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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DAF82F it is the complementary color #2507D0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DAF82F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DAF82F shade: #DFF82A, #F0FF3D, #FFFF50, #FFFF63 and #FFFF76

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DAF82F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DAF82F shade: #DAF82F, #C9E61C, #B8D409, #A7C200 and #96B000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DAF82F shade: #D9F730, #F7DF30, #F7A930, #F77430 and #F73E30

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DAF82F shade: #D9F730, #A4F730, #6EF730, #38F730 and #30F75D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DAF82F shade matches the following richer shades: #D9F730

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DAF82F shade: #D9F730, #CDE641, #C1D452, #B5C364 and #A9B275

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DAF82F shade: #F7A730, #F7DC30, #DCF730, #A7F730 and #72F730

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DAF82F shade: #B0CD07, #D2F508, #D9F730, #E0F858 and #E8FA7F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DAF82F shade: #DAF82F, #30F772 and #C230F7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DAF82F shade: #DAF82F, #30DCF7 and #F730DC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DAF82F shade: #DAF82F, #30F772, #4A30F7 and #F730B5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DAF82F shade: #DAF82F, #30F7AE, #4A30F7 and #F73079

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 81 / 3

HEX #DAF82F

RGB 218 248 47

HSL 68.96, 0.93%, 0.58%

LAB 92.68, -32.52, 83.53

 

Complementary color

CMYK 82 / 97 / 0 / 18

HEX #2507D0

RGB 37 7 208

HSL 248.96, 0.93%, 0.42%

LAB 27.02, 66.97, -89.82

 

CMYK 10 / 0 / 83 / 3

HEX #DFF82A

RGB 223 248 42

HSL 67.28, 0.94%, 0.57%

LAB 93.01, -30.68, 85.08

 

CMYK 6 / 0 / 76 / 0

HEX #F0FF3D

RGB 240 255 61

HSL 64.64, 1%, 0.62%

LAB 96.16, -26.5, 83.53

 

CMYK 0 / 0 / 69 / 0

HEX #FFFF50

RGB 255 255 80

HSL 60, 1%, 0.66%

LAB 97.37, -19.67, 79.05

 

CMYK 0 / 0 / 61 / 0

HEX #FFFF63

RGB 255 255 99

HSL 60, 1%, 0.69%

LAB 97.5, -18.63, 72.08

 

CMYK 0 / 0 / 54 / 0

HEX #FFFF76

RGB 255 255 118

HSL 60, 1%, 0.73%

LAB 97.67, -17.33, 64.31

 

CMYK 12 / 0 / 81 / 3

HEX #DAF82F

RGB 218 248 47

HSL 68.96, 0.93%, 0.58%

LAB 92.68, -32.52, 83.53

 

CMYK 13 / 0 / 88 / 10

HEX #C9E61C

RGB 201 230 28

HSL 68.61, 0.8%, 0.51%

LAB 86.55, -31.54, 81.83

 

CMYK 13 / 0 / 96 / 17

HEX #B8D409

RGB 184 212 9

HSL 68.28, 0.92%, 0.43%

LAB 80.35, -30.38, 78.89

 

CMYK 14 / 0 / 100 / 24

HEX #A7C200

RGB 167 194 0

HSL 68.35, 1%, 0.38%

LAB 74.06, -29.03, 74.49

 

CMYK 15 / 0 / 100 / 31

HEX #96B000

RGB 150 176 0

HSL 68.86, 1%, 0.35%

LAB 67.68, -27.57, 69.17

 

CMYK 12 / 0 / 81 / 3

HEX #D9F730

RGB 217 247 48

HSL 69.05, 0.93%, 0.58%

LAB 92.35, -32.43, 82.98

 

CMYK 0 / 10 / 81 / 3

HEX #F7DF30

RGB 247 223 48

HSL 52.76, 0.93%, 0.58%

LAB 88.33, -8.57, 80.4

 

CMYK 0 / 32 / 81 / 3

HEX #F7A930

RGB 247 169 48

HSL 36.48, 0.93%, 0.58%

LAB 75.05, 19.28, 68.8

 

CMYK 0 / 53 / 81 / 3

HEX #F77430

RGB 247 116 48

HSL 20.5, 0.93%, 0.58%

LAB 63.74, 46.4, 58.57

 

CMYK 0 / 75 / 81 / 3

HEX #F73E30

RGB 247 62 48

HSL 4.22, 0.93%, 0.58%

LAB 55.52, 68.35, 50.84

 

CMYK 12 / 0 / 81 / 3

HEX #D9F730

RGB 217 247 48

HSL 69.05, 0.93%, 0.58%

LAB 92.35, -32.43, 82.98

 

CMYK 34 / 0 / 81 / 3

HEX #A4F730

RGB 164 247 48

HSL 85.03, 0.93%, 0.58%

LAB 89.22, -52.32, 79.01

 

CMYK 55 / 0 / 81 / 3

HEX #6EF730

RGB 110 247 48

HSL 101.31, 0.93%, 0.58%

LAB 87.02, -68.66, 76.21

 

CMYK 77 / 0 / 81 / 3

HEX #38F730

RGB 56 247 48

HSL 117.59, 0.93%, 0.58%

LAB 85.79, -78.94, 74.63

 

CMYK 81 / 0 / 62 / 3

HEX #30F75D

RGB 48 247 93

HSL 133.57, 0.93%, 0.58%

LAB 85.98, -76.27, 59.27

 

CMYK 12 / 0 / 81 / 3

HEX #D9F730

RGB 217 247 48

HSL 69.05, 0.93%, 0.58%

LAB 92.35, -32.43, 82.98

 

CMYK 12 / 0 / 81 / 3

HEX #D9F730

RGB 217 247 48

HSL 69.05, 0.93%, 0.58%

LAB 92.35, -32.43, 82.98

 

CMYK 11 / 0 / 72 / 10

HEX #CDE641

RGB 205 230 65

HSL 69.09, 0.77%, 0.58%

LAB 86.97, -28.65, 72.81

 

CMYK 9 / 0 / 61 / 17

HEX #C1D452

RGB 193 212 82

HSL 68.77, 0.6%, 0.58%

LAB 81.31, -23.89, 60.3

 

CMYK 7 / 0 / 49 / 24

HEX #B5C364

RGB 181 195 100

HSL 68.84, 0.44%, 0.58%

LAB 75.93, -18.86, 45.75

 

CMYK 5 / 0 / 34 / 30

HEX #A9B275

RGB 169 178 117

HSL 68.85, 0.28%, 0.58%

LAB 70.57, -13.07, 30.17

 

CMYK 0 / 32 / 81 / 3

HEX #F7A730

RGB 247 167 48

HSL 35.88, 0.93%, 0.58%

LAB 74.59, 20.33, 68.39

 

CMYK 0 / 11 / 81 / 3

HEX #F7DC30

RGB 247 220 48

HSL 51.86, 0.93%, 0.58%

LAB 87.57, -7.07, 79.74

 

CMYK 11 / 0 / 81 / 3

HEX #DCF730

RGB 220 247 48

HSL 68.14, 0.93%, 0.58%

LAB 92.55, -31.24, 83.23

 

CMYK 32 / 0 / 81 / 3

HEX #A7F730

RGB 167 247 48

HSL 84.12, 0.93%, 0.58%

LAB 89.37, -51.28, 79.21

 

CMYK 54 / 0 / 81 / 3

HEX #72F730

RGB 114 247 48

HSL 100.1, 0.93%, 0.58%

LAB 87.15, -67.64, 76.37

 

CMYK 14 / 0 / 97 / 20

HEX #B0CD07

RGB 176 205 7

HSL 68.79, 0.93%, 0.42%

LAB 77.82, -30.41, 76.9

 

CMYK 14 / 0 / 97 / 4

HEX #D2F508

RGB 210 245 8

HSL 68.86, 0.94%, 0.5%

LAB 91.25, -35.08, 88.07

 

CMYK 12 / 0 / 81 / 3

HEX #D9F730

RGB 217 247 48

HSL 69.05, 0.93%, 0.58%

LAB 92.35, -32.43, 82.98

 

CMYK 10 / 0 / 65 / 3

HEX #E0F858

RGB 224 248 88

HSL 69, 0.92%, 0.66%

LAB 93.31, -28.26, 71.29

 

CMYK 7 / 0 / 49 / 2

HEX #E8FA7F

RGB 232 250 127

HSL 68.78, 0.92%, 0.74%

LAB 94.76, -23.13, 56.46

 

CMYK 12 / 0 / 81 / 3

HEX #DAF82F

RGB 218 248 47

HSL 68.96, 0.93%, 0.58%

LAB 92.68, -32.52, 83.53

 

CMYK 81 / 0 / 54 / 3

HEX #30F772

RGB 48 247 114

HSL 139.9, 0.93%, 0.58%

LAB 86.19, -73.69, 50.32

 

CMYK 21 / 81 / 0 / 3

HEX #C230F7

RGB 194 48 247

HSL 284.02, 0.93%, 0.58%

LAB 52.17, 81.14, -70.02

 

CMYK 12 / 0 / 81 / 3

HEX #DAF82F

RGB 218 248 47

HSL 68.96, 0.93%, 0.58%

LAB 92.68, -32.52, 83.53

 

CMYK 81 / 11 / 0 / 3

HEX #30DCF7

RGB 48 220 247

HSL 188.14, 0.93%, 0.58%

LAB 81.03, -32.63, -25.14

 

CMYK 0 / 81 / 11 / 3

HEX #F730DC

RGB 247 48 220

HSL 308.14, 0.93%, 0.58%

LAB 59.03, 86.42, -43.4

 

CMYK 12 / 0 / 81 / 3

HEX #DAF82F

RGB 218 248 47

HSL 68.96, 0.93%, 0.58%

LAB 92.68, -32.52, 83.53

 

CMYK 81 / 0 / 54 / 3

HEX #30F772

RGB 48 247 114

HSL 139.9, 0.93%, 0.58%

LAB 86.19, -73.69, 50.32

 

CMYK 70 / 81 / 0 / 3

HEX #4A30F7

RGB 74 48 247

HSL 247.84, 0.93%, 0.58%

LAB 38.35, 66.41, -93.22

 

CMYK 0 / 81 / 27 / 3

HEX #F730B5

RGB 247 48 181

HSL 319.9, 0.93%, 0.58%

LAB 57.29, 81.57, -23.78

 

CMYK 12 / 0 / 81 / 3

HEX #DAF82F

RGB 218 248 47

HSL 68.96, 0.93%, 0.58%

LAB 92.68, -32.52, 83.53

 

CMYK 81 / 0 / 30 / 3

HEX #30F7AE

RGB 48 247 174

HSL 157.99, 0.93%, 0.58%

LAB 87.1, -63.19, 22.05

 

CMYK 70 / 81 / 0 / 3

HEX #4A30F7

RGB 74 48 247

HSL 247.84, 0.93%, 0.58%

LAB 38.35, 66.41, -93.22

 

CMYK 0 / 81 / 51 / 3

HEX #F73079

RGB 247 48 121

HSL 337.99, 0.93%, 0.58%

LAB 55.35, 75.9, 8.72

 

Description

Color code: HEX #DAF82F | qconv.com Color code: HEX #DAF82F | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 248 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 248 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 81 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 81% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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