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Color name
HEX #DAFDB9

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DAFDB9 it is the complementary color #250246. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DAFDB9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DAFDB9 shade: #DFFDB4, #F0FFC7, #FFFFDA and #FFFFED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DAFDB9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DAFDB9 shade: #DAFDB9, #C9EBA6, #B8D993, #A7C780 and #96B56D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DAFDB9 shade: #DAFCB9, #ECFCB9, #FCFBB9, #FCE9B9 and #FCD7B9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DAFDB9 shade: #DAFCB9, #C8FCB9, #B9FCBD, #B9FCCF and #B9FCE1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DAFDB9 shade matches the following richer shades: #DAFCB9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DAFDB9 shade: #DAFCB9, #DAF7BF, #DAF1C5, #DAEBCB and #DAE5D0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DAFDB9 shade: #FCFAB9, #EDFCB9, #DBFCB9, #C9FCB9 and #B9FCBB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DAFDB9 shade: #AFFA69, #C5FB91, #DAFCB9 and #EFFEE1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DAFDB9 shade: #DAFDB9, #B9FCE8 and #FCB9F6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DAFDB9 shade: #DAFDB9, #B9DBFC and #FCB9DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DAFDB9 shade: #DAFDB9, #B9FCE8, #DBB9FC and #FCB9CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DAFDB9 shade: #DAFDB9, #B9FCFC, #DBB9FC and #FCB9B9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 27 / 1

HEX #DAFDB9

RGB 218 253 185

HSL 90.88, 0.94%, 0.86%

LAB 95.44, -22.87, 28.92

 

Complementary color

CMYK 47 / 97 / 0 / 73

HEX #250246

RGB 37 2 70

HSL 270.88, 0.94%, 0.14%

LAB 7.94, 32.28, -34.25

 

CMYK 12 / 0 / 29 / 1

HEX #DFFDB4

RGB 223 253 180

HSL 84.66, 0.95%, 0.85%

LAB 95.68, -21.82, 31.82

 

CMYK 6 / 0 / 22 / 0

HEX #F0FFC7

RGB 240 255 199

HSL 76.07, 1%, 0.89%

LAB 97.7, -14.09, 25.17

 

CMYK 0 / 0 / 15 / 0

HEX #FFFFDA

RGB 255 255 218

HSL 60, 1%, 0.93%

LAB 99.16, -6.02, 17.71

 

CMYK 0 / 0 / 7 / 0

HEX #FFFFED

RGB 255 255 237

HSL 60, 1%, 0.96%

LAB 99.57, -3.04, 8.59

 

CMYK 14 / 0 / 27 / 1

HEX #DAFDB9

RGB 218 253 185

HSL 90.88, 0.94%, 0.86%

LAB 95.44, -22.87, 28.92

 

CMYK 14 / 0 / 29 / 8

HEX #C9EBA6

RGB 201 235 166

HSL 89.57, 0.63%, 0.79%

LAB 89.2, -22.92, 29.93

 

CMYK 15 / 0 / 32 / 15

HEX #B8D993

RGB 184 217 147

HSL 88.29, 0.48%, 0.71%

LAB 82.87, -22.96, 30.99

 

CMYK 16 / 0 / 36 / 22

HEX #A7C780

RGB 167 199 128

HSL 87.04, 0.39%, 0.64%

LAB 76.45, -22.99, 32.1

 

CMYK 17 / 0 / 40 / 29

HEX #96B56D

RGB 150 181 109

HSL 85.83, 0.33%, 0.57%

LAB 69.92, -23.01, 33.26

 

CMYK 13 / 0 / 27 / 1

HEX #DAFCB9

RGB 218 252 185

HSL 90.45, 0.92%, 0.86%

LAB 95.17, -22.39, 28.56

 

CMYK 6 / 0 / 27 / 1

HEX #ECFCB9

RGB 236 252 185

HSL 74.33, 0.92%, 0.86%

LAB 96.39, -16.01, 30.42

 

CMYK 0 / 0 / 27 / 1

HEX #FCFBB9

RGB 252 251 185

HSL 59.1, 0.92%, 0.86%

LAB 97.31, -9.71, 31.85

 

CMYK 0 / 8 / 27 / 1

HEX #FCE9B9

RGB 252 233 185

HSL 42.99, 0.92%, 0.86%

LAB 92.78, -0.7, 25.71

 

CMYK 0 / 15 / 27 / 1

HEX #FCD7B9

RGB 252 215 185

HSL 26.87, 0.92%, 0.86%

LAB 88.35, 8.52, 19.59

 

CMYK 13 / 0 / 27 / 1

HEX #DAFCB9

RGB 218 252 185

HSL 90.45, 0.92%, 0.86%

LAB 95.17, -22.39, 28.56

 

CMYK 21 / 0 / 27 / 1

HEX #C8FCB9

RGB 200 252 185

HSL 106.57, 0.92%, 0.86%

LAB 94.06, -28.54, 26.86

 

CMYK 27 / 0 / 25 / 1

HEX #B9FCBD

RGB 185 252 189

HSL 123.58, 0.92%, 0.86%

LAB 93.28, -32.78, 23.62

 

CMYK 27 / 0 / 18 / 1

HEX #B9FCCF

RGB 185 252 207

HSL 139.7, 0.92%, 0.86%

LAB 93.64, -29.65, 14.92

 

CMYK 27 / 0 / 11 / 1

HEX #B9FCE1

RGB 185 252 225

HSL 155.82, 0.92%, 0.86%

LAB 94.04, -26.24, 6.22

 

CMYK 13 / 0 / 27 / 1

HEX #DAFCB9

RGB 218 252 185

HSL 90.45, 0.92%, 0.86%

LAB 95.17, -22.39, 28.56

 

CMYK 13 / 0 / 27 / 1

HEX #DAFCB9

RGB 218 252 185

HSL 90.45, 0.92%, 0.86%

LAB 95.17, -22.39, 28.56

 

CMYK 12 / 0 / 23 / 3

HEX #DAF7BF

RGB 218 247 191

HSL 91.07, 0.78%, 0.86%

LAB 93.96, -19.08, 23.86

 

CMYK 10 / 0 / 18 / 5

HEX #DAF1C5

RGB 218 241 197

HSL 91.36, 0.61%, 0.86%

LAB 92.51, -15.21, 18.76

 

CMYK 7 / 0 / 14 / 8

HEX #DAEBCB

RGB 218 235 203

HSL 91.88, 0.44%, 0.86%

LAB 91.07, -11.26, 13.63

 

CMYK 5 / 0 / 9 / 10

HEX #DAE5D0

RGB 218 229 208

HSL 91.43, 0.29%, 0.86%

LAB 89.63, -7.4, 8.97

 

CMYK 0 / 1 / 27 / 1

HEX #FCFAB9

RGB 252 250 185

HSL 58.21, 0.92%, 0.86%

LAB 97.05, -9.21, 31.51

 

CMYK 6 / 0 / 27 / 1

HEX #EDFCB9

RGB 237 252 185

HSL 73.43, 0.92%, 0.86%

LAB 96.46, -15.65, 30.53

 

CMYK 13 / 0 / 27 / 1

HEX #DBFCB9

RGB 219 252 185

HSL 89.55, 0.92%, 0.86%

LAB 95.24, -22.04, 28.66

 

CMYK 20 / 0 / 27 / 1

HEX #C9FCB9

RGB 201 252 185

HSL 105.67, 0.92%, 0.86%

LAB 94.12, -28.2, 26.95

 

CMYK 27 / 0 / 26 / 1

HEX #B9FCBB

RGB 185 252 187

HSL 121.79, 0.92%, 0.86%

LAB 93.24, -33.11, 24.59

 

CMYK 30 / 0 / 58 / 2

HEX #AFFA69

RGB 175 250 105

HSL 91.03, 0.94%, 0.7%

LAB 91.01, -46.08, 60.98

 

CMYK 22 / 0 / 42 / 2

HEX #C5FB91

RGB 197 251 145

HSL 90.57, 0.93%, 0.78%

LAB 92.97, -34.61, 45.26

 

CMYK 13 / 0 / 27 / 1

HEX #DAFCB9

RGB 218 252 185

HSL 90.45, 0.92%, 0.86%

LAB 95.17, -22.39, 28.56

 

CMYK 6 / 0 / 11 / 0

HEX #EFFEE1

RGB 239 254 225

HSL 91.03, 0.94%, 0.94%

LAB 97.9, -9.93, 12.19

 

CMYK 14 / 0 / 27 / 1

HEX #DAFDB9

RGB 218 253 185

HSL 90.88, 0.94%, 0.86%

LAB 95.44, -22.87, 28.92

 

CMYK 27 / 0 / 8 / 1

HEX #B9FCE8

RGB 185 252 232

HSL 162.09, 0.92%, 0.86%

LAB 94.21, -24.84, 2.85

 

CMYK 0 / 27 / 2 / 1

HEX #FCB9F6

RGB 252 185 246

HSL 305.37, 0.92%, 0.86%

LAB 82.94, 33.78, -20.7

 

CMYK 14 / 0 / 27 / 1

HEX #DAFDB9

RGB 218 253 185

HSL 90.88, 0.94%, 0.86%

LAB 95.44, -22.87, 28.92

 

CMYK 27 / 13 / 0 / 1

HEX #B9DBFC

RGB 185 219 252

HSL 209.55, 0.92%, 0.86%

LAB 86.01, -3.95, -19.76

 

CMYK 0 / 27 / 13 / 1

HEX #FCB9DB

RGB 252 185 219

HSL 329.55, 0.92%, 0.86%

LAB 82.11, 29.23, -7.46

 

CMYK 14 / 0 / 27 / 1

HEX #DAFDB9

RGB 218 253 185

HSL 90.88, 0.94%, 0.86%

LAB 95.44, -22.87, 28.92

 

CMYK 27 / 0 / 8 / 1

HEX #B9FCE8

RGB 185 252 232

HSL 162.09, 0.92%, 0.86%

LAB 94.21, -24.84, 2.85

 

CMYK 13 / 27 / 0 / 1

HEX #DBB9FC

RGB 219 185 252

HSL 270.45, 0.92%, 0.86%

LAB 80.06, 24.5, -28.58

 

CMYK 0 / 27 / 19 / 1

HEX #FCB9CD

RGB 252 185 205

HSL 342.09, 0.92%, 0.86%

LAB 81.73, 27.06, -0.5

 

CMYK 14 / 0 / 27 / 1

HEX #DAFDB9

RGB 218 253 185

HSL 90.88, 0.94%, 0.86%

LAB 95.44, -22.87, 28.92

 

CMYK 27 / 0 / 0 / 1

HEX #B9FCFC

RGB 185 252 252

HSL 180, 0.92%, 0.86%

LAB 94.72, -20.64, -6.73

 

CMYK 13 / 27 / 0 / 1

HEX #DBB9FC

RGB 219 185 252

HSL 270.45, 0.92%, 0.86%

LAB 80.06, 24.5, -28.58

 

CMYK 0 / 27 / 27 / 1

HEX #FCB9B9

RGB 252 185 185

HSL 0, 0.92%, 0.86%

LAB 81.23, 24.21, 9.56

 

Description

Color code: HEX #DAFDB9 | qconv.com Color code: HEX #DAFDB9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 253 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 253 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 27 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 27% 1% C M Y K

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Provide designers and agencies with accurate color values.

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