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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DAEE4E it is the complementary color #2511B1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DAEE4E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DAEE4E shade: #DFEE49, #F0FF5C, #FFFF6F, #FFFF82 and #FFFF95

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DAEE4E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DAEE4E shade: #DAEE4E, #C9DC3B, #B8CA28, #A7B815 and #96A602

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DAEE4E shade: #D9ED4E, #EDD64E, #EDAB4E, #ED804E and #ED564E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DAEE4E shade: #D9ED4E, #AEED4E, #83ED4E, #59ED4E and #4EED6F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DAEE4E shade matches the following richer shades: #D9ED4E and #E5FD3E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DAEE4E shade: #D9ED4E, #CDDD5E, #C2CE6D, #B6BE7D and #AAAE8D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DAEE4E shade: #EDAB4E, #EDD54E, #DBED4E, #B0ED4E and #86ED4E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DAEE4E shade: #BCD415, #D1E929, #D9ED4E, #E1F174 and #E9F499

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DAEE4E shade: #DAEE4E, #4EED80 and #C04EED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DAEE4E shade: #DAEE4E, #4EDBED and #ED4EDB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DAEE4E shade: #DAEE4E, #4EED80, #614EED and #ED4EBB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DAEE4E shade: #DAEE4E, #4EEDB0, #614EED and #ED4E8B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 67 / 7

HEX #DAEE4E

RGB 218 238 78

HSL 67.5, 0.82%, 0.62%

LAB 90.14, -26.53, 71.66

 

Complementary color

CMYK 79 / 90 / 0 / 31

HEX #2511B1

RGB 37 17 177

HSL 247.5, 0.82%, 0.38%

LAB 23.57, 56.49, -77.24

 

CMYK 6 / 0 / 69 / 7

HEX #DFEE49

RGB 223 238 73

HSL 65.45, 0.83%, 0.61%

LAB 90.47, -24.8, 73.9

 

CMYK 6 / 0 / 64 / 0

HEX #F0FF5C

RGB 240 255 92

HSL 65.52, 1%, 0.68%

LAB 96.34, -25, 73.25

 

CMYK 0 / 0 / 56 / 0

HEX #FFFF6F

RGB 255 255 111

HSL 60, 1%, 0.72%

LAB 97.6, -17.84, 67.25

 

CMYK 0 / 0 / 49 / 0

HEX #FFFF82

RGB 255 255 130

HSL 60, 1%, 0.75%

LAB 97.79, -16.37, 59.1

 

CMYK 0 / 0 / 42 / 0

HEX #FFFF95

RGB 255 255 149

HSL 60, 1%, 0.79%

LAB 98.01, -14.63, 50.51

 

CMYK 8 / 0 / 67 / 7

HEX #DAEE4E

RGB 218 238 78

HSL 67.5, 0.82%, 0.62%

LAB 90.14, -26.53, 71.66

 

CMYK 9 / 0 / 73 / 14

HEX #C9DC3B

RGB 201 220 59

HSL 67.08, 0.7%, 0.55%

LAB 83.92, -25.82, 71.78

 

CMYK 9 / 0 / 80 / 21

HEX #B8CA28

RGB 184 202 40

HSL 66.67, 0.67%, 0.47%

LAB 77.63, -24.95, 71.25

 

CMYK 9 / 0 / 89 / 28

HEX #A7B815

RGB 167 184 21

HSL 66.26, 0.8%, 0.4%

LAB 71.25, -23.9, 69.66

 

CMYK 10 / 0 / 99 / 35

HEX #96A602

RGB 150 166 2

HSL 65.85, 0.98%, 0.33%

LAB 64.77, -22.65, 66.74

 

CMYK 8 / 0 / 67 / 7

HEX #D9ED4E

RGB 217 237 78

HSL 67.55, 0.82%, 0.62%

LAB 89.8, -26.46, 71.29

 

CMYK 0 / 10 / 67 / 7

HEX #EDD64E

RGB 237 214 78

HSL 51.32, 0.82%, 0.62%

LAB 85.33, -7.01, 67.23

 

CMYK 0 / 28 / 67 / 7

HEX #EDAB4E

RGB 237 171 78

HSL 35.09, 0.82%, 0.62%

LAB 74.62, 15.32, 55.95

 

CMYK 0 / 46 / 67 / 7

HEX #ED804E

RGB 237 128 78

HSL 18.87, 0.82%, 0.62%

LAB 64.96, 37.89, 45.18

 

CMYK 0 / 64 / 67 / 7

HEX #ED564E

RGB 237 86 78

HSL 3.02, 0.82%, 0.62%

LAB 57.28, 57.67, 36.15

 

CMYK 8 / 0 / 67 / 7

HEX #D9ED4E

RGB 217 237 78

HSL 67.55, 0.82%, 0.62%

LAB 89.8, -26.46, 71.29

 

CMYK 27 / 0 / 67 / 7

HEX #AEED4E

RGB 174 237 78

HSL 83.77, 0.82%, 0.62%

LAB 87.05, -42.97, 67.6

 

CMYK 45 / 0 / 67 / 7

HEX #83ED4E

RGB 131 237 78

HSL 100, 0.82%, 0.62%

LAB 84.97, -57.35, 64.78

 

CMYK 62 / 0 / 67 / 7

HEX #59ED4E

RGB 89 237 78

HSL 115.85, 0.82%, 0.62%

LAB 83.57, -68.16, 62.87

 

CMYK 67 / 0 / 53 / 7

HEX #4EED6F

RGB 78 237 111

HSL 132.45, 0.82%, 0.62%

LAB 83.62, -66.64, 48.72

 

CMYK 8 / 0 / 67 / 7

HEX #D9ED4E

RGB 217 237 78

HSL 67.55, 0.82%, 0.62%

LAB 89.8, -26.46, 71.29

 

CMYK 9 / 0 / 75 / 1

HEX #E5FD3E

RGB 229 253 62

HSL 67.54, 0.98%, 0.62%

LAB 94.85, -29.92, 81.76

 

CMYK 8 / 0 / 67 / 7

HEX #D9ED4E

RGB 217 237 78

HSL 67.55, 0.82%, 0.62%

LAB 89.8, -26.46, 71.29

 

CMYK 7 / 0 / 57 / 13

HEX #CDDD5E

RGB 205 221 94

HSL 67.56, 0.65%, 0.62%

LAB 84.74, -22.55, 59.18

 

CMYK 6 / 0 / 47 / 19

HEX #C2CE6D

RGB 194 206 109

HSL 67.42, 0.5%, 0.62%

LAB 80.02, -18.27, 46.55

 

CMYK 4 / 0 / 34 / 25

HEX #B6BE7D

RGB 182 190 125

HSL 67.38, 0.33%, 0.62%

LAB 74.98, -13.14, 31.95

 

CMYK 2 / 0 / 19 / 32

HEX #AAAE8D

RGB 170 174 141

HSL 67.27, 0.17%, 0.62%

LAB 69.99, -7.16, 16.5

 

CMYK 0 / 28 / 67 / 7

HEX #EDAB4E

RGB 237 171 78

HSL 35.09, 0.82%, 0.62%

LAB 74.62, 15.32, 55.95

 

CMYK 0 / 10 / 67 / 7

HEX #EDD54E

RGB 237 213 78

HSL 50.94, 0.82%, 0.62%

LAB 85.07, -6.5, 66.97

 

CMYK 8 / 0 / 67 / 7

HEX #DBED4E

RGB 219 237 78

HSL 66.79, 0.82%, 0.62%

LAB 89.94, -25.66, 71.48

 

CMYK 26 / 0 / 67 / 7

HEX #B0ED4E

RGB 176 237 78

HSL 83.02, 0.82%, 0.62%

LAB 87.17, -42.24, 67.76

 

CMYK 43 / 0 / 67 / 7

HEX #86ED4E

RGB 134 237 78

HSL 98.87, 0.82%, 0.62%

LAB 85.09, -56.45, 64.95

 

CMYK 11 / 0 / 90 / 17

HEX #BCD415

RGB 188 212 21

HSL 67.54, 0.82%, 0.46%

LAB 80.65, -28.57, 77.83

 

CMYK 10 / 0 / 82 / 9

HEX #D1E929

RGB 209 233 41

HSL 67.5, 0.81%, 0.54%

LAB 87.97, -29.38, 80.64

 

CMYK 8 / 0 / 67 / 7

HEX #D9ED4E

RGB 217 237 78

HSL 67.55, 0.82%, 0.62%

LAB 89.8, -26.46, 71.29

 

CMYK 7 / 0 / 52 / 5

HEX #E1F174

RGB 225 241 116

HSL 67.68, 0.82%, 0.7%

LAB 91.77, -22.51, 57.81

 

CMYK 5 / 0 / 37 / 4

HEX #E9F499

RGB 233 244 153

HSL 67.25, 0.81%, 0.78%

LAB 93.59, -17.21, 42.63

 

CMYK 8 / 0 / 67 / 7

HEX #DAEE4E

RGB 218 238 78

HSL 67.5, 0.82%, 0.62%

LAB 90.14, -26.53, 71.66

 

CMYK 67 / 0 / 46 / 7

HEX #4EED80

RGB 78 237 128

HSL 138.87, 0.82%, 0.62%

LAB 83.83, -64.18, 40.9

 

CMYK 19 / 67 / 0 / 7

HEX #C04EED

RGB 192 78 237

HSL 283.02, 0.82%, 0.62%

LAB 54.83, 68.59, -60.14

 

CMYK 8 / 0 / 67 / 7

HEX #DAEE4E

RGB 218 238 78

HSL 67.5, 0.82%, 0.62%

LAB 90.14, -26.53, 71.66

 

CMYK 67 / 8 / 0 / 7

HEX #4EDBED

RGB 78 219 237

HSL 186.79, 0.82%, 0.62%

LAB 80.96, -31.84, -19.89

 

CMYK 0 / 67 / 8 / 7

HEX #ED4EDB

RGB 237 78 219

HSL 306.79, 0.82%, 0.62%

LAB 60.4, 75.49, -40.79

 

CMYK 8 / 0 / 67 / 7

HEX #DAEE4E

RGB 218 238 78

HSL 67.5, 0.82%, 0.62%

LAB 90.14, -26.53, 71.66

 

CMYK 67 / 0 / 46 / 7

HEX #4EED80

RGB 78 237 128

HSL 138.87, 0.82%, 0.62%

LAB 83.83, -64.18, 40.9

 

CMYK 59 / 67 / 0 / 7

HEX #614EED

RGB 97 78 237

HSL 247.17, 0.82%, 0.62%

LAB 44.38, 51.04, -77.58

 

CMYK 0 / 67 / 21 / 7

HEX #ED4EBB

RGB 237 78 187

HSL 318.87, 0.82%, 0.62%

LAB 59.01, 70.99, -24.74

 

CMYK 8 / 0 / 67 / 7

HEX #DAEE4E

RGB 218 238 78

HSL 67.5, 0.82%, 0.62%

LAB 90.14, -26.53, 71.66

 

CMYK 67 / 0 / 26 / 7

HEX #4EEDB0

RGB 78 237 176

HSL 156.98, 0.82%, 0.62%

LAB 84.65, -55.24, 17.7

 

CMYK 59 / 67 / 0 / 7

HEX #614EED

RGB 97 78 237

HSL 247.17, 0.82%, 0.62%

LAB 44.38, 51.04, -77.58

 

CMYK 0 / 67 / 41 / 7

HEX #ED4E8B

RGB 237 78 139

HSL 336.98, 0.82%, 0.62%

LAB 57.38, 65.46, 0.74

 

Description

Color code: HEX #DAEE4E | qconv.com Color code: HEX #DAEE4E | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 238 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 238 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 67 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 67% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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