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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB2F80 it is the complementary color #24D07F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB2F80. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB2F80 shade: #E02F7B, #F1418E, #FF53A1, #FF65B4 and #FF77C7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB2F80. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB2F80 shade: #DB2F80, #CA1D6D, #B90B5A, #A80047 and #970034

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB2F80 shade: #DA2E7F, #DA2E51 and #DA2E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB2F80 shade: #DA2E7F, #DA2EAD, #D82EDA, #AA2EDA and #7C2EDA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB2F80 shade matches the following richer shades: #DA2E7F and #EE1B7E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB2F80 shade: #DA2E7F, #C64280, #B25681, #9E6A83 and #8B7E84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB2F80 shade: #D72EDA, #DA2EAF, #DA2E81, #DA2E54 and #DA372E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB2F80 shade: #9B1B57, #BE216B, #DA2E7F, #E05195 and #E675AA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB2F80 shade: #DB2F80, #DAA92E and #2EC6DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB2F80 shade: #DB2F80, #81DA2E and #2E81DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB2F80 shade: #DB2F80, #DAA92E, #2EDA87 and #2E5FDA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB2F80 shade: #DB2F80, #D7DA2E, #2EDA87 and #312EDA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 42 / 14

HEX #DB2F80

RGB 219 47 128

HSL 331.74, 0.7%, 0.52%

LAB 50.28, 69.7, -3.48

 

Complementary color

CMYK 83 / 0 / 39 / 18

HEX #24D07F

RGB 36 208 127

HSL 151.74, 0.7%, 0.48%

LAB 74.2, -59.66, 28.76

 

CMYK 0 / 79 / 45 / 12

HEX #E02F7B

RGB 224 47 123

HSL 334.24, 0.74%, 0.53%

LAB 51.05, 70.51, 0.78

 

CMYK 0 / 73 / 41 / 5

HEX #F1418E

RGB 241 65 142

HSL 333.75, 0.86%, 0.6%

LAB 56.52, 71.39, -2.21

 

CMYK 0 / 67 / 37 / 0

HEX #FF53A1

RGB 255 83 161

HSL 332.79, 1%, 0.66%

LAB 61.67, 70.89, -5.44

 

CMYK 0 / 60 / 29 / 0

HEX #FF65B4

RGB 255 101 180

HSL 329.22, 1%, 0.7%

LAB 64.85, 65.95, -11.6

 

CMYK 0 / 53 / 22 / 0

HEX #FF77C7

RGB 255 119 199

HSL 324.71, 1%, 0.73%

LAB 68.44, 60.47, -16.92

 

CMYK 0 / 79 / 42 / 14

HEX #DB2F80

RGB 219 47 128

HSL 331.74, 0.7%, 0.52%

LAB 50.28, 69.7, -3.48

 

CMYK 0 / 86 / 46 / 21

HEX #CA1D6D

RGB 202 29 109

HSL 332.25, 0.75%, 0.45%

LAB 45, 68.01, 0.02

 

CMYK 0 / 94 / 51 / 27

HEX #B90B5A

RGB 185 11 90

HSL 332.76, 0.89%, 0.38%

LAB 40.07, 65.2, 4.39

 

CMYK 0 / 100 / 58 / 34

HEX #A80047

RGB 168 0 71

HSL 334.64, 1%, 0.33%

LAB 35.56, 61.06, 9.76

 

CMYK 0 / 100 / 66 / 41

HEX #970034

RGB 151 0 52

HSL 339.34, 1%, 0.3%

LAB 31.41, 55.76, 16.03

 

CMYK 0 / 79 / 42 / 15

HEX #DA2E7F

RGB 218 46 127

HSL 331.74, 0.7%, 0.52%

LAB 49.97, 69.62, -3.36

 

CMYK 0 / 79 / 63 / 15

HEX #DA2E51

RGB 218 46 81

HSL 347.79, 0.7%, 0.52%

LAB 48.83, 66.13, 23.06

 

CMYK 0 / 79 / 79 / 15

HEX #DA2E2E

RGB 218 46 46

HSL 0, 0.7%, 0.52%

LAB 48.33, 64.59, 42.94

 

CMYK 0 / 79 / 42 / 15

HEX #DA2E7F

RGB 218 46 127

HSL 331.74, 0.7%, 0.52%

LAB 49.97, 69.62, -3.36

 

CMYK 0 / 79 / 21 / 15

HEX #DA2EAD

RGB 218 46 173

HSL 315.7, 0.7%, 0.52%

LAB 51.7, 74.7, -28.17

 

CMYK 1 / 79 / 0 / 15

HEX #D82EDA

RGB 216 46 218

HSL 299.3, 0.7%, 0.52%

LAB 53.62, 80.62, -51.17

 

CMYK 22 / 79 / 0 / 15

HEX #AA2EDA

RGB 170 46 218

HSL 283.26, 0.7%, 0.52%

LAB 46.39, 72.28, -63.16

 

CMYK 43 / 79 / 0 / 15

HEX #7C2EDA

RGB 124 46 218

HSL 267.21, 0.7%, 0.52%

LAB 40.08, 65, -73.72

 

CMYK 0 / 79 / 42 / 15

HEX #DA2E7F

RGB 218 46 127

HSL 331.74, 0.7%, 0.52%

LAB 49.97, 69.62, -3.36

 

CMYK 0 / 89 / 47 / 7

HEX #EE1B7E

RGB 238 27 126

HSL 331.85, 0.86%, 0.52%

LAB 52.36, 78.21, 1.2

 

CMYK 0 / 79 / 42 / 15

HEX #DA2E7F

RGB 218 46 127

HSL 331.74, 0.7%, 0.52%

LAB 49.97, 69.62, -3.36

 

CMYK 0 / 67 / 35 / 22

HEX #C64280

RGB 198 66 128

HSL 331.82, 0.54%, 0.52%

LAB 48.84, 57.66, -6.03

 

CMYK 0 / 52 / 28 / 30

HEX #B25681

RGB 178 86 129

HSL 331.96, 0.37%, 0.52%

LAB 49.14, 42.35, -6.52

 

CMYK 0 / 33 / 17 / 38

HEX #9E6A83

RGB 158 106 131

HSL 331.15, 0.21%, 0.52%

LAB 50.94, 24.63, -5.32

 

CMYK 0 / 9 / 5 / 45

HEX #8B7E84

RGB 139 126 132

HSL 332.31, 0.05%, 0.52%

LAB 54.11, 6.07, -1.46

 

CMYK 1 / 79 / 0 / 15

HEX #D72EDA

RGB 215 46 218

HSL 298.95, 0.7%, 0.52%

LAB 53.45, 80.43, -51.44

 

CMYK 0 / 79 / 20 / 15

HEX #DA2EAF

RGB 218 46 175

HSL 315, 0.7%, 0.52%

LAB 51.79, 74.96, -29.21

 

CMYK 0 / 79 / 41 / 15

HEX #DA2E81

RGB 218 46 129

HSL 331.05, 0.7%, 0.52%

LAB 50.03, 69.81, -4.47

 

CMYK 0 / 79 / 61 / 15

HEX #DA2E54

RGB 218 46 84

HSL 346.74, 0.7%, 0.52%

LAB 48.88, 66.31, 21.32

 

CMYK 0 / 75 / 79 / 15

HEX #DA372E

RGB 218 55 46

HSL 3.14, 0.7%, 0.52%

LAB 49.3, 61.88, 43.92

 

CMYK 0 / 83 / 44 / 39

HEX #9B1B57

RGB 155 27 87

HSL 331.88, 0.7%, 0.36%

LAB 34.88, 54.6, -1.97

 

CMYK 0 / 83 / 44 / 25

HEX #BE216B

RGB 190 33 107

HSL 331.72, 0.7%, 0.44%

LAB 42.91, 64, -2.07

 

CMYK 0 / 79 / 42 / 15

HEX #DA2E7F

RGB 218 46 127

HSL 331.74, 0.7%, 0.52%

LAB 49.97, 69.62, -3.36

 

CMYK 0 / 64 / 33 / 12

HEX #E05195

RGB 224 81 149

HSL 331.47, 0.7%, 0.6%

LAB 55.99, 61.59, -7.43

 

CMYK 0 / 49 / 26 / 10

HEX #E675AA

RGB 230 117 170

HSL 331.86, 0.69%, 0.68%

LAB 63.71, 49.69, -7.99

 

CMYK 0 / 79 / 42 / 14

HEX #DB2F80

RGB 219 47 128

HSL 331.74, 0.7%, 0.52%

LAB 50.28, 69.7, -3.48

 

CMYK 0 / 22 / 79 / 15

HEX #DAA92E

RGB 218 169 46

HSL 42.91, 0.7%, 0.52%

LAB 71.88, 6.81, 65.44

 

CMYK 79 / 9 / 0 / 15

HEX #2EC6DA

RGB 46 198 218

HSL 186.98, 0.7%, 0.52%

LAB 73.57, -31.21, -20.96

 

CMYK 0 / 79 / 42 / 14

HEX #DB2F80

RGB 219 47 128

HSL 331.74, 0.7%, 0.52%

LAB 50.28, 69.7, -3.48

 

CMYK 41 / 0 / 79 / 15

HEX #81DA2E

RGB 129 218 46

HSL 91.05, 0.7%, 0.52%

LAB 79.05, -52.61, 69.67

 

CMYK 79 / 41 / 0 / 15

HEX #2E81DA

RGB 46 129 218

HSL 211.05, 0.7%, 0.52%

LAB 53.32, 6.47, -52.52

 

CMYK 0 / 79 / 42 / 14

HEX #DB2F80

RGB 219 47 128

HSL 331.74, 0.7%, 0.52%

LAB 50.28, 69.7, -3.48

 

CMYK 0 / 22 / 79 / 15

HEX #DAA92E

RGB 218 169 46

HSL 42.91, 0.7%, 0.52%

LAB 71.88, 6.81, 65.44

 

CMYK 79 / 0 / 38 / 15

HEX #2EDA87

RGB 46 218 135

HSL 151.05, 0.7%, 0.52%

LAB 77.56, -60.71, 29.13

 

CMYK 79 / 56 / 0 / 15

HEX #2E5FDA

RGB 46 95 218

HSL 222.91, 0.7%, 0.52%

LAB 43.98, 27.91, -67.58

 

CMYK 0 / 79 / 42 / 14

HEX #DB2F80

RGB 219 47 128

HSL 331.74, 0.7%, 0.52%

LAB 50.28, 69.7, -3.48

 

CMYK 1 / 0 / 79 / 15

HEX #D7DA2E

RGB 215 218 46

HSL 61.05, 0.7%, 0.52%

LAB 84.37, -19.58, 76.47

 

CMYK 79 / 0 / 38 / 15

HEX #2EDA87

RGB 46 218 135

HSL 151.05, 0.7%, 0.52%

LAB 77.56, -60.71, 29.13

 

CMYK 78 / 79 / 0 / 15

HEX #312EDA

RGB 49 46 218

HSL 241.05, 0.7%, 0.52%

LAB 33.28, 57.16, -85.16

 

Description

Color code: HEX #DB2F80 | qconv.com Color code: HEX #DB2F80 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 47 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 47 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 42 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 42% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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