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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB1DD2 it is the complementary color #24E22D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB1DD2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB1DD2 shade: #E01DCD, #F12FE0, #FF41F3, #FF53FF and #FF65FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB1DD2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB1DD2 shade: #DB1DD2, #CA0BBF, #B900AC, #A80099 and #970086

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB1DD2 shade: #DD1CD4, #DD1CA0, #DD1C6C, #DD1C38 and #DD1C1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB1DD2 shade: #DD1CD4, #B21CDD, #7E1CDD, #4A1CDD and #1C1CDD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB1DD2 shade matches the following richer shades: #DD1CD4 and #F108E6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB1DD2 shade: #DD1CD4, #C830C1, #B445AF, #A0599D and #8C6D8A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB1DD2 shade: #7C1CDD, #B01CDD, #DD1CD6, #DD1CA3 and #DD1C70

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB1DD2 shade: #94138E, #B817B1, #DD1CD4, #E53DDD and #EA61E4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB1DD2 shade: #DB1DD2, #DD491C and #1CDD96

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB1DD2 shade: #DB1DD2, #D6DD1C and #1CD6DD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB1DD2 shade: #DB1DD2, #DD491C, #1CDD23 and #1CB0DD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB1DD2 shade: #DB1DD2, #DD831C, #1CDD23 and #1C76DD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 87 / 4 / 14

HEX #DB1DD2

RGB 219 29 210

HSL 302.84, 0.77%, 0.49%

LAB 52.5, 83.41, -48.35

 

Complementary color

CMYK 84 / 0 / 80 / 11

HEX #24E22D

RGB 36 226 45

HSL 122.84, 0.77%, 0.51%

LAB 79.02, -75.29, 69.03

 

CMYK 0 / 87 / 8 / 12

HEX #E01DCD

RGB 224 29 205

HSL 305.85, 0.77%, 0.5%

LAB 53.1, 83.61, -44.48

 

CMYK 0 / 80 / 7 / 5

HEX #F12FE0

RGB 241 47 224

HSL 305.26, 0.87%, 0.56%

LAB 58.15, 86.03, -47.12

 

CMYK 0 / 75 / 5 / 0

HEX #FF41F3

RGB 255 65 243

HSL 303.79, 1%, 0.63%

LAB 62.94, 87.02, -50.02

 

CMYK 0 / 67 / 0 / 0

HEX #FF53FF

RGB 255 83 255

HSL 300, 1%, 0.66%

LAB 65.49, 83.28, -52.61

 

CMYK 0 / 60 / 0 / 0

HEX #FF65FF

RGB 255 101 255

HSL 300, 1%, 0.7%

LAB 67.86, 76.64, -48.86

 

CMYK 0 / 87 / 4 / 14

HEX #DB1DD2

RGB 219 29 210

HSL 302.84, 0.77%, 0.49%

LAB 52.5, 83.41, -48.35

 

CMYK 0 / 95 / 5 / 21

HEX #CA0BBF

RGB 202 11 191

HSL 303.46, 0.9%, 0.42%

LAB 47.7, 79.96, -45.19

 

CMYK 0 / 100 / 7 / 27

HEX #B900AC

RGB 185 0 172

HSL 304.22, 1%, 0.36%

LAB 43.2, 75.34, -41.35

 

CMYK 0 / 100 / 9 / 34

HEX #A80099

RGB 168 0 153

HSL 305.36, 1%, 0.33%

LAB 38.94, 69.71, -36.89

 

CMYK 0 / 100 / 11 / 41

HEX #970086

RGB 151 0 134

HSL 306.75, 1%, 0.3%

LAB 34.6, 63.97, -32.31

 

CMYK 0 / 87 / 4 / 13

HEX #DD1CD4

RGB 221 28 212

HSL 302.8, 0.78%, 0.49%

LAB 52.9, 84.2, -48.84

 

CMYK 0 / 87 / 28 / 13

HEX #DD1CA0

RGB 221 28 160

HSL 318.96, 0.78%, 0.49%

LAB 50.38, 77.56, -22.48

 

CMYK 0 / 87 / 51 / 13

HEX #DD1C6C

RGB 221 28 108

HSL 335.13, 0.78%, 0.49%

LAB 48.62, 72.69, 6.34

 

CMYK 0 / 87 / 75 / 13

HEX #DD1C38

RGB 221 28 56

HSL 351.3, 0.78%, 0.49%

LAB 47.61, 69.81, 36.68

 

CMYK 0 / 87 / 87 / 13

HEX #DD1C1C

RGB 221 28 28

HSL 0, 0.78%, 0.49%

LAB 47.35, 69.05, 51.35

 

CMYK 0 / 87 / 4 / 13

HEX #DD1CD4

RGB 221 28 212

HSL 302.8, 0.78%, 0.49%

LAB 52.9, 84.2, -48.84

 

CMYK 19 / 87 / 0 / 13

HEX #B21CDD

RGB 178 28 221

HSL 286.63, 0.78%, 0.49%

LAB 46.33, 78.53, -64.92

 

CMYK 43 / 87 / 0 / 13

HEX #7E1CDD

RGB 126 28 221

HSL 270.47, 0.78%, 0.49%

LAB 38.7, 71.54, -77.7

 

CMYK 67 / 87 / 0 / 13

HEX #4A1CDD

RGB 74 28 221

HSL 254.3, 0.78%, 0.49%

LAB 32.93, 66.82, -87.42

 

CMYK 87 / 87 / 0 / 13

HEX #1C1CDD

RGB 28 28 221

HSL 240, 0.78%, 0.49%

LAB 30.15, 64.78, -92.12

 

CMYK 0 / 87 / 4 / 13

HEX #DD1CD4

RGB 221 28 212

HSL 302.8, 0.78%, 0.49%

LAB 52.9, 84.2, -48.84

 

CMYK 0 / 97 / 5 / 5

HEX #F108E6

RGB 241 8 230

HSL 302.83, 0.94%, 0.49%

LAB 56.67, 92.12, -52.84

 

CMYK 0 / 87 / 4 / 13

HEX #DD1CD4

RGB 221 28 212

HSL 302.8, 0.78%, 0.49%

LAB 52.9, 84.2, -48.84

 

CMYK 0 / 76 / 4 / 22

HEX #C830C1

RGB 200 48 193

HSL 302.76, 0.61%, 0.49%

LAB 49.79, 73.1, -43.05

 

CMYK 0 / 62 / 3 / 29

HEX #B445AF

RGB 180 69 175

HSL 302.7, 0.45%, 0.49%

LAB 48.33, 58.12, -35.07

 

CMYK 0 / 44 / 2 / 37

HEX #A0599D

RGB 160 89 157

HSL 302.54, 0.29%, 0.49%

LAB 48.33, 39.44, -24.67

 

CMYK 0 / 22 / 1 / 45

HEX #8C6D8A

RGB 140 109 138

HSL 303.87, 0.12%, 0.49%

LAB 49.92, 17.54, -11.2

 

CMYK 44 / 87 / 0 / 13

HEX #7C1CDD

RGB 124 28 221

HSL 269.84, 0.78%, 0.49%

LAB 38.44, 71.31, -78.14

 

CMYK 20 / 87 / 0 / 13

HEX #B01CDD

RGB 176 28 221

HSL 286.01, 0.78%, 0.49%

LAB 46.02, 78.23, -65.44

 

CMYK 0 / 87 / 3 / 13

HEX #DD1CD6

RGB 221 28 214

HSL 302.18, 0.78%, 0.49%

LAB 53.01, 84.49, -49.8

 

CMYK 0 / 87 / 26 / 13

HEX #DD1CA3

RGB 221 28 163

HSL 318.03, 0.78%, 0.49%

LAB 50.51, 77.9, -24.07

 

CMYK 0 / 87 / 49 / 13

HEX #DD1C70

RGB 221 28 112

HSL 333.89, 0.78%, 0.49%

LAB 48.73, 72.99, 4.04

 

CMYK 0 / 87 / 4 / 42

HEX #94138E

RGB 148 19 142

HSL 302.79, 0.77%, 0.33%

LAB 35.43, 61.84, -35.98

 

CMYK 0 / 88 / 4 / 28

HEX #B817B1

RGB 184 23 177

HSL 302.61, 0.78%, 0.41%

LAB 44.2, 73.24, -42.73

 

CMYK 0 / 87 / 4 / 13

HEX #DD1CD4

RGB 221 28 212

HSL 302.8, 0.78%, 0.49%

LAB 52.9, 84.2, -48.84

 

CMYK 0 / 73 / 3 / 10

HEX #E53DDD

RGB 229 61 221

HSL 302.86, 0.76%, 0.57%

LAB 57.29, 79.6, -46.91

 

CMYK 0 / 59 / 3 / 8

HEX #EA61E4

RGB 234 97 228

HSL 302.63, 0.77%, 0.65%

LAB 63.05, 68.77, -41.71

 

CMYK 0 / 87 / 4 / 14

HEX #DB1DD2

RGB 219 29 210

HSL 302.84, 0.77%, 0.49%

LAB 52.5, 83.41, -48.35

 

CMYK 0 / 67 / 87 / 13

HEX #DD491C

RGB 221 73 28

HSL 13.99, 0.78%, 0.49%

LAB 52.09, 55.84, 55.08

 

CMYK 87 / 0 / 32 / 13

HEX #1CDD96

RGB 28 221 150

HSL 157.93, 0.78%, 0.49%

LAB 78.56, -60.31, 22.67

 

CMYK 0 / 87 / 4 / 14

HEX #DB1DD2

RGB 219 29 210

HSL 302.84, 0.77%, 0.49%

LAB 52.5, 83.41, -48.35

 

CMYK 3 / 0 / 87 / 13

HEX #D6DD1C

RGB 214 221 28

HSL 62.18, 0.78%, 0.49%

LAB 85.04, -21.94, 81.01

 

CMYK 87 / 3 / 0 / 13

HEX #1CD6DD

RGB 28 214 221

HSL 182.18, 0.78%, 0.49%

LAB 78.2, -39.09, -15.58

 

CMYK 0 / 87 / 4 / 14

HEX #DB1DD2

RGB 219 29 210

HSL 302.84, 0.77%, 0.49%

LAB 52.5, 83.41, -48.35

 

CMYK 0 / 67 / 87 / 13

HEX #DD491C

RGB 221 73 28

HSL 13.99, 0.78%, 0.49%

LAB 52.09, 55.84, 55.08

 

CMYK 87 / 0 / 84 / 13

HEX #1CDD23

RGB 28 221 35

HSL 122.18, 0.78%, 0.49%

LAB 77.33, -75.07, 69.96

 

CMYK 87 / 20 / 0 / 13

HEX #1CB0DD

RGB 28 176 221

HSL 193.99, 0.78%, 0.49%

LAB 66.91, -20.57, -32.83

 

CMYK 0 / 87 / 4 / 14

HEX #DB1DD2

RGB 219 29 210

HSL 302.84, 0.77%, 0.49%

LAB 52.5, 83.41, -48.35

 

CMYK 0 / 41 / 87 / 13

HEX #DD831C

RGB 221 131 28

HSL 32.02, 0.78%, 0.49%

LAB 63.08, 27.93, 63.77

 

CMYK 87 / 0 / 84 / 13

HEX #1CDD23

RGB 28 221 35

HSL 122.18, 0.78%, 0.49%

LAB 77.33, -75.07, 69.96

 

CMYK 87 / 47 / 0 / 13

HEX #1C76DD

RGB 28 118 221

HSL 212.02, 0.78%, 0.49%

LAB 50.01, 12.93, -59.55

 

Description

Color code: HEX #DB1DD2 | qconv.com Color code: HEX #DB1DD2 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 29 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 29 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 87 magenta, 4 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 87% 4% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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