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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB0AA1 it is the complementary color #24F55E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB0AA1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB0AA1 shade: #E00A9C, #F11CAF, #FF2EC2, #FF40D5 and #FF52E8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB0AA1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB0AA1 shade: #DB0AA1, #CA008E, #B9007B, #A80068 and #970055

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB0AA1 shade: #DB0AA1, #DB0A68, #DB0A30 and #DB0A0A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB0AA1 shade: #DB0AA1, #DB0AD9, #A40ADB, #6C0ADB and #330ADB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB0AA1 shade matches the following richer shades: #DB0AA1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB0AA1 shade: #DB0AA1, #C81C98, #B62F90, #A34288 and #905480

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB0AA1 shade: #A30ADB, #DB0ADB, #DB0AA3, #DB0A6B and #DB0A34

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB0AA1 shade: #8C0667, #B30884, #DB0AA1, #F41AB7 and #F641C4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB0AA1 shade: #DB0AA1, #DB6B0A and #0ADBBF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB0AA1 shade: #DB0AA1, #A3DB0A and #0AA3DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB0AA1 shade: #DB0AA1, #DB6B0A, #0ADB42 and #0A79DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB0AA1 shade: #DB0AA1, #DBAA0A, #0ADB42 and #0A3BDB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 95 / 26 / 14

HEX #DB0AA1

RGB 219 10 161

HSL 316.65, 0.91%, 0.45%

LAB 49.31, 79.41, -24.76

 

Complementary color

CMYK 85 / 0 / 62 / 4

HEX #24F55E

RGB 36 245 94

HSL 136.65, 0.91%, 0.55%

LAB 85.24, -76.66, 57.99

 

CMYK 0 / 96 / 30 / 12

HEX #E00A9C

RGB 224 10 156

HSL 319.07, 0.91%, 0.46%

LAB 50.05, 79.87, -20.56

 

CMYK 0 / 88 / 27 / 5

HEX #F11CAF

RGB 241 28 175

HSL 318.59, 0.88%, 0.53%

LAB 54.69, 83.36, -24.39

 

CMYK 0 / 82 / 24 / 0

HEX #FF2EC2

RGB 255 46 194

HSL 317.51, 1%, 0.59%

LAB 59.08, 85.22, -28.41

 

CMYK 0 / 75 / 16 / 0

HEX #FF40D5

RGB 255 64 213

HSL 313.19, 1%, 0.63%

LAB 61.42, 83.15, -35.59

 

CMYK 0 / 68 / 9 / 0

HEX #FF52E8

RGB 255 82 232

HSL 307.98, 1%, 0.66%

LAB 64.26, 80.15, -41.82

 

CMYK 0 / 95 / 26 / 14

HEX #DB0AA1

RGB 219 10 161

HSL 316.65, 0.91%, 0.45%

LAB 49.31, 79.41, -24.76

 

CMYK 0 / 100 / 30 / 21

HEX #CA008E

RGB 202 0 142

HSL 317.82, 1%, 0.4%

LAB 44.95, 74.79, -20.32

 

CMYK 0 / 100 / 34 / 27

HEX #B9007B

RGB 185 0 123

HSL 320.11, 1%, 0.36%

LAB 40.81, 69.33, -15.3

 

CMYK 0 / 100 / 38 / 34

HEX #A80068

RGB 168 0 104

HSL 322.86, 1%, 0.33%

LAB 36.6, 63.8, -10.05

 

CMYK 0 / 100 / 44 / 41

HEX #970055

RGB 151 0 85

HSL 326.23, 1%, 0.3%

LAB 32.34, 58.22, -4.52

 

CMYK 0 / 95 / 26 / 14

HEX #DB0AA1

RGB 219 10 161

HSL 316.65, 0.91%, 0.45%

LAB 49.31, 79.41, -24.76

 

CMYK 0 / 95 / 53 / 14

HEX #DB0A68

RGB 219 10 104

HSL 333.01, 0.91%, 0.45%

LAB 47.34, 74.19, 6.92

 

CMYK 0 / 95 / 78 / 14

HEX #DB0A30

RGB 219 10 48

HSL 349.09, 0.91%, 0.45%

LAB 46.3, 71.36, 39.77

 

CMYK 0 / 95 / 95 / 14

HEX #DB0A0A

RGB 219 10 10

HSL 0, 0.91%, 0.45%

LAB 46.04, 70.64, 57.06

 

CMYK 0 / 95 / 26 / 14

HEX #DB0AA1

RGB 219 10 161

HSL 316.65, 0.91%, 0.45%

LAB 49.31, 79.41, -24.76

 

CMYK 0 / 95 / 1 / 14

HEX #DB0AD9

RGB 219 10 217

HSL 300.57, 0.91%, 0.45%

LAB 52.16, 86.58, -52.9

 

CMYK 25 / 95 / 0 / 14

HEX #A40ADB

RGB 164 10 219

HSL 284.21, 0.91%, 0.45%

LAB 43.1, 78.76, -69.13

 

CMYK 51 / 95 / 0 / 14

HEX #6C0ADB

RGB 108 10 219

HSL 268.13, 0.91%, 0.45%

LAB 35.04, 72.75, -82.66

 

CMYK 77 / 95 / 0 / 14

HEX #330ADB

RGB 51 10 219

HSL 251.77, 0.91%, 0.45%

LAB 29.5, 69.56, -92.03

 

CMYK 0 / 95 / 26 / 14

HEX #DB0AA1

RGB 219 10 161

HSL 316.65, 0.91%, 0.45%

LAB 49.31, 79.41, -24.76

 

CMYK 0 / 95 / 26 / 14

HEX #DB0AA1

RGB 219 10 161

HSL 316.65, 0.91%, 0.45%

LAB 49.31, 79.41, -24.76

 

CMYK 0 / 86 / 24 / 22

HEX #C81C98

RGB 200 28 152

HSL 316.74, 0.75%, 0.45%

LAB 46.15, 72.19, -24.56

 

CMYK 0 / 74 / 21 / 29

HEX #B62F90

RGB 182 47 144

HSL 316.89, 0.59%, 0.45%

LAB 44.22, 62.24, -22.97

 

CMYK 0 / 60 / 17 / 36

HEX #A34288

RGB 163 66 136

HSL 316.7, 0.42%, 0.45%

LAB 43.45, 48.39, -19.57

 

CMYK 0 / 42 / 11 / 44

HEX #905480

RGB 144 84 128

HSL 316, 0.26%, 0.45%

LAB 43.99, 31.56, -14.14

 

CMYK 26 / 95 / 0 / 14

HEX #A30ADB

RGB 163 10 219

HSL 283.92, 0.91%, 0.45%

LAB 42.94, 78.63, -69.39

 

CMYK 0 / 95 / 0 / 14

HEX #DB0ADB

RGB 219 10 219

HSL 300, 0.91%, 0.45%

LAB 52.28, 86.87, -53.85

 

CMYK 0 / 95 / 26 / 14

HEX #DB0AA3

RGB 219 10 163

HSL 316.08, 0.91%, 0.45%

LAB 49.4, 79.64, -25.81

 

CMYK 0 / 95 / 51 / 14

HEX #DB0A6B

RGB 219 10 107

HSL 332.15, 0.91%, 0.45%

LAB 47.42, 74.4, 5.18

 

CMYK 0 / 95 / 76 / 14

HEX #DB0A34

RGB 219 10 52

HSL 347.94, 0.91%, 0.45%

LAB 46.35, 71.48, 37.5

 

CMYK 0 / 96 / 26 / 45

HEX #8C0667

RGB 140 6 103

HSL 316.57, 0.92%, 0.29%

LAB 31.08, 56.84, -18.36

 

CMYK 0 / 96 / 26 / 30

HEX #B30884

RGB 179 8 132

HSL 316.49, 0.91%, 0.37%

LAB 40.28, 68.26, -21.78

 

CMYK 0 / 95 / 26 / 14

HEX #DB0AA1

RGB 219 10 161

HSL 316.65, 0.91%, 0.45%

LAB 49.31, 79.41, -24.76

 

CMYK 0 / 89 / 25 / 4

HEX #F41AB7

RGB 244 26 183

HSL 316.79, 0.91%, 0.53%

LAB 55.47, 85.13, -27.79

 

CMYK 0 / 74 / 20 / 4

HEX #F641C4

RGB 246 65 196

HSL 316.57, 0.91%, 0.61%

LAB 59.31, 78.66, -29.33

 

CMYK 0 / 95 / 26 / 14

HEX #DB0AA1

RGB 219 10 161

HSL 316.65, 0.91%, 0.45%

LAB 49.31, 79.41, -24.76

 

CMYK 0 / 51 / 95 / 14

HEX #DB6B0A

RGB 219 107 10

HSL 27.85, 0.91%, 0.45%

LAB 57.65, 39.29, 63.96

 

CMYK 95 / 0 / 13 / 14

HEX #0ADBBF

RGB 10 219 191

HSL 171.96, 0.91%, 0.45%

LAB 78.75, -50.48, 1.26

 

CMYK 0 / 95 / 26 / 14

HEX #DB0AA1

RGB 219 10 161

HSL 316.65, 0.91%, 0.45%

LAB 49.31, 79.41, -24.76

 

CMYK 26 / 0 / 95 / 14

HEX #A3DB0A

RGB 163 219 10

HSL 76.08, 0.91%, 0.45%

LAB 81, -41.88, 78.73

 

CMYK 95 / 26 / 0 / 14

HEX #0AA3DB

RGB 10 163 219

HSL 196.08, 0.91%, 0.45%

LAB 62.82, -15.14, -38.1

 

CMYK 0 / 95 / 26 / 14

HEX #DB0AA1

RGB 219 10 161

HSL 316.65, 0.91%, 0.45%

LAB 49.31, 79.41, -24.76

 

CMYK 0 / 51 / 95 / 14

HEX #DB6B0A

RGB 219 107 10

HSL 27.85, 0.91%, 0.45%

LAB 57.65, 39.29, 63.96

 

CMYK 95 / 0 / 70 / 14

HEX #0ADB42

RGB 10 219 66

HSL 136.08, 0.91%, 0.45%

LAB 76.75, -73.4, 59.87

 

CMYK 95 / 45 / 0 / 14

HEX #0A79DB

RGB 10 121 219

HSL 208.13, 0.91%, 0.45%

LAB 50.52, 9.44, -57.62

 

CMYK 0 / 95 / 26 / 14

HEX #DB0AA1

RGB 219 10 161

HSL 316.65, 0.91%, 0.45%

LAB 49.31, 79.41, -24.76

 

CMYK 0 / 22 / 95 / 14

HEX #DBAA0A

RGB 219 170 10

HSL 45.93, 0.91%, 0.45%

LAB 72.12, 5.93, 73.97

 

CMYK 95 / 0 / 70 / 14

HEX #0ADB42

RGB 10 219 66

HSL 136.08, 0.91%, 0.45%

LAB 76.75, -73.4, 59.87

 

CMYK 95 / 73 / 0 / 14

HEX #0A3BDB

RGB 10 59 219

HSL 225.93, 0.91%, 0.45%

LAB 34.61, 48.85, -83.57

 

Description

Color code: HEX #DB0AA1 | qconv.com Color code: HEX #DB0AA1 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 10 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 10 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 95 magenta, 26 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 95% 26% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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