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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB1ECA it is the complementary color #24E135. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB1ECA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB1ECA shade: #E01EC5, #F130D8, #FF42EB, #FF54FE and #FF66FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB1ECA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB1ECA shade: #DB1ECA, #CA0CB7, #B900A4, #A80091 and #97007E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB1ECA shade: #DB1DCA, #DB1D97, #DB1D64, #DB1D31 and #DB1D1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB1ECA shade: #DB1DCA, #B91DDB, #861DDB, #531DDB and #201DDB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB1ECA shade matches the following richer shades: #DB1DCA and #F009DB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB1ECA shade: #DB1DCA, #C732BA, #B346A9, #9F5A99 and #8B6E88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB1ECA shade: #861DDB, #B91DDB, #DB1DCC, #DB1D99 and #DB1D66

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB1ECA shade: #931487, #B719A9, #DB1DCA, #E43ED5 and #E962DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB1ECA shade: #DB1ECA, #DB531D and #1DDB9F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB1ECA shade: #DB1ECA, #CCDB1D and #1DCCDB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB1ECA shade: #DB1ECA, #DB531D, #1DDB2D and #1DA6DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB1ECA shade: #DB1ECA, #DB8C1D, #1DDB2D and #1D6DDB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 86 / 8 / 14

HEX #DB1ECA

RGB 219 30 202

HSL 305.4, 0.76%, 0.49%

LAB 52.12, 82.12, -44.36

 

Complementary color

CMYK 84 / 0 / 76 / 12

HEX #24E135

RGB 36 225 53

HSL 125.4, 0.76%, 0.51%

LAB 78.74, -74.51, 66.42

 

CMYK 0 / 87 / 12 / 12

HEX #E01EC5

RGB 224 30 197

HSL 308.35, 0.76%, 0.5%

LAB 52.74, 82.37, -40.44

 

CMYK 0 / 80 / 10 / 5

HEX #F130D8

RGB 241 48 216

HSL 307.77, 0.87%, 0.57%

LAB 57.82, 84.7, -43.11

 

CMYK 0 / 74 / 8 / 0

HEX #FF42EB

RGB 255 66 235

HSL 306.35, 1%, 0.63%

LAB 62.64, 85.59, -46.04

 

CMYK 0 / 67 / 0 / 0

HEX #FF54FE

RGB 255 84 254

HSL 300.35, 1%, 0.66%

LAB 65.56, 82.78, -51.95

 

CMYK 0 / 60 / 0 / 0

HEX #FF66FF

RGB 255 102 255

HSL 300, 1%, 0.7%

LAB 68.01, 76.24, -48.63

 

CMYK 0 / 86 / 8 / 14

HEX #DB1ECA

RGB 219 30 202

HSL 305.4, 0.76%, 0.49%

LAB 52.12, 82.12, -44.36

 

CMYK 0 / 94 / 9 / 21

HEX #CA0CB7

RGB 202 12 183

HSL 306, 0.89%, 0.42%

LAB 47.29, 78.77, -41.17

 

CMYK 0 / 100 / 11 / 27

HEX #B900A4

RGB 185 0 164

HSL 306.81, 1%, 0.36%

LAB 42.76, 74.24, -37.28

 

CMYK 0 / 100 / 14 / 34

HEX #A80091

RGB 168 0 145

HSL 308.21, 1%, 0.33%

LAB 38.5, 68.61, -32.72

 

CMYK 0 / 100 / 17 / 41

HEX #97007E

RGB 151 0 126

HSL 309.93, 1%, 0.3%

LAB 34.16, 62.87, -28.01

 

CMYK 0 / 87 / 8 / 14

HEX #DB1DCA

RGB 219 29 202

HSL 305.37, 0.77%, 0.49%

LAB 52.07, 82.28, -44.45

 

CMYK 0 / 87 / 31 / 14

HEX #DB1D97

RGB 219 29 151

HSL 321.47, 0.77%, 0.49%

LAB 49.71, 75.98, -18.19

 

CMYK 0 / 87 / 54 / 14

HEX #DB1D64

RGB 219 29 100

HSL 337.58, 0.77%, 0.49%

LAB 48.08, 71.45, 10.45

 

CMYK 0 / 87 / 78 / 14

HEX #DB1D31

RGB 219 29 49

HSL 353.68, 0.77%, 0.49%

LAB 47.18, 68.87, 40.14

 

CMYK 0 / 87 / 87 / 14

HEX #DB1D1D

RGB 219 29 29

HSL 0, 0.77%, 0.49%

LAB 47.01, 68.36, 50.45

 

CMYK 0 / 87 / 8 / 14

HEX #DB1DCA

RGB 219 29 202

HSL 305.37, 0.77%, 0.49%

LAB 52.07, 82.28, -44.45

 

CMYK 16 / 87 / 0 / 14

HEX #B91DDB

RGB 185 29 219

HSL 289.26, 0.77%, 0.49%

LAB 47.38, 79.08, -62.03

 

CMYK 39 / 87 / 0 / 14

HEX #861DDB

RGB 134 29 219

HSL 273.16, 0.77%, 0.49%

LAB 39.68, 71.82, -74.9

 

CMYK 62 / 87 / 0 / 14

HEX #531DDB

RGB 83 29 219

HSL 257.05, 0.77%, 0.49%

LAB 33.63, 66.64, -85.09

 

CMYK 85 / 87 / 0 / 14

HEX #201DDB

RGB 32 29 219

HSL 240.95, 0.77%, 0.49%

LAB 30.16, 63.97, -90.96

 

CMYK 0 / 87 / 8 / 14

HEX #DB1DCA

RGB 219 29 202

HSL 305.37, 0.77%, 0.49%

LAB 52.07, 82.28, -44.45

 

CMYK 0 / 96 / 9 / 6

HEX #F009DB

RGB 240 9 219

HSL 305.45, 0.93%, 0.49%

LAB 55.92, 90.41, -47.82

 

CMYK 0 / 87 / 8 / 14

HEX #DB1DCA

RGB 219 29 202

HSL 305.37, 0.77%, 0.49%

LAB 52.07, 82.28, -44.45

 

CMYK 0 / 75 / 7 / 22

HEX #C732BA

RGB 199 50 186

HSL 305.23, 0.6%, 0.49%

LAB 49.46, 71.24, -39.52

 

CMYK 0 / 61 / 6 / 30

HEX #B346A9

RGB 179 70 169

HSL 305.5, 0.44%, 0.49%

LAB 48.04, 56.41, -31.99

 

CMYK 0 / 43 / 4 / 38

HEX #9F5A99

RGB 159 90 153

HSL 305.22, 0.28%, 0.49%

LAB 48.24, 37.83, -22.44

 

CMYK 0 / 21 / 2 / 45

HEX #8B6E88

RGB 139 110 136

HSL 306.21, 0.12%, 0.49%

LAB 50, 16.19, -9.9

 

CMYK 39 / 87 / 0 / 14

HEX #861DDB

RGB 134 29 219

HSL 273.16, 0.77%, 0.49%

LAB 39.68, 71.82, -74.9

 

CMYK 16 / 87 / 0 / 14

HEX #B91DDB

RGB 185 29 219

HSL 289.26, 0.77%, 0.49%

LAB 47.38, 79.08, -62.03

 

CMYK 0 / 87 / 7 / 14

HEX #DB1DCC

RGB 219 29 204

HSL 304.74, 0.77%, 0.49%

LAB 52.17, 82.56, -45.43

 

CMYK 0 / 87 / 30 / 14

HEX #DB1D99

RGB 219 29 153

HSL 320.84, 0.77%, 0.49%

LAB 49.78, 76.2, -19.26

 

CMYK 0 / 87 / 53 / 14

HEX #DB1D66

RGB 219 29 102

HSL 336.95, 0.77%, 0.49%

LAB 48.13, 71.59, 9.28

 

CMYK 0 / 86 / 8 / 42

HEX #931487

RGB 147 20 135

HSL 305.67, 0.76%, 0.33%

LAB 34.91, 60.37, -32.49

 

CMYK 0 / 86 / 8 / 28

HEX #B719A9

RGB 183 25 169

HSL 305.32, 0.76%, 0.41%

LAB 43.69, 71.54, -38.8

 

CMYK 0 / 87 / 8 / 14

HEX #DB1DCA

RGB 219 29 202

HSL 305.37, 0.77%, 0.49%

LAB 52.07, 82.28, -44.45

 

CMYK 0 / 73 / 7 / 11

HEX #E43ED5

RGB 228 62 213

HSL 305.42, 0.75%, 0.57%

LAB 56.82, 77.89, -43.12

 

CMYK 0 / 58 / 5 / 9

HEX #E962DD

RGB 233 98 221

HSL 305.33, 0.75%, 0.65%

LAB 62.74, 66.95, -38.28

 

CMYK 0 / 86 / 8 / 14

HEX #DB1ECA

RGB 219 30 202

HSL 305.4, 0.76%, 0.49%

LAB 52.12, 82.12, -44.36

 

CMYK 0 / 62 / 87 / 14

HEX #DB531D

RGB 219 83 29

HSL 17.05, 0.77%, 0.49%

LAB 53.31, 50.97, 55.52

 

CMYK 87 / 0 / 27 / 14

HEX #1DDB9F

RGB 29 219 159

HSL 161.05, 0.77%, 0.49%

LAB 78.13, -57.53, 17.37

 

CMYK 0 / 86 / 8 / 14

HEX #DB1ECA

RGB 219 30 202

HSL 305.4, 0.76%, 0.49%

LAB 52.12, 82.12, -44.36

 

CMYK 7 / 0 / 87 / 14

HEX #CCDB1D

RGB 204 219 29

HSL 64.74, 0.77%, 0.49%

LAB 83.75, -25.11, 79.47

 

CMYK 87 / 7 / 0 / 14

HEX #1DCCDB

RGB 29 204 219

HSL 184.74, 0.77%, 0.49%

LAB 75.18, -35.02, -19.07

 

CMYK 0 / 86 / 8 / 14

HEX #DB1ECA

RGB 219 30 202

HSL 305.4, 0.76%, 0.49%

LAB 52.12, 82.12, -44.36

 

CMYK 0 / 62 / 87 / 14

HEX #DB531D

RGB 219 83 29

HSL 17.05, 0.77%, 0.49%

LAB 53.31, 50.97, 55.52

 

CMYK 87 / 0 / 79 / 14

HEX #1DDB2D

RGB 29 219 45

HSL 125.05, 0.77%, 0.49%

LAB 76.75, -73.91, 66.87

 

CMYK 87 / 24 / 0 / 14

HEX #1DA6DB

RGB 29 166 219

HSL 196.74, 0.77%, 0.49%

LAB 63.87, -15.89, -36.45

 

CMYK 0 / 86 / 8 / 14

HEX #DB1ECA

RGB 219 30 202

HSL 305.4, 0.76%, 0.49%

LAB 52.12, 82.12, -44.36

 

CMYK 0 / 36 / 87 / 14

HEX #DB8C1D

RGB 219 140 29

HSL 35.05, 0.77%, 0.49%

LAB 64.89, 22.3, 64.81

 

CMYK 87 / 0 / 79 / 14

HEX #1DDB2D

RGB 29 219 45

HSL 125.05, 0.77%, 0.49%

LAB 76.75, -73.91, 66.87

 

CMYK 87 / 50 / 0 / 14

HEX #1D6DDB

RGB 29 109 219

HSL 214.74, 0.77%, 0.49%

LAB 47.38, 17.93, -62.66

 

Description

Color code: HEX #DB1ECA | qconv.com Color code: HEX #DB1ECA | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 30 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 30 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 86 magenta, 8 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 86% 8% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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