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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DAE5CD it is the complementary color #251A32. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DAE5CD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DAE5CD shade: #DFE5C8, #F0F7DB and #FFFFEE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DAE5CD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DAE5CD shade: #DAE5CD, #C9D3BA, #B8C1A7, #A7AF94 and #969D81

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DAE5CD shade: #D9E4CC, #E0E4CC, #E4E3CC, #E4DCCC and #E4D5CC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DAE5CD shade: #D9E4CC, #D3E4CC, #CCE4CC, #CCE4D3 and #CCE4D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DAE5CD shade matches the following richer shades: #D9E4CC, #DAEBC6, #DAF1C0, #DBF7B9 and #DBFDB3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DAE5CD shade: #D9E4CC, #D9DED2, #D8D8D8, #D8D2DF and #D7CCE5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DAE5CD shade: #E4E2CC, #E0E4CC, #D9E4CC, #D3E4CC and #CCE4CC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DAE5CD shade: #B1C896, #C5D6B1, #D9E4CC and #EDF3E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DAE5CD shade: #DAE5CD, #CCE4DC and #E4CCE3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DAE5CD shade: #DAE5CD, #CCD9E4 and #E4CCD9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DAE5CD shade: #DAE5CD, #CCE4DC, #D7CCE4 and #E4CCD5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DAE5CD shade: #DAE5CD, #CCE4E3, #D7CCE4 and #E4CCCD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 10 / 10

HEX #DAE5CD

RGB 218 229 205

HSL 87.5, 0.32%, 0.85%

LAB 89.56, -7.9, 10.44

 

Complementary color

CMYK 26 / 48 / 0 / 80

HEX #251A32

RGB 37 26 50

HSL 267.5, 0.32%, 0.15%

LAB 11.71, 11.55, -13.89

 

CMYK 3 / 0 / 13 / 10

HEX #DFE5C8

RGB 223 229 200

HSL 72.41, 0.36%, 0.84%

LAB 89.81, -6.98, 13.46

 

CMYK 3 / 0 / 11 / 3

HEX #F0F7DB

RGB 240 247 219

HSL 75, 0.64%, 0.91%

LAB 96.06, -7.08, 12.67

 

CMYK 0 / 0 / 7 / 0

HEX #FFFFEE

RGB 255 255 238

HSL 60, 1%, 0.97%

LAB 99.59, -2.88, 8.11

 

CMYK 5 / 0 / 10 / 10

HEX #DAE5CD

RGB 218 229 205

HSL 87.5, 0.32%, 0.85%

LAB 89.56, -7.9, 10.44

 

CMYK 5 / 0 / 12 / 17

HEX #C9D3BA

RGB 201 211 186

HSL 84, 0.22%, 0.78%

LAB 83.21, -7.83, 11.22

 

CMYK 5 / 0 / 13 / 24

HEX #B8C1A7

RGB 184 193 167

HSL 80.77, 0.17%, 0.71%

LAB 76.75, -7.76, 12.04

 

CMYK 5 / 0 / 15 / 31

HEX #A7AF94

RGB 167 175 148

HSL 77.78, 0.14%, 0.63%

LAB 70.19, -7.69, 12.9

 

CMYK 4 / 0 / 18 / 38

HEX #969D81

RGB 150 157 129

HSL 75, 0.13%, 0.56%

LAB 63.49, -7.6, 13.82

 

CMYK 5 / 0 / 11 / 11

HEX #D9E4CC

RGB 217 228 204

HSL 87.5, 0.31%, 0.85%

LAB 89.2, -7.91, 10.45

 

CMYK 2 / 0 / 11 / 11

HEX #E0E4CC

RGB 224 228 204

HSL 70, 0.31%, 0.85%

LAB 89.72, -5.47, 11.25

 

CMYK 0 / 0 / 11 / 11

HEX #E4E3CC

RGB 228 227 204

HSL 57.5, 0.31%, 0.85%

LAB 89.76, -3.56, 11.36

 

CMYK 0 / 4 / 11 / 11

HEX #E4DCCC

RGB 228 220 204

HSL 40, 0.31%, 0.85%

LAB 87.99, 0.03, 8.82

 

CMYK 0 / 7 / 11 / 11

HEX #E4D5CC

RGB 228 213 204

HSL 22.5, 0.31%, 0.85%

LAB 86.23, 3.66, 6.29

 

CMYK 5 / 0 / 11 / 11

HEX #D9E4CC

RGB 217 228 204

HSL 87.5, 0.31%, 0.85%

LAB 89.2, -7.91, 10.45

 

CMYK 7 / 0 / 11 / 11

HEX #D3E4CC

RGB 211 228 204

HSL 102.5, 0.31%, 0.85%

LAB 88.78, -9.97, 9.78

 

CMYK 11 / 0 / 11 / 11

HEX #CCE4CC

RGB 204 228 204

HSL 120, 0.31%, 0.85%

LAB 88.3, -12.35, 9.03

 

CMYK 11 / 0 / 7 / 11

HEX #CCE4D3

RGB 204 228 211

HSL 137.5, 0.31%, 0.85%

LAB 88.46, -11.1, 5.6

 

CMYK 11 / 0 / 5 / 11

HEX #CCE4D9

RGB 204 228 217

HSL 152.5, 0.31%, 0.85%

LAB 88.61, -9.99, 2.66

 

CMYK 5 / 0 / 11 / 11

HEX #D9E4CC

RGB 217 228 204

HSL 87.5, 0.31%, 0.85%

LAB 89.2, -7.91, 10.45

 

CMYK 7 / 0 / 16 / 8

HEX #DAEBC6

RGB 218 235 198

HSL 87.57, 0.48%, 0.85%

LAB 90.96, -12.07, 16.07

 

CMYK 10 / 0 / 20 / 5

HEX #DAF1C0

RGB 218 241 192

HSL 88.16, 0.64%, 0.85%

LAB 92.41, -15.99, 21.19

 

CMYK 11 / 0 / 25 / 3

HEX #DBF7B9

RGB 219 247 185

HSL 87.1, 0.79%, 0.85%

LAB 93.92, -19.63, 26.86

 

CMYK 13 / 0 / 29 / 1

HEX #DBFDB3

RGB 219 253 179

HSL 87.57, 0.95%, 0.85%

LAB 95.4, -23.37, 31.9

 

CMYK 5 / 0 / 11 / 11

HEX #D9E4CC

RGB 217 228 204

HSL 87.5, 0.31%, 0.85%

LAB 89.2, -7.91, 10.45

 

CMYK 2 / 0 / 5 / 13

HEX #D9DED2

RGB 217 222 210

HSL 85, 0.15%, 0.85%

LAB 87.8, -3.82, 5.28

 

CMYK 0 / 0 / 0 / 15

HEX #D8D8D8

RGB 216 216 216

HSL 0, 0%, 0.85%

LAB 86.34, 0, -0.01

 

CMYK 3 / 6 / 0 / 13

HEX #D8D2DF

RGB 216 210 223

HSL 267.69, 0.17%, 0.85%

LAB 85.01, 4.43, -5.68

 

CMYK 6 / 11 / 0 / 10

HEX #D7CCE5

RGB 215 204 229

HSL 266.4, 0.32%, 0.85%

LAB 83.59, 8.41, -10.97

 

CMYK 0 / 1 / 11 / 11

HEX #E4E2CC

RGB 228 226 204

HSL 55, 0.31%, 0.85%

LAB 89.51, -3.05, 10.99

 

CMYK 2 / 0 / 11 / 11

HEX #E0E4CC

RGB 224 228 204

HSL 70, 0.31%, 0.85%

LAB 89.72, -5.47, 11.25

 

CMYK 5 / 0 / 11 / 11

HEX #D9E4CC

RGB 217 228 204

HSL 87.5, 0.31%, 0.85%

LAB 89.2, -7.91, 10.45

 

CMYK 7 / 0 / 11 / 11

HEX #D3E4CC

RGB 211 228 204

HSL 102.5, 0.31%, 0.85%

LAB 88.78, -9.97, 9.78

 

CMYK 11 / 0 / 11 / 11

HEX #CCE4CC

RGB 204 228 204

HSL 120, 0.31%, 0.85%

LAB 88.3, -12.35, 9.03

 

CMYK 12 / 0 / 25 / 22

HEX #B1C896

RGB 177 200 150

HSL 87.6, 0.31%, 0.69%

LAB 77.79, -16.63, 22.49

 

CMYK 8 / 0 / 17 / 16

HEX #C5D6B1

RGB 197 214 177

HSL 87.57, 0.31%, 0.77%

LAB 83.51, -12.27, 16.37

 

CMYK 5 / 0 / 11 / 11

HEX #D9E4CC

RGB 217 228 204

HSL 87.5, 0.31%, 0.85%

LAB 89.2, -7.91, 10.45

 

CMYK 2 / 0 / 5 / 5

HEX #EDF3E7

RGB 237 243 231

HSL 90, 0.33%, 0.93%

LAB 95.11, -4.09, 5.08

 

CMYK 5 / 0 / 10 / 10

HEX #DAE5CD

RGB 218 229 205

HSL 87.5, 0.32%, 0.85%

LAB 89.56, -7.9, 10.44

 

CMYK 11 / 0 / 4 / 11

HEX #CCE4DC

RGB 204 228 220

HSL 160, 0.31%, 0.85%

LAB 88.68, -9.43, 1.2

 

CMYK 0 / 11 / 0 / 11

HEX #E4CCE3

RGB 228 204 227

HSL 302.5, 0.31%, 0.85%

LAB 84.6, 12.37, -8.3

 

CMYK 5 / 0 / 10 / 10

HEX #DAE5CD

RGB 218 229 205

HSL 87.5, 0.32%, 0.85%

LAB 89.56, -7.9, 10.44

 

CMYK 11 / 5 / 0 / 11

HEX #CCD9E4

RGB 204 217 228

HSL 207.5, 0.31%, 0.85%

LAB 86.04, -2.22, -6.9

 

CMYK 0 / 11 / 5 / 11

HEX #E4CCD9

RGB 228 204 217

HSL 327.5, 0.31%, 0.85%

LAB 84.32, 10.59, -3.38

 

CMYK 5 / 0 / 10 / 10

HEX #DAE5CD

RGB 218 229 205

HSL 87.5, 0.32%, 0.85%

LAB 89.56, -7.9, 10.44

 

CMYK 11 / 0 / 4 / 11

HEX #CCE4DC

RGB 204 228 220

HSL 160, 0.31%, 0.85%

LAB 88.68, -9.43, 1.2

 

CMYK 6 / 11 / 0 / 11

HEX #D7CCE4

RGB 215 204 228

HSL 267.5, 0.31%, 0.85%

LAB 83.57, 8.22, -10.48

 

CMYK 0 / 11 / 7 / 11

HEX #E4CCD5

RGB 228 204 213

HSL 337.5, 0.31%, 0.85%

LAB 84.22, 9.89, -1.41

 

CMYK 5 / 0 / 10 / 10

HEX #DAE5CD

RGB 218 229 205

HSL 87.5, 0.32%, 0.85%

LAB 89.56, -7.9, 10.44

 

CMYK 11 / 0 / 0 / 11

HEX #CCE4E3

RGB 204 228 227

HSL 177.5, 0.31%, 0.85%

LAB 88.86, -8.09, -2.22

 

CMYK 6 / 11 / 0 / 11

HEX #D7CCE4

RGB 215 204 228

HSL 267.5, 0.31%, 0.85%

LAB 83.57, 8.22, -10.48

 

CMYK 0 / 11 / 10 / 11

HEX #E4CCCD

RGB 228 204 205

HSL 357.5, 0.31%, 0.85%

LAB 84.01, 8.54, 2.56

 

Description

Color code: HEX #DAE5CD | qconv.com Color code: HEX #DAE5CD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 229 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 229 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 10 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 10% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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