

RGB 123 219 45

HSL 93.1, 0.71%, 0.52%

LAB 79.08, -54.97, 69.88

 

CMYK 65 / 0 / 79 / 14

HEX #4CDB2D

RGB 76 219 45

HSL 109.31, 0.71%, 0.52%

LAB 77.51, -67.3, 67.86

 

CMYK 79 / 0 / 72 / 14

HEX #2DDB3D

RGB 45 219 61

HSL 125.52, 0.71%, 0.52%

LAB 77.02, -71.21, 62.07

 

CMYK 1 / 0 / 79 / 14

HEX #D9DB2D

RGB 217 219 45

HSL 60.69, 0.71%, 0.52%

LAB 84.79, -19.27, 77.16

 

CMYK 1 / 0 / 90 / 6

HEX #ECEF19

RGB 236 239 25

HSL 60.84, 0.87%, 0.52%

LAB 91.52, -21.51, 87.33

 

CMYK 1 / 0 / 79 / 14

HEX #D9DB2D

RGB 217 219 45

HSL 60.69, 0.71%, 0.52%

LAB 84.79, -19.27, 77.16

 

CMYK 1 / 0 / 67 / 22

HEX #C6C741

RGB 198 199 65

HSL 60.45, 0.54%, 0.52%

LAB 78.01, -16.5, 63.81

 

CMYK 1 / 0 / 53 / 30

HEX #B2B355

RGB 178 179 85

HSL 60.64, 0.38%, 0.52%

LAB 71.12, -13.35, 47.22

 

CMYK 1 / 0 / 34 / 37

HEX #9FA069

RGB 159 160 105

HSL 61.09, 0.22%, 0.52%

LAB 64.59, -9.15, 28.6

 

CMYK 0 / 0 / 11 / 45

HEX #8C8C7C

RGB 140 140 124

HSL 60, 0.07%, 0.52%

LAB 57.83, -2.96, 8.55

 

CMYK 0 / 42 / 79 / 14

HEX #DB7E2D

RGB 219 126 45

HSL 27.93, 0.71%, 0.52%

LAB 61.8, 30.22, 56.59

 

CMYK 0 / 21 / 79 / 14

HEX #DBAD2D

RGB 219 173 45

HSL 44.14, 0.71%, 0.52%

LAB 72.98, 5.09, 66.81

 

CMYK 0 / 0 / 79 / 14

HEX #DBDB2D

RGB 219 219 45

HSL 60, 0.71%, 0.52%

LAB 84.95, -18.43, 77.36

 

CMYK 21 / 0 / 79 / 14

HEX #ADDB2D

RGB 173 219 45

HSL 75.86, 0.71%, 0.52%

LAB 81.69, -37.15, 73.24

 

CMYK 42 / 0 / 79 / 14

HEX #7EDB2D

RGB 126 219 45

HSL 92.07, 0.71%, 0.52%

LAB 79.21, -54.02, 70.05

 

CMYK 1 / 0 / 83 / 39

HEX #9A9C1A

RGB 154 156 26

HSL 60.92, 0.71%, 0.36%

LAB 62.27, -15.31, 60.71

 

CMYK 1 / 0 / 83 / 25

HEX #BDBF20

RGB 189 191 32

HSL 60.75, 0.71%, 0.44%

LAB 74.94, -17.68, 71.1

 

CMYK 1 / 0 / 79 / 14

HEX #D9DB2D

RGB 217 219 45

HSL 60.69, 0.71%, 0.52%

LAB 84.79, -19.27, 77.16

 

CMYK 1 / 0 / 64 / 12

HEX #DFE150

RGB 223 225 80

HSL 60.83, 0.71%, 0.6%

LAB 87.05, -18.15, 67.87

 

CMYK 0 / 0 / 50 / 9

HEX #E6E774

RGB 230 231 116

HSL 60.52, 0.71%, 0.68%

LAB 89.5, -15.69, 55.25

 

CMYK 1 / 0 / 79 / 14

HEX #DADC2E

RGB 218 220 46

HSL 60.69, 0.71%, 0.52%

LAB 85.14, -19.31, 77.23

 

CMYK 79 / 0 / 63 / 14

HEX #2DDB50

RGB 45 219 80

HSL 132.07, 0.71%, 0.52%

LAB 77.16, -69.41, 54.82

 

CMYK 32 / 79 / 0 / 14

HEX #952DDB

RGB 149 45 219

HSL 275.86, 0.71%, 0.52%

LAB 43.33, 69.33, -68.85

 

CMYK 1 / 0 / 79 / 14

HEX #DADC2E

RGB 218 220 46

HSL 60.69, 0.71%, 0.52%

LAB 85.14, -19.31, 77.23

 

CMYK 79 / 0 / 0 / 14

HEX #2DDBDB

RGB 45 219 219

HSL 180, 0.71%, 0.52%

LAB 79.8, -40.77, -12.1

 

CMYK 0 / 79 / 0 / 14

HEX #DB2DDB

RGB 219 45 219

HSL 300, 0.71%, 0.52%

LAB 54.08, 81.58, -50.97

 

CMYK 1 / 0 / 79 / 14

HEX #DADC2E

RGB 218 220 46

HSL 60.69, 0.71%, 0.52%

LAB 85.14, -19.31, 77.23

 

CMYK 79 / 0 / 63 / 14

HEX #2DDB50

RGB 45 219 80

HSL 132.07, 0.71%, 0.52%

LAB 77.16, -69.41, 54.82

 

CMYK 79 / 79 / 0 / 14

HEX #2D2DDB

RGB 45 45 219

HSL 240, 0.71%, 0.52%

LAB 33.03, 57.72, -86.17

 

CMYK 0 / 79 / 16 / 14

HEX #DB2DB8

RGB 219 45 184

HSL 312.07, 0.71%, 0.52%

LAB 52.28, 76.59, -33.68

 

CMYK 1 / 0 / 79 / 14

HEX #DADC2E

RGB 218 220 46

HSL 60.69, 0.71%, 0.52%

LAB 85.14, -19.31, 77.23

 

CMYK 79 / 0 / 40 / 14

HEX #2DDB84

RGB 45 219 132

HSL 150, 0.71%, 0.52%

LAB 77.81, -61.74, 30.98

 

CMYK 79 / 79 / 0 / 14

HEX #2D2DDB

RGB 45 45 219

HSL 240, 0.71%, 0.52%

LAB 33.03, 57.72, -86.17

 

CMYK 0 / 79 / 40 / 14

HEX #DB2D84

RGB 219 45 132

HSL 330, 0.71%, 0.52%

LAB 50.22, 70.61, -5.99

 

Description

Color code: HEX #DADC2E | qconv.com Color code: HEX #DADC2E | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 220 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 220 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 79 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 79% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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