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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB2D9B it is the complementary color #24D264. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB2D9B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB2D9B shade: #E02D96, #F13FA9, #FF51BC, #FF63CF and #FF75E2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB2D9B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB2D9B shade: #DB2D9B, #CA1B88, #B90975, #A80062 and #97004F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB2D9B shade: #DB2D9B, #DB2D6C, #DB2D3D and #DB2D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB2D9B shade: #DB2D9B, #DB2DCA, #BD2DDB, #8E2DDB and #5F2DDB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB2D9B shade matches the following richer shades: #DB2D9B and #EF19A0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB2D9B shade: #DB2D9B, #C74196, #B35591, #A0698B and #8C7C86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB2D9B shade: #BE2DDB, #DB2DCA, #DB2D9B, #DB2D6D and #DB2D3F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB2D9B shade: #9C1A6C, #BF2084, #DB2D9B, #E150AC and #E774BD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB2D9B shade: #DB2D9B, #DB902D and #2DDBD5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB2D9B shade: #DB2D9B, #9BDB2D and #2D9BDB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB2D9B shade: #DB2D9B, #DB902D, #2DDB6D and #2D79DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB2D9B shade: #DB2D9B, #DBC42D, #2DDB6D and #2D44DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 29 / 14

HEX #DB2D9B

RGB 219 45 155

HSL 322.07, 0.71%, 0.52%

LAB 51.04, 73.02, -18.53

 

Complementary color

CMYK 83 / 0 / 52 / 18

HEX #24D264

RGB 36 210 100

HSL 142.07, 0.71%, 0.48%

LAB 74.44, -64.93, 42.56

 

CMYK 0 / 80 / 33 / 12

HEX #E02D96

RGB 224 45 150

HSL 324.8, 0.74%, 0.53%

LAB 51.75, 73.65, -14.39

 

CMYK 0 / 74 / 30 / 5

HEX #F13FA9

RGB 241 63 169

HSL 324.27, 0.86%, 0.6%

LAB 57.19, 74.83, -17.05

 

CMYK 0 / 68 / 26 / 0

HEX #FF51BC

RGB 255 81 188

HSL 323.1, 1%, 0.66%

LAB 62.32, 74.64, -20

 

CMYK 0 / 61 / 19 / 0

HEX #FF63CF

RGB 255 99 207

HSL 318.46, 1%, 0.69%

LAB 65.51, 70.24, -25.89

 

CMYK 0 / 54 / 11 / 0

HEX #FF75E2

RGB 255 117 226

HSL 312.61, 1%, 0.73%

LAB 69.09, 65.28, -30.96

 

CMYK 0 / 79 / 29 / 14

HEX #DB2D9B

RGB 219 45 155

HSL 322.07, 0.71%, 0.52%

LAB 51.04, 73.02, -18.53

 

CMYK 0 / 87 / 33 / 21

HEX #CA1B88

RGB 202 27 136

HSL 322.63, 0.76%, 0.45%

LAB 45.8, 70.99, -15.39

 

CMYK 0 / 95 / 37 / 27

HEX #B90975

RGB 185 9 117

HSL 323.18, 0.91%, 0.38%

LAB 40.89, 67.8, -11.43

 

CMYK 0 / 100 / 42 / 34

HEX #A80062

RGB 168 0 98

HSL 325, 1%, 0.33%

LAB 36.38, 63.22, -6.54

 

CMYK 0 / 100 / 48 / 41

HEX #97004F

RGB 151 0 79

HSL 328.61, 1%, 0.3%

LAB 32.13, 57.68, -0.88

 

CMYK 0 / 79 / 29 / 14

HEX #DB2D9B

RGB 219 45 155

HSL 322.07, 0.71%, 0.52%

LAB 51.04, 73.02, -18.53

 

CMYK 0 / 79 / 51 / 14

HEX #DB2D6C

RGB 219 45 108

HSL 338.28, 0.71%, 0.52%

LAB 49.52, 68.51, 7.57

 

CMYK 0 / 79 / 72 / 14

HEX #DB2D3D

RGB 219 45 61

HSL 354.48, 0.71%, 0.52%

LAB 48.6, 65.69, 34.79

 

CMYK 0 / 79 / 79 / 14

HEX #DB2D2D

RGB 219 45 45

HSL 0, 0.71%, 0.52%

LAB 48.42, 65.11, 43.63

 

CMYK 0 / 79 / 29 / 14

HEX #DB2D9B

RGB 219 45 155

HSL 322.07, 0.71%, 0.52%

LAB 51.04, 73.02, -18.53

 

CMYK 0 / 79 / 8 / 14

HEX #DB2DCA

RGB 219 45 202

HSL 305.86, 0.71%, 0.52%

LAB 53.17, 79.07, -42.7

 

CMYK 14 / 79 / 0 / 14

HEX #BD2DDB

RGB 189 45 219

HSL 289.66, 0.71%, 0.52%

LAB 49.26, 76.08, -58.95

 

CMYK 35 / 79 / 0 / 14

HEX #8E2DDB

RGB 142 45 219

HSL 273.45, 0.71%, 0.52%

LAB 42.37, 68.24, -70.45

 

CMYK 57 / 79 / 0 / 14

HEX #5F2DDB

RGB 95 45 219

HSL 257.24, 0.71%, 0.52%

LAB 36.79, 61.94, -79.83

 

CMYK 0 / 79 / 29 / 14

HEX #DB2D9B

RGB 219 45 155

HSL 322.07, 0.71%, 0.52%

LAB 51.04, 73.02, -18.53

 

CMYK 0 / 90 / 33 / 6

HEX #EF19A0

RGB 239 25 160

HSL 322.15, 0.87%, 0.52%

LAB 53.58, 81.78, -17.29

 

CMYK 0 / 79 / 29 / 14

HEX #DB2D9B

RGB 219 45 155

HSL 322.07, 0.71%, 0.52%

LAB 51.04, 73.02, -18.53

 

CMYK 0 / 67 / 25 / 22

HEX #C74196

RGB 199 65 150

HSL 321.94, 0.54%, 0.52%

LAB 49.65, 61.02, -17.99

 

CMYK 0 / 53 / 19 / 30

HEX #B35591

RGB 179 85 145

HSL 321.7, 0.38%, 0.52%

LAB 49.65, 45.52, -15.3

 

CMYK 0 / 34 / 13 / 37

HEX #A0698B

RGB 160 105 139

HSL 322.91, 0.22%, 0.52%

LAB 51.2, 27.29, -9.64

 

CMYK 0 / 11 / 4 / 45

HEX #8C7C86

RGB 140 124 134

HSL 322.5, 0.07%, 0.52%

LAB 53.72, 7.99, -3.18

 

CMYK 13 / 79 / 0 / 14

HEX #BE2DDB

RGB 190 45 219

HSL 290, 0.71%, 0.52%

LAB 49.42, 76.26, -58.69

 

CMYK 0 / 79 / 8 / 14

HEX #DB2DCA

RGB 219 45 202

HSL 305.86, 0.71%, 0.52%

LAB 53.17, 79.07, -42.7

 

CMYK 0 / 79 / 29 / 14

HEX #DB2D9B

RGB 219 45 155

HSL 322.07, 0.71%, 0.52%

LAB 51.04, 73.02, -18.53

 

CMYK 0 / 79 / 50 / 14

HEX #DB2D6D

RGB 219 45 109

HSL 337.93, 0.71%, 0.52%

LAB 49.55, 68.58, 7

 

CMYK 0 / 79 / 71 / 14

HEX #DB2D3F

RGB 219 45 63

HSL 353.79, 0.71%, 0.52%

LAB 48.63, 65.78, 33.65

 

CMYK 0 / 83 / 31 / 39

HEX #9C1A6C

RGB 156 26 108

HSL 322.15, 0.71%, 0.36%

LAB 35.77, 57.38, -14.08

 

CMYK 0 / 83 / 31 / 25

HEX #BF2084

RGB 191 32 132

HSL 322.26, 0.71%, 0.44%

LAB 43.91, 67.04, -16.01

 

CMYK 0 / 79 / 29 / 14

HEX #DB2D9B

RGB 219 45 155

HSL 322.07, 0.71%, 0.52%

LAB 51.04, 73.02, -18.53

 

CMYK 0 / 64 / 24 / 12

HEX #E150AC

RGB 225 80 172

HSL 321.93, 0.71%, 0.6%

LAB 56.8, 65.1, -19.62

 

CMYK 0 / 50 / 18 / 9

HEX #E774BD

RGB 231 116 189

HSL 321.91, 0.71%, 0.68%

LAB 64.29, 53.18, -17.9

 

CMYK 0 / 79 / 29 / 14

HEX #DB2D9B

RGB 219 45 155

HSL 322.07, 0.71%, 0.52%

LAB 51.04, 73.02, -18.53

 

CMYK 0 / 34 / 79 / 14

HEX #DB902D

RGB 219 144 45

HSL 34.14, 0.71%, 0.52%

LAB 65.9, 20.61, 60.39

 

CMYK 79 / 0 / 3 / 14

HEX #2DDBD5

RGB 45 219 213

HSL 177.93, 0.71%, 0.52%

LAB 79.63, -42.48, -9.16

 

CMYK 0 / 79 / 29 / 14

HEX #DB2D9B

RGB 219 45 155

HSL 322.07, 0.71%, 0.52%

LAB 51.04, 73.02, -18.53

 

CMYK 29 / 0 / 79 / 14

HEX #9BDB2D

RGB 155 219 45

HSL 82.07, 0.71%, 0.52%

LAB 80.64, -43.98, 71.89

 

CMYK 79 / 29 / 0 / 14

HEX #2D9BDB

RGB 45 155 219

HSL 202.07, 0.71%, 0.52%

LAB 60.88, -8.53, -41.11

 

CMYK 0 / 79 / 29 / 14

HEX #DB2D9B

RGB 219 45 155

HSL 322.07, 0.71%, 0.52%

LAB 51.04, 73.02, -18.53

 

CMYK 0 / 34 / 79 / 14

HEX #DB902D

RGB 219 144 45

HSL 34.14, 0.71%, 0.52%

LAB 65.9, 20.61, 60.39

 

CMYK 79 / 0 / 50 / 14

HEX #2DDB6D

RGB 45 219 109

HSL 142.07, 0.71%, 0.52%

LAB 77.47, -65.63, 42

 

CMYK 79 / 45 / 0 / 14

HEX #2D79DB

RGB 45 121 219

HSL 213.79, 0.71%, 0.52%

LAB 51.09, 11.67, -56.66

 

CMYK 0 / 79 / 29 / 14

HEX #DB2D9B

RGB 219 45 155

HSL 322.07, 0.71%, 0.52%

LAB 51.04, 73.02, -18.53

 

CMYK 0 / 11 / 79 / 14

HEX #DBC42D

RGB 219 196 45

HSL 52.07, 0.71%, 0.52%

LAB 78.89, -6.91, 72.05

 

CMYK 79 / 0 / 50 / 14

HEX #2DDB6D

RGB 45 219 109

HSL 142.07, 0.71%, 0.52%

LAB 77.47, -65.63, 42

 

CMYK 79 / 69 / 0 / 14

HEX #2D44DB

RGB 45 68 219

HSL 232.07, 0.71%, 0.52%

LAB 37.49, 45.13, -78.78

 

Description

Color code: HEX #DB2D9B | qconv.com Color code: HEX #DB2D9B | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 45 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 45 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 29 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 29% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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