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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DAE9B5 it is the complementary color #25164A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DAE9B5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DAE9B5 shade: #DFE9B0, #F0FBC3, #FFFFD6, #FFFFE9 and #FFFFFC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DAE9B5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DAE9B5 shade: #DAE9B5, #C9D7A2, #B8C58F, #A7B37C and #96A169

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DAE9B5 shade: #D9E8B4, #E7E8B4, #E8DBB4, #E8CDB4 and #E8BFB4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DAE9B5 shade: #D9E8B4, #CBE8B4, #BDE8B4, #B4E8B9 and #B4E8C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DAE9B5 shade matches the following richer shades: #D9E8B4, #DCF0AC and #E0F8A4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DAE9B5 shade: #D9E8B4, #D6E0BC, #D2D9C4, #CFD1CB and #CCC9D3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DAE9B5 shade: #E8DBB4, #E7E8B4, #D9E8B4, #CBE8B4 and #BDE8B4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DAE9B5 shade: #B9D574, #C9DF94, #D9E8B4, #E9F2D4 and #F9FBF3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DAE9B5 shade: #DAE9B5, #B4E8CD and #E2B4E8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DAE9B5 shade: #DAE9B5, #B4D9E8 and #E8B4D9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DAE9B5 shade: #DAE9B5, #B4E8CD, #C3B4E8 and #E8B4CF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DAE9B5 shade: #DAE9B5, #B4E8DD, #C3B4E8 and #E8B4BF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 22 / 9

HEX #DAE9B5

RGB 218 233 181

HSL 77.31, 0.54%, 0.81%

LAB 90.1, -13.69, 23.66

 

Complementary color

CMYK 50 / 70 / 0 / 71

HEX #25164A

RGB 37 22 74

HSL 257.31, 0.54%, 0.19%

LAB 12.36, 22.08, -29.82

 

CMYK 4 / 0 / 24 / 9

HEX #DFE9B0

RGB 223 233 176

HSL 70.53, 0.56%, 0.8%

LAB 90.37, -12.59, 26.66

 

CMYK 4 / 0 / 22 / 2

HEX #F0FBC3

RGB 240 251 195

HSL 71.79, 0.88%, 0.87%

LAB 96.6, -12.7, 25.69

 

CMYK 0 / 0 / 16 / 0

HEX #FFFFD6

RGB 255 255 214

HSL 60, 1%, 0.92%

LAB 99.08, -6.61, 19.64

 

CMYK 0 / 0 / 9 / 0

HEX #FFFFE9

RGB 255 255 233

HSL 60, 1%, 0.96%

LAB 99.48, -3.69, 10.51

 

CMYK 0 / 0 / 1 / 0

HEX #FFFFFC

RGB 255 255 252

HSL 60, 1%, 0.99%

LAB 99.93, -0.52, 1.42

HEX #FFFFFC

CMYK 6 / 0 / 22 / 9

HEX #DAE9B5

RGB 218 233 181

HSL 77.31, 0.54%, 0.81%

LAB 90.1, -13.69, 23.66

 

CMYK 7 / 0 / 25 / 16

HEX #C9D7A2

RGB 201 215 162

HSL 75.85, 0.4%, 0.74%

LAB 83.77, -13.62, 24.64

 

CMYK 7 / 0 / 27 / 23

HEX #B8C58F

RGB 184 197 143

HSL 74.44, 0.32%, 0.67%

LAB 77.34, -13.54, 25.67

 

CMYK 7 / 0 / 31 / 30

HEX #A7B37C

RGB 167 179 124

HSL 73.09, 0.27%, 0.59%

LAB 70.81, -13.44, 26.75

 

CMYK 7 / 0 / 35 / 37

HEX #96A169

RGB 150 161 105

HSL 71.79, 0.23%, 0.52%

LAB 64.16, -13.31, 27.9

 

CMYK 6 / 0 / 22 / 9

HEX #D9E8B4

RGB 217 232 180

HSL 77.31, 0.53%, 0.81%

LAB 89.75, -13.7, 23.68

 

CMYK 0 / 0 / 22 / 9

HEX #E7E8B4

RGB 231 232 180

HSL 61.15, 0.53%, 0.81%

LAB 90.78, -8.61, 25.26

 

CMYK 0 / 6 / 22 / 9

HEX #E8DBB4

RGB 232 219 180

HSL 45, 0.53%, 0.81%

LAB 87.54, -1.64, 20.81

 

CMYK 0 / 12 / 22 / 9

HEX #E8CDB4

RGB 232 205 180

HSL 28.85, 0.53%, 0.81%

LAB 84.02, 5.61, 15.91

 

CMYK 0 / 18 / 22 / 9

HEX #E8BFB4

RGB 232 191 180

HSL 12.69, 0.53%, 0.81%

LAB 80.58, 12.98, 11.04

 

CMYK 6 / 0 / 22 / 9

HEX #D9E8B4

RGB 217 232 180

HSL 77.31, 0.53%, 0.81%

LAB 89.75, -13.7, 23.68

 

CMYK 13 / 0 / 22 / 9

HEX #CBE8B4

RGB 203 232 180

HSL 93.46, 0.53%, 0.81%

LAB 88.78, -18.66, 22.2

 

CMYK 19 / 0 / 22 / 9

HEX #BDE8B4

RGB 189 232 180

HSL 109.62, 0.53%, 0.81%

LAB 87.89, -23.49, 20.82

 

CMYK 22 / 0 / 20 / 9

HEX #B4E8B9

RGB 180 232 185

HSL 125.77, 0.53%, 0.81%

LAB 87.45, -25.64, 17.53

 

CMYK 22 / 0 / 14 / 9

HEX #B4E8C7

RGB 180 232 199

HSL 141.92, 0.53%, 0.81%

LAB 87.75, -23.12, 10.66

 

CMYK 6 / 0 / 22 / 9

HEX #D9E8B4

RGB 217 232 180

HSL 77.31, 0.53%, 0.81%

LAB 89.75, -13.7, 23.68

 

CMYK 8 / 0 / 28 / 6

HEX #DCF0AC

RGB 220 240 172

HSL 77.65, 0.69%, 0.81%

LAB 91.92, -17.69, 30.76

 

CMYK 10 / 0 / 34 / 3

HEX #E0F8A4

RGB 224 248 164

HSL 77.14, 0.86%, 0.81%

LAB 94.17, -21.17, 37.82

 

CMYK 6 / 0 / 22 / 9

HEX #D9E8B4

RGB 217 232 180

HSL 77.31, 0.53%, 0.81%

LAB 89.75, -13.7, 23.68

 

CMYK 4 / 0 / 16 / 12

HEX #D6E0BC

RGB 214 224 188

HSL 76.67, 0.37%, 0.81%

LAB 87.6, -9.54, 16.51

 

CMYK 3 / 0 / 10 / 15

HEX #D2D9C4

RGB 210 217 196

HSL 80, 0.22%, 0.81%

LAB 85.66, -6.07, 9.52

 

CMYK 1 / 0 / 3 / 18

HEX #CFD1CB

RGB 207 209 203

HSL 80, 0.06%, 0.81%

LAB 83.54, -1.76, 2.72

 

CMYK 3 / 5 / 0 / 17

HEX #CCC9D3

RGB 204 201 211

HSL 258, 0.1%, 0.81%

LAB 81.46, 2.89, -4.61

 

CMYK 0 / 6 / 22 / 9

HEX #E8DBB4

RGB 232 219 180

HSL 45, 0.53%, 0.81%

LAB 87.54, -1.64, 20.81

 

CMYK 0 / 0 / 22 / 9

HEX #E7E8B4

RGB 231 232 180

HSL 61.15, 0.53%, 0.81%

LAB 90.78, -8.61, 25.26

 

CMYK 6 / 0 / 22 / 9

HEX #D9E8B4

RGB 217 232 180

HSL 77.31, 0.53%, 0.81%

LAB 89.75, -13.7, 23.68

 

CMYK 13 / 0 / 22 / 9

HEX #CBE8B4

RGB 203 232 180

HSL 93.46, 0.53%, 0.81%

LAB 88.78, -18.66, 22.2

 

CMYK 19 / 0 / 22 / 9

HEX #BDE8B4

RGB 189 232 180

HSL 109.62, 0.53%, 0.81%

LAB 87.89, -23.49, 20.82

 

CMYK 13 / 0 / 46 / 16

HEX #B9D574

RGB 185 213 116

HSL 77.32, 0.54%, 0.65%

LAB 81.38, -24.49, 44.67

 

CMYK 10 / 0 / 34 / 13

HEX #C9DF94

RGB 201 223 148

HSL 77.6, 0.54%, 0.73%

LAB 85.67, -19.52, 34.4

 

CMYK 6 / 0 / 22 / 9

HEX #D9E8B4

RGB 217 232 180

HSL 77.31, 0.53%, 0.81%

LAB 89.75, -13.7, 23.68

 

CMYK 4 / 0 / 12 / 5

HEX #E9F2D4

RGB 233 242 212

HSL 78, 0.54%, 0.89%

LAB 94.13, -8.12, 13.46

 

CMYK 1 / 0 / 3 / 2

HEX #F9FBF3

RGB 249 251 243

HSL 75, 0.5%, 0.97%

LAB 98.28, -2.05, 3.59

 

CMYK 6 / 0 / 22 / 9

HEX #DAE9B5

RGB 218 233 181

HSL 77.31, 0.54%, 0.81%

LAB 90.1, -13.69, 23.66

 

CMYK 22 / 0 / 12 / 9

HEX #B4E8CD

RGB 180 232 205

HSL 148.85, 0.53%, 0.81%

LAB 87.88, -21.98, 7.72

 

CMYK 3 / 22 / 0 / 9

HEX #E2B4E8

RGB 226 180 232

HSL 293.08, 0.53%, 0.81%

LAB 78.83, 25.46, -19.64

 

CMYK 6 / 0 / 22 / 9

HEX #DAE9B5

RGB 218 233 181

HSL 77.31, 0.54%, 0.81%

LAB 90.1, -13.69, 23.66

 

CMYK 22 / 6 / 0 / 9

HEX #B4D9E8

RGB 180 217 232

HSL 197.31, 0.53%, 0.81%

LAB 84.56, -8.88, -11.38

 

CMYK 0 / 22 / 6 / 9

HEX #E8B4D9

RGB 232 180 217

HSL 317.31, 0.53%, 0.81%

LAB 78.93, 24.74, -11.33

 

CMYK 6 / 0 / 22 / 9

HEX #DAE9B5

RGB 218 233 181

HSL 77.31, 0.54%, 0.81%

LAB 90.1, -13.69, 23.66

 

CMYK 22 / 0 / 12 / 9

HEX #B4E8CD

RGB 180 232 205

HSL 148.85, 0.53%, 0.81%

LAB 87.88, -21.98, 7.72

 

CMYK 16 / 22 / 0 / 9

HEX #C3B4E8

RGB 195 180 232

HSL 257.31, 0.53%, 0.81%

LAB 76.11, 15.52, -24.03

 

CMYK 0 / 22 / 11 / 9

HEX #E8B4CF

RGB 232 180 207

HSL 328.85, 0.53%, 0.81%

LAB 78.64, 23.04, -6.35

 

CMYK 6 / 0 / 22 / 9

HEX #DAE9B5

RGB 218 233 181

HSL 77.31, 0.54%, 0.81%

LAB 90.1, -13.69, 23.66

 

CMYK 22 / 0 / 5 / 9

HEX #B4E8DD

RGB 180 232 221

HSL 167.31, 0.53%, 0.81%

LAB 88.27, -18.81, -0.1

 

CMYK 16 / 22 / 0 / 9

HEX #C3B4E8

RGB 195 180 232

HSL 257.31, 0.53%, 0.81%

LAB 76.11, 15.52, -24.03

 

CMYK 0 / 22 / 18 / 9

HEX #E8B4BF

RGB 232 180 191

HSL 347.31, 0.53%, 0.81%

LAB 78.2, 20.48, 1.69

 

Description

Color code: HEX #DAE9B5 | qconv.com Color code: HEX #DAE9B5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 233 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 233 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 22 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 22% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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