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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DAE288 it is the complementary color #251D77. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DAE288. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DAE288 shade: #DFE283, #F0F496, #FFFFA9, #FFFFBC and #FFFFCF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DAE288. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DAE288 shade: #DAE288, #C9D075, #B8BE62, #A7AC4F and #969A3C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DAE288 shade: #DAE287, #E2D187, #E2B987, #E2A187 and #E28887

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DAE288 shade: #DAE287, #C1E287, #A9E287, #91E287 and #87E297

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DAE288 shade matches the following richer shades: #DAE287, #E3EE7B and #EDFA70

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DAE288 shade: #DAE287, #D0D693, #C6CA9F, #BCBEAB and #B2B2B7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DAE288 shade: #E2B987, #E2D187, #DAE287, #C2E287 and #AAE287

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DAE288 shade: #C5D245, #CFDA66, #DAE287, #E4EAA9 and #EEF2CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DAE288 shade: #DAE288, #87E2A1 and #C587E2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DAE288 shade: #DAE288, #87DAE2 and #E287DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DAE288 shade: #DAE288, #87E2A1, #8F87E2 and #E287C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DAE288 shade: #DAE288, #87E2BC, #8F87E2 and #E287AD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 40 / 11

HEX #DAE288

RGB 218 226 136

HSL 65.33, 0.61%, 0.71%

LAB 87.52, -15.98, 43.04

 

Complementary color

CMYK 69 / 76 / 0 / 53

HEX #251D77

RGB 37 29 119

HSL 245.33, 0.61%, 0.29%

LAB 18.38, 33.11, -49.91

 

CMYK 1 / 0 / 42 / 11

HEX #DFE283

RGB 223 226 131

HSL 61.89, 0.62%, 0.7%

LAB 87.83, -14.57, 45.96

 

CMYK 2 / 0 / 39 / 4

HEX #F0F496

RGB 240 244 150

HSL 62.55, 0.81%, 0.77%

LAB 94.07, -14.89, 44.82

 

CMYK 0 / 0 / 34 / 0

HEX #FFFFA9

RGB 255 255 169

HSL 60, 1%, 0.83%

LAB 98.29, -12.5, 41.16

 

CMYK 0 / 0 / 26 / 0

HEX #FFFFBC

RGB 255 255 188

HSL 60, 1%, 0.87%

LAB 98.6, -10.2, 32.12

 

CMYK 0 / 0 / 19 / 0

HEX #FFFFCF

RGB 255 255 207

HSL 60, 1%, 0.91%

LAB 98.94, -7.63, 23

 

CMYK 4 / 0 / 40 / 11

HEX #DAE288

RGB 218 226 136

HSL 65.33, 0.61%, 0.71%

LAB 87.52, -15.98, 43.04

 

CMYK 3 / 0 / 44 / 18

HEX #C9D075

RGB 201 208 117

HSL 64.62, 0.49%, 0.64%

LAB 81.19, -15.68, 44.2

 

CMYK 3 / 0 / 48 / 25

HEX #B8BE62

RGB 184 190 98

HSL 63.91, 0.41%, 0.56%

LAB 74.76, -15.32, 45.37

 

CMYK 3 / 0 / 54 / 33

HEX #A7AC4F

RGB 167 172 79

HSL 63.23, 0.37%, 0.49%

LAB 68.23, -14.86, 46.5

 

CMYK 3 / 0 / 61 / 40

HEX #969A3C

RGB 150 154 60

HSL 62.55, 0.44%, 0.42%

LAB 61.59, -14.28, 47.51

 

CMYK 4 / 0 / 40 / 11

HEX #DAE287

RGB 218 226 135

HSL 65.27, 0.61%, 0.71%

LAB 87.51, -16.09, 43.51

 

CMYK 0 / 8 / 40 / 11

HEX #E2D187

RGB 226 209 135

HSL 48.79, 0.61%, 0.71%

LAB 83.71, -4.4, 38.82

 

CMYK 0 / 18 / 40 / 11

HEX #E2B987

RGB 226 185 135

HSL 32.97, 0.61%, 0.71%

LAB 77.65, 8.11, 30.92

 

CMYK 0 / 29 / 40 / 11

HEX #E2A187

RGB 226 161 135

HSL 17.14, 0.61%, 0.71%

LAB 71.83, 20.92, 23.13

 

CMYK 0 / 40 / 40 / 11

HEX #E28887

RGB 226 136 135

HSL 0.66, 0.61%, 0.71%

LAB 66.16, 34.25, 15.33

 

CMYK 4 / 0 / 40 / 11

HEX #DAE287

RGB 218 226 135

HSL 65.27, 0.61%, 0.71%

LAB 87.51, -16.09, 43.51

 

CMYK 15 / 0 / 40 / 11

HEX #C1E287

RGB 193 226 135

HSL 81.76, 0.61%, 0.71%

LAB 85.75, -25.57, 40.91

 

CMYK 25 / 0 / 40 / 11

HEX #A9E287

RGB 169 226 135

HSL 97.58, 0.61%, 0.71%

LAB 84.27, -34.19, 38.72

 

CMYK 36 / 0 / 40 / 11

HEX #91E287

RGB 145 226 135

HSL 113.41, 0.61%, 0.71%

LAB 83, -42.15, 36.83

 

CMYK 40 / 0 / 33 / 11

HEX #87E297

RGB 135 226 151

HSL 130.55, 0.61%, 0.71%

LAB 82.8, -42.68, 28.36

 

CMYK 4 / 0 / 40 / 11

HEX #DAE287

RGB 218 226 135

HSL 65.27, 0.61%, 0.71%

LAB 87.51, -16.09, 43.51

 

CMYK 5 / 0 / 48 / 7

HEX #E3EE7B

RGB 227 238 123

HSL 65.74, 0.77%, 0.71%

LAB 91.19, -19.66, 53.95

 

CMYK 5 / 0 / 55 / 2

HEX #EDFA70

RGB 237 250 112

HSL 65.65, 0.93%, 0.71%

LAB 94.97, -22.45, 63.49

 

CMYK 4 / 0 / 40 / 11

HEX #DAE287

RGB 218 226 135

HSL 65.27, 0.61%, 0.71%

LAB 87.51, -16.09, 43.51

 

CMYK 3 / 0 / 31 / 16

HEX #D0D693

RGB 208 214 147

HSL 65.37, 0.45%, 0.71%

LAB 83.76, -12.53, 32.48

 

CMYK 2 / 0 / 21 / 21

HEX #C6CA9F

RGB 198 202 159

HSL 65.58, 0.29%, 0.71%

LAB 80.04, -8.55, 21.06

 

CMYK 1 / 0 / 10 / 25

HEX #BCBEAB

RGB 188 190 171

HSL 66.32, 0.13%, 0.71%

LAB 76.35, -4.07, 9.35

 

CMYK 3 / 3 / 0 / 28

HEX #B2B2B7

RGB 178 178 183

HSL 240, 0.03%, 0.71%

LAB 72.71, 0.95, -2.55

 

CMYK 0 / 18 / 40 / 11

HEX #E2B987

RGB 226 185 135

HSL 32.97, 0.61%, 0.71%

LAB 77.65, 8.11, 30.92

 

CMYK 0 / 8 / 40 / 11

HEX #E2D187

RGB 226 209 135

HSL 48.79, 0.61%, 0.71%

LAB 83.71, -4.4, 38.82

 

CMYK 4 / 0 / 40 / 11

HEX #DAE287

RGB 218 226 135

HSL 65.27, 0.61%, 0.71%

LAB 87.51, -16.09, 43.51

 

CMYK 14 / 0 / 40 / 11

HEX #C2E287

RGB 194 226 135

HSL 81.1, 0.61%, 0.71%

LAB 85.81, -25.19, 41.01

 

CMYK 25 / 0 / 40 / 11

HEX #AAE287

RGB 170 226 135

HSL 96.92, 0.61%, 0.71%

LAB 84.32, -33.85, 38.8

 

CMYK 6 / 0 / 67 / 18

HEX #C5D245

RGB 197 210 69

HSL 65.53, 0.61%, 0.55%

LAB 80.96, -22.12, 65.23

 

CMYK 5 / 0 / 53 / 15

HEX #CFDA66

RGB 207 218 102

HSL 65.69, 0.61%, 0.63%

LAB 84.16, -19.64, 54.99

 

CMYK 4 / 0 / 40 / 11

HEX #DAE287

RGB 218 226 135

HSL 65.27, 0.61%, 0.71%

LAB 87.51, -16.09, 43.51

 

CMYK 3 / 0 / 28 / 8

HEX #E4EAA9

RGB 228 234 169

HSL 65.54, 0.61%, 0.79%

LAB 90.87, -12.2, 30.98

 

CMYK 2 / 0 / 17 / 5

HEX #EEF2CA

RGB 238 242 202

HSL 66, 0.61%, 0.87%

LAB 94.29, -7.92, 18.89

 

CMYK 4 / 0 / 40 / 11

HEX #DAE288

RGB 218 226 136

HSL 65.33, 0.61%, 0.71%

LAB 87.52, -15.98, 43.04

 

CMYK 40 / 0 / 29 / 11

HEX #87E2A1

RGB 135 226 161

HSL 137.14, 0.61%, 0.71%

LAB 82.98, -40.94, 23.45

 

CMYK 13 / 40 / 0 / 11

HEX #C587E2

RGB 197 135 226

HSL 280.88, 0.61%, 0.71%

LAB 65.51, 39.58, -37.08

 

CMYK 4 / 0 / 40 / 11

HEX #DAE288

RGB 218 226 136

HSL 65.33, 0.61%, 0.71%

LAB 87.52, -15.98, 43.04

 

CMYK 40 / 4 / 0 / 11

HEX #87DAE2

RGB 135 218 226

HSL 185.27, 0.61%, 0.71%

LAB 82.26, -23.2, -11.88

 

CMYK 0 / 40 / 4 / 11

HEX #E287DA

RGB 226 135 218

HSL 305.27, 0.61%, 0.71%

LAB 68.43, 46.8, -27.86

 

CMYK 4 / 0 / 40 / 11

HEX #DAE288

RGB 218 226 136

HSL 65.33, 0.61%, 0.71%

LAB 87.52, -15.98, 43.04

 

CMYK 40 / 0 / 29 / 11

HEX #87E2A1

RGB 135 226 161

HSL 137.14, 0.61%, 0.71%

LAB 82.98, -40.94, 23.45

 

CMYK 37 / 40 / 0 / 11

HEX #8F87E2

RGB 143 135 226

HSL 245.27, 0.61%, 0.71%

LAB 60.48, 24.3, -45.32

 

CMYK 0 / 40 / 12 / 11

HEX #E287C8

RGB 226 135 200

HSL 317.14, 0.61%, 0.71%

LAB 67.77, 43.75, -18.85

 

CMYK 4 / 0 / 40 / 11

HEX #DAE288

RGB 218 226 136

HSL 65.33, 0.61%, 0.71%

LAB 87.52, -15.98, 43.04

 

CMYK 40 / 0 / 17 / 11

HEX #87E2BC

RGB 135 226 188

HSL 154.95, 0.61%, 0.71%

LAB 83.53, -35.71, 10.11

 

CMYK 37 / 40 / 0 / 11

HEX #8F87E2

RGB 143 135 226

HSL 245.27, 0.61%, 0.71%

LAB 60.48, 24.3, -45.32

 

CMYK 0 / 40 / 23 / 11

HEX #E287AD

RGB 226 135 173

HSL 334.95, 0.61%, 0.71%

LAB 66.91, 39.61, -5

 

Description

Color code: HEX #DAE288 | qconv.com Color code: HEX #DAE288 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 226 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 226 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 40 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 40% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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