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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DAF0E5 it is the complementary color #250F1A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DAF0E5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DAF0E5 shade: #DFF0E0 and #F0FFF3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DAF0E5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DAF0E5 shade: #DAF0E5, #C9DED2, #B8CCBF, #A7BAAC and #96A899

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DAF0E5 shade: #DAF0E5, #DAF0DF, #DBF0DA, #E1F0DA and #E7F0DA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DAF0E5 shade: #DAF0E5, #DAF0EB, #DAEFF0, #DAE9F0 and #DAE3F0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DAF0E5 shade matches the following richer shades: #DAF0E5, #D6F4E5, #D2F8E5 and #CEFCE5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DAF0E5 shade: #DAF0E5, #DEECE5, #E3E7E5, #E7E3E5 and #EBDFE5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DAF0E5 shade: #DBF0DA, #DAF0DF, #DAF0E5, #DAF0EB and #DAEFF0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DAF0E5 shade: #A0D8BC, #BDE4D0, #DAF0E5 and #F8FCFA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DAF0E5 shade: #DAF0E5, #DAE1F0 and #F0DCDA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DAF0E5 shade: #DAF0E5, #E5DAF0 and #F0E5DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DAF0E5 shade: #DAF0E5, #DAE1F0, #F0DAE5 and #F0E9DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DAF0E5 shade: #DAF0E5, #DADAF0, #F0DAE5 and #F0F0DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 5 / 6

HEX #DAF0E5

RGB 218 240 229

HSL 150, 0.42%, 0.9%

LAB 92.96, -9.25, 2.84

 

Complementary color

CMYK 0 / 59 / 30 / 85

HEX #250F1A

RGB 37 15 26

HSL 330, 0.42%, 0.1%

LAB 7.31, 13.3, -2.7

 

CMYK 7 / 0 / 7 / 6

HEX #DFF0E0

RGB 223 240 224

HSL 123.53, 0.36%, 0.91%

LAB 93.18, -8.49, 5.8

 

CMYK 6 / 0 / 5 / 0

HEX #F0FFF3

RGB 240 255 243

HSL 132, 1%, 0.97%

LAB 98.64, -7.04, 4.03

 

CMYK 9 / 0 / 5 / 6

HEX #DAF0E5

RGB 218 240 229

HSL 150, 0.42%, 0.9%

LAB 92.96, -9.25, 2.84

 

CMYK 9 / 0 / 5 / 13

HEX #C9DED2

RGB 201 222 210

HSL 145.71, 0.24%, 0.83%

LAB 86.66, -9.23, 3.49

 

CMYK 10 / 0 / 6 / 20

HEX #B8CCBF

RGB 184 204 191

HSL 141, 0.16%, 0.76%

LAB 80.26, -9.23, 4.17

 

CMYK 10 / 0 / 8 / 27

HEX #A7BAAC

RGB 167 186 172

HSL 135.79, 0.12%, 0.69%

LAB 73.75, -9.23, 4.87

 

CMYK 11 / 0 / 9 / 34

HEX #96A899

RGB 150 168 153

HSL 130, 0.09%, 0.62%

LAB 67.12, -9.24, 5.61

 

CMYK 9 / 0 / 5 / 6

HEX #DAF0E5

RGB 218 240 229

HSL 150, 0.42%, 0.9%

LAB 92.96, -9.25, 2.84

 

CMYK 9 / 0 / 7 / 6

HEX #DAF0DF

RGB 218 240 223

HSL 133.64, 0.42%, 0.9%

LAB 92.82, -10.33, 5.75

 

CMYK 9 / 0 / 9 / 6

HEX #DBF0DA

RGB 219 240 218

HSL 117.27, 0.42%, 0.9%

LAB 92.77, -10.88, 8.28

 

CMYK 6 / 0 / 9 / 6

HEX #E1F0DA

RGB 225 240 218

HSL 100.91, 0.42%, 0.9%

LAB 93.18, -8.86, 8.93

 

CMYK 4 / 0 / 9 / 6

HEX #E7F0DA

RGB 231 240 218

HSL 84.55, 0.42%, 0.9%

LAB 93.61, -6.82, 9.6

 

CMYK 9 / 0 / 5 / 6

HEX #DAF0E5

RGB 218 240 229

HSL 150, 0.42%, 0.9%

LAB 92.96, -9.25, 2.84

 

CMYK 9 / 0 / 2 / 6

HEX #DAF0EB

RGB 218 240 235

HSL 166.36, 0.42%, 0.9%

LAB 93.11, -8.13, -0.06

 

CMYK 9 / 0 / 0 / 6

HEX #DAEFF0

RGB 218 239 240

HSL 182.73, 0.42%, 0.9%

LAB 92.98, -6.68, -2.85

 

CMYK 9 / 3 / 0 / 6

HEX #DAE9F0

RGB 218 233 240

HSL 199.09, 0.42%, 0.9%

LAB 91.45, -3.62, -5.11

 

CMYK 9 / 5 / 0 / 6

HEX #DAE3F0

RGB 218 227 240

HSL 215.45, 0.42%, 0.9%

LAB 89.92, -0.53, -7.36

 

CMYK 9 / 0 / 5 / 6

HEX #DAF0E5

RGB 218 240 229

HSL 150, 0.42%, 0.9%

LAB 92.96, -9.25, 2.84

 

CMYK 12 / 0 / 6 / 4

HEX #D6F4E5

RGB 214 244 229

HSL 150, 0.58%, 0.9%

LAB 93.73, -12.55, 3.92

 

CMYK 15 / 0 / 8 / 3

HEX #D2F8E5

RGB 210 248 229

HSL 150, 0.73%, 0.9%

LAB 94.52, -15.82, 5.03

 

CMYK 18 / 0 / 9 / 1

HEX #CEFCE5

RGB 206 252 229

HSL 150, 0.88%, 0.9%

LAB 95.33, -19.05, 6.17

 

CMYK 9 / 0 / 5 / 6

HEX #DAF0E5

RGB 218 240 229

HSL 150, 0.42%, 0.9%

LAB 92.96, -9.25, 2.84

 

CMYK 6 / 0 / 3 / 7

HEX #DEECE5

RGB 222 236 229

HSL 150, 0.27%, 0.9%

LAB 92.21, -5.91, 1.78

 

CMYK 2 / 0 / 1 / 9

HEX #E3E7E5

RGB 227 231 229

HSL 150, 0.08%, 0.9%

LAB 91.3, -1.69, 0.49

 

CMYK 0 / 2 / 1 / 9

HEX #E7E3E5

RGB 231 227 229

HSL 330, 0.08%, 0.9%

LAB 90.59, 1.71, -0.5

 

CMYK 0 / 5 / 3 / 8

HEX #EBDFE5

RGB 235 223 229

HSL 330, 0.23%, 0.9%

LAB 89.9, 5.13, -1.47

 

CMYK 9 / 0 / 9 / 6

HEX #DBF0DA

RGB 219 240 218

HSL 117.27, 0.42%, 0.9%

LAB 92.77, -10.88, 8.28

 

CMYK 9 / 0 / 7 / 6

HEX #DAF0DF

RGB 218 240 223

HSL 133.64, 0.42%, 0.9%

LAB 92.82, -10.33, 5.75

 

CMYK 9 / 0 / 5 / 6

HEX #DAF0E5

RGB 218 240 229

HSL 150, 0.42%, 0.9%

LAB 92.96, -9.25, 2.84

 

CMYK 9 / 0 / 2 / 6

HEX #DAF0EB

RGB 218 240 235

HSL 166.36, 0.42%, 0.9%

LAB 93.11, -8.13, -0.06

 

CMYK 9 / 0 / 0 / 6

HEX #DAEFF0

RGB 218 239 240

HSL 182.73, 0.42%, 0.9%

LAB 92.98, -6.68, -2.85

 

CMYK 26 / 0 / 13 / 15

HEX #A0D8BC

RGB 160 216 188

HSL 150, 0.42%, 0.74%

LAB 81.96, -23.69, 8.02

 

CMYK 17 / 0 / 9 / 11

HEX #BDE4D0

RGB 189 228 208

HSL 149.23, 0.42%, 0.82%

LAB 87.42, -16.57, 5.54

 

CMYK 9 / 0 / 5 / 6

HEX #DAF0E5

RGB 218 240 229

HSL 150, 0.42%, 0.9%

LAB 92.96, -9.25, 2.84

 

CMYK 2 / 0 / 1 / 1

HEX #F8FCFA

RGB 248 252 250

HSL 150, 0.4%, 0.98%

LAB 98.62, -1.66, 0.48

 

CMYK 9 / 0 / 5 / 6

HEX #DAF0E5

RGB 218 240 229

HSL 150, 0.42%, 0.9%

LAB 92.96, -9.25, 2.84

 

CMYK 9 / 6 / 0 / 6

HEX #DAE1F0

RGB 218 225 240

HSL 220.91, 0.42%, 0.9%

LAB 89.42, 0.5, -8.11

 

CMYK 0 / 8 / 9 / 6

HEX #F0DCDA

RGB 240 220 218

HSL 5.45, 0.42%, 0.9%

LAB 89.29, 6.53, 3.46

 

CMYK 9 / 0 / 5 / 6

HEX #DAF0E5

RGB 218 240 229

HSL 150, 0.42%, 0.9%

LAB 92.96, -9.25, 2.84

 

CMYK 5 / 9 / 0 / 6

HEX #E5DAF0

RGB 229 218 240

HSL 270, 0.42%, 0.9%

LAB 88.49, 7.73, -9.39

 

CMYK 0 / 5 / 9 / 6

HEX #F0E5DA

RGB 240 229 218

HSL 30, 0.42%, 0.9%

LAB 91.52, 1.89, 6.68

 

CMYK 9 / 0 / 5 / 6

HEX #DAF0E5

RGB 218 240 229

HSL 150, 0.42%, 0.9%

LAB 92.96, -9.25, 2.84

 

CMYK 9 / 6 / 0 / 6

HEX #DAE1F0

RGB 218 225 240

HSL 220.91, 0.42%, 0.9%

LAB 89.42, 0.5, -8.11

 

CMYK 0 / 9 / 5 / 6

HEX #F0DAE5

RGB 240 218 229

HSL 330, 0.42%, 0.9%

LAB 89.08, 9.43, -2.64

 

CMYK 0 / 3 / 9 / 6

HEX #F0E9DA

RGB 240 233 218

HSL 40.91, 0.42%, 0.9%

LAB 92.52, -0.16, 8.11

 

CMYK 9 / 0 / 5 / 6

HEX #DAF0E5

RGB 218 240 229

HSL 150, 0.42%, 0.9%

LAB 92.96, -9.25, 2.84

 

CMYK 9 / 9 / 0 / 6

HEX #DADAF0

RGB 218 218 240

HSL 240, 0.42%, 0.9%

LAB 87.65, 4.15, -10.74

 

CMYK 0 / 9 / 5 / 6

HEX #F0DAE5

RGB 240 218 229

HSL 330, 0.42%, 0.9%

LAB 89.08, 9.43, -2.64

 

CMYK 0 / 0 / 9 / 6

HEX #F0F0DA

RGB 240 240 218

HSL 60, 0.42%, 0.9%

LAB 94.27, -3.72, 10.63

 

Description

Color code: HEX #DAF0E5 | qconv.com Color code: HEX #DAF0E5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 240 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 240 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 5 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 5% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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