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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DAE166 it is the complementary color #251E99. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DAE166. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DAE166 shade: #DFE161, #F0F374, #FFFF87, #FFFF9A and #FFFFAD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DAE166. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DAE166 shade: #DAE166, #C9CF53, #B8BD40, #A7AB2D and #96991A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DAE166 shade: #D9E065, #E0C665, #E0A565, #E08465 and #E06565

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DAE166 shade: #D9E065, #B8E065, #97E065, #76E065 and #65E076

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DAE166 shade matches the following richer shades: #D9E065, #E6EF56 and #F4FE47

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DAE166 shade: #D9E065, #CCD174, #BFC283, #B2B492 and #A5A5A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DAE166 shade: #E0A565, #E0C665, #DAE065, #B9E065 and #98E065

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DAE166 shade: #C2CB28, #D1D943, #D9E065, #E2E788 and #EAEEAA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DAE166 shade: #DAE166, #65E084 and #B565E0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DAE166 shade: #DAE166, #65DAE0 and #E065DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DAE166 shade: #DAE166, #65E084, #6B65E0 and #E065C1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DAE166 shade: #DAE166, #65E0A9, #6B65E0 and #E0659D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 55 / 12

HEX #DAE166

RGB 218 225 102

HSL 63.41, 0.67%, 0.64%

LAB 86.86, -18.67, 58.3

 

Complementary color

CMYK 76 / 80 / 0 / 40

HEX #251E99

RGB 37 30 153

HSL 243.41, 0.67%, 0.36%

LAB 22.38, 43.92, -64.64

 

CMYK 1 / 0 / 57 / 12

HEX #DFE161

RGB 223 225 97

HSL 60.94, 0.68%, 0.63%

LAB 87.19, -17.04, 60.99

 

CMYK 1 / 0 / 52 / 5

HEX #F0F374

RGB 240 243 116

HSL 61.42, 0.84%, 0.7%

LAB 93.4, -17.59, 59.99

 

CMYK 0 / 0 / 47 / 0

HEX #FFFF87

RGB 255 255 135

HSL 60, 1%, 0.76%

LAB 97.84, -15.94, 56.87

 

CMYK 0 / 0 / 40 / 0

HEX #FFFF9A

RGB 255 255 154

HSL 60, 1%, 0.8%

LAB 98.08, -14.13, 48.19

 

CMYK 0 / 0 / 32 / 0

HEX #FFFFAD

RGB 255 255 173

HSL 60, 1%, 0.84%

LAB 98.35, -12.04, 39.27

 

CMYK 3 / 0 / 55 / 12

HEX #DAE166

RGB 218 225 102

HSL 63.41, 0.67%, 0.64%

LAB 86.86, -18.67, 58.3

 

CMYK 3 / 0 / 60 / 19

HEX #C9CF53

RGB 201 207 83

HSL 62.9, 0.56%, 0.57%

LAB 80.55, -18.11, 59.23

 

CMYK 3 / 0 / 66 / 26

HEX #B8BD40

RGB 184 189 64

HSL 62.4, 0.49%, 0.5%

LAB 74.16, -17.43, 59.92

 

CMYK 2 / 0 / 74 / 33

HEX #A7AB2D

RGB 167 171 45

HSL 61.9, 0.58%, 0.42%

LAB 67.67, -16.59, 60.17

 

CMYK 2 / 0 / 83 / 40

HEX #96991A

RGB 150 153 26

HSL 61.42, 0.71%, 0.35%

LAB 61.08, -15.54, 59.57

 

CMYK 3 / 0 / 55 / 12

HEX #D9E065

RGB 217 224 101

HSL 63.41, 0.66%, 0.64%

LAB 86.51, -18.66, 58.33

 

CMYK 0 / 12 / 55 / 12

HEX #E0C665

RGB 224 198 101

HSL 47.32, 0.66%, 0.64%

LAB 80.28, -2.72, 51.29

 

CMYK 0 / 26 / 55 / 12

HEX #E0A565

RGB 224 165 101

HSL 31.22, 0.66%, 0.64%

LAB 72.03, 14.69, 41.41

 

CMYK 0 / 41 / 55 / 12

HEX #E08465

RGB 224 132 101

HSL 15.12, 0.66%, 0.64%

LAB 64.39, 32.31, 31.86

 

CMYK 0 / 55 / 55 / 12

HEX #E06565

RGB 224 101 101

HSL 0, 0.66%, 0.64%

LAB 58.13, 48, 23.69

 

CMYK 3 / 0 / 55 / 12

HEX #D9E065

RGB 217 224 101

HSL 63.41, 0.66%, 0.64%

LAB 86.51, -18.66, 58.33

 

CMYK 18 / 0 / 55 / 12

HEX #B8E065

RGB 184 224 101

HSL 79.51, 0.66%, 0.64%

LAB 84.19, -31.58, 55.07

 

CMYK 33 / 0 / 55 / 12

HEX #97E065

RGB 151 224 101

HSL 95.61, 0.66%, 0.64%

LAB 82.29, -43.52, 52.37

 

CMYK 47 / 0 / 55 / 12

HEX #76E065

RGB 118 224 101

HSL 111.71, 0.66%, 0.64%

LAB 80.8, -53.87, 50.24

 

CMYK 55 / 0 / 47 / 12

HEX #65E076

RGB 101 224 118

HSL 128.29, 0.66%, 0.64%

LAB 80.4, -56.12, 41.56

 

CMYK 3 / 0 / 55 / 12

HEX #D9E065

RGB 217 224 101

HSL 63.41, 0.66%, 0.64%

LAB 86.51, -18.66, 58.33

 

CMYK 4 / 0 / 64 / 6

HEX #E6EF56

RGB 230 239 86

HSL 63.53, 0.83%, 0.64%

LAB 91.34, -21.74, 70.14

 

CMYK 4 / 0 / 72 / 0

HEX #F4FE47

RGB 244 254 71

HSL 63.28, 0.99%, 0.64%

LAB 96.23, -24.02, 80.68

 

CMYK 3 / 0 / 55 / 12

HEX #D9E065

RGB 217 224 101

HSL 63.41, 0.66%, 0.64%

LAB 86.51, -18.66, 58.33

 

CMYK 2 / 0 / 44 / 18

HEX #CCD174

RGB 204 209 116

HSL 63.23, 0.5%, 0.64%

LAB 81.67, -15.1, 45.34

 

CMYK 2 / 0 / 32 / 24

HEX #BFC283

RGB 191 194 131

HSL 62.86, 0.34%, 0.64%

LAB 76.86, -10.92, 31.41

 

CMYK 1 / 0 / 19 / 29

HEX #B2B492

RGB 178 180 146

HSL 63.53, 0.18%, 0.64%

LAB 72.35, -6.53, 17.15

 

CMYK 0 / 0 / 2 / 35

HEX #A5A5A1

RGB 165 165 161

HSL 60, 0.02%, 0.64%

LAB 67.64, -0.75, 2.06

 

CMYK 0 / 26 / 55 / 12

HEX #E0A565

RGB 224 165 101

HSL 31.22, 0.66%, 0.64%

LAB 72.03, 14.69, 41.41

 

CMYK 0 / 12 / 55 / 12

HEX #E0C665

RGB 224 198 101

HSL 47.32, 0.66%, 0.64%

LAB 80.28, -2.72, 51.29

 

CMYK 3 / 0 / 55 / 12

HEX #DAE065

RGB 218 224 101

HSL 62.93, 0.66%, 0.64%

LAB 86.58, -18.26, 58.43

 

CMYK 17 / 0 / 55 / 12

HEX #B9E065

RGB 185 224 101

HSL 79.02, 0.66%, 0.64%

LAB 84.26, -31.2, 55.16

 

CMYK 32 / 0 / 55 / 12

HEX #98E065

RGB 152 224 101

HSL 95.12, 0.66%, 0.64%

LAB 82.34, -43.18, 52.44

 

CMYK 4 / 0 / 80 / 20

HEX #C2CB28

RGB 194 203 40

HSL 63.31, 0.67%, 0.48%

LAB 78.66, -21.25, 72.44

 

CMYK 4 / 0 / 69 / 15

HEX #D1D943

RGB 209 217 67

HSL 63.2, 0.66%, 0.56%

LAB 83.75, -20.7, 69.07

 

CMYK 3 / 0 / 55 / 12

HEX #D9E065

RGB 217 224 101

HSL 63.41, 0.66%, 0.64%

LAB 86.51, -18.66, 58.33

 

CMYK 2 / 0 / 41 / 9

HEX #E2E788

RGB 226 231 136

HSL 63.16, 0.66%, 0.72%

LAB 89.44, -15.36, 45.58

 

CMYK 2 / 0 / 29 / 7

HEX #EAEEAA

RGB 234 238 170

HSL 63.53, 0.67%, 0.8%

LAB 92.37, -11.84, 32.56

 

CMYK 3 / 0 / 55 / 12

HEX #DAE166

RGB 218 225 102

HSL 63.41, 0.67%, 0.64%

LAB 86.86, -18.67, 58.3

 

CMYK 55 / 0 / 41 / 12

HEX #65E084

RGB 101 224 132

HSL 135.12, 0.66%, 0.64%

LAB 80.6, -53.97, 34.88

 

CMYK 19 / 55 / 0 / 12

HEX #B565E0

RGB 181 101 224

HSL 279.02, 0.66%, 0.64%

LAB 56.6, 52.7, -50.11

 

CMYK 3 / 0 / 55 / 12

HEX #DAE166

RGB 218 225 102

HSL 63.41, 0.67%, 0.64%

LAB 86.86, -18.67, 58.3

 

CMYK 55 / 3 / 0 / 12

HEX #65DAE0

RGB 101 218 224

HSL 182.93, 0.66%, 0.64%

LAB 80.9, -31.2, -12.99

 

CMYK 0 / 55 / 3 / 12

HEX #E065DA

RGB 224 101 218

HSL 302.93, 0.66%, 0.64%

LAB 61.84, 62.79, -38.1

 

CMYK 3 / 0 / 55 / 12

HEX #DAE166

RGB 218 225 102

HSL 63.41, 0.67%, 0.64%

LAB 86.86, -18.67, 58.3

 

CMYK 55 / 0 / 41 / 12

HEX #65E084

RGB 101 224 132

HSL 135.12, 0.66%, 0.64%

LAB 80.6, -53.97, 34.88

 

CMYK 52 / 55 / 0 / 12

HEX #6B65E0

RGB 107 101 224

HSL 242.93, 0.66%, 0.64%

LAB 49.27, 35.44, -62.26

 

CMYK 0 / 55 / 14 / 12

HEX #E065C1

RGB 224 101 193

HSL 315.12, 0.66%, 0.64%

LAB 60.79, 58.78, -25.6

 

CMYK 3 / 0 / 55 / 12

HEX #DAE166

RGB 218 225 102

HSL 63.41, 0.67%, 0.64%

LAB 86.86, -18.67, 58.3

 

CMYK 55 / 0 / 25 / 12

HEX #65E0A9

RGB 101 224 169

HSL 153.17, 0.66%, 0.64%

LAB 81.26, -47.1, 16.7

 

CMYK 52 / 55 / 0 / 12

HEX #6B65E0

RGB 107 101 224

HSL 242.93, 0.66%, 0.64%

LAB 49.27, 35.44, -62.26

 

CMYK 0 / 55 / 30 / 12

HEX #E0659D

RGB 224 101 157

HSL 332.68, 0.66%, 0.64%

LAB 59.52, 53.76, -6.85

 

Description

Color code: HEX #DAE166 | qconv.com Color code: HEX #DAE166 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 225 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 225 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 55 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 55% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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